Seems that there are insiders and there are insiders. As a modern
academic discipline not yet one hundred years old, anthropology
celebrated for decades its lack of boundaries, its openness to all
social and cultural phenomena in the world, its face-to-face contacts
and sometimes relationships to subjects (rather than to objects, which
most other academic disciplines infused with narrative, textual half-
lives, thereby pretending that these objects were 'subjects'
represented through text). What anthropology did not have were 'method
and data rules defined from within' nor 'an adherence to some sort of
data fidelity, reproduction of results and refutability.' Fieldwork
conditions in anthropology coupled with the unwillingness in fieldwork
to turn subjects into objects made these parameters of method and data
rules largely irrelevant. Most anthropologists I have known did not
perceive themselves as 'scientists' in relation to such parameters. In
the main they relied on their own honesty and ethics and those of
others, sometimes a risky undertaking. Insiders argued endlessly over
approaches and details, but rarely about 'shoddiness' and 'quackery'.
Most of us were only too aware of the uncertain terrain that we tread.
Western philosophy does not provide answers for anthropology -
anthropology in practice shows and qualifies the value of philosophies
(again in practice) as Western intellectual traditions in relation to
the cosmologies and (again) practices of other peoples, even in this
globalizing world. But, anthropology in the main stands and falls on
fieldwork, and its 'methods' likely are closer to the Peircean
abductive. And the Peircean abductive depends on the emergence of
knowing in relation to the practices of living, and not on inductive
hypothesis-building nor the deductive.
George Peter Murdock set up HRAF as made to order for number
crunchers. Though at the top of the totem pole, he himself had done
very little fieldwork. He believed in anthropology-as-science. He
believed that all human patterns were quantifiable. He believed that
patterns were universals, in the sense that contrast and comparison
would show the variants of which a pattern was constituted. HRAF was
intended as an archive of discretely evident cultural and social
'facts' that would supply data for the quantifiers. Indeed, it was set
up methodologically to obviate any potentiality of 'deep structures'.
HRAF cannot be used as evidence for the non-existence of deep
structures in the human fashionings of their worlds. HRAF would be the
last place to look for any hints of Levi-Strauss' deep structure or
'mechanical' explanation. The use of HRAF declined together with that
of the scientistic in anthropology.
In anthropology, the thrust to hard science was strongest through
linguistics, ethnoscience, componential analysis, kinesics, and the
analysis of kinship systems. All (and all basically derived from
linguistic ideas) seemed to lend themselves well to formalizations.
Apart from linguistics, which remains true to language as such, the
rest collapsed, their metaphors not standing up to the demands of
scientific parameters and canons. More accurately, human living in its
tremendous variations and ramifications does not lend itself wisely to
being formalized and made scientific (just as human living can be made
narrative only up to a point, despite the current faddist claims).
Levi-Strauss' analyses of kinship systems (to my mind the less
fertile, less interesting parts of his corpus) largely went out of
anthropology just as did those of George Peter Murdock (see his,
Social Structure, 1949). The study of kinship systems as self-reifying
universals that organized the totality or the holism of 'simple'
social systems went out, and this included the Homans-Schneider
debate. Murdock himself did not stop thinking in terms of number
crunching, at least he hadn't when I lost sight of him in the 1970s.
And, linguistic models, despite their continuing prevalence in
semiotics and analytic philosophy have not shown themselves very
useful to understanding how the self-organizing of social
organizations (in other words, their dynamics) works (despite
references to linguistic ~ semiotic schools and the reduction of
social life to the living of narratives).
As it happens, of all those mentioned in this discussion, Gregory
Bateson (I doubt if many called him 'Greg') is the one who made
(together with Margaret Mead) an early and still valuable contribution
to the ethnographic use of the visual - their, Balinese Character: A
Photographic Analysis (1942). They also filmed very extensively the (I
think) first two year's of their daughter's (Mary Catherine Bateson).
As to my referring derisively to peer-review, consider that peer-
review levels the selection process of articles and books, chopping
away the best and the worst, leaving those works that are more like
one another, those works whose scholarly creativity and sense of
imagination are controlled and subjugated by these works and their
authors (and by publishing and other peer-review infra-structures).
Disciplines based in universities depend on this kind of self-
organizing for their stability and its openness to gradual shifts.
Personally, once I received a tenured job in a university over thirty
years ago, I stayed away from peer-review journals. In the ways of
imagination, I received more stimulation from science-fiction than I
did from scholarly articles. I used to tell students that building
scholarly knowledge by putting brick on brick eventually would block
out the sun and leave us in the dark.
Don Handelman
> Date: Sun, 1 Jun 2008 01:35:11 -0500
> From: bill harris <[log in to unmask]>
> Subject: Re: FILM-PHILOSOPHY Digest - 30 May 2008 - Special issue
> (#2008-196)
>
> This is a multi-part message in MIME format.
>
> ------=_NextPart_000_006F_01C8C387.BCFA7130
> Content-Type: text/plain;
> charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>
> No one doubts that CL-S was lots of fun for everyone, and Harris was
> a =
> boring materialist of interest only to those within the profession. =
> Small wonder, then, that one cites philosophers and epistemology in =
> order to justify what to insiders was plain old shoddiness bordering
> on =
> pomposity and outright quackery.=20
>
> =20
>
> This is to say that with any particular any science, epistemology
> begins =
> with method and data rules defined from within. This, obviously, =
> suggests a strongly particularistic foundationalism that outsiders
> would =
> reject or simply misunderstand. Different sciences have different
> rules; =
> but what is common to all is an adherence of some sort to data
> fidelity, =
> reproduction of results and refutability.
>
> =20
>
> Yet even a precursory glance at HRAF data would indicate that =
> Levi-Strauss failed to support his "findings" of hidden "structures"
> of =
> kinship and marital relations. He admittedly rejected statistics (in =
> favor of data-challenged "mechanical" explanations), and flatly
> rejected =
> the preference/prescription distinction. Ultimately, his
> obliviousness =
> to basic tenants of method became too much of an embarrassment to
> even =
> his ardent supporters-namely, Needham and Nutini.
>
> =20
>
> Yet as early as 1957 Murdock had put an end to the numbers crunching
> by =
> stating that the patrilineal-based evidence necessary to support any =
> avunculate theory was insufficient. At that point the competing =
> predictive-causal hypotheses of Homans-Schneider demurred. On the
> other =
> hand, "Elementary Structures." became a bestseller--and CL-S held
> his =
> ground; preferring to rant publically for twenty more years over =
> Homans-Schneider even though these two had admitted the theory to
> be =
> untestable and had moved on!=20
>
> =20
>
> In short, CL-S' claims remain to this day unsupported and yet, like
> his =
> compatriot in intellectual fraudulence-one Sigmund Freud-his stuff
> is =
> bantered about and used as raw material for interesting ways and
> means =
> of knowledge justification by those more interested in claims than =
> content. Like Psychoanalysis, Structuralism simply morphed into =
> narratology, and became a literary tool.
>
> =20
>
> In intellectual worlds untouched by Sokal, all theories of knowledge
> are =
> narratively "interesting" and equally discursive. Heyerdahl's =
> transatlantic adventure is sooo much more interesting than, say, =
> laborious archaeology on Easter Island itself; and, moreover, if
> it's =
> convenient for Hollywood to believe that Mesolithic hunters built
> huge =
> fortresses, why not?
>
> =20
>
> So it was, as well, with Greg Bateson and his "great" monograph:
> Sorry, =
> but the rules apply to everyone, regardless of the interest one's
> ideas =
> might generate in the more general intellectual domain. What is =
> disturbing, moreover, is how one Mr Handelman can speak as an =
> Anthropologist so derisively of the same peer process that gave him
> the =
> degree to begin with. In any case, all he's given us is Philosophy.
>
> =20
>
> Philosophers, indeed, are permitted to speculate upon the notion of =
> culture- as- code that's based upon binary phonemic rules as
> enunciated =
> by Jacobsen and Trubetzkoy. To To Prague's credit, a Hilbert-
> inspired =
> model can demonstrate binary properties over an infinite number of =
> dimensions (planes). Basic principles of the scientific method,
> however, =
> call this query a "hypotheses". =20
>
> =20
>
> What CL-S offered, however, are several examples in which this =
> conjecture is true; and are thereby in extenso applied as general =
> theory. Likewise, all lighter objects fall slower than heavier ones =
> because of the observation I made of leaves falling slower than
> apples =
> from trees..
>
> =20
>
> As I remember from the sixties and seventies, all of this stood as
> an =
> enormous embarrassment to serious French anthropologists such as
> Panof, =
> Barreau, Delfendahl, Jaulin, Gaudlier, Clastres et al, who had to
> deal =
> with the quotidian idiocies of a system which accorded CL-S mandarin =
> status. The French obsession with binarism dates back to Descartes,
> and =
> what, ostensibly all French scientists desired was to be finished
> once =
> and for all with "doing great Seventeenth century Science".=20
>
> =20
>
> French intellectual history literally reeks of head-based dualisms
> which =
> structure reality. Americans somehow think this is chic and exotic,
> much =
> like Whole Foods croaks incessantly about traditional Indian
> healing. =
> But phony medicine and method-free science are, truly, national =
> embarrassments.. CL-S found Descartes and Mauss standing of their
> heads, =
> and joined them.
>
> =20
>
> Bill Harris
>
> ----- Original Message -----=20
> From: Don Handelman<mailto:[log in to unmask]>=20
> To: =
> [log in to unmask]<mailto:FILM-
> [log in to unmask]>=20
> Sent: Saturday, May 31, 2008 2:57 AM
> Subject: Re: FILM-PHILOSOPHY Digest - 30 May 2008 - Special issue =
> (#2008-196)
>
>
> Speaking no less as an anthropologist (but not as a structuralist),
> =20
> Levi-Strauss is one of the greatest. His traces are pervasive, if
> one =
>
> does trace analysis. Levi-Strauss mistook semiotic transformation
> for =
>
> dynamics, hence the value of Deleuze. Marvin Harris mistook
> everything =
> =20
> for crude materialist functionalism. If one wants to think on =20
> epistemology in anthropology, one is better off turning to David =20
> Bidney's, Theoretical Anthropology (though Bidney was a
> philosopher), =
>
> published in the late '50s or early '60s. Speaking of peer-review =20
> tomes, Gregory Bateson's great m0nograph, Naven, a fruitful place
> to =20
> begin thinking on systemic dynamics, was rejected as a PhD thesis.
>
> Don Handelman
>
> On May 31, 2008, at 1:24 AM, FILM-PHILOSOPHY automatic digest
> system =20
> wrote:
>
>> There is 1 message totalling 2152 lines in this issue.
>>
>> Topics in this special issue:
>>
>> 1. FILM-PHILOSOPHY Digest - 30 May 2008 (#2008-194)
>>
>> *
>> *
>> Film-Philosophy salon
>> After hitting 'reply' please always delete the text of the message
>> =20
>> you are replying to.
>> To leave, send the message: leave film-philosophy to: =
> [log in to unmask]<mailto:[log in to unmask]>=20
>> .
>> Or visit: =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> .=
> ac.uk/lists/film-philosophy.html>
>> For help email: =
> [log in to unmask]<mailto:[log in to unmask]>, not the
> salon.
>> *
>> Film-Philosophy journal: =
> http://www.film-philosophy.com<http://www.film-philosophy.com/>
>> Contact: =
> [log in to unmask]<mailto:[log in to unmask]
> com>
>> **
>>
>>
>>
>>
>> =
> ----------------------------------------------------------------------
>>
>> Date: Fri, 30 May 2008 18:24:21 -0500
>> From: bill harris <[log in to unmask]<mailto:[log in to unmask]>>
>> Subject: Re: FILM-PHILOSOPHY Digest - 30 May 2008 (#2008-194)
>>
>> This is a multi-part message in MIME format.
>>
>> ------=3D_NextPart_000_003A_01C8C282.6188EE40
>> Content-Type: text/plain;
>> charset=3D"iso-8859-1"
>> Content-Transfer-Encoding: quoted-printable
>>
>> Of course, please, by all means read what a philosopher
>> specializing =
> =20
>> in =3D
>> the history of ideas thinks before taking on peer-review material =20
>> such =3D
>> as the tomes of Harris and Dolmatof! In the seventies, no one
>> really =
> =3D
>> knew what CL-S was doing over there at the College de France, but =
> =3D
>> whatever it was, it wasn't Anthropology. Now, however, we know: =3D
>> Socio-cultural analysis!
>>
>> In all seriousness, within his field of epistemology Dosse is quite =
> =3D
>> interesting; not the least of which for having emphasized the =3D
>> greatnesses of Certeau and Guattari. Speaking as an Anthropologist, =
> =3D
>> however, he's not.
>>
>> Bill Harris
>> ----- Original Message -----=3D20
>> From: Don =
> Handelman<mailto:[log in to unmask]>=3D20<mailto:[log in to unmask]
> IL%3E=3D20>
>> To: =3D
>> =
> [log in to unmask]<mailto:FILM<mailto:FILM-PHILOSOPHY@JISCMAI=
> L.AC.UK%3Cmailto:FILM>-=20
>> =
> [log in to unmask]>=3D20<mailto:[log in to unmask]
> >=
>
>> Sent: Friday, May 30, 2008 12:22 PM
>> Subject: Re: FILM-PHILOSOPHY Digest - 30 May 2008 (#2008-194)
>>
>>
>>
>>
>> Matt is introducing some social~cultural analysis into this =3D
>> discussion. as for Levi-Strauss being passe, he has revolutionized =
> =3D
>> anthropology in 'deep' ways that have become taken for granted in =
> =3D
>> anthropological thinking, even as his critics think they are =3D
>> deconstructing his semiology. Rather than Marvin Harris', Rise of =
> =3D
>> Anthropological Theory, I would look more generally to Francois =20
>> Dosse's, =3D
>> History of Structuralism , vol 1.
>>
>>
>> Don Handelman
>>
>>
>>
>>
>> Date: Fri, 30 May 2008 07:52:17 -0500
>> From: bill harris =
> <[log in to unmask]<mailto:[log in to unmask]<mailto:[log in to unmask]
> o:[log in to unmask]>>>
>> Subject: Re: Serial-killers (and Hitchcock films, including =3D
>> PSYCHO)/Narratology...?
>>
>> This is a multi-part message in MIME format.
>>
>> ------=3D3D_NextPart_000_001D_01C8C22A.14F080A0
>> Content-Type: text/plain;
>> charset=3D3D"Windows-1252"
>> Content-Transfer-Encoding: quoted-printable
>>
>> This is quite beautiful-- it's clear that you're a natural poet!
>> ----- Original Message -----=3D3D20
>> From: indra =3D
>> =
> karan
> <mailto:[log in to unmask]<mailto:[log in to unmask]>>=3D3D20<ma=
> ilto:[log in to unmask]:[log in to unmask]>
>> To: =3D3D
>> =3D
>> =
> [log in to unmask]<mailto:FILM<mailto:FILM-PHILOSOPHY@JISCMAI=
> L.AC.UK%3Cmailto:FILM>-=20
>> =
> [log in to unmask]<mail<mailto:[log in to unmask]
> %3Cmail>=3D=
>
>> to:[log in to unmask]>>=3D3D20
>> Sent: Thursday, May 29, 2008 10:55 AM
>> Subject: Re: Serial-killers (and Hitchcock films, including =
> =3D3D
>> PSYCHO)/Narratology...?
>>
>>
>> =3D3D20
>>
>> Hi Bill,
>>
>> =3D3D20
>>
>> The psychotic states of Abraham and Psycho both have their =3D3D
>> justification, as you said in highly nebulous states of Cultural =
>
>> =3D3D
>> construct, but we are still left with the innocent lives/=20
>> deaths..?, =3D
>> =3D3D
>> unaccounted for.
>>
>> =3D3D20
>>
>> Earlier I use to think, the Deluzian way is a weak option, =20
>> thanks =3D
>> to =3D3D
>> you I have found a way to free myself.
>>
>> =3D3D20
>>
>> --------------
>>
>> =3D3D20
>>
>> Our prejudices are our stumbling blocks,
>>
>> =3D3D20
>>
>> Who is a friend and who is enemy, it is all make believe.
>>
>> =3D3D20
>>
>> Faith is blind and the unfaithful are irrational.
>>
>> =3D3D20
>>
>> Some fallow Jesus and some his captors.
>>
>> =3D3D20
>>
>> Which path we travel, the choice is beyond horizon.
>>
>> =3D3D20
>>
>> It is the knowers of truth, who know the difference.
>>
>> =3D3D20
>>
>> The fulfilled find emptiness and the empty, fulfillment.
>>
>> =3D3D20
>>
>> In the end of journey we only find our selves.
>>
>> =3D3D20
>>
>> Like =3D3D94 Saha Deva=3D3D94, the other fallows oneself on the =
> path =3D
>> unseen.
>>
>> =3D3D20
>>
>> -----A tribute to Gilles Deluze.
>>
>>
>>
>> -----Indrakaran.
>>
>>
>>
>> Hi Matt,
>>
>> From bad semiology you get horrible linguistics; which in turn =
> =3D
>> makes =3D3D
>> total bullshit for anthropology. Barthes, in any case, was just =
> =3D
>> aping =3D3D
>> Levi-Strauss, whose non-utilitarian "structural" stuff was =20
>> depasee =3D
>> even =3D3D
>> before it appeared in print. So for a 1970-ish contemporary =20
>> critic, =3D
>> I'd =3D3D
>> recommend Desana by Reichel-Dolmatof for starters. As for CLS's =
> =3D
>> general =3D3D
>> theory, there's alway's The Rise... by Marvin Harris.
>>
>> This is not to say that I don't find your identity conjecture =
> =3D3D
>> interesting. Culture has always been a highly nebulous sort of =
> =3D
>> construct =3D3D
>> due, among other reasons, to human will and emotion. Moreover, =20
>> many =3D
>> of =3D3D
>> our best stories are, indeed, about taboo/godly violations: =3D
>> Brunhilde, =3D3D
>> Antigone, Draupadi (five husbands)...and more recently, Smilla =20
>> and =3D
>> Nomi =3D3D
>> Malone. A Deleuzian-defined cinema, of course, is all about the =
> =3D
>> je-fele =3D3D
>> and possibly, IMO, the BwO.
>>
>> Abe fits well into this model--narratively speaking or =20
>> otherwise!-- =3D
>> as =3D3D
>> an ostensible rupture with fertile-crescent, bronze-age nomadic =
> =3D3D
>> practice. To have said that our tribe no longer honors the ritual =
> =20
>> of =3D
>> =3D3D
>> child sacrifice might well have set them off. indeed, from other =
> =3D
>> semitic =3D3D
>> wanderers. Perhaps Antigone's uperlogon becomes, in time, the =20
>> voice =3D
>> of =3D3D
>> Socratic reason much as Judiasm incorporates a two god theory =20
>> into =3D
>> the =3D3D
>> Talmud....
>>
>> Bill Harris.
>>
>> ----- Original Message -----=3D3D20
>> From: =3D
>> =
> matt
> <mailto:[log in to unmask]<mailto:[log in to unmask]>>=3D3D20<mailt=
> o:[log in to unmask]:[log in to unmask]>
>> To: =3D3D
>> =3D
>> =
> [log in to unmask]<mailto:FILM<mailto:FILM-PHILOSOPHY@JISCMAI=
> L.AC.UK%3Cmailto:FILM>-=20
>> =
> [log in to unmask]<mail<mailto:[log in to unmask]
> %3Cmail>=3D=
>
>> to:[log in to unmask]>>=3D3D20
>> Sent: Monday, May 19, 2008 6:43 PM
>> Subject: Re: Serial-killers (and Hitchcock films, including =
> =3D3D
>> PSYCHO)/Narratology...?
>>
>>
>> 'Blest be thou when thou art in combat with the gods' - =3D
>> Mahabharata
>>
>> Roland Barthes says something about religious taboo's not =20
>> serving =3D
>> =3D3D
>> the utilitarian function we sometimes ascribe to them, rather =20
>> they =3D
>> are =3D3D
>> ways for a tribe to distance itself from 'the tribe next door', =20
>> as =3D
>> it =3D3D
>> were. If the tribes of UR, Assyria? whatever, were rampant =20
>> engager =3D
>> in =3D3D
>> human sacrifice Abe could have chosen non-sacrifice as a simple =
> =3D
>> identity =3D3D
>> issue, and not some kind of 'niceness' unique to the Jewish tribe =
> =20
>> or =3D
>> =3D3D
>> their god.=3D3D20
>>
>> Matt.
>>
>>
>> * * Film-Philosophy Email Discussion Salon. After hitting =20
>> 'reply' =3D
>> =3D3D
>> please always delete the text of the message you are replying to. =
> =20
>> To =3D
>> =3D3D
>> leave, send the message: leave film-philosophy to: =3D3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:jiscmail@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>. Or =20
>> visit: =3D
>> =3D3D
>> =3D
>> =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> <=
> http://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www.jiscmai=
> l>=20
>> .=3D
>> ac.uk/lists/film-philosophy.html> For help email: =3D3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:helpline@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>, not the =3D
>> salon. * Film-Philosophy journal: =3D3D
>> =
> http://www.film-philosophy.com<http://www.film-philosophy.com/<http://www
> =
> .film-philosophy.com%3chttp//www.film-philosophy.com/>> =3D
>> Contact: =3D3D
>> =3D
>> =
> [log in to unmask]<mailto:editorialboard@film-philosophy
> <=
> mailto:[log in to unmask]:editorialboard@film-ph=
> ilosophy>.=3D
>> com> **=3D20
>>
>> *
>> *
>> Film-Philosophy salon
>> After hitting 'reply' please always delete the text of the =20
>> message =3D
>> you are replying to.
>> To leave, send the message: leave film-philosophy to: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:jiscmail@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>.
>> Or visit: =3D
>> =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> <=
> http://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www.jiscmai=
> l>=20
>> .=3D
>> ac.uk/lists/film-philosophy.html>
>> For help email: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:helpline@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>, not the =20
>> salon.
>> *
>> Film-Philosophy journal: =3D
>> =
> http://www.film-philosophy.com<http://www.film-philosophy.com/<http://www
> =
> .film-philosophy.com%3chttp//www.film-philosophy.com/>>
>> Contact: =3D
>> =
> [log in to unmask]<mailto:editorialboard@film-philosophy
> <=
> mailto:[log in to unmask]:editorialboard@film-ph=
> ilosophy>.=3D
>> com>
>> **
>>
>>
>>
>> ------=3D3D_NextPart_000_001D_01C8C22A.14F080A0
>> Content-Type: text/html;
>> charset=3D3D"Windows-1252"
>> Content-Transfer-Encoding: quoted-printable
>>
>> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>> <HTML xmlns:o =3D3D3D =3D
>> =
> "urn:schemas-microsoft-com:office:office<urn:schemas-microsoft-com:office=
> =3D
>> :office>"><HEAD>
>> <META http-equiv=3D3D3DContent-Type =3D3D
>> content=3D3D3Dtext/html;charset=3D3D3DWindows-1252>
>> <STYLE type=3D3D3Dtext/css>DIV {
>> MARGIN: 0px
>> }
>> </STYLE>
>>
>> <META content=3D3D3D"MSHTML 6.00.6000.16640" =3D
>> name=3D3D3DGENERATOR></HEAD>
>> <BODY id=3D3D3DMailContainerBody=3D3D20
>> style=3D3D3D"PADDING-LEFT: 10px; FONT-WEIGHT: normal; FONT-SIZE: =
>
>> 10pt; =3D
>> =3D3D
>> COLOR: #000000; BORDER-TOP-STYLE: none; PADDING-TOP: 15px; =3D
>> FONT-STYLE: =3D3D
>> normal; FONT-FAMILY: Verdana; BORDER-RIGHT-STYLE: none; =3D3D
>> BORDER-LEFT-STYLE: none; TEXT-DECORATION: none; BORDER-BOTTOM-=20
>> STYLE: =3D
>> =3D3D
>> none"=3D3D20
>> leftMargin=3D3D3D0 topMargin=3D3D3D0 acc_role=3D3D3D"text" =3D
>> CanvasTabStop=3D3D3D"true"=3D3D20
>> name=3D3D3D"Compose message area"><!--[gte IE 5]><?xml:namespace =
> =3D3D
>> prefix=3D3D3D"v" /><?xml:namespace prefix=3D3D3D"o" =
> /><![endif]-->
>> <DIV>
>> <DIV>This is quite beautiful-- it's clear that you're a =20
>> natural =3D
>> =3D3D
>> poet!</DIV>
>> <BLOCKQUOTE=3D3D20
>> style=3D3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
>
>> 5px; =3D
>> =3D3D
>> BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
>> <DIV style=3D3D3D"FONT: 10pt arial">----- Original Message ----- =
> =3D
>> </DIV>
>> <DIV style=3D3D3D"FONT: 10pt arial"><B>From:</B> <A=3D3D20
>> =20
>> =
> title
> =3D3D3Dmailto:[log in to unmask]<mailto:[log in to unmask]<mailt=
> o:[log in to unmask]>> =3D
>> =3D3D
>> =3D
>> href=20
>> =
> =
> 3D3D3D
> "mailto:[log in to unmask]<mailto:[log in to unmask]>">indra<m=
> ailto:[log in to unmask]:[log in to unmask]
> %22%3Eindra>=3D=
>
>> =3D3D20
>> karan</A> </DIV>
>> <DIV style=3D3D3D"FONT: 10pt arial"><B>To:</B> <A=3D3D20
>> =3D
>> =
> title=3D3D3Dmailto:[log in to unmask]<mailto:FILM-PHILOSOPHY@=
> JI<mailto:FILM-PHILOSOPHY@JI>=3D
>> SCMAIL.AC.UK>=3D3D20
>> =3D3D
>> =3D
>> =
> href=3D3D3D"mailto:[log in to unmask]<mailto:FILM-PHILOSOPHY@=
> JI<mailto:[log in to unmask]:FILM-
> PHILOSOPHY@JI>=3D
>> =
> SCMAIL.AC.UK>">[log in to unmask]<mailto:FILM-PHILOSOPHY@JISCMAIL=
> <mailto:FILM-PHILOSOPHY@JISCMAIL>=3D
>> .A>=3D3D
>> C.UK</A>=3D3D20
>> </DIV>
>> <DIV style=3D3D3D"FONT: 10pt arial"><B>Sent:</B> Thursday, May =
> 29, =3D
>> 2008 =3D3D
>> 10:55=3D3D20
>> AM</DIV>
>> <DIV style=3D3D3D"FONT: 10pt arial"><B>Subject:</B> Re: =3D
>> Serial-killers =3D3D
>> (and=3D3D20
>> Hitchcock films, including PSYCHO)/Narratology...?</DIV>
>> <DIV><BR></DIV>
>> <DIV=3D3D20
>> style=3D3D3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new =
>
>> york, =3D
>> =3D3D
>> times, serif">
>> <DIV=3D3D20
>> style=3D3D3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new =
>
>> york, =3D
>> =3D3D
>> times, serif">
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Hi =
> Bill,</=20
>> P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">The =
> =3D
>> psychotic =3D3D
>> states of Abraham=3D3D20
>> and Psycho both have their justification, as you said in highly =
>
>> =3D3D
>> nebulous=3D3D20
>> states of Cultural construct, but we are still left with the =3D
>> innocent=3D3D20
>> lives/deaths..?, unaccounted for.</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> 0pt">Earlier I =3D
>> use to =3D3D
>> think, the=3D3D20
>> Deluzian way is a weak option, thanks to you I have found a way =
>
>> to =3D
>> =3D3D
>> free=3D3D20
>> myself.</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D
>> 0pt">--------------</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Our =
> =3D
>> prejudices are =3D3D
>> our=3D3D20
>> stumbling blocks,</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Who =
> is a =3D
>> friend and =3D3D
>> who is=3D3D20
>> enemy, it is all make believe.</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Faith =
> is =3D
>> blind and =3D3D
>> the=3D3D20
>> unfaithful are irrational.</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Some =
>
>> fallow =3D
>> Jesus =3D3D
>> and some his=3D3D20
>> captors.</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Which =
> =20
>> path =3D
>> we =3D3D
>> travel, the=3D3D20
>> choice is beyond horizon.</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">It is =
> the =3D
>> knowers =3D3D
>> of truth, who=3D3D20
>> know the difference.</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">The =
> =3D
>> fulfilled find =3D3D
>> emptiness=3D3D20
>> and the empty, fulfillment.</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">In =
> the =20
>> end =3D
>> of =3D3D
>> journey we only=3D3D20
>> find our selves.</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Like =
>
>> =3D3D94 =3D
>> Saha =3D3D
>> Deva=3D3D94, the other=3D3D20
>> fallows oneself on the path unseen.</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt"><o:p> </o:p></P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> 0pt">-----A =3D
>> tribute to =3D3D
>> Gilles=3D3D20
>> Deluze.</P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> 0pt"> </P>
>> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =3D3D
>> 0pt">-----Indrakaran.</P><BR>
>> <DIV=3D3D20
>> style=3D3D3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new =
>
>> york, =3D
>> =3D3D
>> times, serif">
>> <DIV style=3D3D3D"FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY: =
> =3D
>> Arial">
>> <DIV>Hi Matt,</DIV>
>> <DIV> </DIV>
>> <DIV>From bad semiology you get horrible linguistics; which in =20
>> turn =3D
>> =3D3D
>> makes=3D3D20
>> total bullshit for anthropology. Barthes, in any case, was just =
> =3D
>> aping=3D3D20
>> Levi-Strauss, whose non-utilitarian =3D
>> "structural" stuff was =3D3D
>> depasee=3D3D20
>> even before it appeared in print. So for a 1970-ish contemporary =
> =3D
>> =3D3D
>> critic, I'd=3D3D20
>> recommend<U> Desana </U>by Reichel-Dolmatof for starters. As for =
> =3D
>> CLS's =3D3D
>> general=3D3D20
>> theory, there's alway's <U>The Rise.</U>.. by Marvin =3D3D
>> Harris.</DIV>
>> <DIV> </DIV>
>> <DIV>This is not to say that I don't find your identity =3D
>> conjecture=3D3D20
>> interesting. Culture has always been a highly nebulous sort of =
> =3D3D
>> construct due,=3D3D20
>> among other reasons, to human will and emotion. Moreover, many =20
>> of =3D
>> our =3D3D
>> best=3D3D20
>> stories are, indeed, about taboo/godly violations: Brunhilde, =
> =3D3D
>> Antigone,=3D3D20
>> Draupadi (five husbands)...and more recently, Smilla and Nomi =
> =3D
>> Malone. =3D3D
>> A=3D3D20
>> Deleuzian-defined cinema, of course, is all about the je-=20
>> fele =3D
>> and =3D3D
>>
>> possibly, IMO, the BwO.</DIV>
>> <DIV> </DIV>
>> <DIV>Abe fits well into this model--narratively speaking or =
> =3D3D
>> otherwise!-- as an=3D3D20
>> ostensible rupture with fertile-crescent, bronze-age =20
>> nomadic =3D
>> =3D3D
>> practice. To=3D3D20
>> have said that our tribe no longer honors the ritual of child =
> =3D3D
>> sacrifice might=3D3D20
>> well have set them off. indeed, from other semitic =3D3D
>> wanderers. Perhaps=3D3D20
>> Antigone's <EM>uperlogon </EM>becomes, in time, the voice of =3D
>> Socratic =3D3D
>> reason=3D3D20
>> much as Judiasm incorporates a two god theory into the =3D3D
>> Talmud....</DIV>
>> <DIV> </DIV>
>> <DIV>Bill Harris.</DIV>
>> <DIV> </DIV>
>> <BLOCKQUOTE=3D3D20
>> style=3D3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
> =20
>> 5px; =3D
>> =3D3D
>> BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
>> <DIV style=3D3D3D"FONT: 10pt arial">----- Original Message =
> ----- =3D
>> </DIV>
>> <DIV style=3D3D3D"FONT: 10pt arial"><B>From:</B> <A=3D3D20
>> =20
>> =
> title=3D3D3Dmailto:[log in to unmask]<mailto:[log in to unmask]<mailto:=
> [log in to unmask]>> =3D
>> =3D3D
>> =3D
>> =
> href
> =3D3D3D"mailto:[log in to unmask]<mailto:[log in to unmask]>"=3D3D2=
> 0<mailto:[log in to unmask]:[log in to unmask]
> %22=3D3D20>
>> target=3D3D3D_blank rel=3D3D3Dnofollow =3D3D
>> =3D
>> ymailto=20
>> =
> =
> 3D3D3D
> "mailto:[log in to unmask]<mailto:[log in to unmask]>">matt<mail=
> to:[log in to unmask]:[log in to unmask]>=3D
>> </A>=3D3D20
>> </DIV>
>> <DIV style=3D3D3D"FONT: 10pt arial"><B>To:</B> <A=3D3D20
>> =3D
>> =
> title=3D3D3Dmailto:[log in to unmask]<mailto:FILM-PHILOSOPHY@=
> JI<mailto:FILM-PHILOSOPHY@JI>=3D
>> SCMAIL.AC.UK>=3D3D20
>> =3D
>> =
> href=3D3D3D"mailto:[log in to unmask]<mailto:FILM-PHILOSOPHY@=
> JI<mailto:[log in to unmask]:FILM-
> PHILOSOPHY@JI>=3D
>> SCMAIL.AC.UK>" target=3D3D3D_blank =3D3D
>> rel=3D3D3Dnofollow=3D3D20
>> =3D3D
>> =3D
>> =
> ymailto=3D3D3D"mailto:[log in to unmask]<mailto:FILM-PHILOSOP=
> HY<mailto:[log in to unmask]:FILM-PHILOSOPHY>=3D
>> @JISCMAIL.AC.UK>">FILM-PHILOSOPHY@JISCMAI=3D3D
>> L.AC.UK</A>=3D3D20
>> </DIV>
>> <DIV style=3D3D3D"FONT: 10pt arial"><B>Sent:</B> Monday, May =
> 19, =3D
>> 2008 =3D3D
>> 6:43=3D3D20
>> PM</DIV>
>> <DIV style=3D3D3D"FONT: 10pt arial"><B>Subject:</B> Re: =3D
>> Serial-killers =3D3D
>> (and=3D3D20
>> Hitchcock films, including PSYCHO)/Narratology...?</DIV>
>> <DIV><BR></DIV><FONT id=3D3D3Drole_document face=3D3D3DArial =
> =3D
>> color=3D3D3D#000000 =3D3D
>> size=3D3D3D2>
>> <DIV>'Blest be thou when thou art in combat with the gods' -=20
>> =3D3D20
>> Mahabharata</DIV>
>> <DIV> </DIV>
>> <DIV>Roland Barthes says something about religious taboo's not =
> =3D
>> =3D3D
>> serving the=3D3D20
>> utilitarian function we sometimes ascribe to them, rather they =
> =3D
>> are =3D3D
>> ways for=3D3D20
>> a tribe to distance itself from 'the tribe next door', as it =
> =3D
>> were. =3D3D
>> If the=3D3D20
>> tribes of UR, Assyria? whatever, were rampant engager in human =
> =3D
>> =3D3D
>> sacrifice Abe=3D3D20
>> could have chosen non-sacrifice as a simple identity issue, =20
>> and =3D
>> not =3D3D
>> some=3D3D20
>> kind of 'niceness' unique to the Jewish tribe or their god. =
> =3D
>> </DIV>
>> <DIV> </DIV>
>> <DIV>Matt.</DIV>
>> =3D
>> <DIV> </DIV></FONT></BLOCKQUOTE></DIV></DIV></DIV></DIV><BR>*
>> * =
> =20
>> =3D3D
>>
>> Film-Philosophy Email Discussion Salon. After hitting 'reply' =
> =3D
>> please =3D3D
>> always=3D3D20
>> delete the text of the message you are replying to. To leave, =20
>> send =3D
>> the =3D3D
>>
>> message: leave film-philosophy to: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:jiscmail@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>. Or =20
>> visit:=3D3D20
>> =3D
>> =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> <=
> http://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www.jiscmai=
> l>=20
>> .=3D
>> ac.uk/lists/film-philosophy.html> For help email:=3D3D20
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:helpline@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>, not the =3D
>> salon. * Film-Philosophy journal:=3D3D20
>> =
> http://www.film-philosophy.com<http://www.film-philosophy.com/<http://www
> =
> .film-philosophy.com%3chttp//www.film-philosophy.com/>> =3D
>> Contact: =3D3D
>> =3D
>> =
> [log in to unmask]<mailto:editorialboard@film-philosophy
> <=
> mailto:[log in to unmask]:editorialboard@film-ph=
> ilosophy>.=3D
>> com> **=3D3D20
>> </BLOCKQUOTE></DIV></BODY></HTML>
>> *
>> *
>> Film-Philosophy Email Discussion Salon.
>> After hitting 'reply' please always delete the text of the =20
>> message =3D
>> you are replying to.
>> To leave, send the message: leave film-philosophy to: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:jiscmail@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>.
>> Or visit: =3D
>> =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> <=
> http://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www.jiscmai=
> l>=20
>> .=3D
>> ac.uk/lists/film-philosophy.html>
>> For help email: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:helpline@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>, not the =20
>> salon.
>> *
>> Film-Philosophy journal: =3D
>> =
> http://www.film-philosophy.com<http://www.film-philosophy.com/<http://www
> =
> .film-philosophy.com%3chttp//www.film-philosophy.com/>>
>> Contact: =3D
>> =
> [log in to unmask]<mailto:editorialboard@film-philosophy
> <=
> mailto:[log in to unmask]:editorialboard@film-ph=
> ilosophy>.=3D
>> com>
>> **
>>
>>
>>
>>
>> ------=3D3D_NextPart_000_001D_01C8C22A.14F080A0--
>>
>> ------------------------------
>>
>> Date: Fri, 30 May 2008 12:55:59 +0100
>> From: "lucy.fraser" =3D
>> =
> <[log in to unmask]<mailto:[log in to unmask]<mailto:lucy=
> [log in to unmask]:[log in to unmask]>>>
>> Subject: Re: FILM-PHILOSOPHY Digest - 30 May 2008 - Special issue =
> =3D
>> (#2008-193)
>>
>> Dear List-users
>> Please delete the content of the message that you are replying to =
> =20
>> as =3D
>> e-mails=3D20
>> are becoming so long that they become almost unreadable. =20
>> Remember =3D
>> Jack=3D20
>> Nicholson in The Shining, Jack Nicholson in The Shining, Jack =3D
>> Nicholson in=3D20
>> ....
>> Thanks
>> Lucy=3D20
>>
>> *
>> *
>> Film-Philosophy salon
>> After hitting 'reply' please always delete the text of the =20
>> message =3D
>> you are replying to.
>> To leave, send the message: leave film-philosophy to: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:jiscmail@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>.
>> Or visit: =3D
>> =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> <=
> http://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www.jiscmai=
> l>=20
>> .=3D
>> ac.uk/lists/film-philosophy.html>
>> For help email: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:helpline@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>, not the =20
>> salon.
>> *
>> Film-Philosophy journal: =3D
>> =
> http://www.film-philosophy.com<http://www.film-philosophy.com/<http://www
> =
> .film-philosophy.com%3chttp//www.film-philosophy.com/>>
>> Contact: =3D
>> =
> [log in to unmask]<mailto:editorialboard@film-philosophy
> <=
> mailto:[log in to unmask]:editorialboard@film-ph=
> ilosophy>.=3D
>> com>
>> **
>>
>> ------------------------------
>>
>> Date: Fri, 30 May 2008 14:06:33 +0200
>> From: Lia Hestina =3D
>> =
> <[log in to unmask]<mailto:[log in to unmask]<mailto:[log in to unmask]
> L%3Cmailto:[log in to unmask]>>>
>> Subject: Re: NBA: Nightmare Japan. Contemporary Japanese Horror =
> =3D
>> Cinema (Jay McRoy)***Movement as Meaning. In Experimental Film =20
>> (Daniel =3D
>> Barnett)
>>
>> This is a multi-part message in MIME format.
>>
>> ------_=3D3D_NextPart_001_01C8C24D.99E1616C
>> Content-Type: text/plain;
>> charset=3D3D"iso-8859-1"
>> Content-Transfer-Encoding: quoted-printable
>>
>> Dear Robert Hunt,
>> =3D3D20
>> Please send your complete address and the name of the journal you =
> =3D
>> are =3D3D
>> writing for to =
> [log in to unmask]<mailto:[log in to unmask]>=3D3D20<mailto:[log in to unmask]
> to:[log in to unmask]>
>> A copy of the book will be sent to you as soon as possible.
>> =3D3D20
>> Regards,
>> Lia Hestina
>>
>> *
>> *
>> Film-Philosophy salon
>> After hitting 'reply' please always delete the text of the =20
>> message =3D
>> you are replying to.
>> To leave, send the message: leave film-philosophy to: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:jiscmail@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>.
>> Or visit: =3D
>> =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> <=
> http://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www.jiscmai=
> l>=20
>> .=3D
>> ac.uk/lists/film-philosophy.html>
>> For help email: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:helpline@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>, not the =20
>> salon.
>> *
>> Film-Philosophy journal: =3D
>> =
> http://www.film-philosophy.com<http://www.film-philosophy.com/<http://www
> =
> .film-philosophy.com%3chttp//www.film-philosophy.com/>>
>> Contact: =3D
>> =
> [log in to unmask]<mailto:editorialboard@film-philosophy
> <=
> mailto:[log in to unmask]:editorialboard@film-ph=
> ilosophy>.=3D
>> com>
>> **
>>
>>
>>
>>
>> ------_=3D3D_NextPart_001_01C8C24D.99E1616C
>> Content-Type: text/html;
>> charset=3D3D"iso-8859-1"
>> Content-Transfer-Encoding: quoted-printable
>>
>> <html =3D
>> =
> xmlns:o=3D3D3D"urn:schemas-microsoft-com:office:office<urn:schemas-micros=
> of=3D
>> t-com:office:office>" =3D3D
>> =3D
>> =
> xmlns:w=3D3D3D"urn:schemas-microsoft-com:office:word<urn:schemas-microsof=
> t-=3D
>> com:office:word>" =3D3D
>> =3D
>> =
> xmlns=3D3D3D"http://www.w3.org/TR/REC-html40<http://www.w3.org/TR/REC-htm=
> l4<http://www.w3.org/TR/REC-html40%3Chttp://www.w3.org/TR/REC-
> html4>=3D
>> 0>">
>>
>> <head>
>> <META HTTP-EQUIV=3D3D3D"Content-Type" CONTENT=3D3D3D"text/html; =
> =3D3D
>> charset=3D3D3Diso-8859-1">
>>
>>
>> <meta name=3D3D3DProgId content=3D3D3DWord.Document>
>> <meta name=3D3D3DGenerator content=3D3D3D"Microsoft Word 9">
>> <meta name=3D3D3DOriginator content=3D3D3D"Microsoft Word 9">
>> <link rel=3D3D3DFile-List =3D
>> =
> href=3D3D3D"cid:filelist.xml@01C8C25E.5D625960<cid:filelist.xml@01C8C25E.=
> 5D=3D
>> 625960>">
>> <!--[if gte mso 9]><xml>
>> <o:OfficeDocumentSettings>
>> <o:DoNotRelyOnCSS/>
>> </o:OfficeDocumentSettings>
>> </xml><![endif]--><!--[if gte mso 9]><xml>
>> <w:WordDocument>
>> <w:Zoom>0</w:Zoom>
>> <w:DocumentKind>DocumentEmail</w:DocumentKind>
>> <w:HyphenationZone>21</w:HyphenationZone>
>> <w:EnvelopeVis/>
>> <w:DrawingGridHorizontalSpacing>6 =3D
>> pt</w:DrawingGridHorizontalSpacing>
>> <w:DrawingGridVerticalSpacing>8,15 =3D
>> pt</w:DrawingGridVerticalSpacing>
>> </w:WordDocument>
>> </xml><![endif]-->
>> <style>
>> <!--
>> /* Style Definitions */
>> p.MsoNormal, li.MsoNormal, div.MsoNormal
>> {mso-style-parent:"";
>> margin:0cm;
>> margin-bottom:.0001pt;
>> mso-pagination:widow-orphan;
>> font-size:12.0pt;
>> font-family:"Times New Roman";
>> mso-fareast-font-family:"Times New Roman";}
>> a:link, span.MsoHyperlink
>> {color:blue;
>> text-decoration:underline;
>> text-underline:single;}
>> a:visited, span.MsoHyperlinkFollowed
>> {color:blue;
>> text-decoration:underline;
>> text-underline:single;}
>> p.MsoAutoSig, li.MsoAutoSig, div.MsoAutoSig
>> {margin:0cm;
>> margin-bottom:.0001pt;
>> mso-pagination:widow-orphan;
>> font-size:12.0pt;
>> font-family:"Times New Roman";
>> mso-fareast-font-family:"Times New Roman";}
>> pre
>> {margin:0cm;
>> margin-bottom:.0001pt;
>> mso-pagination:widow-orphan;
>> font-size:10.0pt;
>> font-family:"Courier New";
>> mso-fareast-font-family:"Courier New";}
>> tt
>> {mso-ascii-font-family:"Courier New";
>> mso-fareast-font-family:"Courier New";
>> mso-hansi-font-family:"Courier New";
>> mso-bidi-font-family:"Courier New";}
>> span.EmailStijl19
>> {mso-style-type:personal-reply;
>> mso-ansi-font-size:10.0pt;
>> mso-ascii-font-family:Arial;
>> mso-hansi-font-family:Arial;
>> mso-bidi-font-family:Arial;
>> color:navy;}
>> @page Section1
>> {size:595.2pt 841.8pt;
>> margin:2.0cm 52.9pt 2.0cm 46.75pt;
>> mso-header-margin:147.4pt;
>> mso-footer-margin:147.4pt;
>> mso-paper-source:0;}
>> div.Section1
>> {page:Section1;}
>> -->
>> </style>
>> </head>
>>
>> <body lang=3D3D3DNL link=3D3D3Dblue vlink=3D3D3Dblue =3D
>> style=3D3D3D'tab-interval:35.4pt'>
>>
>> <div class=3D3D3DSection1>
>>
>> <p class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =3D
>> face=3D3D3DArial><span =3D3D
>> style=3D3D3D'font-size:
>> 10.0pt;mso-bidi-font-size:12.0pt;font-=20
>> family:Arial;color:navy'>Dear =3D
>> =3D3D
>> Robert
>> Hunt,</span></font><font size=3D3D3D2 color=3D3D3Dnavy =3D
>> face=3D3D3DArial><span =3D3D
>> style=3D3D3D'font-size:
>> =3D
>> 10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial;color:navy;mso-=20
>> color-a=3D
>> =3D3D
>> lt:
>> windowtext'><o:p></o:p></span></font></p>
>>
>> <p class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =3D
>> face=3D3D3DArial><span =3D3D
>> style=3D3D3D'font-size:
>> 10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial;color:navy'><! =
>
>> [if =3D
>> =3D3D
>> !supportEmptyParas]> <![endif]></span></font><font
>> size=3D3D3D2 color=3D3D3Dnavy face=3D3D3DArial><span =3D3D
>> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:
>> =3D
>> =
> 12.0pt;font-family:Arial;color:navy;mso-color-alt:windowtext'><o:p></
> =20
>> o:p>=3D
>> =3D3D
>> </span></font></p>
>>
>> <p class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =3D
>> face=3D3D3DArial><span =3D3D
>> lang=3D3D3DEN-GB
>> =3D
>> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-=20
>> family:Arial;c=3D
>> ol=3D3D
>> or:navy;
>> mso-ansi-language:EN-GB'>Please send your complete address and =20
>> the =3D
>> name =3D3D
>> of the
>> journal you are writing for to </span></font><font size=3D3D3D2 =
> =3D3D
>> face=3D3D3DArial><span
>> lang=3D3D3DEN-GB =3D3D
>> =3D
>> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-=20
>> family:Arial;
>> mso-ansi-language:EN-GB'><a =3D3D
>> =3D
>> href=20
>> =
> =
> 3D3D3D
> "mailto:[log in to unmask]<mailto:[log in to unmask]>">[log in to unmask]<ma<m=
> ailto:[log in to unmask]:[log in to unmask]@rodopi.nl
> %3Cma>=
> =3D
>> ilto:[log in to unmask]></a><font
>> color=3D3D3Dnavy><span style=3D3D3D'color:navy'> =
> </span></font><font =20
>> =3D3D
>> color=3D3D3Dnavy><span
>> =3D
>> =
> style=3D3D3D'color:navy;mso-color-alt:windowtext'><o:p></o:p></
> span></=20
>> font>=3D
>> </=3D3D
>> span></font></p>
>>
>> <p class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =3D
>> face=3D3D3DArial><span =3D3D
>> lang=3D3D3DEN-GB
>> =3D
>> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-=20
>> family:Arial;c=3D
>> ol=3D3D
>> or:navy;
>> mso-ansi-language:EN-GB'>A copy of the book will be sent to you =20
>> as =3D
>> soon =3D3D
>> as
>> possible.</span></font><font size=3D3D3D2 color=3D3D3Dnavy =3D
>> face=3D3D3DArial><span =3D3D
>> lang=3D3D3DEN-GB
>> =3D
>> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-=20
>> family:Arial;c=3D
>> ol=3D3D
>> or:navy;
>> =3D
>> mso-color-alt:windowtext;mso-ansi-language:EN-GB'><o:p></o:p></=20
>> span></fon=3D
>> =3D3D
>> t></p>
>>
>> <p class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =3D
>> face=3D3D3DArial><span =3D3D
>> lang=3D3D3DEN-GB
>> =3D
>> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-=20
>> family:Arial;c=3D
>> ol=3D3D
>> or:navy;
>> mso-ansi-language:EN-GB'><![if =3D3D
>> !supportEmptyParas]> <![endif]></span></font><font
>> size=3D3D3D2 color=3D3D3Dnavy face=3D3D3DArial><span =
> lang=3D3D3DEN-GB =3D3D
>> style=3D3D3D'font-size:10.0pt;
>> =3D
>> mso-bidi-font-size:12.0pt;font-family:Arial;color:navy;mso-color-=20
>> alt:wind=3D
>> =3D3D
>> owtext;
>> mso-ansi-language:EN-GB'><o:p></o:p></span></font></p>
>>
>> <p class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =3D
>> face=3D3D3DArial><span =3D3D
>> lang=3D3D3DFR
>> =3D
>> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-=20
>> family:Arial;c=3D
>> ol=3D3D
>> or:navy;
>> mso-ansi-language:FR'>Regards,</span></font><font size=3D3D3D2 =
> =3D
>> color=3D3D3Dnavy =3D3D
>> face=3D3D3DArial><span
>> lang=3D3D3DFR =3D3D
>> =3D
>> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-=20
>> family:Arial;
>> =3D
>> color:navy;mso-color-alt:windowtext;mso-ansi-language:FR'><o:p></=20
>> o:p></sp=3D
>> =3D3D
>> an></font></p>
>>
>> <p class=3D3D3DMsoNormal><span class=3D3D3DEmailStijl19><font =20
>> size=3D3D3D2 =3D
>> =3D3D
>> color=3D3D3Dnavy face=3D3D3DArial><span
>> lang=3D3D3DFR =3D3D
>> =3D
>> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-=20
>> family:Arial;
>> mso-ansi-language:FR'>Lia =3D
>> Hestina<o:p></o:p></span></font></span></p>
>>
>> </div>
>>
>> </body>
>>
>> </html>
>> *
>> *
>> Film-Philosophy Email Discussion Salon.
>> After hitting 'reply' please always delete the text of the =20
>> message =3D
>> you are replying to.
>> To leave, send the message: leave film-philosophy to: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:jiscmail@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>.
>> Or visit: =3D
>> =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> <=
> http://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www.jiscmai=
> l>=20
>> .=3D
>> ac.uk/lists/film-philosophy.html>
>> For help email: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]<mailto:helpline@ji=
> scmail.ac.uk%3Cmailto:[log in to unmask]>>, not the =20
>> salon.
>> *
>> Film-Philosophy journal: =3D
>> =
> http://www.film-philosophy.com<http://www.film-philosophy.com/<http://www
> =
> .film-philosophy.com%3chttp//www.film-philosophy.com/>>
>> Contact: =3D
>> =
> [log in to unmask]<mailto:editorialboard@film-philosophy
> <=
> mailto:[log in to unmask]:editorialboard@film-ph=
> ilosophy>.=3D
>> com>
>> **
>>
>>
>>
>>
>> ------_=3D3D_NextPart_001_01C8C24D.99E1616C--
>>
>> ------------------------------
>>
>> Date: Fri, 30 May 2008 15:41:39 +0100
>> From: Richard Stamp =3D
>> =
> <[log in to unmask]<mailto:[log in to unmask]<mailto:r.stamp@BATHSP=
> A.AC.UK%3Cmailto:[log in to unmask]>>>
>> Subject: Reminder: Animation Unlimited 2008, Bournemouth, 18-20 =20
>> July
>>
>> I've just received a timely reminder that the Arts Institute at =
> =3D3D
>> Bournemouth will be hosting the 20th Anniversary Society for =3D
>> Animation =3D3D
>> Studies International Conference on 18-20 July.
>>
>> The full programme for 'ANIMATION UNLIMITED' is available here: =
> =3D3D
>> =3D
>> =
> http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme-fri.htm
> <=
> http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme-fri.htm
> >=
> =20
>> <=3D
>> =
> http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme-fri.htm
> <=
> http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme-fri.htm
> >=
> =20
>>> =3D
>>
>>
>> 'ANIMATION UNLIMITED' features pre-eminent scholars and =3D
>> practitioners =3D3D
>> from some of the world's leading institutes of animation =20
>> education, =3D
>> =3D3D
>> along with leading industry figures from Aardman, Disney, Pixar, =
> =3D
>> Cartoon =3D3D
>> Network, Nickelodeon, BBC, etc.=3D3D20
>>
>> Today is your last opportunity to get a reduced 'early bird' rate =
> =20
>> of =3D
>> =3D3D
>> =3D3DA3150 - although there are also a limited number of reserved =
> =3D
>> student =3D3D
>> places at =3D3DA350. Full details here: =3D3D
>> =3D
>> =
> http://www.aibep.co.uk/au2008/animation-unlimited-2008<http://www.aibep
> .c=
> o.uk/au2008/animation-unlimited-2008>-=20
>> registration.htm
>>
>> (Alternatively, contact the organisers at: animationunlimited08 =
> =3D3D
>> =
> <mailto:[log in to unmask]<mailto:[log in to unmask]
> .uk>> @aib.ac.uk)
>>
>> That's all folks!
>>
>> Richard
>>
>> Dr Richard Stamp
>> Senior Lecturer in Cultural Studies=3D3D20
>> School of Historical and Cultural Studies=3D3D20
>> Bath Spa University=3D3D20
>> Newton St Loe=3D3D20
>> Bath. BA2 9BN=3D3D20
>> =3D3D20
>> 01225 876226
>>
>> *
>> *
>> Film-Philosophy salon
>> After hitting 'reply' please always delete the text of the =20
>> message =3D
>> you are replying to.
>> To leave, send the message: leave film-philosophy to: =3D
>> [log in to unmask]<mailto:[log in to unmask]>.
>> Or visit: =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> .=
> ac.uk/lists/film-philosophy.html>
>> For help email: =
> [log in to unmask]<mailto:[log in to unmask]>, not the
> salon.
>> *
>> Film-Philosophy journal: =
> http://www.film-philosophy.com<http://www.film-philosophy.com/>
>> Contact: =
> [log in to unmask]<mailto:[log in to unmask]
> com>
>> **
>>
>> ------------------------------
>>
>> End of FILM-PHILOSOPHY Digest - 30 May 2008 (#2008-194)
>> *******************************************************
>>
>>
>> * * Film-Philosophy Email Discussion Salon. After hitting 'reply' =
> =3D
>> please always delete the text of the message you are replying to.
>> To =
> =3D
>> leave, send the message: leave film-philosophy to: =3D
>> [log in to unmask]<mailto:[log in to unmask]>. Or visit: =
> =3D
>> =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> .=
> ac.uk/lists/film-philosophy.html> For help email: =3D
>> [log in to unmask]<mailto:[log in to unmask]>, not the =
> salon. * Film-Philosophy journal: =3D
>> http://www.film-philosophy.com<http://www.film-philosophy.com/> =
> Contact: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]
> com> **
>>
>> *
>> *
>> Film-Philosophy salon
>> After hitting 'reply' please always delete the text of the message
>> =20
>> you are replying to.
>> To leave, send the message: leave film-philosophy to: =
> [log in to unmask]<mailto:[log in to unmask]>=20
>> .
>> Or visit: =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> .=
> ac.uk/lists/film-philosophy.html>
>> For help email: =
> [log in to unmask]<mailto:[log in to unmask]>, not the
> salon.
>> *
>> Film-Philosophy journal: =
> http://www.film-philosophy.com<http://www.film-philosophy.com/>
>> Contact: =
> [log in to unmask]<mailto:[log in to unmask]
> com>
>> **
>>
>>
>>
>> ------=3D_NextPart_000_003A_01C8C282.6188EE40
>> Content-Type: text/html;
>> charset=3D"iso-8859-1"
>> Content-Transfer-Encoding: quoted-printable
>>
>> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>> <HTML><HEAD>
>> <META http-equiv=3D3DContent-Type =3D
>> content=3D3Dtext/html;charset=3D3Diso-8859-1>
>> <STYLE></STYLE>
>>
>> <META content=3D3D"MSHTML 6.00.6000.16640" =
> name=3D3DGENERATOR></HEAD>
>> <BODY id=3D3DMailContainerBody=3D20
>> style=3D3D"PADDING-LEFT: 10px; FONT-WEIGHT: normal; FONT-SIZE:
>> 10pt; =
> =3D
>> COLOR: #000000; BORDER-TOP-STYLE: none; PADDING-TOP: 15px; FONT-=20
>> STYLE: =3D
>> normal; FONT-FAMILY: Verdana; BORDER-RIGHT-STYLE: none; =3D
>> BORDER-LEFT-STYLE: none; TEXT-DECORATION: none; WORD-WRAP: break-=20
>> word; =3D
>> BORDER-BOTTOM-STYLE: none; -webkit-nbsp-mode: space; -webkit-line-=20
>> break: =3D
>> after-white-space"=3D20
>> leftMargin=3D3D0 topMargin=3D3D0 acc_role=3D3D"text" =20
>> CanvasTabStop=3D3D"true"=3D20
>> name=3D3D"Compose message area"><!--[gte IE 5]><?xml:namespace =3D
>> prefix=3D3D"v" /><?xml:namespace prefix=3D3D"o" /><![endif]-->
>> <DIV>
>> <DIV>Of course, please, by all means read what a philosopher =3D
>> specializing in the=3D20
>> history of ideas thinks before taking on peer-review material such
>> =20
>> as =3D
>> the tomes=3D20
>> of Harris and Dolmatof! In the seventies, no one really knew what =
> CL-=20
>> S =3D
>> was doing=3D20
>> over there at the College de France, but whatever it was, it =
> wasn't=3D20
>> Anthropology. Now, however, we know: Socio-cultural analysis!</DIV>
>> <DIV> </DIV>
>> <DIV>In all seriousness, within his field of epistemology Dosse is
>> =20
>> quite =3D
>>
>> interesting; not the least of which for having emphasized the =
> =3D
>> greatnesses=3D20
>> of Certeau and Guattari. Speaking as an Anthropologist, however, =20
>> he's =3D
>> not.</DIV>
>> <DIV> </DIV>
>> <DIV>Bill Harris</DIV>
>> <BLOCKQUOTE=3D20
>> style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
> =3D
>> BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
>> <DIV style=3D3D"FONT: 10pt arial">----- Original Message ----- =
> </DIV>
>> <DIV style=3D3D"FONT: 10pt arial"><B>From:</B> <A=3D20
>> title=3D3Dmailto:[log in to unmask] =3D
>> =
> href=3D3D"mailto:[log in to unmask]">Don=3D20<mailto:[log in to unmask]
> .AC.IL%22%3EDon=3D20>
>> Handelman</A> </DIV>
>> <DIV style=3D3D"FONT: 10pt arial"><B>To:</B> <A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">FILM-
> PHILOSOPHY@JISCMAIL=
> .A<mailto:[log in to unmask]@JISCMAIL.A
> >=
> =20
>> =3D
>> C.UK</A>=3D20
>> </DIV>
>> <DIV style=3D3D"FONT: 10pt arial"><B>Sent:</B> Friday, May 30, 2008 =
> =3D
>> 12:22 PM</DIV>
>> <DIV style=3D3D"FONT: 10pt arial"><B>Subject:</B> Re: =
> FILM-PHILOSOPHY =3D
>> Digest - 30=3D20
>> May 2008 (#2008-194)</DIV>
>> <DIV><BR></DIV><BR>
>> <DIV>
>> <BLOCKQUOTE type=3D3D"cite"><FONT class=3D3DApple-style-span =3D
>> color=3D3D#000000>Matt is=3D20
>> introducing some social~cultural analysis into this discussion. =20
>> as =3D
>> for=3D20
>> Levi-Strauss being passe, he has revolutionized anthropology in =
> =3D
>> 'deep' ways=3D20
>> that have become taken for granted in anthropological thinking, =20
>> even =3D
>> as his=3D20
>> critics think they are deconstructing his semiology. Rather than =
> =3D
>> Marvin=3D20
>> Harris', Rise of Anthropological Theory, I would look more =20
>> generally =3D
>> to=3D20
>> Francois Dosse's, History of Structuralism , vol =3D
>> 1.</FONT></BLOCKQUOTE>
>> <DIV><BR></DIV>Don Handelman<BR>
>> <BLOCKQUOTE type=3D3D"cite"><FONT class=3D3DApple-style-span=3D20
>> color=3D3D#000000><BR></FONT><BR><BR>Date: Fri, =
> =20
>> 30 =3D
>> May 2008=3D20
>> 07:52:17 -0500<BR>From: bill harris <<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</<mailto:rhyzome1@MSN=
> [log in to unmask]>=20
>> A>><BR>Subject: =3D
>> Re:=3D20
>> Serial-killers (and Hitchcock films, including=3D20
>> PSYCHO)/Narratology...?<BR><BR>This is a multi-part message in =20
>> MIME=3D20
>> =3D
>> format.<BR><BR>------=3D3D_NextPart_000_001D_01C8C22A.=20
>> 14F080A0<BR>Content-T=3D
>> ype:=3D20
>> text/plain;<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> =
> pre"></SPAN>charset=3D3D"Windows-1252"<BR>Content-Transfer-
> Encoding:=3D20=
>
>> quoted-printable<BR><BR>This is quite beautiful-- it's clear that =
> =3D
>> you're a=3D20
>> natural poet!<BR> ----- Original Message =3D
>> -----=3D3D20<BR> From: indra=3D20
>> karan<<A title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">mailto:[log in to unmask]</
> <mail=
> to:[log in to unmask]:[log in to unmask]>=20
>> A>>=3D3D=3D
>> 20<BR> To:=3D20
>> =3D3D<BR>[log in to unmask]<<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">mailto:FILM-PHILOSOPHY@J=
> IS<mailto:[log in to unmask]:FILM-PHILOSOPHY@JIS
> >=
> =3D
>> CMAIL.AC.UK</A>>=3D3D20<BR> Sent:=3D20
>> Thursday, May 29, 2008 10:55 AM<BR> Subject: Re: Serial-=20
>> killers =3D
>> (and=3D20
>> Hitchcock films, including=3D20
>> =3D
>> =3D3D<BR>PSYCHO)/Narratology...?=20
>> <BR><BR><BR> =3D3D20<BR><BR> Hi=3D20
>> Bill,<BR><BR> =3D3D20<BR><BR> The psychotic states of =
> =3D
>> Abraham and=3D20
>> Psycho both have their =3D3D<BR>justification, as you said in =20
>> highly =3D
>> nebulous=3D20
>> states of Cultural =3D3D<BR>construct, but we are still left with =
> =20
>> the =3D
>> innocent=3D20
>> lives/deaths..?, =3D3D<BR>unaccounted =3D
>> for.<BR><BR> =3D3D20<BR><BR> Earlier=3D20
>> I use to think, the Deluzian way is a weak option, thanks to =3D
>> =3D3D<BR>you I have=3D20
>> found a way to free=3D20
>> =3D
>> myself.<BR><BR> =3D3D20<BR><BR> --------------=20
>> <BR><BR> =3D3D20=3D
>> <BR><BR> Our=3D20
>> prejudices are our stumbling =3D
>> blocks,<BR><BR> =3D3D20<BR><BR> Who is a=3D20
>> friend and who is enemy, it is all make=3D20
>> believe.<BR><BR> =3D3D20<BR><BR> Faith is blind and the =
> =3D
>> unfaithful are=3D20
>> irrational.<BR><BR> =3D3D20<BR><BR> Some fallow Jesus =
> and =3D
>> some his=3D20
>> captors.<BR><BR> =3D3D20<BR><BR> Which path we travel, =
>
>> the =3D
>> choice is=3D20
>> beyond horizon.<BR><BR> =3D3D20<BR><BR> It is the =
> knowers =20
>> of =3D
>> truth,=3D20
>> who know the difference.<BR><BR> =3D3D20<BR><BR> The =
> =3D
>> fulfilled find=3D20
>> emptiness and the empty, =3D
>> fulfillment.<BR><BR> =3D3D20<BR><BR> In the=3D20
>> end of journey we only find our =3D
>> selves.<BR><BR> =3D3D20<BR><BR> Like=3D20
>> =3D3D94 Saha Deva=3D3D94, the other fallows oneself on the =
> path=3D20
>> unseen.<BR><BR> =3D3D20<BR><BR> -----A tribute to =
> Gilles=3D20
>> =3D
>> Deluze.<BR><BR><BR><BR> -----=20
>> Indrakaran.<BR><BR><BR><BR> Hi=3D20
>> Matt,<BR><BR> From bad semiology you get horrible =20
>> linguistics; =3D
>> which in=3D20
>> turn makes =3D3D<BR>total bullshit for anthropology. Barthes, in =
>
>> any =3D
>> case, was=3D20
>> just aping =3D3D<BR>Levi-Strauss, whose non-utilitarian =20
>> "structural" =3D
>> stuff was=3D20
>> depasee even =3D3D<BR>before it appeared in print. So for a 1970- =
>
>> ish=3D20
>> contemporary critic, I'd =3D3D<BR>recommend Desana by Reichel-=20
>> Dolmatof =3D
>> for=3D20
>> starters. As for CLS's general =3D3D<BR>theory, there's alway's =
> =3D
>> The=3D20
>> Rise... by Marvin Harris.<BR><BR> This is not to say that I =
> =3D
>> don't find=3D20
>> your identity conjecture =3D3D<BR>interesting. Culture has always =
> =20
>> been =3D
>> a highly=3D20
>> nebulous sort of construct =3D3D<BR>due, among other reasons, to =
>
>> human =3D
>> will and=3D20
>> emotion. Moreover, many of =3D3D<BR>our best stories are, indeed, =
> =3D
>> about=3D20
>> taboo/godly violations: Brunhilde, =3D3D<BR>Antigone, Draupadi =20
>> (five=3D20
>> husbands)...and more recently, Smilla and Nomi =3D3D<BR>Malone. =
> A=3D20
>> Deleuzian-defined cinema, of course, is all about the je-fele =3D
>> =3D3D<BR>and=3D20
>> possibly, IMO, the BwO.<BR><BR> Abe fits well into this=3D20
>> model--narratively speaking or otherwise!-- as =3D3D<BR>an =20
>> ostensible =3D
>> rupture=3D20
>> with fertile-crescent, bronze-age nomadic =3D3D<BR>practice. To =20
>> have =3D
>> said that=3D20
>> our tribe no longer honors the ritual of =3D3D<BR>child sacrifice =
> =3D
>> might well=3D20
>> have set them off. indeed, from other semitic =3D3D<BR>wanderers. =
> =3D
>> Perhaps=3D20
>> Antigone's uperlogon becomes, in time, the voice of =20
>> =3D3D<BR>Socratic =3D
>> reason=3D20
>> much as Judiasm incorporates a two god theory into the=3D20
>> =3D3D<BR>Talmud....<BR><BR> Bill =3D
>> Harris.<BR><BR> -----=3D20
>> Original Message -----=3D3D20<BR> From: =20
>> matt<<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">mailto:[log in to unmask]</
> <mailto=
> :[log in to unmask]:[log in to unmask]>=20
>> A>>=3D3D=3D
>> 20<BR> To:=3D20
>> =3D3D<BR>[log in to unmask]<<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">mailto:FILM-PHILOSOPHY@J=
> IS<mailto:[log in to unmask]:FILM-PHILOSOPHY@JIS
> >=
> =3D
>> CMAIL.AC.UK</A>>=3D3D20<BR> Sent:=3D20
>> Monday, May 19, 2008 6:43 PM<BR> Subject: =
> Re:=3D20
>> Serial-killers (and Hitchcock films, including=3D20
>> =3D3D<BR>PSYCHO)/Narratology...?=20
>> <BR><BR><BR> 'Blest =3D
>> be thou=3D20
>> when thou art in combat with the gods' -=3D20
>> Mahabharata<BR><BR> Roland Barthes says =20
>> something =3D
>> about=3D20
>> religious taboo's not serving =3D3D<BR>the utilitarian function =
> we =3D
>> sometimes=3D20
>> ascribe to them, rather they are =3D3D<BR>ways for a tribe to =20
>> distance =3D
>> itself=3D20
>> from 'the tribe next door', as it =3D3D<BR>were. If the tribes of =
> =20
>> UR, =3D
>> Assyria?=3D20
>> whatever, were rampant engager in =3D3D<BR>human sacrifice Abe =20
>> could =3D
>> have chosen=3D20
>> non-sacrifice as a simple identity =3D3D<BR>issue, and not some =20
>> kind =3D
>> of=3D20
>> 'niceness' unique to the Jewish tribe or =3D3D<BR>their=3D20
>> god.=3D3D20<BR><BR> Matt.<BR><BR><BR> * * =
> =3D
>> Film-Philosophy=3D20
>> Email Discussion Salon. After hitting 'reply' =3D3D<BR>please =20
>> always =3D
>> delete the=3D20
>> text of the message you are replying to. To =3D3D<BR>leave, send =
>
>> the =3D
>> message:=3D20
>> leave film-philosophy to: =3D3D<BR><A =3D
>> title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>. =3D
>> Or visit:=3D20
>> =3D3D<BR><A =3D
>> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=3D20
>> =3D
>> =
> href=3D3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://ww
> =
> w<http://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://
> www>=20
>> .=3D
>> jiscmail.ac.uk/lists/film-philosophy.html</A>=3D20
>> For help email: =3D3D<BR><A =
> title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>, =3D
>> not the=3D20
>> salon. * Film-Philosophy journal: =3D3D<BR><A=3D20
>> title=3D3Dhttp://www.film-philosophy.com/=3D20
>> =3D
>> =
> href=3D3D"http://www.film-philosophy.com">http://www.film<http://www.film
> =
> -philosophy.com%22%3ehttp//www.film>-=20
>> philosophy.com</A=3D
>>> =3D20
>> Contact: =3D3D<BR><A =
> title=3D3Dmailto:[log in to unmask]
>> =3D
>>
>> =3D
>> href=3D3D"mailto:editorialboard@film<mailto:editorialboard@film>-=20
>> philosophy.com">editorialboard@film-ph=3D
>> ilosophy.com</A>=3D20
>> ** <BR><BR>*<BR>*<BR>Film-Philosophy salon<BR>After hitting =20
>> 'reply' =3D
>> please=3D20
>> always delete the text of the message you are replying to.<BR>To =
> =3D
>> leave, send=3D20
>> the message: leave film-philosophy to: <A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>.<BR>O=3D
>> r=3D20
>> visit: <A =3D
>> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=3D20
>> =3D
>> =
> href=3D3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://ww
> =
> w<http://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://
> www>=20
>> .=3D
>> jiscmail.ac.uk/lists/film-philosophy.html</A><BR>For=3D20
>> help email: <A title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>, =3D
>> not the=3D20
>> salon.<BR>*<BR>Film-Philosophy journal: <A=3D20
>> title=3D3Dhttp://www.film-philosophy.com/=3D20
>> =3D
>> =
> href=3D3D"http://www.film-philosophy.com">http://www.film<http://www.film
> =
> -philosophy.com%22%3ehttp//www.film>-=20
>> philosophy.com</A=3D
>>> <BR>Contact:=3D20
>> <A title=3D3Dmailto:[log in to unmask]
>> =3D
>> href=3D3D"mailto:editorialboard@film<mailto:editorialboard@film>-=20
>> philosophy.com">editorialboard@film-ph=3D
>> ilosophy.com</A><BR>**<BR><BR><BR><BR>------=20
>> =3D3D_NextPart_000_001D_01C8C22=3D
>> A.14F080A0<BR>Content-Type:=3D20
>> text/html;<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> =
> pre"></SPAN>charset=3D3D"Windows-1252"<BR>Content-Transfer-
> Encoding:=3D20=
>
>> quoted-printable<BR><BR><!DOCTYPE HTML PUBLIC "-//W3C//DTD =20
>> HTML =3D
>> 4.0=3D20
>> Transitional//EN"><BR><HTML xmlns:o =3D3D3D "<A=3D20
>> title=3D3Durn:schemas-microsoft-com:office:office=3D20
>> =3D
>> =
> href=3D3D"urn:schemas-microsoft-com:office:office">urn:schemas-microsoft-=
> co=3D
>> m:office:office</A>"><HEAD><BR><META=3D20
>> http-equiv=3D3D3DContent-Type=3D20
>> =3D
>> =3D3D<BR>content=3D3D3Dtext/=20
>> html;charset=3D3D3DWindows-1252><BR><STYLE=3D20
>> type=3D3D3Dtext/css>DIV {<BR><SPAN =
> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>MARGIN:=3D20
>> 0px<BR>}<BR></STYLE><BR><BR><META =
> content=3D3D3D"MSHTML=3D20
>> 6.00.6000.16640" =
> name=3D3D3DGENERATOR></HEAD><BR><BODY=3D20
>> id=3D3D3DMailContainerBody=3D3D20<BR>style=3D3D3D"PADDING-LEFT: =
> 10px; =3D
>> FONT-WEIGHT:=3D20
>> normal; FONT-SIZE: 10pt; =3D3D<BR>COLOR: #000000; =
> BORDER-TOP-STYLE: =3D
>> none;=3D20
>> PADDING-TOP: 15px; FONT-STYLE: =3D3D<BR>normal; FONT-FAMILY: =20
>> Verdana;=3D20
>> BORDER-RIGHT-STYLE: none; =3D3D<BR>BORDER-LEFT-STYLE: none; =3D
>> TEXT-DECORATION:=3D20
>> none; BORDER-BOTTOM-STYLE: =
> =3D3D<BR>none"=3D3D20<BR>leftMargin=3D3D3D0 =3D
>> topMargin=3D3D3D0=3D20
>> acc_role=3D3D3D"text" =3D
>> CanvasTabStop=3D3D3D"true"=3D3D20<BR>name=3D3D3D"Compose =
> message=3D20
>> area"><!--[gte IE 5]><?xml:namespace =3D
>> =3D3D<BR>prefix=3D3D3D"v"=3D20
>> /><?xml:namespace prefix=3D3D3D"o"=3D20
>> /><![endif]--><BR><DIV><BR><DIV>This is =20
>> quite=3D20
>> beautiful-- it's clear&nbsp;that you're a natural=3D20
>> =3D
>> =3D3D<BR>poet!</=20
>> DIV><BR><BLOCKQUOTE=3D3D20<BR>style=3D3D3D"PADDING-RIG=3D
>> HT: 0px;=3D20
>> PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =3D3D<BR>BORDER-LEFT: =
> #000000 =20
>> 2px =3D
>> solid;=3D20
>> MARGIN-RIGHT: 0px"><BR> <DIV style=3D3D3D"FONT: 10pt =
> =3D
>> arial">-----=3D20
>> Original Message ----- </DIV><BR> <DIV =3D
>> style=3D3D3D"FONT: 10pt=3D20
>> arial"><B>From:</B> =3D
>> <A=3D3D20<BR> title=3D3D3Dmailto:<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</A<mailto:ind=
> [log in to unmask]@YAHOO.COM%3C/A>> =3D
>> =3D3D<BR>href=3D3D3D"<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">mailto:[log in to unmask]</
> <mail=
> to:[log in to unmask]:[log in to unmask]>=20
>> A>">=3D
>> indra=3D3D20<BR> karan</A>=3D20
>> </DIV><BR> <DIV style=3D3D3D"FONT: 10pt=3D20
>> arial"><B>To:</B> =3D
>> <A=3D3D20<BR> title=3D3D3Dmailto:<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">FILM-
> PHILOSOPHY@JISCMAIL=
> .A<mailto:[log in to unmask]@JISCMAIL.A
> >=
> =20
>> =3D
>> C.UK</A>=3D3D20<BR> =3D3D<BR>href=3D3D3D"<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">mailto:FILM-PHILOSOPHY@J=
> IS<mailto:[log in to unmask]:FILM-PHILOSOPHY@JIS
> >=
> =3D
>> CMAIL.AC.UK</A>"><A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">FILM<mailto:FILM-PHILOSOPHY@=
> JISCMAIL.A%22%3EFILM>-=20
>> [log in to unmask]</A<mailto:[log in to unmask]>>=3D
>> =
> =3D3D<BR>C.UK</A>=3D3D20<BR> </
> DIV><BR> <DIV=3D2=
> 0
>> style=3D3D3D"FONT: 10pt arial"><B>Sent:</B> =20
>> Thursday, =3D
>> May 29,=3D20
>> 2008 =
> =3D3D<BR>10:55=3D3D20<BR> AM</DIV><BR> <DIV =3D
>> style=3D3D3D"FONT:=3D20
>> 10pt arial"><B>Subject:</B> Re: =
> Serial-killers=3D20
>> =3D3D<BR>(and=3D3D20<BR> Hitchcock films, including=3D20
>> =3D
>> PSYCHO)/Narratology...?</=20
>> DIV><BR> <DIV><BR></DI=3D
>> V><BR> <DIV=3D3D20<BR> style=3D3D3D"FONT-SIZE:=3D20
>> 12pt; FONT-FAMILY: times new roman, new york, =
> =3D3D<BR>times,=3D20
>> =
> serif"><BR> <DIV=3D3D20<BR> style=3D3D3D"FONT-SIZE:
> =3D
>> 12pt;=3D20
>> FONT-FAMILY: times new roman, new york, =3D3D<BR>times,=3D20
>> serif"><BR> <P class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: =20
>> 0in =3D
>> 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> 0pt">Hi=3D20
>> Bill,</P><BR> <P class=3D3D3DMsoNormal =3D
>> style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">The =20
>> psychotic =3D
>> =3D3D<BR>states=3D20
>> of Abraham=3D3D20<BR> and Psycho both have their =20
>> justification, =3D
>> as you said=3D20
>> in highly =3D3D<BR>nebulous=3D3D20<BR> states of Cultural =
> =3D
>> construct, but we are=3D20
>> still left with the innocent=3D3D20<BR> lives/deaths..?, =3D
>> unaccounted=3D20
>> for.</P><BR> <P class=3D3D3DMsoNormal =20
>> style=3D3D3D"MARGIN: =3D
>> 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> 0pt">Earlier I =20
>> use =3D
>> to=3D20
>> =3D3D<BR>think, the=3D3D20<BR> Deluzian way is a weak =
> option, =3D
>> thanks to you I=3D20
>> have found a way to =3D
>> =3D3D<BR>free=3D3D20<BR> myself.</P><BR> <P=3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in=3D20
>> 0pt">--------------</P><BR> <P =20
>> class=3D3D3DMsoNormal=3D20
>> style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Our =
> =3D
>> prejudices are=3D20
>> =3D3D<BR>our=3D3D20<BR> stumbling blocks,</=20
>> P><BR> <P=3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Who is =
> a =3D
>> friend and=3D20
>> =3D3D<BR>who is=3D3D20<BR> enemy, it is all make=3D20
>> believe.</P><BR> <P class=3D3D3DMsoNormal =3D
>> style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Faith =
> is =3D
>> blind and=3D20
>> =3D3D<BR>the=3D3D20<BR> unfaithful are =3D
>> irrational.</P><BR> <P=3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Some =20
>> fallow =3D
>> Jesus=3D20
>> =3D3D<BR>and some his=3D3D20<BR> captors.</=20
>> P><BR> <P=3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Which =
> path =20
>> we =3D
>>
>> =3D3D<BR>travel, the=3D3D20<BR> choice is beyond=3D20
>> horizon.</P><BR> <P class=3D3D3DMsoNormal =3D
>> style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">It is =
> the =3D
>> knowers =3D3D<BR>of=3D20
>> truth, who=3D3D20<BR> know the =3D
>> difference.</P><BR> <P=3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">The =20
>> fulfilled =3D
>> find=3D20
>> =3D3D<BR>emptiness=3D3D20<BR> and the empty,=3D20
>> fulfillment.</P><BR> <P class=3D3D3DMsoNormal =3D
>> style=3D3D3D"MARGIN: 0in=3D20
>> 0in =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">In the =
> end =20
>> of =3D
>>
>> =3D3D<BR>journey we only=3D3D20<BR> find our =3D
>> selves.</P><BR> <P=3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Like =
> =3D3D94 =3D
>> Saha=3D20
>> =3D3D<BR>Deva=3D3D94, the other=3D3D20<BR> fallows oneself =
> on the =3D
>> path=3D20
>> unseen.</P><BR> <P class=3D3D3DMsoNormal =3D
>> style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt"><o:p>&nbsp;</o:p></=20
>> P><BR> <P=3D
>> =3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">-----A =
> =3D
>> tribute to=3D20
>> =3D3D<BR>Gilles=3D3D20<BR> Deluze.</P><BR> <P =
> =3D
>> class=3D3D3DMsoNormal=3D20
>> style=3D3D3D"MARGIN: 0in 0in =3D
>> 0pt">&nbsp;</P><BR> <P=3D20
>> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in=3D20
>> =3D
>> =3D3D<BR>0pt">-----Indrakaran.</=20
>> P><BR><BR> <DIV=3D3D20=3D
>> <BR> style=3D3D3D"FONT-SIZE:=3D20
>> 12pt; FONT-FAMILY: times new roman, new york, =
> =3D3D<BR>times,=3D20
>> serif"><BR> <DIV style=3D3D3D"FONT-SIZE: 10pt; COLOR: =
> =3D
>> #000000;=3D20
>> FONT-FAMILY: Arial"><BR> <DIV>Hi=3D20
>> =3D
>> Matt,</DIV><BR> <DIV>&nbsp;</=20
>> DIV><BR> <=3D
>> ;DIV>From=3D20
>> bad semiology you get horrible linguistics; which in turn=3D20
>> =3D3D<BR>makes=3D3D20<BR> total bullshit for anthropology. =20
>> Barthes, =3D
>> in any=3D20
>> case, was just aping=3D3D20<BR> Levi-Strauss, whose =3D
>> non-utilitarian=3D20
>> "structural"&nbsp;stuff&nbsp;was =3D
>> =3D3D<BR>depasee=3D3D20<BR> even=3D20
>> before it appeared in print. So for a 1970-ish contemporary =3D
>> =3D3D<BR>critic,=3D20
>> I'd=3D3D20<BR> recommend<U> Desana </U>by =3D
>> Reichel-Dolmatof for=3D20
>> starters. As for CLS's =3D3D<BR>general=3D3D20<BR> theory, =20
>> there's=3D20
>> alway's&nbsp; <U>The Rise.</U>.. by Marvin=3D20
>> =3D
>> =3D3D<BR>Harris.</DIV><BR> <DIV>&nbsp;</=20
>> DIV><BR>=3D
>> <DIV>This=3D20
>> is not to say that I don't find your identity=3D20
>> conjecture=3D3D20<BR> interesting. Culture has always been a =
> =3D
>> highly=3D20
>> nebulous sort of =3D3D<BR>construct due,=3D3D20<BR> among =
> other =3D
>> reasons, to=3D20
>> human will and emotion. Moreover, many of our =3D
>> =3D3D<BR>best=3D3D20<BR> stories=3D20
>> are, indeed, about taboo/godly violations: Brunhilde,=3D20
>> =3D3D<BR>Antigone,=3D3D20<BR> Draupadi (five husbands)...and =
> =20
>> more =3D
>> recently,=3D20
>> Smilla and Nomi Malone.=3D20
>> =3D3D<BR>A=3D3D20<BR> Deleuzian-defined&nbsp;cinema, of =
>
>> course, =3D
>> is all=3D20
>> about the je-fele and =3D3D<BR><BR> possibly, IMO, the=3D20
>> =3D
>> BwO.</DIV><BR> <DIV>&nbsp;</=20
>> DIV><BR> <=3D
>> DIV>Abe=3D20
>> fits well into this model--narratively speaking or =3D
>> =3D3D<BR>otherwise!-- as=3D20
>> an=3D3D20<BR> ostensible&nbsp;rupture with fertile-=20
>> crescent, =3D
>> bronze-age=3D20
>> nomadic =3D3D<BR>practice. To=3D3D20<BR> have said that our =
>
>> tribe =3D
>> no longer=3D20
>> honors the ritual of child =3D3D<BR>sacrifice =20
>> might=3D3D20<BR> well =3D
>> have set=3D20
>> them off. indeed, from other semitic=3D20
>> =3D3D<BR>wanderers.&nbsp;Perhaps=3D3D20<BR> Antigone's =
> =3D
>> <EM>uperlogon=3D20
>> </EM>becomes, in time, the voice of Socratic=3D20
>> =3D3D<BR>reason=3D3D20<BR> much as Judiasm incorporates a =
> two =20
>> god =3D
>> theory into=3D20
>> the=3D20
>> =3D
>> =3D3D<BR>Talmud....</DIV><BR> <DIV>&nbsp;</
>> =20
>> DIV><=3D
>> BR> <DIV>Bill=3D20
>> =3D
>> Harris.</DIV><BR> <DIV>&nbsp;</=20
>> DIV><BR> &=3D
>> lt;BLOCKQUOTE=3D3D20<BR> style=3D3D3D"PADDING-RIGHT:=3D20
>> 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =3D3D<BR>BORDER-LEFT: =
> =3D
>> #000000 2px=3D20
>> solid; MARGIN-RIGHT: 0px"><BR> <DIV =3D
>> style=3D3D3D"FONT:=3D20
>> 10pt arial">----- Original Message -----=3D20
>> </DIV><BR> <DIV style=3D3D3D"FONT: =
> 10pt=3D20
>> arial"><B>From:</B>=3D20
>> <A=3D3D20<BR> title=3D3D3Dmailto:<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</A<mailto:Chewy=
> [log in to unmask]@AOL.COM%3C/A>> =3D
>> =3D3D<BR>href=3D3D3D"<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">mailto:[log in to unmask]</
> <mailto=
> :[log in to unmask]:[log in to unmask]>=20
>> A>"=3D3D20<=3D
>> BR> target=3D3D3D_blank=3D20
>> rel=3D3D3Dnofollow =3D3D<BR>ymailto=3D3D3D"<A =3D
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">mailto:[log in to unmask]</
> <mailto=
> :[log in to unmask]:[log in to unmask]>=20
>> A>">ma=3D
>> tt</A>=3D3D20<BR> </=20
>> DIV><BR> =3D
>> <DIV=3D20
>> style=3D3D3D"FONT: 10pt arial"><B>To:</B>=3D20
>> <A=3D3D20<BR> title=3D3D3Dmailto:<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">FILM-
> PHILOSOPHY@JISCMAIL=
> .A<mailto:[log in to unmask]@JISCMAIL.A
> >=
> =20
>> =3D
>> C.UK</A>=3D3D20<BR> href=3D3D3D"<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">mailto:FILM-PHILOSOPHY@J=
> IS<mailto:[log in to unmask]:FILM-PHILOSOPHY@JIS
> >=
> =3D
>> CMAIL.AC.UK</A>"=3D20
>> target=3D3D3D_blank=3D20
>> =3D
>> =3D=20
>> 3D=20
>> <=20
>> =
> BR
> >
> rel
> =3D3D3Dnofollow=3D3D20<BR> =3D3D<BR>ymailto=3D3D3D=
> "<A =3D
>>
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">mailto:FILM-PHILOSOPHY@J=
> IS<mailto:[log in to unmask]:FILM-PHILOSOPHY@JIS
> >=
> =3D
>> CMAIL.AC.UK</A>">FILM-PHILOSOPHY@JISCMAI=3D3D<BR>L.AC.UK</=20
>> A>=3D3D20<=3D
>> BR> </DIV><BR> <DIV=3D20
>> style=3D3D3D"FONT: 10pt arial"><B>Sent:</B> =
> Monday, =20
>> May =3D
>> 19, 2008=3D20
>> =
> =3D3D<BR>6:43=3D3D20<BR>PM</DIV><BR> <DIV
> =3D
>> style=3D3D3D"FONT:=3D20
>> 10pt arial"><B>Subject:</B> Re: =
> Serial-killers=3D20
>> =3D3D<BR>(and=3D3D20<BR> Hitchcock films, =
> including=3D20
>> =3D
>> PSYCHO)/Narratology...?</=20
>> DIV><BR> <DIV><B=3D
>> R></DIV><FONT=3D20
>> id=3D3D3Drole_document face=3D3D3DArial color=3D3D3D#000000=3D20
>> =3D3D<BR>size=3D3D3D2><BR> <DIV>'Blest =
> be =20
>> thou =3D
>> when thou=3D20
>> art in combat with the gods'=3D20
>> =3D
>> -=3D3D20<BR> Mahabharata</=20
>> DIV><BR> =3D
>> <DIV>&nbsp;</=20
>> DIV><BR> <DIV>Roland =3D
>>
>> Barthes says something about religious taboo's not =20
>> =3D3D<BR>serving=3D20
>> the=3D3D20<BR> utilitarian function we sometimes =
> =3D
>> ascribe to=3D20
>> them, rather they are =3D3D<BR>ways =
> for=3D3D20<BR> a =3D
>> tribe to=3D20
>> distance itself from 'the tribe next door', as it were. =20
>> =3D3D<BR>If=3D20
>> the=3D3D20<BR> tribes of UR, Assyria? whatever, =
>
>> were =3D
>> rampant=3D20
>> engager in human =3D3D<BR>sacrifice =3D
>> Abe=3D3D20<BR> could have=3D20
>> chosen non-sacrifice as a simple identity issue, and not=3D20
>> =3D3D<BR>some=3D3D20<BR> kind of 'niceness' =
> unique =20
>> to =3D
>> the Jewish=3D20
>> tribe or their god.=3D20
>> =3D
>> </DIV><BR> <DIV>&nbsp;</=20
>> DIV><BR>&n=3D
>> bsp; <DIV>Matt.</=20
>> DIV><BR> <DIV=3D
>> >&nbsp;</DIV></FONT></BLOCKQUOTE></=20
>> DIV><=3D
>> ;/DIV></DIV></DIV><BR>*=3D20
>> * =3D3D<BR><BR> Film-Philosophy Email Discussion Salon. =
> After =3D
>> hitting=3D20
>> 'reply' please =3D3D<BR>always=3D3D20<BR> delete the text of =
> the =3D
>> message you=3D20
>> are replying to. To leave, send the =3D3D<BR><BR> message: =20
>> leave=3D20
>> film-philosophy to: <A =
> title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>. =3D
>> Or=3D20
>> visit:=3D3D20<BR> <A=3D20
>> =
> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=3D20
>> =3D
>> =
> href=3D3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://ww
> =
> w<http://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://
> www>=20
>> .=3D
>> jiscmail.ac.uk/lists/film-philosophy.html</A>=3D20
>> For help email:=3D3D20<BR> <A =3D
>> title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>, =3D
>> not the=3D20
>> salon. * Film-Philosophy journal:=3D3D20<BR> <A=3D20
>> title=3D3Dhttp://www.film-philosophy.com/=3D20
>> =3D
>> =
> href=3D3D"http://www.film-philosophy.com">http://www.film<http://www.film
> =
> -philosophy.com%22%3ehttp//www.film>-=20
>> philosophy.com</A=3D
>>> =3D20
>> Contact: =3D3D<BR><A =
> title=3D3Dmailto:[log in to unmask]
>> =3D
>>
>> =3D
>> href=3D3D"mailto:editorialboard@film<mailto:editorialboard@film>-=20
>> philosophy.com">editorialboard@film-ph=3D
>> ilosophy.com</A>=3D20
>> =3D
>> **=3D3D20<BR></BLOCKQUOTE></DIV></BODY></=20
>> HTML><BR>*=3D
>> <BR>*<BR>Film-Philosophy=3D20
>> Email Discussion Salon.<BR>After hitting 'reply' please always =
> =3D
>> delete the=3D20
>> text of the message you are replying to.<BR>To leave, send the =
> =3D
>> message:=3D20
>> leave film-philosophy to: <A =20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>.<BR>O=3D
>> r=3D20
>> visit: <A =3D
>> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=3D20
>> =3D
>> =
> href=3D3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://ww
> =
> w<http://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://
> www>=20
>> .=3D
>> jiscmail.ac.uk/lists/film-philosophy.html</A><BR>For=3D20
>> help email: <A title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>, =3D
>> not the=3D20
>> salon.<BR>*<BR>Film-Philosophy journal: <A=3D20
>> title=3D3Dhttp://www.film-philosophy.com/=3D20
>> =3D
>> =
> href=3D3D"http://www.film-philosophy.com">http://www.film<http://www.film
> =
> -philosophy.com%22%3ehttp//www.film>-=20
>> philosophy.com</A=3D
>>> <BR>Contact:=3D20
>> <A title=3D3Dmailto:[log in to unmask]
>> =3D
>> href=3D3D"mailto:editorialboard@film<mailto:editorialboard@film>-=20
>> philosophy.com">editorialboard@film-ph=3D
>> ilosophy.com</A><BR>**<BR><BR><BR><BR><BR>------=20
>> =3D3D_NextPart_000_001D_01C=3D
>> =
> 8C22A.14F080A0--<BR><BR>------------------------------
> <BR><BR>Date:=3D20
>> Fri, 30 May 2008 12:55:59 +0100<BR>From:=3D20
>> "lucy.fraser" <<A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> href=20
>> =
> =3D3D"mailto:[log in to unmask]">[log in to unmask]</
> A<ma=
> ilto:[log in to unmask]@BTINTERNET.COM%3C/
> A>>=3D=
>
>> ><BR>Subject:=3D20
>> Re: FILM-PHILOSOPHY Digest - 30 May 2008 - Special issue=3D20
>> (#2008-193)<BR><BR>Dear List-users<BR>Please delete the content =20
>> of =3D
>> the=3D20
>> message that you are replying to as e-mails <BR>are becoming so =20
>> long =3D
>> that=3D20
>> they become almost unreadable. Remember Jack <BR>Nicholson =
>
>> in =3D
>> The=3D20
>> Shining, Jack Nicholson in The Shining, Jack Nicholson in=3D20
>> <BR>....<BR>Thanks<BR>Lucy <BR><BR>*<BR>*<BR>Film-Philosophy =3D
>> salon<BR>After=3D20
>> hitting 'reply' please always delete the text of the message you =
>
>> are =3D
>>
>> replying to.<BR>To leave, send the message: leave film-philosophy =
> =3D
>> to: <A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>.<BR>O=3D
>> r=3D20
>> visit: <A =3D
>> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=3D20
>> =3D
>> =
> href=3D3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://ww
> =
> w<http://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://
> www>=20
>> .=3D
>> jiscmail.ac.uk/lists/film-philosophy.html</A><BR>For=3D20
>> help email: <A title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>, =3D
>> not the=3D20
>> salon.<BR>*<BR>Film-Philosophy journal: <A=3D20
>> title=3D3Dhttp://www.film-philosophy.com/=3D20
>> =3D
>> =
> href=3D3D"http://www.film-philosophy.com">http://www.film<http://www.film
> =
> -philosophy.com%22%3ehttp//www.film>-=20
>> philosophy.com</A=3D
>>> <BR>Contact:=3D20
>> <A title=3D3Dmailto:[log in to unmask]
>> =3D
>> href=3D3D"mailto:editorialboard@film<mailto:editorialboard@film>-=20
>> philosophy.com">editorialboard@film-ph=3D
>> ilosophy.com</A><BR>**<BR><BR>------------------------------=20
>> <BR><BR>Date:=3D
>> =3D20
>> Fri, 30 May 2008 14:06:33 +0200<BR>From:=3D20
>> Lia Hestina <<A =3D
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</<mailto:l.hest=
> [log in to unmask]@RODOPI.NL%3C/>=20
>> A>><BR>Subjec=3D
>> t:=3D20
>> Re: NBA: Nightmare Japan. Contemporary Japanese Horror Cinema =20
>> (Jay=3D20
>> McRoy)***Movement as Meaning. In Experimental Film (Daniel=3D20
>> Barnett)<BR><BR>This is a multi-part message in MIME=3D20
>> =3D
>> =
> format.<BR><BR>------_=3D3D_NextPart_001_01C8C24D.
> 99E1616C<BR>Content-=20
>> Type:=3D
>> =3D20
>> text/plain;<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> =
> pre"></SPAN>charset=3D3D"iso-8859-1"<BR>Content-Transfer-
> Encoding:=3D20
>> quoted-printable<BR><BR>Dear Robert Hunt,<BR>=3D3D20<BR>Please =
> send =3D
>> your=3D20
>> complete address and the name of the journal you are =20
>> =3D3D<BR>writing =3D
>> for to <A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</A>=3D3D20<BR>A<mailto:in=
> [log in to unmask]@rodopi.nl%3C/A%3E=3D3D20%3CBR%3EA> copy =20
>> of =3D
>> the book=3D20
>> will be sent to you as soon as =20
>> possible.<BR>=3D3D20<BR>Regards,<BR>Lia =3D
>>
>> Hestina<BR><BR>*<BR>*<BR>Film-Philosophy salon<BR>After hitting =
> =3D
>> 'reply'=3D20
>> please always delete the text of the message you are replying =3D
>> to.<BR>To=3D20
>> leave, send the message: leave film-philosophy to: <A=3D20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>.<BR>O=3D
>> r=3D20
>> visit: <A =3D
>> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=3D20
>> =3D
>> =
> href=3D3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://ww
> =
> w<http://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://
> www>=20
>> .=3D
>> jiscmail.ac.uk/lists/film-philosophy.html</A><BR>For=3D20
>> help email: <A title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>, =3D
>> not the=3D20
>> salon.<BR>*<BR>Film-Philosophy journal: <A=3D20
>> title=3D3Dhttp://www.film-philosophy.com/=3D20
>> =3D
>> =
> href=3D3D"http://www.film-philosophy.com">http://www.film<http://www.film
> =
> -philosophy.com%22%3ehttp//www.film>-=20
>> philosophy.com</A=3D
>>> <BR>Contact:=3D20
>> <A title=3D3Dmailto:[log in to unmask]
>> =3D
>> href=3D3D"mailto:editorialboard@film<mailto:editorialboard@film>-=20
>> philosophy.com">editorialboard@film-ph=3D
>> ilosophy.com</A><BR>**<BR><BR><BR><BR><BR>------=20
>> _=3D3D_NextPart_001_01C8C24=3D
>> D.99E1616C<BR>Content-Type:=3D20
>> text/html;<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> =
> pre"></SPAN>charset=3D3D"iso-8859-1"<BR>Content-Transfer-
> Encoding:=3D20
>> quoted-printable<BR><BR><html xmlns:o=3D3D3D"<A=3D20
>> title=3D3Durn:schemas-microsoft-com:office:office=3D20
>> =3D
>> =
> href=3D3D"urn:schemas-microsoft-com:office:office">urn:schemas-microsoft-=
> co=3D
>> m:office:office</A>"=3D20
>> =3D3D<BR>xmlns:w=3D3D3D"<A title=3D3Durn:schemas-microsoft-=20
>> com:office:word =3D
>>
>> =3D
>> =
> href=3D3D"urn:schemas-microsoft-com:office:word">urn:schemas-microsoft-co=
> m:=3D
>> office:word</A>"=3D20
>> =3D3D<BR>xmlns=3D3D3D"<A =
> title=3D3Dhttp://www.w3.org/TR/REC-html40=3D20
>> =3D
>> =
> href=3D3D"http://www.w3.org/TR/REC-html40">http://www.w3.org/TR/REC-html4=
> 0<http://www.w3.org/TR/REC-html40%22%3Ehttp://www.w3.org/TR/REC-
> html40>=20
>> <=3D
>> /A>"><BR><BR><head><BR><META=3D20
>> HTTP-EQUIV=3D3D3D"Content-Type" CONTENT=3D3D3D"text/html;=3D20
>> =3D3D<BR>charset=3D3D3Diso-8859-1"><BR><BR><BR><meta =3D
>> name=3D3D3DProgId=3D20
>> content=3D3D3DWord.Document><BR><meta =
> name=3D3D3DGenerator=3D20
>> content=3D3D3D"Microsoft Word 9"><BR><meta =20
>> name=3D3D3DOriginator=3D20
>> content=3D3D3D"Microsoft Word 9"><BR><link =
> rel=3D3D3DFile-List =3D
>> href=3D3D3D"<A=3D20
>> title=3D3Dcid:filelist.xml@01C8C25E.5D625960=3D20
>> =3D
>> =
> href=3D3D"cid:filelist.xml@01C8C25E.5D625960">cid:filelist.xml@01C8C25E.5=
> D6=3D
>> 25960</A>"><BR><!--[if=3D20
>> gte mso=3D20
>> =3D
>> 9=20
>> ]>=20
>> =
> ;<
> ;xml><BR><o:OfficeDocumentSettings><BR> <o:DoNo=3D
>> tRelyOnCSS/><BR></o:OfficeDocumentSettings><BR></=20
>> xml><!=3D
>> [endif]--><!--[if=3D20
>> gte mso=3D20
>> =3D
>> 9
>> ]><xml><BR><w:WordDocument><BR> <w:Zoom>=20
>> 0</=3D
>> w:Zoom><BR> <w:DocumentKind>DocumentEmail</=20
>> w:DocumentKin=3D
>> d><BR> <w:HyphenationZone>21</=20
>> w:HyphenationZone><BR>&=3D
>> nbsp;<w:EnvelopeVis/=20
>> ><BR> <w:DrawingGridHorizontalSpacing&g=3D
>> t;6=3D20
>> =3D
>> pt</=20
>> =
> w:DrawingGridHorizontalSpacing><BR> <w:DrawingGridVerti=3D
>> calSpacing>8,15=3D20
>> =3D
>> pt</w:DrawingGridVerticalSpacing><BR></=20
>> w:WordDocument><BR><=3D
>> ;/xml><![endif]--><BR><style><BR><!--<BR>/*=3D20
>> Style Definitions */<BR>p.MsoNormal, li.MsoNormal, =3D
>> div.MsoNormal<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =
> pre"></SPAN>{mso-style-parent:"";<BR><SPAN=3D20
>> class=3D3DApple-tab-span style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>margin:0cm;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>margin-bottom:.=20
>> 0001pt;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>mso-pagination:widow-orphan;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =
> pre"></SPAN>font-size:12.0pt;<BR><SPAN=3D20
>> class=3D3DApple-tab-span style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>font-family:"Times New=3D20
>> Roman";<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =
> pre"></SPAN>mso-fareast-font-family:"Times =20
>> New =3D
>>
>> Roman";}<BR>a:link, span.MsoHyperlink<BR><SPAN =3D
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>{color:blue;<BR><SPAN =3D
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>text-decoration:underline;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>text-underline:single;}<BR>a:visited,=3D20
>> span.MsoHyperlinkFollowed<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>{color:blue;<BR><SPAN =3D
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>text-decoration:underline;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>text-underline:single;}<BR>p.MsoAutoSig,=3D20
>> li.MsoAutoSig, div.MsoAutoSig<BR><SPAN =
> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>{margin:0cm;<BR><SPAN =3D
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>margin-bottom:.=20
>> 0001pt;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>mso-pagination:widow-orphan;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =
> pre"></SPAN>font-size:12.0pt;<BR><SPAN=3D20
>> class=3D3DApple-tab-span style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>font-family:"Times New=3D20
>> Roman";<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =
> pre"></SPAN>mso-fareast-font-family:"Times =20
>> New =3D
>>
>> Roman";}<BR>pre<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>{margin:0cm;<BR><SPAN =3D
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>margin-bottom:.=20
>> 0001pt;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>mso-pagination:widow-orphan;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =
> pre"></SPAN>font-size:10.0pt;<BR><SPAN=3D20
>> class=3D3DApple-tab-span style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>font-family:"Courier=3D20
>> New";<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>mso-fareast-font-=20
>> family:"Courier=3D20
>> New";}<BR>tt<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>{mso-ascii-font-=20
>> family:"Courier=3D20
>> New";<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>mso-fareast-font-=20
>> family:"Courier=3D20
>> New";<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =
> pre"></SPAN>mso-hansi-font-family:"Courier=3D20
>> New";<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =
> pre"></SPAN>mso-bidi-font-family:"Courier=3D20
>> New";}<BR>span.EmailStijl19<BR><SPAN =
> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>{mso-style-type:personal-reply;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>mso-ansi-font-size:10.0pt;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>mso-ascii-font-family:Arial;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>mso-hansi-font-family:Arial;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>mso-bidi-font-family:Arial;<BR><SPAN=3D20
>> class=3D3DApple-tab-span style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>color:navy;}<BR>@page=3D20
>> Section1<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: pre"></SPAN>{size:595.2pt =20
>> 841.8pt;<BR><SPAN=3D20
>> class=3D3DApple-tab-span style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>margin:2.0cm 52.9pt=3D20
>> 2.0cm 46.75pt;<BR><SPAN class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>mso-header-margin:147.4pt;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>mso-footer-margin:147.4pt;<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>mso-paper-source:0;}<BR>div.Section1<BR><SPAN=3D20
>> class=3D3DApple-tab-span=3D20
>> style=3D3D"WHITE-SPACE: =3D
>> pre"></SPAN>{page:Section1;}<BR>--><BR></style><BR></=20
>> head>=3D
>> <BR><BR><body=3D20
>> lang=3D3D3DNL link=3D3D3Dblue vlink=3D3D3Dblue=3D20
>> style=3D3D3D'tab-interval:35.4pt'><BR><BR><div=3D20
>> class=3D3D3DSection1><BR><BR><p =20
>> class=3D3D3DMsoNormal><font =3D
>> size=3D3D3D2=3D20
>> color=3D3D3Dnavy face=3D3D3DArial><span=3D20
>> =3D
>> =3D3D<BR>style=3D3D3D'font-size:<BR>10.0pt;mso-bidi-font-size:=20
>> 12.0pt;font-fam=3D
>> ily:Arial;color:navy'>Dear=3D20
>> =3D3D<BR>Robert<BR>Hunt,</span></font><font =20
>> size=3D3D3D2 =3D
>> color=3D3D3Dnavy=3D20
>> face=3D3D3DArial><span=3D20
>> =3D
>> =3D3D<BR>style=3D3D3D'font-size:<BR>10.0pt;mso-bidi-font-size:=20
>> 12.0pt;font-fam=3D
>> ily:Arial;color:navy;mso-color-=20
>> a=3D3D<BR>lt:<BR>windowtext'><o:p>&=3D
>> lt;/o:p></span></font></p><BR><BR><p=3D20
>> class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =
> =3D
>> face=3D3D3DArial><span=3D20
>> =3D
>> =3D3D<BR>style=3D3D3D'font-size:<BR>10.0pt;mso-bidi-font-size:=20
>> 12.0pt;font-fam=3D
>> ily:Arial;color:navy'><![if=3D20
>> =3D
>> =3D3D<BR>!supportEmptyParas]>&nbsp;<![endif]></=20
>> span><=3D
>> /font><font<BR>size=3D3D3D2=3D20
>> color=3D3D3Dnavy face=3D3D3DArial><span=3D20
>> =3D
>> =3D3D<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-font-=20
>> size:<BR>12.0pt;font-fam=3D
>> ily:Arial;color:navy;mso-color-alt:windowtext'><o:p></=20
>> o:p>=3D
>> =3D3D<BR></span></font></p><BR><BR><p=3D20
>> class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =
> =3D
>> face=3D3D3DArial><span=3D20
>> =3D
>> =
> =3D3D<BR>lang=3D3D3DEN-GB<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-
> font-=
> =20
>> size:1=3D
>> =
> 2.0pt;font-family:Arial;col=3D3D<BR>or:navy;<BR>mso-ansi-language:EN-
> =20
>> GB'>=3D
>> ;Please=3D20
>> send your complete address and the name =3D3D<BR>of =
> the<BR>journal =20
>> you =3D
>> are=3D20
>> writing for to </span></font><font =
> size=3D3D3D2=3D20
>> =3D3D<BR>face=3D3D3DArial><span<BR>lang=3D3D3DEN-GB=3D20
>> =3D
>> =
> =3D3D<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:
> 12.0pt;font-=20
>> family:=3D
>> Arial;<BR>mso-ansi-language:EN-GB'><a=3D20
>> =3D3D<BR>href=3D3D3D"<A title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">mailto:[log in to unmask]</
> A>"><A=3D20<ma=
> ilto:[log in to unmask]:[log in to unmask]>
> %3CA=3D20>
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</A></<mailto:info@rodo=
> [log in to unmask]</>=20
>> a><font<BR>co=3D
>> lor=3D3D3Dnavy><span=3D20
>> style=3D3D3D'color:navy'> =
> </span></font><font=3D20
>> =3D
>> =
> =3D3D<BR>color=3D3D3Dnavy><span<BR>style=3D3D3D'color:navy;mso-
> colo=
> r-=20
>> alt:=3D
>> =
> windowtext'><o:p></o:p></span></font></
> =20
>> =3D3D<=3D
>> BR>span></font></p><BR><BR><p=3D20
>> class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =
> =3D
>> face=3D3D3DArial><span=3D20
>> =3D
>> =
> =3D3D<BR>lang=3D3D3DEN-GB<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-
> font-=
> =20
>> size:1=3D
>> =
> 2.0pt;font-family:Arial;col=3D3D<BR>or:navy;<BR>mso-ansi-language:EN-
> =20
>> GB'>=3D
>> ;A=3D20
>> copy of the book will be sent to you as soon=3D20
>> =3D3D<BR>as<BR>possible.</span></font><font =20
>> size=3D3D3D2 =3D
>> color=3D3D3Dnavy=3D20
>> face=3D3D3DArial><span=3D20
>> =3D
>> =
> =3D3D<BR>lang=3D3D3DEN-GB<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-
> font-=
> =20
>> size:1=3D
>> 2.0pt;font-family:Arial;col=3D3D<BR>or:navy;<BR>mso-color-=20
>> alt:windowtext;ms=3D
>> o-ansi-language:EN-GB'><o:p></o:p></span></
>> =20
>> fon=3D3D=3D
>> <BR>t></p><BR><BR><p=3D20
>> class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =
> =3D
>> face=3D3D3DArial><span=3D20
>> =3D
>> =
> =3D3D<BR>lang=3D3D3DEN-GB<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-
> font-=
> =20
>> size:1=3D
>> =
> 2.0pt;font-family:Arial;col=3D3D<BR>or:navy;<BR>mso-ansi-language:EN-
> =20
>> GB'>=3D
>> ;<![if=3D20
>> =3D
>> =3D3D<BR>!supportEmptyParas]>&nbsp;<![endif]></=20
>> span><=3D
>> /font><font<BR>size=3D3D3D2=3D20
>> color=3D3D3Dnavy face=3D3D3DArial><span =
> lang=3D3D3DEN-GB=3D20
>> =3D
>> =3D3D<BR>style=3D3D3D'font-size:10.0pt;<BR>mso-bidi-font-size:=20
>> 12.0pt;font-fam=3D
>> ily:Arial;color:navy;mso-color-alt:wind=3D3D<BR>owtext;<BR>mso-
>> ansi- =
>
>> languag=3D
>> e:EN-GB'><o:p></o:p></span></font></=20
>> p><B=3D
>> R><BR><p=3D20
>> class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =
> =3D
>> face=3D3D3DArial><span=3D20
>> =3D
>> =
> =3D3D<BR>lang=3D3D3DFR<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-
> font-siz=
> e:=20
>> 12.0=3D
>> pt;font-family:Arial;col=3D3D<BR>or:navy;<BR>mso-ansi-=20
>> language:FR'>Regar=3D
>> ds,</span></font><font=3D20
>> size=3D3D3D2 color=3D3D3Dnavy =3D
>> =3D3D<BR>face=3D3D3DArial><span<BR>lang=3D3D3DFR=3D20
>> =3D
>> =
> =3D3D<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:
> 12.0pt;font-=20
>> family:=3D
>> Arial;<BR>color:navy;mso-color-alt:windowtext;mso-ansi-=20
>> language:FR'>&l=3D
>> t;o:p></o:p></sp=3D3D<BR>an></font></=20
>> p><BR><BR>&=3D
>> lt;p=3D20
>> class=3D3D3DMsoNormal><span =20
>> class=3D3D3DEmailStijl19><font =3D
>> size=3D3D3D2=3D20
>> =3D3D<BR>color=3D3D3Dnavy =
> face=3D3D3DArial><span<BR>lang=3D3D3DFR=3D20
>> =3D
>> =
> =3D3D<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:
> 12.0pt;font-=20
>> family:=3D
>> Arial;<BR>mso-ansi-language:FR'>Lia=3D20
>> =3D
>> Hestina<o:p></o:p></span></font></=20
>> span><=3D
>> /p><BR><BR></div><BR><BR></body><BR><BR></=20
>> html><BR>*=3D
>> <BR>*<BR>Film-Philosophy=3D20
>> Email Discussion Salon.<BR>After hitting 'reply' please always =
> =3D
>> delete the=3D20
>> text of the message you are replying to.<BR>To leave, send the =
> =3D
>> message:=3D20
>> leave film-philosophy to: <A =20
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>.<BR>O=3D
>> r=3D20
>> visit: <A =3D
>> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=3D20
>> =3D
>> =
> href=3D3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://ww
> =
> w<http://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://
> www>=20
>> .=3D
>> jiscmail.ac.uk/lists/film-philosophy.html</A><BR>For=3D20
>> help email: <A title=3D3Dmailto:[log in to unmask]
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</
> <mailt=
> o:[log in to unmask]@jiscmail.ac.uk%3C/>=20
>> A>, =3D
>> not the=3D20
>> salon.<BR>*<BR>Film-Philosophy journal: <A=3D20
>> title=3D3Dhttp://www.film-philosophy.com/=3D20
>> =3D
>> =
> href=3D3D"http://www.film-philosophy.com">http://www.film<http://www.film
> =
> -philosophy.com%22%3ehttp//www.film>-=20
>> philosophy.com</A=3D
>>> <BR>Contact:=3D20
>> <A title=3D3Dmailto:[log in to unmask]
>> =3D
>> href=3D3D"mailto:editorialboard@film<mailto:editorialboard@film>-=20
>> philosophy.com">editorialboard@film-ph=3D
>> ilosophy.com</A><BR>**<BR><BR><BR><BR><BR>------=20
>> _=3D3D_NextPart_001_01C8C24=3D
>> D.99E1616C--<BR><BR>------------------------------<BR><BR>Date:=3D20
>> Fri, 30 May 2008 15:41:39 +0100<BR>From:=3D20
>> Richard Stamp <<A =3D
>> title=3D3Dmailto:[log in to unmask]
>> =3D
>> =
> href=3D3D"mailto:[log in to unmask]">[log in to unmask]</<mailto:r.=
> [log in to unmask]@BATHSPA.AC.UK%3C/>=20
>> A>><BR>Su=3D
>> bject:=3D20
>> Reminder: Animation Unlimited 2008, Bournemouth, 18-20 =3D
>> July<BR><BR>I've just=3D20
>> received a timely reminder that the Arts Institute at =3D
>> =3D3D<BR>Bournemouth will=3D20
>> be hosting the 20th Anniversary Society for Animation =20
>> =3D3D<BR>Studies =3D
>>
>> International Conference on 18-20 July.<BR><BR>The full programme =
> =3D
>> for=3D20
>> 'ANIMATION UNLIMITED' is available here: =3D3D<BR><A=3D20
>> =3D
>> =
> title=3D3Dhttp://www.aibep.co.uk/au2008/animation-unlimited-2008-programm=
> e-=3D
>> fri.htm=3D20
>> =3D
>> =
> href=3D3D"http://www.aibep.co.uk/au2008/animation-unlimited-2008-programm=
> e<http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme>-
> =3D
>> =
> fri.htm">http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme=
> =3D
>> -fri.htm</A><BR><BR>'ANIMATION=3D20
>> UNLIMITED' features pre-eminent scholars and practitioners =3D
>> =3D3D<BR>from some of=3D20
>> the world's leading institutes of animation education, =20
>> =3D3D<BR>along =3D
>> with=3D20
>> leading industry figures from Aardman, Disney, Pixar, Cartoon =3D
>> =3D3D<BR>Network,=3D20
>> Nickelodeon, BBC, etc.=3D3D20<BR><BR>Today is your last =
> opportunity =20
>> to =3D
>> get a=3D20
>> reduced 'early bird' rate of =3D3D<BR>=3D3DA3150 - although there =
> are =3D
>> also a limited=3D20
>> number of reserved student =3D3D<BR>places at =3D3DA350. Full =
> details =3D
>> here:=3D20
>> =3D
>> =
> =3D3D<BR>http://www.aibep.co.uk/au2008/animation-unlimited-2008-registrat=
> io=3D
>> n.htm<BR><BR>(Alternatively,=3D20
>> contact the organisers at: animationunlimited08=3D20
>> =3D3D<BR><mailto:[log in to unmask]> =3D
>> @aib.ac.uk)<BR><BR>That's=3D20
>> all folks!<BR><BR>Richard<BR><BR>Dr Richard Stamp<BR>Senior =20
>> Lecturer =3D
>> in=3D20
>> Cultural Studies=3D3D20<BR>School of Historical and Cultural =3D
>> Studies=3D3D20<BR>Bath=3D20
>> Spa University=3D3D20<BR>Newton St Loe=3D3D20<BR>Bath. BA2 =3D
>> 9BN=3D3D20<BR>=3D3D20<BR>01225=3D20
>> 876226<BR><BR>*<BR>*<BR>Film-Philosophy salon<BR>After hitting =
> =3D
>> 'reply'=3D20
>> please always delete the text of the message you are replying =3D
>> to.<BR>To=3D20
>> leave, send the message: leave film-philosophy to:=3D20
>> =
> [log in to unmask]<BR>Or<mailto:[log in to unmask]
> >=
> visit:=3D20
>> =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<BR>For<http://www.ji
> =
> scmail.ac.uk/lists/film-philosophy.html%3CBR%3EFor> help =3D
>> email:=3D20
>> [log in to unmask]<mailto:[log in to unmask]>, not the =
> salon.<BR>*<BR>Film-Philosophy =3D
>> journal:=3D20
>> http://www.film-philosophy.com<BR>Contact:=3D20
>> =3D
>> editorialboard@film<mailto:editorialboard@film>-=20
>> philosophy.com<BR>**<BR><BR>-------------------------=3D
>> -----<BR><BR>End=3D20
>> of FILM-PHILOSOPHY Digest - 30 May 2008=3D20
>> =3D
>> (#2008=20
>> =
> -194)<BR>*******************************************************<BR=3D
>>> </BLOCKQUOTE></DIV><BR>*=3D20
>> * Film-Philosophy Email Discussion Salon. After hitting 'reply' =20
>> please =3D
>> always=3D20
>> delete the text of the message you are replying to. To leave, send =
>
>> the =3D
>>
>> message: leave film-philosophy to: =
> [log in to unmask]<mailto:[log in to unmask]>. Or =20
>> visit:=3D20
>> =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> .=
> ac.uk/lists/film-philosophy.html> For help =20
>> email:=3D20
>> [log in to unmask]<mailto:[log in to unmask]>, not the =
> salon. * Film-Philosophy journal:=3D20
>> http://www.film-philosophy.com<http://www.film-philosophy.com/> =
> Contact: =3D
>> =
> [log in to unmask]<mailto:[log in to unmask]
> com> **=3D20
>> </BLOCKQUOTE></DIV></BODY></HTML>
>> *
>> *
>> Film-Philosophy Email Discussion Salon.
>> After hitting 'reply' please always delete the text of the message
>> =20
>> you are replying to.
>> To leave, send the message: leave film-philosophy to: =
> [log in to unmask]<mailto:[log in to unmask]>=20
>> .
>> Or visit: =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> .=
> ac.uk/lists/film-philosophy.html>
>> For help email: =
> [log in to unmask]<mailto:[log in to unmask]>, not the
> salon.
>> *
>> Film-Philosophy journal: =
> http://www.film-philosophy.com<http://www.film-philosophy.com/>
>> Contact: =
> [log in to unmask]<mailto:[log in to unmask]
> com>
>> **
>>
>>
>>
>>
>> ------=3D_NextPart_000_003A_01C8C282.6188EE40--
>>
>> ------------------------------
>>
>> End of FILM-PHILOSOPHY Digest - 30 May 2008 - Special issue =20
>> (#2008-196)
>> =
> ***********************************************************************
>
> *
> *
> Film-Philosophy salon
> After hitting 'reply' please always delete the text of the message
> you =
> are replying to.
> To leave, send the message: leave film-philosophy to: =
> [log in to unmask]<mailto:[log in to unmask]>.
> Or visit: =
> http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www.jiscmail
> .=
> ac.uk/lists/film-philosophy.html>
> For help email: =
> [log in to unmask]<mailto:[log in to unmask]>, not the
> salon.
> *
> Film-Philosophy journal: =
> http://www.film-philosophy.com<http://www.film-philosophy.com/>
> Contact: =
> [log in to unmask]<mailto:[log in to unmask]
> com>
> **
>
> *
> *
> Film-Philosophy salon
> After hitting 'reply' please always delete the text of the message
> you are replying to.
> To leave, send the message: leave film-philosophy to: [log in to unmask]
> .
> Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> For help email: [log in to unmask], not the salon.
> *
> Film-Philosophy journal: http://www.film-philosophy.com
> Contact: [log in to unmask]
> **
>
>
>
>
> ------=_NextPart_000_006F_01C8C387.BCFA7130
> Content-Type: text/html;
> charset="iso-8859-1"
> Content-Transfer-Encoding: quoted-printable
>
> <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> <HTML xmlns:o =3D "urn:schemas-microsoft-com:office:office"
> xmlns:st1 =
> =3D=20
> "urn:schemas-microsoft-com:office:smarttags"><HEAD>
> <META http-equiv=3DContent-Type =
> content=3Dtext/html;charset=3Diso-8859-1>
> <STYLE></STYLE>
>
> <META content=3D"MSHTML 6.00.6000.16640" name=3DGENERATOR></HEAD>
> <BODY id=3DMailContainerBody=20
> style=3D"PADDING-LEFT: 10px; FONT-WEIGHT: normal; FONT-SIZE: 10pt; =
> COLOR: #000000; BORDER-TOP-STYLE: none; PADDING-TOP: 15px; FONT-
> STYLE: =
> normal; FONT-FAMILY: Verdana; BORDER-RIGHT-STYLE: none; =
> BORDER-LEFT-STYLE: none; TEXT-DECORATION: none; BORDER-BOTTOM-STYLE: =
> none"=20
> leftMargin=3D0 topMargin=3D0 acc_role=3D"text"
> CanvasTabStop=3D"true"=20
> name=3D"Compose message area"><!--[gte IE 5]><?xml:namespace =
> prefix=3D"v" /><?xml:namespace prefix=3D"o" /><![endif]-->
> <DIV>
> <DIV>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>No one doubts that CL-S was lots of fun for everyone, and =
> Harris was a=20
> boring materialist of interest only to those within the profession. =
> Small=20
> wonder, then, that one cites philosophers and epistemology in order
> to =
> justify=20
> what to insiders was plain old shoddiness bordering on pomposity and =
> outright=20
> quackery. </FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT =
> face=3D"Times New Roman"=20
> size=3D3> </FONT></o:p></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>This is to say that with any particular any science, =
> epistemology begins=20
> with method and data rules defined from within. This, obviously, =
> suggests a=20
> strongly particularistic foundationalism that outsiders would reject
> or =
> simply=20
> misunderstand. Different sciences have different rules; but what is =
> common to=20
> all is an adherence of some sort to data fidelity, reproduction of =
> results and=20
> refutability.</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT =
> face=3D"Times New Roman"=20
> size=3D3> </FONT></o:p></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>Yet even a precursory glance at HRAF data would indicate
> that=20
> Levi-Strauss failed to support his =93findings=94 of hidden =
> =93structures=94 of kinship=20
> and marital relations. He admittedly rejected statistics (in favor
> of=20
> data-challenged =93mechanical=94 explanations), and flatly rejected
> the=20
> preference/prescription distinction. Ultimately, his obliviousness
> to =
> basic=20
> tenants of method became too much of an embarrassment to even his
> ardent =
>
> supporters=97namely, <st1:City><st1:place>Needham</st1:place></
> st1:City> =
> and=20
> Nutini.</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT =
> face=3D"Times New Roman"=20
> size=3D3> </FONT></o:p></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>Yet as early as 1957 Murdock had put an end to the numbers =
> crunching by=20
> stating that the patrilineal-based evidence necessary to support any =
> avunculate=20
> theory was insufficient. At that point the competing predictive-
> causal=20
> hypotheses of Homans-Schneider demurred. On the other hand, =
> =93Elementary=20
> Structures=85=94 became a bestseller--and CL-S held his ground; =
> preferring to rant=20
> publically for twenty more years over Homans-Schneider even though
> these =
> two=20
> had admitted the theory to be untestable and
> had =
> moved=20
> on! </FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT =
> face=3D"Times New Roman"=20
> size=3D3> </FONT></o:p></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>In short, CL-S' claims remain to this day unsupported
> and =
> yet, like=20
> his compatriot in intellectual fraudulence=97one Sigmund Freud=97his =
> stuff is=20
> bantered about <SPAN style=3D"mso-spacerun: yes"> </SPAN>and
> used =
> as raw=20
> material for interesting ways and means of knowledge justification
> by =
> those more=20
> interested in claims than content. Like Psychoanalysis,
> Structuralism =
> simply=20
> morphed into narratology, and became a literary tool.</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT =
> face=3D"Times New Roman"=20
> size=3D3> </FONT></o:p></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>In intellectual worlds untouched by Sokal, all theories of =
> knowledge are=20
> narratively =93interesting=94 and equally
> discursive. Heyerdahl=92s =
> transatlantic=20
> adventure is sooo much more interesting than, say, laborious
> archaeology =
> on=20
> Easter Island itself; and, moreover, if it=92s convenient for =
> Hollywood to=20
> believe that Mesolithic hunters built huge fortresses, why =
> not?</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT =
> face=3D"Times New Roman"=20
> size=3D3> </FONT></o:p></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>So it was, as well, with Greg Bateson and his =93great=94 =
> monograph: Sorry,=20
> but the rules apply to everyone, regardless of the interest one=92s =
> ideas might=20
> generate in the more general intellectual domain. What is
> disturbing, =
> moreover,=20
> is how one Mr Handelman can speak as an Anthropologist so derisively
> of =
> the same=20
> peer process that gave him the degree to begin with. In any case,
> all =
> he's given=20
> us is Philosophy.</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT =
> face=3D"Times New Roman"=20
> size=3D3> </FONT></o:p></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>Philosophers, indeed, are permitted to speculate upon the =
> notion of=20
> culture- as- code that=92s based upon binary phonemic rules as =
> enunciated by=20
> Jacobsen and Trubetzkoy. To To=20
> <st1:City><st1:place>Prague</st1:place></st1:City>=92s credit, a =
> Hilbert-inspired=20
> model can demonstrate binary properties over an infinite number of =
> dimensions=20
> (planes). Basic principles of the scientific method, however, call
> this =
> query a=20
> =93hypotheses=94. </FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT =
> face=3D"Times New Roman"=20
> size=3D3> </FONT></o:p></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>What CL-S offered, however, are several examples in which
> this =
> conjecture=20
> is true; and are thereby <I style=3D"mso-bidi-font-style: normal">in =
> extenso</I>=20
> applied as general theory. <SPAN=20
> style=3D"mso-spacerun: yes"> </SPAN>Likewise, all lighter
> objects =
> fall slower=20
> than heavier ones because of the observation I made of leaves
> falling =
> slower=20
> than apples from trees=85.</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT =
> face=3D"Times New Roman"=20
> size=3D3> </FONT></o:p></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>As I remember from the sixties and seventies, all of this
> stood =
> as an=20
> enormous embarrassment to serious French anthropologists such as
> Panof, =
> Barreau,=20
> Delfendahl, Jaulin, Gaudlier, Clastres et al, who had to deal
> with =
> the=20
> quotidian idiocies of a system which accorded CL-S mandarin status.
> The =
> French=20
> obsession with binarism dates back to Descartes, and what,
> ostensibly =
> all French=20
> scientists desired was to be finished once and for all with =93doing =
> great=20
> Seventeenth century Science=94. </FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT =
> face=3D"Times New Roman"=20
> size=3D3> </FONT></o:p></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>French intellectual history literally reeks of head-based =
> dualisms which=20
> structure reality. Americans somehow think this is chic and exotic,
> much =
> like=20
> Whole Foods croaks incessantly about traditional Indian
> healing. =
> But=20
> phony medicine and method-free science are, truly, national=20
> embarrassments.. CL-S found Descartes and Mauss standing of
> their =
> heads,=20
> and joined them.</FONT></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><o:p><FONT =
> face=3D"Times New Roman"=20
> size=3D3> </FONT></o:p></P>
> <P class=3DMsoNormal style=3D"MARGIN: 0in 0in 0pt"><FONT
> face=3D"Times =
> New Roman"=20
> size=3D3>Bill Harris</FONT></P></DIV>
> <BLOCKQUOTE=20
> style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
> BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>From:</B> <A=20
> title=3Dmailto:[log in to unmask] =
> href=3D"mailto:[log in to unmask]">Don=20
> Handelman</A> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
> title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:[log in to unmask]">[log in to unmask]
> =
> C.UK</A>=20
> </DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, May 31, 2008 =
> 2:57=20
> AM</DIV>
> <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: FILM-PHILOSOPHY =
> Digest - 30=20
> May 2008 - Special issue (#2008-196)</DIV>
> <DIV><BR></DIV>Speaking no less as an anthropologist (but not as a=20
> structuralist), <BR>Levi-Strauss is one of the greatest. His =
> traces are=20
> pervasive, if one <BR>does trace analysis. Levi-Strauss
> mistook =
> semiotic=20
> transformation for <BR>dynamics, hence the value of Deleuze. =
> Marvin=20
> Harris mistook everything <BR>for crude materialist =
> functionalism. If=20
> one wants to think on <BR>epistemology in anthropology, one
> is =
> better=20
> off turning to David <BR>Bidney's, Theoretical Anthropology =
> (though=20
> Bidney was a philosopher), <BR>published in the late '50s or =
> early '60s.=20
> Speaking of peer-review <BR>tomes, Gregory Bateson's great =
> m0nograph,=20
> Naven, a fruitful place to <BR>begin thinking on systemic =
> dynamics, was=20
> rejected as a PhD thesis.<BR><BR>Don Handelman<BR><BR>On May 31,
> 2008, =
> at 1:24=20
> AM, FILM-PHILOSOPHY automatic digest system =
> <BR>wrote:<BR><BR>> There=20
> is 1 message totalling 2152 lines in this issue.<BR>><BR>> =
> Topics in=20
> this special issue:<BR>><BR>> 1. FILM-PHILOSOPHY Digest
> - =
> 30 May=20
> 2008 (#2008-194)<BR>><BR>> *<BR>> *<BR>> Film-
> Philosophy=20
> salon<BR>> After hitting 'reply' please always delete the text
> of =
> the=20
> message <BR>> you are replying to.<BR>> To leave, send
> the =
>
> message: leave film-philosophy to: <A =
> title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A> =
> <BR>>=20
> .<BR>> Or visit: <A=20
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> .=
> jiscmail.ac.uk/lists/film-philosophy.html</A><BR>>=20
> For help email: <A title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>, =
> not the=20
> salon.<BR>> *<BR>> Film-Philosophy journal: <A=20
> title=3Dhttp://www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com">http://www.film-
> philosophy.com</A=
>> <BR>>=20
> Contact: <A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:editorialboard@film-
> philosophy.com">editorialboard@film-ph=
> ilosophy.com</A><BR>>=20
> **<BR>><BR>><BR>><BR>><BR>>=20
> =
> ----------------------------------------------------------------------<
> BR=
>> ><BR>>=20
> Date: Fri, 30 May 2008 18:24:21 -0500<BR>>=20
> From: bill harris <<A =
> title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A>><BR>> =
> Subject: Re:=20
> FILM-PHILOSOPHY Digest - 30 May 2008 (#2008-194)<BR>><BR>>
> This =
> is a=20
> multi-part message in MIME format.<BR>><BR>>=20
> ------=3D_NextPart_000_003A_01C8C282.6188EE40<BR>> Content-
> Type:=20
> text/plain;<BR>> charset=3D"iso-8859-1"<BR>> =
> Content-Transfer-Encoding:=20
> quoted-printable<BR>><BR>> Of course, please, by all means
> read =
> what a=20
> philosopher specializing <BR>> in =3D<BR>> the history
> of =
> ideas=20
> thinks before taking on peer-review material <BR>> such =
> =3D<BR>> as=20
> the tomes of Harris and Dolmatof! In the seventies, no one really =
> =3D<BR>>=20
> knew what CL-S was doing over there at the College de France, but =
> =3D<BR>>=20
> whatever it was, it wasn't Anthropology. Now, however, we know: =
> =3D<BR>>=20
> Socio-cultural analysis!<BR>><BR>> In all seriousness, within =
> his field=20
> of epistemology Dosse is quite =3D<BR>> interesting; not the
> least =
> of which=20
> for having emphasized the =3D<BR>> greatnesses of Certeau and =
> Guattari.=20
> Speaking as an Anthropologist, =3D<BR>> however, he's =
> not.<BR>><BR>>=20
> Bill Harris<BR>> ----- Original Message =
> -----=3D20<BR>> From:=20
> Don Handelman<<A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:[log in to unmask]>=3D20">mailto:[log in to unmask]
> L>=3D20</A><BR>> =20
> To: =3D<BR>> <A =
> title=3Dmailto:[log in to unmask]:FILM=20
> =
> href=3D"mailto:[log in to unmask]<mailto:FILM">FILM-
> PHILOSOPH=
> [log in to unmask]<mailto:FILM</A>-=20
> <BR>> <A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:[log in to unmask]>=3D20">[log in to unmask]
> =
> >=3D20</A><BR>> =20
> Sent: Friday, May 30, 2008 12:22 PM<BR>> Subject: Re: =
> FILM-PHILOSOPHY=20
> Digest - 30 May 2008=20
>
> (#2008
> -194)<BR>><BR>><BR>><BR>><BR>> =
> Matt is=20
> introducing some social~cultural analysis into this =3D<BR>> =
> discussion. as=20
> for Levi-Strauss being passe, he has revolutionized =3D<BR>> =
> anthropology in=20
> 'deep' ways that have become taken for granted in =3D<BR>> =
> anthropological=20
> thinking, even as his critics think they are =3D<BR>> =
> deconstructing his=20
> semiology. Rather than Marvin Harris', Rise of =3D<BR>> =
> Anthropological=20
> Theory, I would look more generally to Francois <BR>> =
> Dosse's,=20
> =3D<BR>> History of Structuralism , vol =
> 1.<BR>><BR>><BR>> Don=20
>
> Handelman<BR>><BR>><BR>><BR>><BR>> =20
> Date: Fri, 30 May 2008 07:52:17=20
> -0500<BR>> From: bill harris =
> <<A=20
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =
> href=3D"mailto:[log in to unmask]<mailto:[log in to unmask]">[log in to unmask]
> =
> <mailto:[log in to unmask]</A>>><BR>> =20
> Subject: Re: Serial-killers (and Hitchcock films, including =
> =3D<BR>>=20
> PSYCHO)/Narratology...?<BR>><BR>> This is a =
> multi-part=20
> message in MIME format.<BR>><BR>> =20
> =
> ------=3D3D_NextPart_000_001D_01C8C22A.
> 14F080A0<BR>> =
> =20
> Content-Type: text/plain;<BR>> =20
> charset=3D3D"Windows-1252"<BR>> =
> Content-Transfer-Encoding:=20
> quoted-printable<BR>><BR>> This is quite =
> beautiful--=20
> it's clear that you're a natural poet!
> <BR>> =
> -----=20
> Original Message -----=3D3D20<BR>> From: =
> indra=20
> =3D<BR>> karan<<A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %3E=3D=
> 3D20=20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]>>=3D3D20"=
>> mailto:[log in to unmask]<mailto:[log in to unmask]>>=3D3D2=
> 0</A><BR>> =20
> To: =3D3D<BR>> =3D<BR>> <A=20
> title=3Dmailto:[log in to unmask]:FILM=20
> =
> href=3D"mailto:[log in to unmask]<mailto:FILM">FILM-
> PHILOSOPH=
> [log in to unmask]<mailto:FILM</A>-=20
> <BR>> <A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:[log in to unmask]<mail">[log in to unmask]
> &=
> lt;mail</A>=3D<BR>>=20
> =
> to:FILM-
> [log in to unmask]>>=3D3D20<BR>>  =
> ; =20
> Sent: Thursday, May 29, 2008 10:55
> AM<BR>> =
> Subject:=20
> Re: Serial-killers (and Hitchcock films, including=20
> =3D3D<BR>> =20
> =
> PSYCHO)/Narratology...?
> <BR>><BR>><BR>> =20
> =3D3D20<BR>><BR>> Hi=20
> Bill,<BR>><BR>> =20
> =3D3D20<BR>><BR>> The psychotic
> states =
> of Abraham=20
> and Psycho both have their =3D3D<BR>> =
> justification, as you=20
> said in highly nebulous states of Cultural <BR>>=20
> =3D3D<BR>> construct, but we are still left
> with =
> the=20
> innocent lives/ <BR>> deaths..?, =3D<BR>> =
> =3D3D<BR>> =20
> unaccounted for.<BR>><BR>> =20
> =3D3D20<BR>><BR>> Earlier I use to =
> think, the=20
> Deluzian way is a weak option, <BR>> thanks =3D<BR>>
> to=20
> =3D3D<BR>> you I have found a way to free=20
> myself.<BR>><BR>> =20
> =3D3D20<BR>><BR>> =20
> --------------<BR>><BR>> =20
> =3D3D20<BR>><BR>> Our prejudices are
> our =
> stumbling=20
> blocks,<BR>><BR>> =20
> =3D3D20<BR>><BR>> Who is a friend and =
> who is=20
> enemy, it is all make
> believe.<BR>><BR>> =
>
> =3D3D20<BR>><BR>> Faith is blind and
> the =
>
> unfaithful are irrational.<BR>><BR>> =20
> =3D3D20<BR>><BR>> Some fallow Jesus
> and =
> some his=20
> captors.<BR>><BR>> =20
> =3D3D20<BR>><BR>> Which path we
> travel, =
> the choice=20
> is beyond horizon.<BR>><BR>> =20
> =3D3D20<BR>><BR>> It is the knowers
> of =
> truth, who=20
> know the difference.<BR>><BR>> =20
> =3D3D20<BR>><BR>> The fulfilled find =
> emptiness and=20
> the empty, fulfillment.<BR>><BR>> =20
> =3D3D20<BR>><BR>> In the end of
> journey =
> we only=20
> find our selves.<BR>><BR>> =20
> =3D3D20<BR>><BR>> Like =3D3D94 Saha =
> Deva=3D3D94, the=20
> other fallows oneself on the path =3D<BR>>=20
> unseen.<BR>><BR>> =20
> =3D3D20<BR>><BR>> -----A tribute to =
> Gilles=20
> Deluze.<BR>><BR>><BR>><BR>> =20
> =
> -----
> Indrakaran.<BR>><BR>><BR>><BR>> =
> Hi=20
> Matt,<BR>><BR>> From bad semiology
> you =
> get=20
> horrible linguistics; which in turn =3D<BR>> makes=20
> =3D3D<BR>> total bullshit for anthropology. =
> Barthes, in any=20
> case, was just =3D<BR>> aping =3D3D<BR>> =
> Levi-Strauss,=20
> whose non-utilitarian "structural" stuff was <BR>> depasee =
> =3D<BR>>=20
> even =3D3D<BR>> before it appeared in print.
> So =
> for a=20
> 1970-ish contemporary <BR>> critic, =3D<BR>> I'd=20
> =3D3D<BR>> recommend Desana by Reichel-
> Dolmatof =
> for=20
> starters. As for CLS's =3D<BR>> general =
> =3D3D<BR>> theory,=20
> there's alway's The Rise... by Marvin=20
> Harris.<BR>><BR>> This is not to say =
> that I=20
> don't find your identity conjecture =3D3D<BR>> =
> interesting.=20
> Culture has always been a highly nebulous sort of =3D<BR>> =
> construct=20
> =3D3D<BR>> due, among other reasons, to human =
> will and=20
> emotion. Moreover, <BR>> many =3D<BR>> of=20
> =3D3D<BR>> our best stories are, indeed, about =
> taboo/godly=20
> violations: =3D<BR>> Brunhilde, =3D3D<BR>> =
> Antigone,=20
> Draupadi (five husbands)...and more recently, Smilla <BR>> =
> and=20
> =3D<BR>> Nomi =3D3D<BR>> Malone. A =
> Deleuzian-defined=20
> cinema, of course, is all about the =3D<BR>> je-fele=20
> =3D3D<BR>> and possibly, IMO, the=20
> BwO.<BR>><BR>> Abe fits well into
> this=20
> model--narratively speaking or <BR>> otherwise!--
> =3D<BR>> =
> as=20
> =3D3D<BR>> an ostensible rupture with =
> fertile-crescent,=20
> bronze-age nomadic =3D3D<BR>> practice. To
> have =
> said that=20
> our tribe no longer honors the ritual <BR>> of
> =3D<BR>>=20
> =3D3D<BR>> child sacrifice might well have set =
> them off.=20
> indeed, from other =3D<BR>> semitic
> =3D3D<BR>> =
> wanderers.=20
> Perhaps Antigone's uperlogon becomes, in time, the <BR>> =
> voice=20
> =3D<BR>> of =3D3D<BR>> Socratic reason much
> as =
> Judiasm=20
> incorporates a two god theory <BR>> into =3D<BR>> the=20
> =3D3D<BR>> =20
> Talmud....<BR>><BR>> Bill=20
> Harris.<BR>><BR>> ----- =
> Original=20
> Message -----=3D3D20<BR>>
> From: =
> =3D<BR>>=20
> matt<<A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %3E=3D3=
> D20=20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]>>=3D3D20">m=
> ailto:Chewymatt69
> @AOL.COM<mailto:[log in to unmask]>>=3D3D20</A=
>> <BR>> =20
> To: =3D3D<BR>> =3D<BR>> <A=20
> title=3Dmailto:[log in to unmask]:FILM=20
> =
> href=3D"mailto:[log in to unmask]<mailto:FILM">FILM-
> PHILOSOPH=
> [log in to unmask]<mailto:FILM</A>-=20
> <BR>> <A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:[log in to unmask]<mail">[log in to unmask]
> &=
> lt;mail</A>=3D<BR>>=20
> =
> to:FILM-
> [log in to unmask]>>=3D3D20<BR>>  =
> ; =20
> Sent: Monday, May 19, 2008 6:43 =
> PM<BR>> =20
> Subject: Re: Serial-killers (and Hitchcock films, including=20
> =3D3D<BR>> =20
> =
> PSYCHO)/Narratology...?
> <BR>><BR>><BR>> &n=
> bsp; =20
> 'Blest be thou when thou art in combat with the gods' -
> =3D<BR>>=20
> Mahabharata<BR>><BR>>
> Roland =
> Barthes=20
> says something about religious taboo's not <BR>> serving =
> =3D<BR>>=20
> =3D3D<BR>> the utilitarian function we
> sometimes =
> ascribe to=20
> them, rather <BR>> they =3D<BR>> are =
> =3D3D<BR>> =20
> ways for a tribe to distance itself from 'the tribe next
> door', =
> <BR>>=20
> as =3D<BR>> it =3D3D<BR>> were. If the
> tribes =
> of UR,=20
> Assyria? whatever, were rampant <BR>> engager =3D<BR>>
> in=20
> =3D3D<BR>> human sacrifice Abe could have
> chosen=20
> non-sacrifice as a simple =3D<BR>> identity =
> =3D3D<BR>> =20
> issue, and not some kind of 'niceness' unique to the Jewish =
> tribe =20
> <BR>> or =3D<BR>> =3D3D<BR>> their=20
> god.=3D3D20<BR>><BR>> =20
> Matt.<BR>><BR>><BR>> * * =
> Film-Philosophy=20
> Email Discussion Salon. After hitting <BR>> 'reply' =
> =3D<BR>>=20
> =3D3D<BR>> please always delete the text of
> the =
> message you=20
> are replying to. <BR>> To =3D<BR>> =
> =3D3D<BR>> =20
> leave, send the message: leave film-philosophy to:=20
> =3D3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">ji=
> [log in to unmask]<mailto:[log in to unmask]</A>>.=20
> Or <BR>> visit: =3D<BR>>
> =3D3D<BR>> =
> =3D<BR>> <A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www=
> .jiscmail=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www
> .j=
> iscmail">http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://w=
> ww.jiscmail</A>=20
> <BR>> .=3D<BR>> ac.uk/lists/film-philosophy.html> For help =
> email:=20
> =3D3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">he=
> [log in to unmask]<mailto:[log in to unmask]</A>>,=20
> not the =3D<BR>> salon. * Film-Philosophy journal:=20
> =3D3D<BR>> <A=20
> =
> title=3Dhttp://www.film-philosophy.com%3chttp//www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com<http://www.film-philosophy.com/"
> >h=
> ttp://www.film-philosophy.com<http://www.film-philosophy.com/</
> A>> =
>
> =3D<BR>> Contact: =3D3D<BR>> =3D<BR>>
> <A=20
> =
> title=3Dmailto:[log in to unmask]
> %3Cmailto:editorialboard=
> @film-philosophy=20
> =
> href=3D"mailto:[log in to unmask]<mailto:editorialboard@f=
> ilm-philosophy">[log in to unmask]<mailto:editorialboa=
> rd@film-philosophy</A>.=3D<BR>>=20
> com> **=3D20<BR>><BR>> =
> *<BR>> =20
> *<BR>> Film-Philosophy =
> salon<BR>> =20
> After hitting 'reply' please always delete the text of the =
> <BR>>=20
> message =3D<BR>> you are replying to.<BR>>
> To =
> leave,=20
> send the message: leave film-philosophy to: =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">ji=
> [log in to unmask]<mailto:[log in to unmask]</
> A>>.<BR>>&=
> nbsp; =20
> Or visit: =3D<BR>> <A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www=
> .jiscmail=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www
> .j=
> iscmail">http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://w=
> ww.jiscmail</A>=20
> <BR>> .=3D<BR>>=20
> ac.uk/lists/film-philosophy.html><BR>> For =
> help email:=20
> =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">he=
> [log in to unmask]<mailto:[log in to unmask]</A>>,=20
> not the <BR>> salon.<BR>> =20
> *<BR>> Film-Philosophy journal: =3D<BR>>
> <A=20
> =
> title=3Dhttp://www.film-philosophy.com%3chttp//www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com<http://www.film-philosophy.com/"
> >h=
> ttp://www.film-philosophy.com<http://www.film-philosophy.com/</
> A>><=
> BR>> =20
> Contact: =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]
> %3Cmailto:editorialboard=
> @film-philosophy=20
> =
> href=3D"mailto:[log in to unmask]<mailto:editorialboard@f=
> ilm-philosophy">[log in to unmask]<mailto:editorialboa=
> rd@film-philosophy</A>.=3D<BR>>=20
> com><BR>> =20
> **<BR>><BR>><BR>><BR>> =20
> =
> ------=3D3D_NextPart_000_001D_01C8C22A.
> 14F080A0<BR>> =
> =20
> Content-Type: text/html;<BR>> =20
> charset=3D3D"Windows-1252"<BR>> =
> Content-Transfer-Encoding:=20
> quoted-printable<BR>><BR>> <!DOCTYPE
> HTML =
> PUBLIC=20
> "-//W3C//DTD HTML 4.0 Transitional//
> EN"><BR>> =
> <HTML=20
> xmlns:o =3D3D3D =3D<BR>>=20
> =
> "urn:schemas-microsoft-com:office:office<urn:schemas-microsoft-com:off=
> ice=3D<BR>>=20
> :office>"><HEAD><BR>> <META=20
> http-equiv=3D3D3DContent-Type =3D3D<BR>> =20
> =
> content=3D3D3Dtext/
> html;charset=3D3D3DWindows-1252><BR>>  =
> ; =20
> <STYLE type=3D3D3Dtext/css>DIV {<BR>> =
> MARGIN:=20
> 0px<BR>> }<BR>> =20
> </STYLE><BR>><BR>> <META =
> content=3D3D3D"MSHTML=20
> 6.00.6000.16640" =3D<BR>>=20
> name=3D3D3DGENERATOR></HEAD><BR>> =
> <BODY=20
> id=3D3D3DMailContainerBody=3D3D20<BR>> =20
> style=3D3D3D"PADDING-LEFT: 10px; FONT-WEIGHT: normal; FONT-
> SIZE: =
> <BR>>=20
> 10pt; =3D<BR>> =3D3D<BR>> COLOR: #000000;=20
> BORDER-TOP-STYLE: none; PADDING-TOP: 15px; =3D<BR>> FONT-STYLE:=20
> =3D3D<BR>> normal; FONT-FAMILY: Verdana;=20
> BORDER-RIGHT-STYLE: none; =3D3D<BR>> =
> BORDER-LEFT-STYLE:=20
> none; TEXT-DECORATION: none; BORDER-BOTTOM- <BR>> STYLE: =
> =3D<BR>>=20
> =3D3D<BR>>
> none"=3D3D20<BR>> =
>
> leftMargin=3D3D3D0 topMargin=3D3D3D0 acc_role=3D3D3D"text"
> =3D<BR>> =
>
> CanvasTabStop=3D3D3D"true"=3D3D20<BR>> =
> name=3D3D3D"Compose=20
> message area"><!--[gte IE 5]><?xml:namespace=20
> =3D3D<BR>> prefix=3D3D3D"v" =
> /><?xml:namespace=20
> prefix=3D3D3D"o" /><![endif]--><BR>> =20
> <DIV><BR>> <DIV>This is quite =
> beautiful--=20
> it's clear&nbsp;that you're a <BR>> natural
> =3D<BR>>=20
> =3D3D<BR>> =
> poet!</DIV><BR>> =20
> <BLOCKQUOTE=3D3D20<BR>> =
> style=3D3D3D"PADDING-RIGHT: 0px;=20
> PADDING-LEFT: 5px; MARGIN-LEFT: <BR>> 5px; =3D<BR>>=20
> =3D3D<BR>> BORDER-LEFT: #000000 2px solid; =
> MARGIN-RIGHT:=20
> 0px"><BR>> <DIV style=3D3D3D"FONT: =
> 10pt=20
> arial">----- Original Message ----- =3D<BR>>=20
> </DIV><BR>> <DIV =
> style=3D3D3D"FONT: 10pt=20
> arial"><B>From:</B>=20
> <A=3D3D20<BR>> <BR>>=20
> title=3D3D3Dmailto:[log in to unmask]<<A =
> title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:[log in to unmask]">mailto:[log in to unmask]</
> A>> =
>
> =3D<BR>> =3D3D<BR>> =3D<BR>> href
> <BR>> =
> =3D3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %22%3=
> Eindra=20
> =
> href
> =3D'mailto:[log in to unmask]<mailto:[log in to unmask]>">indra'>=
> mailto:indrakaran
> @YAHOO.COM<mailto:[log in to unmask]>">indra<=
> /A>=3D<BR>>=20
> =3D3D20<BR>> karan</A>=20
> </DIV><BR>> <DIV =
> style=3D3D3D"FONT: 10pt=20
> arial"><B>To:</B> =
> <A=3D3D20<BR>> =20
> =3D<BR>> title=3D3D3Dmailto:FILM-
> [log in to unmask]<<A=20
> title=3Dmailto:FILM-PHILOSOPHY@JI=20
> =
> href=3D"mailto:FILM-PHILOSOPHY@JI">mailto:FILM-PHILOSOPHY@JI</
> A>=3D<BR>&g=
> t;=20
> SCMAIL.AC.UK>=3D3D20<BR>> =20
> =3D3D<BR>> =3D<BR>> href=3D3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:FILM-
> PHILOSOPHY@JI=
> =20
> =
> href=3D"mailto:[log in to unmask]<mailto:FILM-PHILOSOPHY@JI
> ">=
> mailto:[log in to unmask]<mailto:FILM-PHILOSOPHY@JI</
> A>=3D=
> <BR>>=20
> SCMAIL.AC.UK>">[log in to unmask]<<A=20
> title=3Dmailto:FILM-PHILOSOPHY@JISCMAIL=20
> =
> href=3D"mailto:FILM-PHILOSOPHY@JISCMAIL">mailto:FILM-PHILOSOPHY@JISCMAIL
> <=
> /A>=3D<BR>>=20
> .A>=3D3D<BR>> =20
> C.UK</A>=3D3D20<BR>> =20
> </DIV><BR>> <DIV =
> style=3D3D3D"FONT: 10pt=20
> arial"><B>Sent:</B> Thursday, May 29, =3D<BR>>
> 2008=20
> =3D3D<BR>> =
> 10:55=3D3D20<BR>> =20
> AM</DIV><BR>> <DIV =
> style=3D3D3D"FONT: 10pt=20
> arial"><B>Subject:</B> Re: =3D<BR>> Serial-
> killers=20
> =3D3D<BR>> =
> (and=3D3D20<BR>> =20
> Hitchcock films, including=20
> PSYCHO)/Narratology...?</
> DIV><BR>> =20
> <DIV><BR></DIV><BR>> =20
> <DIV=3D3D20<BR>> style=3D3D3D"FONT-
> SIZE: =
> 12pt;=20
> FONT-FAMILY: times new roman, new <BR>> york, =3D<BR>>=20
> =3D3D<BR>> times,=20
> serif"><BR>> =20
> <DIV=3D3D20<BR>> style=3D3D3D"FONT-
> SIZE: =
> 12pt;=20
> FONT-FAMILY: times new roman, new <BR>> york, =3D<BR>>=20
> =3D3D<BR>> times,=20
> serif"><BR>> <P
> class=3D3D3DMsoNormal =
>
> style=3D3D3D"MARGIN: 0in 0in =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">Hi =
> Bill,</=20
> <BR>> P><BR>> <P =
> class=3D3D3DMsoNormal=20
> style=3D3D3D"MARGIN: 0in 0in =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in
> 0pt">The =
> =3D<BR>>=20
> psychotic =3D3D<BR>> states of=20
> Abraham=3D3D20<BR>> and Psycho both have =
> their=20
> justification, as you said in highly <BR>>=20
> =3D3D<BR>> =
> nebulous=3D3D20<BR>> =20
> states of Cultural construct, but we are still left with the =
> =3D<BR>>=20
> innocent=3D3D20<BR>> lives/deaths..?, =
> unaccounted=20
> for.</P><BR>> <P =
> class=3D3D3DMsoNormal=20
> style=3D3D3D"MARGIN: 0in 0in =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> 0pt">Earlier I=20
> =3D<BR>> use to =3D3D<BR>> think,=20
> the=3D3D20<BR>> Deluzian way is a weak =
> option, thanks=20
> to you I have found a way <BR>> to =3D<BR>>=20
> =3D3D<BR>> =
> free=3D3D20<BR>> =20
> myself.</P><BR>> <P =
> class=3D3D3DMsoNormal=20
> style=3D3D3D"MARGIN: 0in 0in =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in
> =3D<BR>>=20
> 0pt">--------------</P><BR>>
> <P =
>
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in
> 0pt">Our =
> =3D<BR>>=20
> prejudices are =3D3D<BR>> =20
> our=3D3D20<BR>> stumbling=20
> blocks,</P><BR>> <P =
> class=3D3D3DMsoNormal=20
> style=3D3D3D"MARGIN: 0in 0in =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in
> 0pt">Who =
> is a=20
> =3D<BR>> friend and =3D3D<BR>> who=20
> is=3D3D20<BR>> enemy, it is all make=20
> believe.</P><BR>> <P =
> class=3D3D3DMsoNormal=20
> style=3D3D3D"MARGIN: 0in 0in =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in
> 0pt">Faith =
> is=20
> =3D<BR>> blind and =3D3D<BR>> =20
> the=3D3D20<BR>> unfaithful are=20
> irrational.</P><BR>> <P=20
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> 0pt">Some =20
> <BR>> fallow =3D<BR>> Jesus =3D3D<BR>>
> and =
> some=20
> his=3D3D20<BR>> =20
> captors.</P><BR>> <P =
> class=3D3D3DMsoNormal=20
> style=3D3D3D"MARGIN: 0in 0in =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> 0pt">Which =20
> <BR>> path =3D<BR>> we =3D3D<BR>>
> travel,=20
> the=3D3D20<BR>> choice is beyond=20
> horizon.</P><BR>> <P =
> class=3D3D3DMsoNormal=20
> style=3D3D3D"MARGIN: 0in 0in =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">It
> is =
> the=20
> =3D<BR>> knowers =3D3D<BR>> of truth,=20
> who=3D3D20<BR>> know the=20
> difference.</P><BR>> <P=20
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in
> 0pt">The =
> =3D<BR>>=20
> fulfilled find =3D3D<BR>> =20
> emptiness=3D3D20<BR>> and the empty,=20
> fulfillment.</P><BR>> <P=20
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in 0pt">In =
> the =20
> <BR>> end =3D<BR>> of =3D3D<BR>> journey
> we =
>
> only=3D3D20<BR>> find our=20
> selves.</P><BR>> <P =
> class=3D3D3DMsoNormal=20
> style=3D3D3D"MARGIN: 0in 0in =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> 0pt">Like =20
> <BR>> =3D3D94 =3D<BR>> Saha =3D3D<BR>> =
> Deva=3D3D94, the=20
> other=3D3D20<BR>> fallows oneself on the =
> path=20
> unseen.</P><BR>> <P =
> class=3D3D3DMsoNormal=20
> style=3D3D3D"MARGIN: 0in 0in =3D3D<BR>> =20
> =
> 0pt"><o:p>&nbsp;</o:p></
> P><BR>> &n=
> bsp; =20
> <P class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> 0pt">-----A =3D<BR>>=20
> tribute to =3D3D<BR>> =20
> Gilles=3D3D20<BR>> =20
> Deluze.</P><BR>> <P =
> class=3D3D3DMsoNormal=20
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt">&nbsp;</P><BR>> <P=20
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in 0in =
> =3D3D<BR>> =20
> =
> 0pt">-----Indrakaran.</
> P><BR><BR>> &nb=
> sp;=20
> <DIV=3D3D20<BR>> style=3D3D3D"FONT-
> SIZE: =
> 12pt;=20
> FONT-FAMILY: times new roman, new <BR>> york, =3D<BR>>=20
> =3D3D<BR>> times,=20
> serif"><BR>> <DIV =
> style=3D3D3D"FONT-SIZE: 10pt;=20
> COLOR: #000000; FONT-FAMILY: =3D<BR>>=20
> Arial"><BR>> <DIV>Hi=20
> Matt,</DIV><BR>> =20
> <DIV>&nbsp;</DIV><BR>> =20
> <DIV>From bad semiology you get horrible linguistics; which =
> in =20
> <BR>> turn =3D<BR>> =3D3D<BR>> =20
> makes=3D3D20<BR>> total bullshit for =
> anthropology.=20
> Barthes, in any case, was just =3D<BR>>=20
> aping=3D3D20<BR>> Levi-Strauss, whose =
> non-utilitarian=20
> =3D<BR>> "structural"&nbsp;stuff&nbsp;was=20
> =3D3D<BR>> =
> depasee=3D3D20<BR>> =20
> even before it appeared in print. So for a 1970-ish contemporary =
> =3D<BR>>=20
> =3D3D<BR>> critic, =
> I'd=3D3D20<BR>> =20
> recommend<U> Desana </U>by Reichel-Dolmatof for
> starters. =
> As for=20
> =3D<BR>> CLS's =3D3D<BR>> =20
> general=3D3D20<BR>> theory, there's =
> alway's&nbsp;=20
> <U>The Rise.</U>.. by Marvin =
> =3D3D<BR>> =20
> Harris.</DIV><BR>> =20
> <DIV>&nbsp;</DIV><BR>> =20
> <DIV>This is not to say that I don't find your identity =
> =3D<BR>>=20
> conjecture=3D3D20<BR>> interesting.
> Culture =
> has=20
> always been a highly nebulous sort of
> =3D3D<BR>> =
> construct=20
> due,=3D3D20<BR>> among other reasons, to =
> human will=20
> and emotion. Moreover, many <BR>> of =3D<BR>> our=20
> =3D3D<BR>> =
> best=3D3D20<BR>> =20
> stories are, indeed, about taboo/godly violations: Brunhilde,=20
> =3D3D<BR>> =
> Antigone,=3D3D20<BR>> =20
> Draupadi (five husbands)...and more recently, Smilla and Nomi =
> =3D<BR>>=20
> Malone. =3D3D<BR>> =
> A=3D3D20<BR>> =20
> Deleuzian-defined&nbsp;cinema, of course, is all about the je- =
> <BR>>=20
> fele =3D<BR>> and =3D3D<BR>><BR>> =
> possibly, IMO,=20
> the BwO.</DIV><BR>> =20
> <DIV>&nbsp;</DIV><BR>> =20
> <DIV>Abe fits well into this model--narratively speaking or=20
> =3D3D<BR>> otherwise!-- as=20
> an=3D3D20<BR>>
> ostensible&nbsp;rupture =
> with=20
> fertile-crescent, bronze-age <BR>> nomadic =3D<BR>>=20
> =3D3D<BR>> practice.=20
> To=3D3D20<BR>> have said that our tribe
> no =
> longer=20
> honors the ritual of child =3D3D<BR>>
> sacrifice=20
> might=3D3D20<BR>> well have set them
> off. =
> indeed,=20
> from other semitic =3D3D<BR>> =20
> wanderers.&nbsp;Perhaps=3D3D20<BR>> =
> Antigone's=20
> <EM>uperlogon </EM>becomes, in time, the voice of =
> =3D<BR>>=20
> Socratic =3D3D<BR>> =20
> reason=3D3D20<BR>> much as Judiasm =
> incorporates a two=20
> god theory into the =3D3D<BR>> =20
> Talmud....</DIV><BR>> =20
> <DIV>&nbsp;</DIV><BR>> =20
> <DIV>Bill Harris.</
> DIV><BR>> =20
> <DIV>&nbsp;</DIV><BR>> =20
> <BLOCKQUOTE=3D3D20<BR>> =
> style=3D3D3D"PADDING-RIGHT:=20
> 0px; PADDING-LEFT: 5px; MARGIN-LEFT: <BR>> 5px;
> =3D<BR>>=20
> =3D3D<BR>> BORDER-LEFT: #000000 2px solid; =
> MARGIN-RIGHT:=20
> 0px"><BR>> <DIV =
> style=3D3D3D"FONT:=20
> 10pt arial">----- Original Message ----- =3D<BR>>=20
> </DIV><BR>> <DIV=20
> style=3D3D3D"FONT: 10pt arial"><B>From:</B>=20
> <A=3D3D20<BR>> =
> <BR>>=20
> title=3D3D3Dmailto:[log in to unmask]<<A =
> title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">mailto:[log in to unmask]</
> A>> =
> =3D<BR>>=20
> =3D3D<BR>> =3D<BR>> href=3D3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %22=3D3=
> D20=20
> =
> href
> =3D'mailto:[log in to unmask]<mailto:[log in to unmask]>"=3D3D20'>m=
> ailto:[log in to unmask]<mailto:[log in to unmask]>"=3D3D20</
> A><B=
> R>> =20
> target=3D3D3D_blank rel=3D3D3Dnofollow
> =3D3D<BR>> =
> =3D<BR>>=20
> ymailto <BR>> =3D3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %22%3Em=
> att=20
> =
> href
> =3D'mailto:[log in to unmask]<mailto:[log in to unmask]>">matt'>mai=
> lto:[log in to unmask]<mailto:[log in to unmask]>">matt</
> A>=3D=
> <BR>>=20
> </A>=3D3D20<BR>> =20
> </DIV><BR>> <DIV=20
> style=3D3D3D"FONT: 10pt arial"><B>To:</B>=20
> <A=3D3D20<BR>>
> =3D<BR>>=20
> title=3D3D3Dmailto:[log in to unmask]<<A=20
> title=3Dmailto:FILM-PHILOSOPHY@JI=20
> =
> href=3D"mailto:FILM-PHILOSOPHY@JI">mailto:FILM-PHILOSOPHY@JI</
> A>=3D<BR>&g=
> t;=20
> SCMAIL.AC.UK>=3D3D20<BR>> =
> =3D<BR>>=20
> href=3D3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:FILM-
> PHILOSOPHY@JI=
> =20
> =
> href=3D"mailto:[log in to unmask]<mailto:FILM-PHILOSOPHY@JI
> ">=
> mailto:[log in to unmask]<mailto:FILM-PHILOSOPHY@JI</
> A>=3D=
> <BR>>=20
> SCMAIL.AC.UK>" target=3D3D3D_blank
> =3D3D<BR>> =20
>
> rel
> =3D3D3Dnofollow=3D3D20<BR>> =20
> =3D3D<BR>> =3D<BR>> ymailto=3D3D3D"<A=20
> title=3Dmailto:[log in to unmask]:FILM-
> PHILOSOPHY =
>
> =
> href=3D"mailto:[log in to unmask]<mailto:FILM-
> PHILOSOPHY">mai=
> lto:[log in to unmask]<mailto:FILM-PHILOSOPHY</
> A>=3D<BR>&g=
> t;=20
> =
> @JISCMAIL.AC.UK>">FILM-
> PHILOSOPHY@JISCMAI=3D3D<BR>> &=
> nbsp;=20
> L.AC.UK</
> A>=3D3D20<BR>> =20
> </DIV><BR>> <DIV=20
> style=3D3D3D"FONT: 10pt arial"><B>Sent:</B> Monday,
> May =
> 19,=20
> =3D<BR>> 2008 =3D3D<BR>> =20
> 6:43=3D3D20<BR>> =20
> PM</DIV><BR>> <DIV=20
> style=3D3D3D"FONT: 10pt arial"><B>Subject:</B> Re: =
> =3D<BR>>=20
> Serial-killers =3D3D<BR>> =20
> (and=3D3D20<BR>> Hitchcock =
> films,=20
> including=20
> =
> PSYCHO)/Narratology...?</
> DIV><BR>> =
> =20
> <DIV><BR></DIV><FONT id=3D3D3Drole_document =
> face=3D3D3DArial=20
> =3D<BR>> color=3D3D3D#000000 =3D3D<BR>> =20
> size=3D3D3D2><BR>> =
> <DIV>'Blest=20
> be thou when thou art in combat with the gods' - <BR>>=20
> =3D3D20<BR>> =20
> Mahabharata</
> DIV><BR>> =20
> =
> <DIV>&nbsp;</
> DIV><BR>> &n=
> bsp;=20
> <DIV>Roland Barthes says something about religious taboo's
> not =
> =3D<BR>>=20
> =3D3D<BR>> serving=20
> the=3D3D20<BR>> utilitarian =
> function we=20
> sometimes ascribe to them, rather they =3D<BR>> are=20
> =3D3D<BR>> ways=20
> for=3D3D20<BR>> a tribe to =
> distance=20
> itself from 'the tribe next door', as it =3D<BR>> were.=20
> =3D3D<BR>> If=20
> the=3D3D20<BR>> tribes of
> UR, =
> Assyria?=20
> whatever, were rampant engager in human =3D<BR>>=20
> =3D3D<BR>> sacrifice=20
> Abe=3D3D20<BR>> could have =
> chosen=20
> non-sacrifice as a simple identity issue, <BR>> and =
> =3D<BR>> not=20
> =3D3D<BR>> =20
> some=3D3D20<BR>> kind of =
> 'niceness'=20
> unique to the Jewish tribe or their god. =3D<BR>>=20
> </DIV><BR>> =20
> =
> <DIV>&nbsp;</
> DIV><BR>> &n=
> bsp;=20
> =
> <DIV>Matt.</
> DIV><BR>> =
>
> =3D<BR>>=20
> =
> <DIV>&nbsp;</DIV></FONT></
> BLOCKQUOTE></DIV=
> ></DIV></DIV></DIV><BR>*=20
> * <BR>> =3D3D<BR>><BR>> =
> Film-Philosophy=20
> Email Discussion Salon. After hitting 'reply' =3D<BR>> please=20
> =3D3D<BR>> =
> always=3D3D20<BR>> =20
> delete the text of the message you are replying to. To leave, =
> <BR>>=20
> send =3D<BR>> the =3D3D<BR>><BR>> =
> message: leave=20
> film-philosophy to: =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">ji=
> [log in to unmask]<mailto:[log in to unmask]</A>>.=20
> Or <BR>> visit:=3D3D20<BR>> =
> =3D<BR>> <A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www=
> .jiscmail=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www
> .j=
> iscmail">http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://w=
> ww.jiscmail</A>=20
> <BR>> .=3D<BR>> ac.uk/lists/film-philosophy.html> For
> help=20
> email:=3D3D20<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">he=
> [log in to unmask]<mailto:[log in to unmask]</A>>,=20
> not the =3D<BR>> salon. * Film-Philosophy=20
> journal:=3D3D20<BR>> <A=20
> =
> title=3Dhttp://www.film-philosophy.com%3chttp//www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com<http://www.film-philosophy.com/"
> >h=
> ttp://www.film-philosophy.com<http://www.film-philosophy.com/</
> A>> =
>
> =3D<BR>> Contact: =3D3D<BR>> =3D<BR>>
> <A=20
> =
> title=3Dmailto:[log in to unmask]
> %3Cmailto:editorialboard=
> @film-philosophy=20
> =
> href=3D"mailto:[log in to unmask]<mailto:editorialboard@f=
> ilm-philosophy">[log in to unmask]<mailto:editorialboa=
> rd@film-philosophy</A>.=3D<BR>>=20
> com> **=3D3D20<BR>> =20
> =
> </BLOCKQUOTE></DIV></BODY></
> HTML><BR>> &n=
> bsp; =20
> *<BR>> *<BR>> =
> Film-Philosophy Email=20
> Discussion Salon.<BR>> After hitting 'reply' =
> please=20
> always delete the text of the <BR>> message =3D<BR>>
> you =
> are=20
> replying to.<BR>> To leave, send the message: =
> leave=20
> film-philosophy to: =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">ji=
> [log in to unmask]<mailto:[log in to unmask]</
> A>>.<BR>>&=
> nbsp; =20
> Or visit: =3D<BR>> <A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www=
> .jiscmail=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www
> .j=
> iscmail">http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://w=
> ww.jiscmail</A>=20
> <BR>> .=3D<BR>>=20
> ac.uk/lists/film-philosophy.html><BR>> For =
> help email:=20
> =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">he=
> [log in to unmask]<mailto:[log in to unmask]</A>>,=20
> not the <BR>> salon.<BR>> =20
> *<BR>> Film-Philosophy journal: =3D<BR>>
> <A=20
> =
> title=3Dhttp://www.film-philosophy.com%3chttp//www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com<http://www.film-philosophy.com/"
> >h=
> ttp://www.film-philosophy.com<http://www.film-philosophy.com/</
> A>><=
> BR>> =20
> Contact: =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]
> %3Cmailto:editorialboard=
> @film-philosophy=20
> =
> href=3D"mailto:[log in to unmask]<mailto:editorialboard@f=
> ilm-philosophy">[log in to unmask]<mailto:editorialboa=
> rd@film-philosophy</A>.=3D<BR>>=20
> com><BR>> =20
> **<BR>><BR>><BR>><BR>><BR>> =20
> =
> ------=3D3D_NextPart_000_001D_01C8C22A.14F080A0--
> <BR>><BR>> &n=
> bsp; =20
> ------------------------------<BR>><BR>> =20
> Date: Fri, 30 May 2008 12:55:59=20
> +0100<BR>> From:
> "lucy.fraser"=20
> =3D<BR>> <<A=20
> =
> title=3Dmailto:[log in to unmask]
> %3Cmailto:lucy.fraser@BTINTERNET=
> .COM=20
> =
> href=3D"mailto:[log in to unmask]<mailto:[log in to unmask]
> OM">[log in to unmask]<mailto:[log in to unmask]</
> A>&g=
> t;><BR>> =20
> Subject: Re: FILM-PHILOSOPHY Digest - 30 May 2008 - Special issue =
> =3D<BR>>=20
> (#2008-193)<BR>><BR>> Dear=20
> List-users<BR>> Please delete the content of
> the =
> message=20
> that you are replying to <BR>> as =3D<BR>>=20
> e-mails=3D20<BR>> are becoming so long that
> they =
> become=20
> almost unreadable. <BR>> Remember =3D<BR>>=20
> Jack=3D20<BR>> Nicholson in The Shining, Jack =
> Nicholson in=20
> The Shining, Jack =3D<BR>> Nicholson =
> in=3D20<BR>> =20
> ....<BR>> Thanks<BR>> =20
> Lucy=3D20<BR>><BR>> =
> *<BR>> =20
> *<BR>> Film-Philosophy =
> salon<BR>> =20
> After hitting 'reply' please always delete the text of the =
> <BR>>=20
> message =3D<BR>> you are replying to.<BR>>
> To =
> leave,=20
> send the message: leave film-philosophy to: =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">ji=
> [log in to unmask]<mailto:[log in to unmask]</
> A>>.<BR>>&=
> nbsp; =20
> Or visit: =3D<BR>> <A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www=
> .jiscmail=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www
> .j=
> iscmail">http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://w=
> ww.jiscmail</A>=20
> <BR>> .=3D<BR>>=20
> ac.uk/lists/film-philosophy.html><BR>> For =
> help email:=20
> =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">he=
> [log in to unmask]<mailto:[log in to unmask]</A>>,=20
> not the <BR>> salon.<BR>> =20
> *<BR>> Film-Philosophy journal: =3D<BR>>
> <A=20
> =
> title=3Dhttp://www.film-philosophy.com%3chttp//www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com<http://www.film-philosophy.com/"
> >h=
> ttp://www.film-philosophy.com<http://www.film-philosophy.com/</
> A>><=
> BR>> =20
> Contact: =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]
> %3Cmailto:editorialboard=
> @film-philosophy=20
> =
> href=3D"mailto:[log in to unmask]<mailto:editorialboard@f=
> ilm-philosophy">[log in to unmask]<mailto:editorialboa=
> rd@film-philosophy</A>.=3D<BR>>=20
> com><BR>>
> **<BR>><BR>> =
>
> ------------------------------<BR>><BR>> =20
> Date: Fri, 30 May 2008 14:06:33=20
> +0200<BR>> From: Lia Hestina =
> =3D<BR>>=20
> <<A title=3Dmailto:[log in to unmask]:[log in to unmask]
> =
>
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">l.hestina@=
> RODOPI.NL<mailto:[log in to unmask]</
> A>>><BR>> &n=
> bsp;=20
> Subject: Re: NBA: Nightmare Japan. Contemporary Japanese Horror =
> =3D<BR>>=20
> Cinema (Jay McRoy)***Movement as Meaning. In Experimental
> Film =
> <BR>>=20
> (Daniel =3D<BR>> Barnett)<BR>><BR>> This
> is =
> a=20
> multi-part message in MIME
> format.<BR>><BR>> =20
> ------_=3D3D_NextPart_001_01C8C24D.
> 99E1616C<BR>> =20
> Content-Type: text/plain;<BR>> =20
> charset=3D3D"iso-8859-1"<BR>> =
> Content-Transfer-Encoding:=20
> quoted-printable<BR>><BR>> Dear Robert=20
> Hunt,<BR>> =3D3D20<BR>> =
> Please send=20
> your complete address and the name of the journal you =3D<BR>>
> are=20
> =3D3D<BR>> writing for to <A=20
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]>=3D3D20">[log in to unmask]
> nl<mailto:[log in to unmask]>=3D3D20</
> A><BR>> =20
> A copy of the book will be sent to you as soon as=20
> possible.<BR>>
> =3D3D20<BR>> =20
> Regards,<BR>> Lia=20
> Hestina<BR>><BR>>
> *<BR>> =20
> *<BR>> Film-Philosophy =
> salon<BR>> =20
> After hitting 'reply' please always delete the text of the =
> <BR>>=20
> message =3D<BR>> you are replying to.<BR>>
> To =
> leave,=20
> send the message: leave film-philosophy to: =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">ji=
> [log in to unmask]<mailto:[log in to unmask]</
> A>>.<BR>>&=
> nbsp; =20
> Or visit: =3D<BR>> <A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www=
> .jiscmail=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www
> .j=
> iscmail">http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://w=
> ww.jiscmail</A>=20
> <BR>> .=3D<BR>>=20
> ac.uk/lists/film-philosophy.html><BR>> For =
> help email:=20
> =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">he=
> [log in to unmask]<mailto:[log in to unmask]</A>>,=20
> not the <BR>> salon.<BR>> =20
> *<BR>> Film-Philosophy journal: =3D<BR>>
> <A=20
> =
> title=3Dhttp://www.film-philosophy.com%3chttp//www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com<http://www.film-philosophy.com/"
> >h=
> ttp://www.film-philosophy.com<http://www.film-philosophy.com/</
> A>><=
> BR>> =20
> Contact: =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]
> %3Cmailto:editorialboard=
> @film-philosophy=20
> =
> href=3D"mailto:[log in to unmask]<mailto:editorialboard@f=
> ilm-philosophy">[log in to unmask]<mailto:editorialboa=
> rd@film-philosophy</A>.=3D<BR>>=20
> com><BR>> =20
> **<BR>><BR>><BR>><BR>><BR>> =20
> ------_=3D3D_NextPart_001_01C8C24D.
> 99E1616C<BR>> =20
> Content-Type: text/html;<BR>> =20
> charset=3D3D"iso-8859-1"<BR>> =
> Content-Transfer-Encoding:=20
> quoted-printable<BR>><BR>> <html =
> =3D<BR>>=20
> =
> xmlns:o=3D3D3D"urn:schemas-microsoft-com:office:office<urn:schemas-mic=
> rosof=3D<BR>>=20
> t-com:office:office>" =3D3D<BR>>
> =3D<BR>>=20
> =
> xmlns:w=3D3D3D"urn:schemas-microsoft-com:office:word<urn:schemas-micro=
> soft-=3D<BR>>=20
> com:office:word>" =3D3D<BR>> =3D<BR>> =
> xmlns=3D3D3D"<A=20
> =
> title=3Dhttp://www.w3.org/TR/REC-html40%3Chttp://www.w3.org/TR/REC-html4
> =
>
> =
> href=3D"http://www.w3.org/TR/REC-html40<http://www.w3.org/TR/REC-html4"
> >h=
> ttp://www.w3.org/TR/REC-html40<http://www.w3.org/TR/REC-html4</
> A>=3D<B=
> R>>=20
> 0>"><BR>><BR>> =20
> <head><BR>> <META =
> HTTP-EQUIV=3D3D3D"Content-Type"=20
> CONTENT=3D3D3D"text/html; =3D3D<BR>> =20
> =
> charset
> =3D3D3Diso-8859-1"><BR>><BR>><BR>> =
> <meta=20
> name=3D3D3DProgId =
> content=3D3D3DWord.Document><BR>> =20
> <meta name=3D3D3DGenerator content=3D3D3D"Microsoft Word=20
> 9"><BR>> <meta name=3D3D3DOriginator=20
> content=3D3D3D"Microsoft Word 9"><BR>> =
> <link=20
> rel=3D3D3DFile-List =3D<BR>>=20
> =
> href=3D3D3D"cid:filelist.xml@01C8C25E.5D625960<cid:filelist.xml@01C8C2=
> 5E.5D=3D<BR>>=20
> 625960>"><BR>> <!--[if gte mso=20
> 9]><xml><BR>> =20
> <o:OfficeDocumentSettings><BR>> =20
> <o:DoNotRelyOnCSS/><BR>> =20
> </o:OfficeDocumentSettings><BR>> =20
> </xml><![endif]--><!--[if gte mso=20
> 9]><xml><BR>> =20
> <w:WordDocument><BR>> =20
> <w:Zoom>0</w:Zoom><BR>> =20
> =
> <w:DocumentKind>DocumentEmail</
> w:DocumentKind><BR>> &=
> nbsp; =20
> =
> <w:HyphenationZone>21</
> w:HyphenationZone><BR>> =
> =20
> <w:EnvelopeVis/><BR>> =20
> <w:DrawingGridHorizontalSpacing>6 =3D<BR>>=20
> =
> pt</
> w:DrawingGridHorizontalSpacing><BR>> =
> =20
> <w:DrawingGridVerticalSpacing>8,15 =3D<BR>>=20
> pt</w:DrawingGridVerticalSpacing><BR>> =20
> </w:WordDocument><BR>> =20
> </xml><![endif]--><BR>> =20
> <style><BR>> =
> <!--<BR>> /*=20
> Style Definitions */<BR>> p.MsoNormal, =
> li.MsoNormal,=20
> div.MsoNormal<BR>> =20
> {mso-style-parent:"";<BR>> =20
> margin:0cm;<BR>> =20
> margin-bottom:.0001pt;<BR>> =20
> mso-pagination:widow-orphan;<BR>> =20
> font-size:12.0pt;<BR>> font-family:"Times New=20
> Roman";<BR>> mso-fareast-font-family:"Times
> New=20
> Roman";}<BR>> a:link,=20
> span.MsoHyperlink<BR>> =20
> {color:blue;<BR>> =20
> text-decoration:underline;<BR>> =20
> text-underline:single;}<BR>> a:visited,=20
> span.MsoHyperlinkFollowed<BR>> =20
> {color:blue;<BR>> =20
> text-decoration:underline;<BR>> =20
> text-underline:single;}<BR>> p.MsoAutoSig, =
> li.MsoAutoSig,=20
> div.MsoAutoSig<BR>> =20
> {margin:0cm;<BR>> =20
> margin-bottom:.0001pt;<BR>> =20
> mso-pagination:widow-orphan;<BR>> =20
> font-size:12.0pt;<BR>> font-family:"Times New=20
> Roman";<BR>> mso-fareast-font-family:"Times
> New=20
> Roman";}<BR>> pre<BR>> =20
> {margin:0cm;<BR>> =20
> margin-bottom:.0001pt;<BR>> =20
> mso-pagination:widow-orphan;<BR>> =20
> font-size:10.0pt;<BR>> font-family:"Courier=20
> New";<BR>> mso-fareast-font-family:"Courier=20
> New";}<BR>> tt<BR>> =20
> {mso-ascii-font-family:"Courier New";<BR>> =20
> mso-fareast-font-family:"Courier New";<BR>> =20
> mso-hansi-font-family:"Courier New";<BR>> =20
> mso-bidi-font-family:"Courier New";}<BR>> =20
> span.EmailStijl19<BR>> =20
> {mso-style-type:personal-reply;<BR>> =20
> mso-ansi-font-size:10.0pt;<BR>> =20
> mso-ascii-font-family:Arial;<BR>> =20
> mso-hansi-font-family:Arial;<BR>> =20
> mso-bidi-font-family:Arial;<BR>> =20
> color:navy;}<BR>> @page=20
> Section1<BR>> {size:595.2pt=20
> 841.8pt;<BR>> margin:2.0cm 52.9pt 2.0cm=20
> 46.75pt;<BR>> =20
> mso-header-margin:147.4pt;<BR>> =20
> mso-footer-margin:147.4pt;<BR>> =20
> mso-paper-source:0;}<BR>> =20
> div.Section1<BR>> =20
> {page:Section1;}<BR>> =
> --><BR>> =20
> </style><BR>> =20
> </head><BR>><BR>> <body
> lang=3D3D3DNL =
>
> link=3D3D3Dblue vlink=3D3D3Dblue =3D<BR>>=20
> =
> style=3D3D3D'tab-interval:
> 35.4pt'><BR>><BR>> =
> <div=20
> class=3D3D3DSection1><BR>><BR>> <p=20
> class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =
> =3D<BR>>=20
> face=3D3D3DArial><span =3D3D<BR>> =20
> style=3D3D3D'font-size:<BR>> =20
> 10.0pt;mso-bidi-font-size:12.0pt;font- <BR>>=20
> family:Arial;color:navy'>Dear =3D<BR>> =
> =3D3D<BR>> =20
> Robert<BR>> =
> Hunt,</span></font><font=20
> size=3D3D3D2 color=3D3D3Dnavy =3D<BR>>
> face=3D3D3DArial><span =
>
> =3D3D<BR>> =
> style=3D3D3D'font-size:<BR>> =20
> =3D<BR>> =
> 10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial;color:navy;mso-=20
> <BR>> color-a=3D<BR>> =3D3D<BR>> =20
> lt:<BR>> =20
> =
> windowtext'><o:p></o:p></span></font></
> p>=
> ;<BR>><BR>> =20
> <p class=3D3D3DMsoNormal><font size=3D3D3D2
> color=3D3D3Dnavy =
> =3D<BR>>=20
> face=3D3D3DArial><span =3D3D<BR>> =20
> style=3D3D3D'font-size:<BR>> =20
> =
> 10.0pt;mso-bidi-font-size:12.0pt;font-
> family:Arial;color:navy'><!=20
> <BR>> [if =3D<BR>> =3D3D<BR>> =20
> =
> !supportEmptyParas]>&nbsp;<![endif]></span></
> font&g=
> t;<font<BR>> =20
> size=3D3D3D2 color=3D3D3Dnavy face=3D3D3DArial><span=20
> =3D3D<BR>> =20
> =
> style=3D3D3D'font-size:10.0pt;mso-bidi-font-
> size:<BR>> &nbs=
> p;=20
> =3D<BR>>=20
> =
> 12.0pt;font-family:Arial;color:navy;mso-color-
> alt:windowtext'><o:p&=
> gt;</=20
> <BR>> o:p>=3D<BR>> =3D3D<BR>> =20
> </span></font></
> p><BR>><BR>> =
> <p=20
> class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =
> =3D<BR>>=20
> face=3D3D3DArial><span =3D3D<BR>> =20
> lang=3D3D3DEN-GB<BR>> =3D<BR>>=20
> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-
> <BR>> =
>
> family:Arial;c=3D<BR>> ol=3D3D<BR>> =20
> or:navy;<BR>> mso-ansi-language:EN-
> GB'>Please =
> send=20
> your complete address and <BR>> the =3D<BR>> name=20
> =3D3D<BR>> of the<BR>> =
> journal you are=20
> writing for to </span></font><font size=3D3D3D2=20
> =3D3D<BR>> =20
> face=3D3D3DArial><span<BR>> =
> lang=3D3D3DEN-GB=20
> =3D3D<BR>> =3D<BR>>=20
> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-
> <BR>> =
>
> family:Arial;<BR>> =
> mso-ansi-language:EN-GB'><a=20
> =3D3D<BR>> =3D<BR>> href <BR>>
> =3D3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %22%3Einfo@rodopi=
> .nl%3Cma=20
> =
> href
> =3D'mailto:[log in to unmask]<mailto:[log in to unmask]>">[log in to unmask]<ma'>=
> mailto:info
> @rodopi.nl<mailto:[log in to unmask]>">[log in to unmask]<=
> ma</A>=3D<BR>>=20
> ilto:[log in to unmask]></
> a><font<BR>> =20
> color=3D3D3Dnavy><span style=3D3D3D'color:navy'>=20
> </span></font><font <BR>>=20
> =3D3D<BR>> =20
> color=3D3D3Dnavy><span<BR>> =3D<BR>>=20
> =
> style=3D3D3D'color:navy;mso-color-alt:windowtext'><o:p></
> o:p&=
> gt;</span></=20
> <BR>> font>=3D<BR>> </=3D3D<BR>> =20
> span></font></p><BR>><BR>> =
> <p=20
> class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =
> =3D<BR>>=20
> face=3D3D3DArial><span =3D3D<BR>> =20
> lang=3D3D3DEN-GB<BR>> =3D<BR>>=20
> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-
> <BR>> =
>
> family:Arial;c=3D<BR>> ol=3D3D<BR>> =20
> or:navy;<BR>> mso-ansi-language:EN-GB'>A
> copy =
> of the=20
> book will be sent to you <BR>> as =3D<BR>> soon=20
> =3D3D<BR>> as<BR>> =20
> possible.</span></font><font size=3D3D3D2 =
> color=3D3D3Dnavy=20
> =3D<BR>> face=3D3D3DArial><span =
> =3D3D<BR>> =20
> lang=3D3D3DEN-GB<BR>> =3D<BR>>=20
> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-
> <BR>> =
>
> family:Arial;c=3D<BR>> ol=3D3D<BR>> =20
> or:navy;<BR>> =3D<BR>>=20
> =
> mso-color-alt:windowtext;mso-ansi-language:EN-GB'><o:p></
> o:p&=
> gt;</=20
> <BR>> span></fon=3D<BR>>
> =3D3D<BR>> =20
> t></p><BR>><BR>> <p=20
> class=3D3D3DMsoNormal><font size=3D3D3D2 color=3D3D3Dnavy =
> =3D<BR>>=20
> face=3D3D3DArial><span =3D3D<BR>> =20
> lang=3D3D3DEN-GB<BR>> =3D<BR>>=20
> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-
> <BR>> =
>
> family:Arial;c=3D<BR>> ol=3D3D<BR>> =20
> or:navy;<BR>> =
> mso-ansi-language:EN-GB'><![if=20
> =3D3D<BR>> =20
> =
> !supportEmptyParas]>&nbsp;<![endif]></span></
> font&g=
> t;<font<BR>> =20
> size=3D3D3D2 color=3D3D3Dnavy face=3D3D3DArial><span =
> lang=3D3D3DEN-GB=20
> =3D3D<BR>> =20
> style=3D3D3D'font-size:10.0pt;<BR>>
> =3D<BR>>=20
> mso-bidi-font-size:12.0pt;font-family:Arial;color:navy;mso-color- =
> <BR>>=20
> alt:wind=3D<BR>> =3D3D<BR>> =20
> owtext;<BR>> =20
> =
> mso-ansi-language:EN-GB'><o:p></o:p></span></
> font=
> ></p><BR>><BR>> =20
> <p class=3D3D3DMsoNormal><font size=3D3D3D2
> color=3D3D3Dnavy =
> =3D<BR>>=20
> face=3D3D3DArial><span =3D3D<BR>> =20
> lang=3D3D3DFR<BR>> =3D<BR>>=20
> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-
> <BR>> =
>
> family:Arial;c=3D<BR>> ol=3D3D<BR>> =20
> or:navy;<BR>> =20
> mso-ansi-language:FR'>Regards,</span></font><font =
> size=3D3D3D2=20
> =3D<BR>> color=3D3D3Dnavy =3D3D<BR>> =20
> face=3D3D3DArial><span<BR>>
> lang=3D3D3DFR=20
> =3D3D<BR>> =3D<BR>>=20
> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-
> <BR>> =
>
> family:Arial;<BR>> =3D<BR>>=20
> =
> color:navy;mso-color-alt:windowtext;mso-ansi-
> language:FR'><o:p>&=
> lt;/=20
> <BR>> o:p></sp=3D<BR>> =3D3D<BR>> =20
> an></font></p><BR>><BR>>
> <p=20
> class=3D3D3DMsoNormal><span =
> class=3D3D3DEmailStijl19><font =20
> <BR>> size=3D3D3D2 =3D<BR>> =3D3D<BR>> =
> color=3D3D3Dnavy=20
> face=3D3D3DArial><span<BR>>
> lang=3D3D3DFR=20
> =3D3D<BR>> =3D<BR>>=20
> style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-
> <BR>> =
>
> family:Arial;<BR>> mso-ansi-
> language:FR'>Lia =
> =3D<BR>>=20
> =
> Hestina<o:p></o:p></span></font></
> span><=
> /p><BR>><BR>> =20
> </div><BR>><BR>> =20
> </body><BR>><BR>> =20
> </html><BR>>
> *<BR>> =20
> *<BR>> Film-Philosophy Email Discussion=20
> Salon.<BR>> After hitting 'reply' please
> always =
> delete=20
> the text of the <BR>> message =3D<BR>> you are
> replying=20
> to.<BR>> To leave, send the message: leave=20
> film-philosophy to: =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">ji=
> [log in to unmask]<mailto:[log in to unmask]</
> A>>.<BR>>&=
> nbsp; =20
> Or visit: =3D<BR>> <A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%3Chttp://www=
> .jiscmail=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://www
> .j=
> iscmail">http://www.jiscmail.ac.uk/lists/film-philosophy.html<http://w=
> ww.jiscmail</A>=20
> <BR>> .=3D<BR>>=20
> ac.uk/lists/film-philosophy.html><BR>> For =
> help email:=20
> =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> =20
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">he=
> [log in to unmask]<mailto:[log in to unmask]</A>>,=20
> not the <BR>> salon.<BR>> =20
> *<BR>> Film-Philosophy journal: =3D<BR>>
> <A=20
> =
> title=3Dhttp://www.film-philosophy.com%3chttp//www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com<http://www.film-philosophy.com/"
> >h=
> ttp://www.film-philosophy.com<http://www.film-philosophy.com/</
> A>><=
> BR>> =20
> Contact: =3D<BR>> <A=20
> =
> title=3Dmailto:[log in to unmask]
> %3Cmailto:editorialboard=
> @film-philosophy=20
> =
> href=3D"mailto:[log in to unmask]<mailto:editorialboard@f=
> ilm-philosophy">[log in to unmask]<mailto:editorialboa=
> rd@film-philosophy</A>.=3D<BR>>=20
> com><BR>> =20
> **<BR>><BR>><BR>><BR>><BR>> =20
> =
> ------_=3D3D_NextPart_001_01C8C24D.99E1616C--
> <BR>><BR>> =
> =20
> ------------------------------<BR>><BR>> =20
> Date: Fri, 30 May 2008 15:41:39=20
> +0100<BR>> From: Richard
> Stamp=20
> =3D<BR>> <<A=20
> title=3Dmailto:[log in to unmask]
> %3Cmailto:[log in to unmask]
> =
> href
> =3D"mailto:[log in to unmask]<mailto:[log in to unmask]">r.stam=
> [log in to unmask]<mailto:[log in to unmask]</
> A>>><BR>> =
> =20
> Subject: Reminder: Animation Unlimited 2008, Bournemouth,
> 18-20 =
> <BR>>=20
> July<BR>><BR>> I've just received a timely =
> reminder=20
> that the Arts Institute at =3D3D<BR>>
> Bournemouth =
> will be=20
> hosting the 20th Anniversary Society for =3D<BR>> Animation=20
> =3D3D<BR>> Studies International Conference on =
> 18-20=20
> July.<BR>><BR>> The full programme for =
> 'ANIMATION=20
> UNLIMITED' is available here: =3D3D<BR>> =
> =3D<BR>> <A=20
> =
> title=3Dhttp://www.aibep.co.uk/au2008/animation-unlimited-2008-programme-=
> fri.htm=20
> =
> href=3D"http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme-=
> fri.htm">http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme=
> -fri.htm</A>=20
> <BR>> <=3D<BR>> <A=20
> =
> title=3Dhttp://www.aibep.co.uk/au2008/animation-unlimited-2008-programme-=
> fri.htm=20
> =
> href=3D"http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme-=
> fri.htm">http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme=
> -fri.htm</A>=20
> <BR>> >=3D<BR>><BR>><BR>>
> 'ANIMATION =
> UNLIMITED'=20
> features pre-eminent scholars and =3D<BR>> practitioners=20
> =3D3D<BR>> from some of the world's leading =
> institutes of=20
> animation <BR>> education, =3D<BR>> =
> =3D3D<BR>> =20
> along with leading industry figures from Aardman, Disney, Pixar, =
> =3D<BR>>=20
> Cartoon =3D3D<BR>> Network, Nickelodeon, BBC,=20
> etc.=3D3D20<BR>><BR>> Today is your last =
> opportunity to=20
> get a reduced 'early bird' rate <BR>> of =3D<BR>>=20
> =3D3D<BR>> =3D3DA3150 - although there are
> also a =
> limited=20
> number of reserved =3D<BR>> student
> =3D3D<BR>> =
> places at=20
> =3D3DA350. Full details here: =3D3D<BR>> =
> =3D<BR>> <A=20
> title=3Dhttp://www.aibep.co.uk/au2008/animation-unlimited-2008=20
> =
> href=3D"http://www.aibep.co.uk/au2008/animation-unlimited-2008">http://ww
> =
> w.aibep.co.uk/au2008/animation-unlimited-2008</A>-=20
> <BR>> registration.htm<BR>><BR>> =
> (Alternatively,=20
> contact the organisers at: animationunlimited08 =
> =3D3D<BR>> =20
> <<A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:[log in to unmask]">mailto:animationunlimited0=
> [log in to unmask]</A>>=20
> @aib.ac.uk)<BR>><BR>> That's all=20
> folks!<BR>><BR>> =20
> Richard<BR>><BR>> Dr Richard=20
> Stamp<BR>> Senior Lecturer in Cultural=20
> Studies=3D3D20<BR>> School of Historical and =
> Cultural=20
> Studies=3D3D20<BR>> Bath Spa=20
> University=3D3D20<BR>> Newton St=20
> Loe=3D3D20<BR>> Bath. BA2=20
> 9BN=3D3D20<BR>>
> =3D3D20<BR>> =
> 01225=20
> 876226<BR>><BR>>
> *<BR>> =20
> *<BR>> Film-Philosophy =
> salon<BR>> =20
> After hitting 'reply' please always delete the text of the =
> <BR>>=20
> message =3D<BR>> you are replying to.<BR>>
> To =
> leave,=20
> send the message: leave film-philosophy to: =3D<BR>> <A=20
> title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>.<BR>&=
> gt; =20
> Or visit: <A =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> .=
> jiscmail.ac.uk/lists/film-philosophy.html</
> A><BR>> =20
> For help email: <A title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>, =
> not the=20
> salon.<BR>> *<BR>> =
> Film-Philosophy=20
> journal: <A title=3Dhttp://www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com">http://www.film-
> philosophy.com</A=
>> <BR>> =20
> Contact: <A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:editorialboard@film-
> philosophy.com">editorialboard@film-ph=
> ilosophy.com</A><BR>> =20
> **<BR>><BR>> =20
> ------------------------------<BR>><BR>>
> End =
> of=20
> FILM-PHILOSOPHY Digest - 30 May 2008 =
> (#2008-194)<BR>> =20
> =
> *******************************************************<
> BR>><BR>><B=
> R>> =20
> * * Film-Philosophy Email Discussion Salon. After hitting 'reply' =
> =3D<BR>>=20
> please always delete the text of the message you are replying to.
> To =
> =3D<BR>>=20
> leave, send the message: leave film-philosophy to: =3D<BR>> <A=20
> title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>. =
> Or visit:=20
> =3D<BR>> <A =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> .=
> jiscmail.ac.uk/lists/film-philosophy.html</A>=20
> For help email: =3D<BR>> <A
> title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>, =
> not the=20
> salon. * Film-Philosophy journal: =3D<BR>> <A=20
> title=3Dhttp://www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com">http://www.film-
> philosophy.com</A=
>> =20
> Contact: =3D<BR>> <A =
> title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:editorialboard@film-
> philosophy.com">editorialboard@film-ph=
> ilosophy.com</A>=20
> **<BR>><BR>> *<BR>> *<BR>> Film-Philosophy
> salon<BR>> =
> After=20
> hitting 'reply' please always delete the text of the message =
> <BR>>=20
> you are replying to.<BR>> To leave, send the message: leave =
> film-philosophy=20
> to: <A title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A> =
> <BR>>=20
> .<BR>> Or visit: <A=20
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> .=
> jiscmail.ac.uk/lists/film-philosophy.html</A><BR>>=20
> For help email: <A title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>, =
> not the=20
> salon.<BR>> *<BR>> Film-Philosophy journal: <A=20
> title=3Dhttp://www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com">http://www.film-
> philosophy.com</A=
>> <BR>>=20
> Contact: <A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:editorialboard@film-
> philosophy.com">editorialboard@film-ph=
> ilosophy.com</A><BR>>=20
> **<BR>><BR>><BR>><BR>>=20
> ------=3D_NextPart_000_003A_01C8C282.6188EE40<BR>> Content-
> Type:=20
> text/html;<BR>> charset=3D"iso-8859-1"<BR>> =
> Content-Transfer-Encoding:=20
> quoted-printable<BR>><BR>> <!DOCTYPE HTML PUBLIC "-//W3C//
> DTD =
> HTML=20
> 4.0 Transitional//EN"><BR>> <HTML><HEAD><BR>> =
> <META=20
> http-equiv=3D3DContent-Type =3D<BR>>=20
> content=3D3Dtext/html;charset=3D3Diso-8859-1><BR>>=20
> <STYLE></STYLE><BR>><BR>> <META =
> content=3D3D"MSHTML=20
> 6.00.6000.16640" name=3D3DGENERATOR></HEAD><BR>>
> <BODY=20
> id=3D3DMailContainerBody=3D20<BR>> style=3D3D"PADDING-LEFT:
> 10px; =
> FONT-WEIGHT:=20
> normal; FONT-SIZE: 10pt; =3D<BR>> COLOR: #000000; BORDER-TOP-
> STYLE: =
> none;=20
> PADDING-TOP: 15px; FONT- <BR>> STYLE: =3D<BR>> normal; =
> FONT-FAMILY:=20
> Verdana; BORDER-RIGHT-STYLE: none; =3D<BR>> BORDER-LEFT-STYLE: =
> none;=20
> TEXT-DECORATION: none; WORD-WRAP: break- <BR>> word;
> =3D<BR>>=20
> BORDER-BOTTOM-STYLE: none; -webkit-nbsp-mode: space; -webkit-line- =
> <BR>>=20
> break: =3D<BR>> after-white-space"=3D20<BR>> leftMargin=3D3D0 =
> topMargin=3D3D0=20
> acc_role=3D3D"text" <BR>> =
> CanvasTabStop=3D3D"true"=3D20<BR>>=20
> name=3D3D"Compose message area"><!--[gte IE =
> 5]><?xml:namespace=20
> =3D<BR>> prefix=3D3D"v" /><?xml:namespace prefix=3D3D"o"=20
> /><![endif]--><BR>> <DIV><BR>> <DIV>Of =
> course,=20
> please, by all means read what a philosopher =3D<BR>>
> specializing =
> in=20
> the=3D20<BR>> history of ideas thinks before taking on peer-
> review =
> material=20
> such <BR>> as =3D<BR>> the tomes=3D20<BR>> of Harris =
> and Dolmatof!=20
> In the seventies, no one really knew what CL- <BR>> S
> =3D<BR>> =
> was=20
> doing=3D20<BR>> over there at the College de France, but
> whatever =
> it was, it=20
> wasn't=3D20<BR>> Anthropology. Now, however, we know: =
> Socio-cultural=20
> analysis!</DIV><BR>> =
> <DIV>&nbsp;</DIV><BR>>=20
> <DIV>In all seriousness, within his field of epistemology
> Dosse =
> is =20
> <BR>> quite =3D<BR>><BR>> interesting; not the least =
> of&nbsp;which=20
> for having emphasized the =3D<BR>> greatnesses=3D20<BR>> of =
> Certeau and=20
> Guattari. Speaking as an Anthropologist, however, <BR>>
> he's=20
> =3D<BR>> not.</DIV><BR>> =
> <DIV>&nbsp;</DIV><BR>>=20
> <DIV>Bill Harris</DIV><BR>>
> <BLOCKQUOTE=3D20<BR>> =
>
> style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
> =3D<BR>>=20
> BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT:
> 0px"><BR>> =
> <DIV=20
> style=3D3D"FONT: 10pt arial">----- Original Message -----=20
> </DIV><BR>> <DIV style=3D3D"FONT: 10pt=20
> arial"><B>From:</B> <A=3D20<BR>> =20
> title=3D3Dmailto:[log in to unmask] =3D<BR>> href=3D3D"<A=20
> title=3Dmailto:[log in to unmask]
> =
> href=3D'mailto:[log in to unmask]">Don=3D20'>mailto:[log in to unmask]
> AC.IL">Don=3D20</A><BR>> =20
> Handelman</A> </DIV><BR>> <DIV =
> style=3D3D"FONT: 10pt=20
> arial"><B>To:</B> <A=3D20<BR>> =20
> title=3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]
> PHILOSOPHY@JISCMA=
> IL.A=20
> =
> href=3D'mailto:[log in to unmask]">[log in to unmask]
> =
> '>mailto:[log in to unmask]">FILM-
> [log in to unmask]</A=
>> =20
> <BR>> =3D<BR>> C.UK</A>=3D20<BR>> =
> </DIV><BR>> =20
> <DIV style=3D3D"FONT: 10pt arial"><B>Sent:</B> =
> Friday, May 30,=20
> 2008 =3D<BR>> 12:22 PM</DIV><BR>> <DIV =
> style=3D3D"FONT: 10pt=20
> arial"><B>Subject:</B> Re: FILM-PHILOSOPHY
> =3D<BR>> =
> Digest -=20
> 30=3D20<BR>> May 2008 (#2008-194)</
> DIV><BR>> =20
> <DIV><BR></DIV><BR><BR>> =20
> <DIV><BR>> <BLOCKQUOTE
> type=3D3D"cite"><FONT=20
> class=3D3DApple-style-span =3D<BR>> color=3D3D#000000>Matt=20
> is=3D20<BR>> introducing some social~cultural =
> analysis into=20
> this discussion. <BR>> as =3D<BR>> =
> for=3D20<BR>> =20
> Levi-Strauss being passe, he has revolutionized anthropology in =
> =3D<BR>>=20
> 'deep' ways=3D20<BR>> that have become taken
> for =
> granted in=20
> anthropological thinking, <BR>> even =3D<BR>> as=20
> his=3D20<BR>> critics think they are =
> deconstructing his=20
> semiology. Rather than =3D<BR>> =
> Marvin=3D20<BR>> Harris',=20
> Rise of Anthropological Theory, I would look more <BR>> =
> generally=20
> =3D<BR>> to=3D20<BR>> Francois Dosse's, =
> History of=20
> Structuralism , vol =3D<BR>> =
> 1.</FONT></BLOCKQUOTE><BR>> =20
> <DIV><BR></DIV>Don
> Handelman<BR><BR>> =
>
> <BLOCKQUOTE type=3D3D"cite"><FONT=20
> class=3D3DApple-style-span=3D20<BR>> =20
> color=3D3D#000000><BR></
> FONT><BR><BR>Date:=20
> &nbsp;&nbsp;&nbsp;Fri, <BR>> 30 =3D<BR>>
> May=20
> 2008=3D20<BR>> 07:52:17 -0500<BR>From:=20
> &nbsp;&nbsp;&nbsp;bill harris=20
> &lt;<A=3D20<BR>> =20
> title=3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A title=3Dmailto:[log in to unmask]@MSN.COM
> %3C/ =
>
> =
> href=3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto:[log in to unmask]
> COM">[log in to unmask]</</A>=20
> <BR>> A>&gt;<BR>Subject: =3D<BR>>=20
> Re:=3D20<BR>> Serial-killers (and Hitchcock =
> films,=20
> including=3D20<BR>> =20
> PSYCHO)/Narratology...?<BR><BR>This is a multi-part =
> message=20
> in <BR>> MIME=3D20<BR>> =3D<BR>>=20
> format.<BR><BR>------=3D3D_NextPart_000_001D_01C8C22A. =
> <BR>>=20
> 14F080A0<BR>Content-T=3D<BR>> =
> ype:=3D20<BR>> =20
> text/plain;<BR><SPAN=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>charset=3D3D"Windows-1252"<BR>Content-
> Transfer=
> -Encoding:=3D20<BR>> =20
> quoted-printable<BR><BR>This is quite beautiful-- it's =
> clear that=20
> =3D<BR>> you're a=3D20<BR>> natural=20
> poet!<BR>&nbsp;----- Original Message =3D<BR>>=20
> -----=3D3D20<BR>&nbsp;From: =
> indra=3D20<BR>> =20
> karan&lt;<A=20
>
> title=3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %3C/ =
>
> =
> href
> =3D'mailto:[log in to unmask]">mailto:[log in to unmask]</'>mailt=
> o:[log in to unmask]">mailto:[log in to unmask]</</A>=20
> <BR>> A>&gt;=3D3D=3D<BR>>=20
> 20<BR>&nbsp;To:=3D20<BR>> =20
> =
> =3D3D<BR>FILM-
> [log in to unmask]&lt;<A=3D20<BR>>&n=
> bsp; =20
> =
> title=3D3Dmailto:FILM-
> [log in to unmask]<BR>> &=
> nbsp;=20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:FILM-
> PHILOSOPHY=
> @JIS=20
> =
> href=3D'mailto:[log in to unmask]">mailto:FILM-PHILOSOPHY@JIS=
> '>mailto:[log in to unmask]">mailto:FILM-
> PHILOSOPHY@JIS</A=
>> =3D<BR>>=20
> =
> CMAIL.AC.UK</
> A>&gt;=3D3D20<BR>&nbsp;Sent:=3D20<BR>>=
> ; =20
> Thursday, May 29, 2008 10:55 AM<BR>&nbsp;Subject: Re: =
> Serial-=20
> <BR>> killers =3D<BR>> (and=3D20<BR>> =
> Hitchcock films,=20
> including=3D20<BR>> =3D<BR>>=20
> =3D3D<BR>PSYCHO)/Narratology...? <BR>>=20
> =
> <
> ;BR
> ><BR><BR>&nbsp;=3D3D20<BR><BR>&n=
> bsp;Hi=3D20<BR>> =20
> =
> Bill
> ,<BR><BR>&nbsp;=3D3D20<BR><BR>&nbsp;T=
> he=20
> psychotic states of =3D<BR>> Abraham =
> and=3D20<BR>> Psycho=20
> both have their =3D3D<BR>justification, as you said in =
> <BR>>=20
> highly =3D<BR>> nebulous=3D20<BR>> states
> of =
> Cultural=20
> =3D3D<BR>construct, but we are still left with <BR>> =
> the=20
> =3D<BR>> innocent=3D20<BR>> lives/
> deaths..?,=20
> =3D3D<BR>unaccounted =3D<BR>>=20
> =
> for
> .<
> ;BR><BR>&nbsp;=3D3D20<BR><BR>&nbsp;Ea=
> rlier=3D20<BR>> =20
> I use to think, the Deluzian way is a weak option, thanks to =
> =3D<BR>>=20
> =3D3D<BR>you I have=3D20<BR>> found a
> way =
> to=20
> free=3D20<BR>> =3D<BR>>=20
> =
> myself
> .<BR><BR>&nbsp;=3D3D20<BR><BR>&nbsp=
> ;--------------=20
> <BR>> <BR><BR>&nbsp;=3D3D20=3D<BR>>=20
> <BR><BR>&nbsp;Our=3D20<BR>> =
> prejudices are=20
> our stumbling =3D<BR>>=20
> =
> blocks
> ,<BR><BR>&nbsp;=3D3D20<BR><BR>&nbsp=
> ;Who is=20
> a=3D20<BR>> friend and who is enemy, it is
> all=20
> make=3D20<BR>> =20
> =
> believe
> .<BR><BR>&nbsp;=3D3D20<BR><BR>&nbs=
> p;Faith=20
> is blind and the =3D<BR>> unfaithful =
> are=3D20<BR>> =20
> =
> irrational
> .<BR><BR>&nbsp;=3D3D20<BR><BR>&=
> nbsp;Some=20
> fallow Jesus and =3D<BR>> some
> his=3D20<BR>> =20
> =
> captors
> .<BR><BR>&nbsp;=3D3D20<BR><BR>&nbs=
> p;Which=20
> path we travel, <BR>> the =3D<BR>> choice=20
> is=3D20<BR>> beyond=20
> =
> horizon
> .<BR><BR>&nbsp;=3D3D20<BR><BR>&nbs=
> p;It is=20
> the knowers <BR>> of =3D<BR>> =
> truth,=3D20<BR>> =20
> who know the=20
> =
> difference
> .<BR><BR>&nbsp;=3D3D20<BR><BR>&=
> nbsp;The=20
> =3D<BR>> fulfilled find=3D20<BR>> emptiness =
> and the empty,=20
> =3D<BR>>=20
> =
> fulfillment
> .<BR><BR>&nbsp;=3D3D20<BR><BR>&=
> ;nbsp;In=20
> the=3D20<BR>> end of journey we only find our =
> =3D<BR>>=20
> =
> selves
> .<BR><BR>&nbsp;=3D3D20<BR><BR>&nbsp=
> ;Like=3D20<BR>> =20
> =3D3D94 Saha Deva=3D3D94, the other fallows oneself on the=20
> path=3D20<BR>> =20
> =
> unseen
> .<BR><BR>&nbsp;=3D3D20<BR><BR>&nbsp=
> ;-----A=20
> tribute to Gilles=3D20<BR>> =3D<BR>>=20
> Deluze.<BR><BR><BR><BR>&nbsp;----- =
> <BR>>=20
> =
> Indrakaran
> .<BR><BR><BR><BR>&nbsp;Hi=3D20<BR>&=
> gt; =20
> Matt,<BR><BR>&nbsp;From bad semiology you get =
> horrible =20
> <BR>> linguistics; =3D<BR>> which =
> in=3D20<BR>> turn=20
> makes =3D3D<BR>total bullshit for anthropology. Barthes, =
> in <BR>>=20
> any =3D<BR>> case, was=3D20<BR>> just
> aping=20
> =3D3D<BR>Levi-Strauss, whose non-utilitarian <BR>> =
> "structural"=20
> =3D<BR>> stuff was=3D20<BR>> depasee even=20
> =3D3D<BR>before it appeared in print. So for a 1970-
> <BR>>=20
> ish=3D20<BR>> contemporary critic, I'd=20
> =3D3D<BR>recommend Desana by Reichel- <BR>> Dolmatof =
> =3D<BR>>=20
> for=3D20<BR>> starters. As for CLS's general=20
> =3D3D<BR>theory, there's alway's =3D<BR>>=20
> &nbsp;The=3D20<BR>> Rise... by Marvin=20
> Harris.<BR><BR>&nbsp;This is not to say that I =
> =3D<BR>> don't=20
> find=3D20<BR>> your identity conjecture=20
> =3D3D<BR>interesting. Culture has always <BR>> been =
> =3D<BR>> a=20
> highly=3D20<BR>> nebulous sort of construct=20
> =3D3D<BR>due, among other reasons, to <BR>> human =
> =3D<BR>> will=20
> and=3D20<BR>> emotion. Moreover, many of =
> =3D3D<BR>our=20
> best stories are, indeed, =3D<BR>> =
> about=3D20<BR>> =20
> taboo/godly violations: Brunhilde, =3D3D<BR>Antigone, =
> Draupadi =20
> <BR>> (five=3D20<BR>> husbands)...and more =
> recently,=20
> Smilla and Nomi =3D3D<BR>Malone. =
> A=3D20<BR>> =20
> Deleuzian-defined cinema, of course, is all about the je-fele =
> =3D<BR>>=20
> =3D3D<BR>and=3D20<BR>> possibly, IMO,
> the=20
> BwO.<BR><BR>&nbsp;Abe fits well into=20
> this=3D20<BR>> model--narratively speaking or =
> otherwise!--=20
> as =3D3D<BR>an <BR>> ostensible =3D<BR>>=20
> rupture=3D20<BR>> with fertile-crescent, =
> bronze-age nomadic=20
> =3D3D<BR>practice. To <BR>> have =3D<BR>> said=20
> that=3D20<BR>> our tribe no longer honors the =
> ritual of=20
> =3D3D<BR>child sacrifice =3D<BR>> might =
> well=3D20<BR>> =20
> have set them off. indeed, from other semitic =
> =3D3D<BR>wanderers.=20
> =3D<BR>> Perhaps=3D20<BR>> Antigone's =
> uperlogon becomes,=20
> in time, the voice of <BR>> =3D3D<BR>Socratic =
> =3D<BR>>=20
> reason=3D20<BR>> much as Judiasm incorporates
> a =
> two god=20
> theory into the=3D20<BR>> =20
> =3D3D<BR>Talmud....<BR><BR>&nbsp;Bill =
> =3D<BR>>=20
> =
> Harris.<BR><BR>&nbsp;&nbsp;&nbsp;-----
> =3D20<BR>&g=
> t; =20
> Original Message =
> -----=3D3D20<BR>&nbsp;&nbsp;&nbsp;From: =20
> <BR>> matt&lt;<A=3D20<BR>> =20
> title=3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A=20
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %3C/ =
>
> =
> href=3D'mailto:[log in to unmask]">mailto:[log in to unmask]</'>mailto:=
> [log in to unmask]">mailto:[log in to unmask]</</A>=20
> <BR>> A>&gt;=3D3D=3D<BR>>=20
> =
> 20
> <
> ;BR>&nbsp;&nbsp;&nbsp;To:=3D20<BR>> &nb=
> sp;=20
> =
> =3D3D<BR>FILM-
> [log in to unmask]&lt;<A=3D20<BR>>&n=
> bsp; =20
> =
> title=3D3Dmailto:FILM-
> [log in to unmask]<BR>> &=
> nbsp;=20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:FILM-
> PHILOSOPHY=
> @JIS=20
> =
> href=3D'mailto:[log in to unmask]">mailto:FILM-PHILOSOPHY@JIS=
> '>mailto:[log in to unmask]">mailto:FILM-
> PHILOSOPHY@JIS</A=
>> =3D<BR>>=20
> =
> CMAIL.AC.UK</
> A>&gt;=3D3D20<BR>&nbsp;&nbsp;&nb=
> sp;Sent:=3D20<BR>> =20
> Monday, May 19, 2008 6:43 =
> PM<BR>&nbsp;&nbsp;&nbsp;Subject:=20
> Re:=3D20<BR>> Serial-killers (and Hitchcock =
> films,=20
> including=3D20<BR>> =
> =3D3D<BR>PSYCHO)/Narratology...?=20
> <BR>> =
> <BR><BR><BR>&nbsp;&nbsp;&nbsp;'Blest=20
> =3D<BR>> be thou=3D20<BR>> when thou art in =
> combat with=20
> the gods' -=3D20<BR>> =20
> Mahabharata<BR><BR>&nbsp;&nbsp;&nbsp;Roland =
> Barthes=20
> says <BR>> something =3D<BR>> =
> about=3D20<BR>> =20
> religious taboo's not serving =3D3D<BR>the utilitarian
> function =
> we=20
> =3D<BR>> sometimes=3D20<BR>> ascribe to
> them, =
> rather they=20
> are =3D3D<BR>ways for a tribe to <BR>> distance =
> =3D<BR>>=20
> itself=3D20<BR>> from 'the tribe next door',
> as =
> it=20
> =3D3D<BR>were. If the tribes of <BR>> UR,
> =3D<BR>>=20
> Assyria?=3D20<BR>> whatever, were rampant
> engager =
> in=20
> =3D3D<BR>human sacrifice Abe <BR>> could =3D<BR>> =
> have=20
> chosen=3D20<BR>> non-sacrifice as a simple =
> identity=20
> =3D3D<BR>issue, and not some <BR>> kind =3D<BR>>=20
> of=3D20<BR>> 'niceness' unique to the Jewish =
> tribe or=20
> =3D3D<BR>their=3D20<BR>> =20
> =
> god
> .=
> 3D3D20<BR><BR>&nbsp;&nbsp;&nbsp;Matt.<BR&=
> gt;<BR><BR>&nbsp;*=20
> * =3D<BR>> Film-Philosophy=3D20<BR>> Email =
> Discussion=20
> Salon. After hitting 'reply' =3D3D<BR>please <BR>> =
> always=20
> =3D<BR>> delete the=3D20<BR>> text of the =
> message you are=20
> replying to. To =3D3D<BR>leave, send <BR>> the =
> =3D<BR>>=20
> message:=3D20<BR>> leave film-philosophy to:=20
> =3D3D<BR><A =3D<BR>>=20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>. =3D<BR>> Or
> visit:=3D20<BR>> =20
> =3D3D<BR><A =3D<BR>>=20
> =
> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-
> philosophy.html=3D20<BR>&g=
> t; =20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://=
> www=20
> =
> href=3D'http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> '=
>> http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://
>> www</A> =
>
> <BR>> .=3D<BR>>=20
> =
> jiscmail.ac.uk/lists/film-philosophy.html</
> A>=3D20<BR>> &nb=
> sp; =20
> For help email: =3D3D<BR><A=20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>, =3D<BR>> not the=3D20<BR>> =
> salon. *=20
> Film-Philosophy journal: =
> =3D3D<BR><A=3D20<BR>> =20
> =
> title=3D3Dhttp://www.film-philosophy.com/
> =3D20<BR>> =
> =3D<BR>>=20
> href=3D3D"<A =
> title=3Dhttp://www.film-philosophy.com%22%3ehttp//www.film=20
> =
> href=3D'http://www.film-philosophy.com">http://www.film'>http://www.film
> -=
> philosophy.com">http://www.film</A>-=20
> <BR>> philosophy.com</A=3D<BR>>> =
> =3D20<BR>> =20
> Contact: =3D3D<BR><A =
> title=3D3Dmailto:[log in to unmask]
> <BR>> =3D<BR>><BR>> =3D<BR>> =
> href=3D3D"<A=20
> title=3Dmailto:editorialboard@film=20
> href=3D"mailto:editorialboard@film">mailto:editorialboard@film</A>- =
> <BR>>=20
> philosophy.com">editorialboard@film-ph=3D<BR>>=20
> ilosophy.com</A>=3D20<BR>> **=20
> <BR><BR>*<BR>*<BR>Film-Philosophy =
> salon<BR>After=20
> hitting <BR>> 'reply' =3D<BR>> =
> please=3D20<BR>> =20
> always delete the text of the message you are replying
> to.<BR>To =
>
> =3D<BR>> leave, send=3D20<BR>> the message: =
> leave=20
> film-philosophy to: <A=3D20<BR>> =20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>.<BR>O=3D<BR>>
> r=3D20<BR>> =
> visit:=20
> <A =3D<BR>>=20
> =
> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-
> philosophy.html=3D20<BR>&g=
> t; =20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://=
> www=20
> =
> href=3D'http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> '=
>> http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://
>> www</A> =
>
> <BR>> .=3D<BR>>=20
> =
> jiscmail.ac.uk/lists/film-philosophy.html</
> A><BR>For=3D20<BR>=
> > =20
> help email: <A=20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>, =3D<BR>> not the=3D20<BR>> =20
> salon.<BR>*<BR>Film-Philosophy journal:=20
> <A=3D20<BR>> =20
> =
> title=3D3Dhttp://www.film-philosophy.com/
> =3D20<BR>> =
> =3D<BR>>=20
> href=3D3D"<A =
> title=3Dhttp://www.film-philosophy.com%22%3ehttp//www.film=20
> =
> href=3D'http://www.film-philosophy.com">http://www.film'>http://www.film
> -=
> philosophy.com">http://www.film</A>-=20
> <BR>> philosophy.com</A=3D<BR>>>=20
> <BR>Contact:=3D20<BR>> <A=20
> =
> title=3D3Dmailto:editorialboard@film-
> philosophy.com=3D20<BR>> &nb=
> sp; =20
> =3D<BR>> href=3D3D"<A title=3Dmailto:editorialboard@film=20
> href=3D"mailto:editorialboard@film">mailto:editorialboard@film</A>- =
> <BR>>=20
> philosophy.com">editorialboard@film-ph=3D<BR>>=20
> =
> ilosophy.com</
> A><BR>**<BR><BR><BR><BR>=
> ;------=20
> <BR>> =3D3D_NextPart_000_001D_01C8C22=3D<BR>>=20
> A.14F080A0<BR>Content-Type:=3D20<BR>> =20
> text/html;<BR><SPAN=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>charset=3D3D"Windows-1252"<BR>Content-
> Transfer=
> -Encoding:=3D20<BR>> =20
> quoted-printable<BR><BR>&lt;!DOCTYPE HTML PUBLIC=20
> "-//W3C//DTD <BR>> HTML =3D<BR>> =
> 4.0=3D20<BR>> =20
> Transitional//EN"&gt;<BR>&lt;HTML xmlns:o =3D3D3D=20
> "<A=3D20<BR>> =20
> =
> title=3D3Durn:schemas-microsoft-
> com:office:office=3D20<BR>>  =
> ; =20
> =3D<BR>>=20
> =
> href=3D3D"urn:schemas-microsoft-com:office:office">urn:schemas-microso=
> ft-co=3D<BR>>=20
> =
> m:office:office</
> A>"&gt;&lt;HEAD&gt;<BR>&lt;M=
> ETA=3D20<BR>> =20
> http-equiv=3D3D3DContent-Type=3D20<BR>> =
> =3D<BR>>=20
> =3D3D<BR>content=3D3D3Dtext/ <BR>>=20
> =
> html
> ;charset=3D3D3DWindows-1252&gt;<BR>&lt;STYLE=3D20<BR>&g=
> t; =20
> type=3D3D3Dtext/css&gt;DIV {<BR><SPAN=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>MARGIN:=3D20<BR>> =20
> =
> 0px<BR>}<BR>&lt;/
> STYLE&gt;<BR><BR>&lt=
> ;META=20
> content=3D3D3D"MSHTML=3D20<BR>>
> 6.00.6000.16640"=20
> =
> name=3D3D3DGENERATOR&gt;&lt;/
> HEAD&gt;<BR>&lt;BODY=3D=
> 20<BR>> =20
> id=3D3D3DMailContainerBody=3D3D20<BR>style=3D3D3D"PADDING-
> LEFT: =
> 10px;=20
> =3D<BR>> FONT-WEIGHT:=3D20<BR>> normal; =
> FONT-SIZE: 10pt;=20
> =3D3D<BR>COLOR: #000000; BORDER-TOP-STYLE: =3D<BR>>=20
> none;=3D20<BR>> PADDING-TOP: 15px; FONT-
> STYLE:=20
> =3D3D<BR>normal; FONT-FAMILY: <BR>>=20
> Verdana;=3D20<BR>> BORDER-RIGHT-STYLE: none;=20
> =3D3D<BR>BORDER-LEFT-STYLE: none; =3D<BR>>=20
> TEXT-DECORATION:=3D20<BR>> none; =
> BORDER-BOTTOM-STYLE:=20
> =3D3D<BR>none"=3D3D20<BR>leftMargin=3D3D3D0
> =3D<BR>>=20
> topMargin=3D3D3D0=3D20<BR>>
> acc_role=3D3D3D"text" =
> =3D<BR>>=20
> CanvasTabStop=3D3D3D"true"=3D3D20<BR>name=3D3D3D"Compose=20
> message=3D20<BR>> area"&gt;&lt;!--[gte
> IE =
>
> 5]&gt;&lt;?xml:namespace =3D<BR>>=20
> =3D3D<BR>prefix=3D3D3D"v"=3D20<BR>> =20
> /&gt;&lt;?xml:namespace =
> prefix=3D3D3D"o"=3D20<BR>> =20
> =
> /&gt;&lt;![endif]--
> &gt;<BR>&lt;DIV&gt;<BR>=
> ;&lt;DIV&gt;This=20
> is <BR>> quite=3D20<BR>> beautiful-- =
> it's=20
> clear&amp;nbsp;that you're a =
> natural=3D20<BR>> =20
> =3D<BR>> =3D3D<BR>poet!&lt;/ <BR>>=20
> =
> DIV
> &
> ;gt;<BR>&lt;BLOCKQUOTE=3D3D20<BR>style=3D3D3D"PADD=
> ING-RIG=3D<BR>>=20
> HT: 0px;=3D20<BR>> PADDING-LEFT: 5px; =
> MARGIN-LEFT: 5px;=20
> =3D3D<BR>BORDER-LEFT: #000000 <BR>> 2px =3D<BR>>=20
> solid;=3D20<BR>> MARGIN-RIGHT:=20
> 0px"&gt;<BR>&nbsp;&lt;DIV style=3D3D3D"FONT: 10pt =
> =3D<BR>>=20
> arial"&gt;-----=3D20<BR>> Original Message =
> -----=20
> &lt;/DIV&gt;<BR>&nbsp;&lt;DIV =3D<BR>> =
> style=3D3D3D"FONT:=20
> 10pt=3D20<BR>> =20
> arial"&gt;&lt;B&gt;From:&lt;/B&gt; =3D<BR>>=20
> =
> &
> ;lt;A=3D3D20<BR>&nbsp;title=3D3D3Dmailto:<A=3D20<BR>>=
> =20
>
> title=3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> title=3Dmailto:[log in to unmask]@YAHOO.COM%3C/A=20
> =
> href=3D'mailto:[log in to unmask]">[log in to unmask]</A'>mailto:indr=
> [log in to unmask]">[log in to unmask]</A</A>>=20
> =3D<BR>> =
> =3D3D<BR>href=3D3D3D"<A=3D20<BR>> =20
>
> title=3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %3C/ =
>
> =
> href
> =3D'mailto:[log in to unmask]">mailto:[log in to unmask]</'>mailt=
> o:[log in to unmask]">mailto:[log in to unmask]</</A>=20
> <BR>> A>"&gt;=3D<BR>>=20
> =
> indra=3D3D20<BR>&nbsp;karan&lt;/
> A&gt;=3D20<BR>> =
> ; =20
> &lt;/DIV&gt;<BR>&nbsp;&lt;DIV
> style=3D3D3D"FONT: =
>
> 10pt=3D20<BR>> =20
> arial"&gt;&lt;B&gt;To:&lt;/B&gt; =3D<BR>>=20
> =
> &
> ;lt;A=3D3D20<BR>&nbsp;title=3D3D3Dmailto:<A=3D20<BR>>=
> =20
> =
> title=3D3Dmailto:FILM-
> [log in to unmask]<BR>> &=
> nbsp;=20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]
> PHILOSOPHY@JISCMA=
> IL.A=20
> =
> href=3D'mailto:[log in to unmask]">[log in to unmask]
> =
> '>mailto:[log in to unmask]">FILM-
> [log in to unmask]</A=
>> =20
> <BR>> =3D<BR>>=20
> =
> C.UK</
> A>=3D3D20<BR>&nbsp;=3D3D<BR>href=3D3D3D"<A=
> =3D20<BR>> =20
> =
> title=3D3Dmailto:FILM-
> [log in to unmask]<BR>> &=
> nbsp;=20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:FILM-
> PHILOSOPHY=
> @JIS=20
> =
> href=3D'mailto:[log in to unmask]">mailto:FILM-PHILOSOPHY@JIS=
> '>mailto:[log in to unmask]">mailto:FILM-
> PHILOSOPHY@JIS</A=
>> =3D<BR>>=20
> CMAIL.AC.UK</A>"&gt;<A=3D20<BR>> =20
> =
> title=3D3Dmailto:FILM-
> [log in to unmask]<BR>>  =
> ;=20
> =3D<BR>> href=3D3D"<A =
> title=3Dmailto:[log in to unmask]
> =
> href=3D'mailto:[log in to unmask]">FILM'>mailto:FILM-PHILOSOPHY@J=
> ISCMAIL.A">FILM</A>-=20
> <BR>> <A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:[log in to unmask]</A">[log in to unmask]</
> A</A>&=
> gt;=3D<BR>>=20
> =
> =3D3D<BR>C.UK&lt;/
> A&gt;=3D3D20<BR>&nbsp;&lt;/=
> DIV
> &
> ;gt;<BR>&nbsp;&lt;DIV=3D20<BR>> =
> =20
> style=3D3D3D"FONT: 10pt=20
> arial"&gt;&lt;B&gt;Sent:&lt;/B&gt;
> <BR>>=20
> Thursday, =3D<BR>> May 29,=3D20<BR>> 2008=20
> =
> =3D3D<BR>10:55=3D3D20<BR>&nbsp;AM&lt;/
> DIV&gt;<=
> BR>&nbsp;&lt;DIV=20
> =3D<BR>> style=3D3D3D"FONT:=3D20<BR>> 10pt=20
> arial"&gt;&lt;B&gt;Subject:&lt;/B&gt; Re:=20
> Serial-killers=3D20<BR>> =20
> =3D3D<BR>(and=3D3D20<BR>&nbsp;Hitchcock films,=20
> including=3D20<BR>> =3D<BR>>=20
> PSYCHO)/Narratology...?&lt;/ <BR>>=20
> =
> DIV
> &
> ;gt;<BR>&nbsp;&lt;DIV&gt;&lt;BR&gt;&=
> lt;/DI=3D<BR>>=20
> =
> V
> &
> ;gt
> ;<BR>&nbsp;&lt;DIV=3D3D20<BR>&nbsp;style=3D=
> 3D3D"FONT-SIZE:=3D20<BR>> =20
> 12pt; FONT-FAMILY: times new roman, new york,=20
> =3D3D<BR>times,=3D20<BR>> =20
> =
> serif
> "&gt;<BR>&nbsp;&lt;DIV=3D3D20<BR>&nbsp;s=
> tyle=3D3D3D"FONT-SIZE:=20
> =3D<BR>> 12pt;=3D20<BR>> FONT-FAMILY: times =
> new roman, new=20
> york, =3D3D<BR>times,=3D20<BR>> =20
> serif"&gt;<BR>&nbsp;&lt;P class=3D3D3DMsoNormal=20
> style=3D3D3D"MARGIN: <BR>> 0in =3D<BR>>=20
> 0in=3D20<BR>> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;Hi=3D20<BR>> =20
> Bill,&lt;/P&gt;<BR>&nbsp;&lt;P =
> class=3D3D3DMsoNormal=20
> =3D<BR>> style=3D3D3D"MARGIN: 0in =
> 0in=3D20<BR>> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;The <BR>> psychotic =3D<BR>>=20
> =3D3D<BR>states=3D20<BR>> of=20
> Abraham=3D3D20<BR>&nbsp;and Psycho both have their =
> <BR>>=20
> justification, =3D<BR>> as you
> said=3D20<BR>> =
> in highly=20
> =3D3D<BR>nebulous=3D3D20<BR>&nbsp;states of
> Cultural =
> =3D<BR>>=20
> construct, but we are=3D20<BR>> still left
> with =
> the=20
> innocent=3D3D20<BR>&nbsp;lives/deaths..?, =3D<BR>>=20
> unaccounted=3D20<BR>> =20
> for.&lt;/P&gt;<BR>&nbsp;&lt;P =
> class=3D3D3DMsoNormal =20
> <BR>> style=3D3D3D"MARGIN: =3D<BR>> 0in =
> 0in=3D20<BR>> =20
> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;Earlier I <BR>> use =3D<BR>>=20
> to=3D20<BR>> =3D3D<BR>think,=20
> the=3D3D20<BR>&nbsp;Deluzian way is a weak option, =
> =3D<BR>> thanks to=20
> you I=3D20<BR>> have found a way to
> =3D<BR>>=20
> =
> =3D3D<BR>free=3D3D20<BR>&nbsp;myself.&lt;/
> P&gt;&l=
> t;BR>&nbsp;&lt;P=3D20<BR>> =20
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in =
> 0in=3D20<BR>> =20
> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in=20
> 0in=3D20<BR>> =20
> =
> 0pt"&gt;--------------&lt;/
> P&gt;<BR>&nbsp;&lt;P=
> =20
> <BR>> class=3D3D3DMsoNormal=3D20<BR>> =
> style=3D3D3D"MARGIN:=20
> 0in 0in=3D20<BR>> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;Our =3D<BR>> prejudices =
> are=3D20<BR>> =20
> =3D3D<BR>our=3D3D20<BR>&nbsp;stumbling =
> blocks,&lt;/ <BR>>=20
>
> P
> &
> ;gt;<BR>&nbsp;&lt;P=3D20<BR>> =20
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in =
> 0in=3D20<BR>> =20
> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;Who is a =3D<BR>> friend =
> and=3D20<BR>> =20
> =3D3D<BR>who is=3D3D20<BR>&nbsp;enemy, it is all=20
> make=3D20<BR>> =20
> believe.&lt;/P&gt;<BR>&nbsp;&lt;P =
> class=3D3D3DMsoNormal=20
> =3D<BR>> style=3D3D3D"MARGIN: 0in =
> 0in=3D20<BR>> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;Faith is =3D<BR>> blind =
> and=3D20<BR>> =20
> =3D3D<BR>the=3D3D20<BR>&nbsp;unfaithful are =
> =3D<BR>>=20
> =
> irrational.&lt;/
> P&gt;<BR>&nbsp;&lt;P=3D20<BR>>&n=
> bsp; =20
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in =
> 0in=3D20<BR>> =20
> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;Some <BR>> fallow =3D<BR>>=20
> Jesus=3D20<BR>> =3D3D<BR>and some=20
> his=3D3D20<BR>&nbsp;captors.&lt;/ <BR>>=20
>
> P
> &
> ;gt;<BR>&nbsp;&lt;P=3D20<BR>> =20
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in =
> 0in=3D20<BR>> =20
> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;Which path <BR>> we =
> =3D<BR>><BR>> =20
> =3D3D<BR>travel, the=3D3D20<BR>&nbsp;choice is=20
> beyond=3D20<BR>> =20
> horizon.&lt;/P&gt;<BR>&nbsp;&lt;P =
> class=3D3D3DMsoNormal=20
> =3D<BR>> style=3D3D3D"MARGIN: 0in =
> 0in=3D20<BR>> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;It is the =3D<BR>> knowers=20
> =3D3D<BR>of=3D20<BR>> truth,=20
> who=3D3D20<BR>&nbsp;know the =3D<BR>>=20
> =
> difference.&lt;/
> P&gt;<BR>&nbsp;&lt;P=3D20<BR>>&n=
> bsp; =20
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in =
> 0in=3D20<BR>> =20
> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;The <BR>> fulfilled =3D<BR>>=20
> find=3D20<BR>> =20
> =3D3D<BR>emptiness=3D3D20<BR>&nbsp;and the=20
> empty,=3D20<BR>> =20
> fulfillment.&lt;/P&gt;<BR>&nbsp;&lt;P=20
> class=3D3D3DMsoNormal =3D<BR>> style=3D3D3D"MARGIN:=20
> 0in=3D20<BR>> 0in =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;In the end <BR>> of =
> =3D<BR>><BR>> =20
> =3D3D<BR>journey we only=3D3D20<BR>&nbsp;find our =
> =3D<BR>>=20
> =
> selves.&lt;/
> P&gt;<BR>&nbsp;&lt;P=3D20<BR>> =
> =20
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in =
> 0in=3D20<BR>> =20
> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;Like =3D3D94 =3D<BR>> =
> Saha=3D20<BR>> =20
> =3D3D<BR>Deva=3D3D94, the =
> other=3D3D20<BR>&nbsp;fallows oneself on=20
> the =3D<BR>> path=3D20<BR>> =20
> unseen.&lt;/P&gt;<BR>&nbsp;&lt;P =
> class=3D3D3DMsoNormal=20
> =3D<BR>> style=3D3D3D"MARGIN: 0in =
> 0in=3D20<BR>> =3D<BR>>=20
> =
> =3D3D<BR>0pt"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/
> o:p&=
> amp;gt;&lt;/=20
> <BR>> P&gt;<BR>&nbsp;&lt;P=3D<BR>>=20
> =3D20<BR>> class=3D3D3DMsoNormal =
> style=3D3D3D"MARGIN: 0in 0in=20
> 0pt"&gt;-----A =3D<BR>> tribute =
> to=3D20<BR>> =20
> =
> =3D3D<BR>Gilles=3D3D20<BR>&nbsp;Deluze.&lt;/
> P&gt;=
> <BR>&nbsp;&lt;P=20
> =3D<BR>> class=3D3D3DMsoNormal=3D20<BR>> =
> style=3D3D3D"MARGIN:=20
> 0in 0in =3D<BR>>=20
> =
> 0pt"&gt;&amp;nbsp;&lt;/
> P&gt;<BR>&nbsp;&lt;P=
> =3D20<BR>> =20
> class=3D3D3DMsoNormal style=3D3D3D"MARGIN: 0in =
> 0in=3D20<BR>> =20
> =3D<BR>> =3D3D<BR>0pt"&gt;-----Indrakaran.&lt;/ =
> <BR>>=20
> =
> P
> &
> ;gt;&lt;BR&gt;<BR>&nbsp;&lt;DIV=3D3D20=3D<BR>&=
> gt;=20
> =
> <BR>&nbsp;style=3D3D3D"FONT-
> SIZE:=3D20<BR>>  =
> ; 12pt;=20
> FONT-FAMILY: times new roman, new york,=20
> =3D3D<BR>times,=3D20<BR>> =20
> serif"&gt;<BR>&nbsp;&lt;DIV style=3D3D3D"FONT-
> SIZE: =
> 10pt;=20
> COLOR: =3D<BR>> #000000;=3D20<BR>> =
> FONT-FAMILY:=20
> =
> Arial
> "&gt;<BR>&nbsp;&lt;DIV&gt;Hi=3D20<BR>> =
> ; =20
> =3D<BR>>=20
> =
> Matt,&lt;/
> DIV&gt;<BR>&nbsp;&lt;DIV&gt;&amp;=
> nbsp;&lt;/=20
> <BR>> DIV&gt;<BR>&nbsp;&lt=3D<BR>>=20
> ;DIV&gt;From=3D20<BR>> bad semiology you
> get =
> horrible=20
> linguistics; which in turn=3D20<BR>> =20
> =3D3D<BR>makes=3D3D20<BR>&nbsp;total bullshit for=20
> anthropology. <BR>> Barthes, =3D<BR>> in=20
> any=3D20<BR>> case, was just=20
> aping=3D3D20<BR>&nbsp;Levi-Strauss, whose =3D<BR>>=20
> non-utilitarian=3D20<BR>> =20
> "structural"&amp;nbsp;stuff&amp;nbsp;was =3D<BR>>=20
> =
> =
> 3D3D
> <BR>depasee=3D3D20<BR>&nbsp;even=3D20<BR>> &=
> nbsp; =20
> before it appeared in print. So for a 1970-ish contemporary =
> =3D<BR>>=20
> =3D3D<BR>critic,=3D20<BR>> =20
> I'd=3D3D20<BR>&nbsp;recommend&lt;U&gt; Desana=20
> &lt;/U&gt;by =3D<BR>> Reichel-Dolmatof=20
> for=3D20<BR>> starters. As for CLS's=20
> =3D3D<BR>general=3D3D20<BR>&nbsp;theory, =
> <BR>>=20
> there's=3D20<BR>> alway's&amp;nbsp;=20
> &lt;U&gt;The Rise.&lt;/U&gt;.. by=20
> Marvin=3D20<BR>> =3D<BR>>=20
> =
> =3D3D<BR>Harris.&lt;/
> DIV&gt;<BR>&nbsp;&lt;DIV=
> &gt;&amp;nbsp;&lt;/=20
> <BR>> DIV&gt;<BR>=3D<BR>>=20
> &nbsp;&lt;DIV&gt;This=3D20<BR>> is =
> not to say=20
> that I don't find your identity=3D20<BR>> =20
> conjecture=3D3D20<BR>&nbsp;interesting. Culture has
> always =
> been a=20
> =3D<BR>> highly=3D20<BR>> nebulous sort of=20
> =3D3D<BR>construct due,=3D3D20<BR>&nbsp;among other =
> =3D<BR>>=20
> reasons, to=3D20<BR>> human will and emotion. =
> Moreover,=20
> many of our =3D<BR>>=20
> =
> =
> 3D3D
> <BR>best=3D3D20<BR>&nbsp;stories=3D20<BR>> &=
> nbsp; =20
> are, indeed, about taboo/godly violations:=20
> Brunhilde,=3D20<BR>> =20
> =3D3D<BR>Antigone,=3D3D20<BR>&nbsp;Draupadi (five=20
> husbands)...and <BR>> more =3D<BR>>=20
> recently,=3D20<BR>> Smilla and Nomi=20
> Malone.=3D20<BR>> =20
> =
> =3D3D<BR>A=3D3D20<BR>&nbsp;Deleuzian-
> defined&amp;nbsp=
> ;cinema,=20
> of <BR>> course, =3D<BR>> is =
> all=3D20<BR>> about=20
> the je-fele and =3D3D<BR><BR>&nbsp;possibly, IMO,=20
> the=3D20<BR>> =3D<BR>>=20
> =
> BwO.&lt;/
> DIV&gt;<BR>&nbsp;&lt;DIV&gt;&amp;n=
> bsp;&lt;/=20
> <BR>> DIV&gt;<BR>&nbsp;&lt;=3D<BR>>=20
> DIV&gt;Abe=3D20<BR>> fits well into this=20
> model--narratively speaking or =3D<BR>>
> =3D3D<BR>otherwise!-- =
>
> as=3D20<BR>> =20
> an=3D3D20<BR>&nbsp;ostensible&amp;nbsp;rupture with =
> fertile-=20
> <BR>> crescent, =3D<BR>> =
> bronze-age=3D20<BR>> nomadic=20
> =3D3D<BR>practice. To=3D3D20<BR>&nbsp;have said
> that =
> our =20
> <BR>> tribe =3D<BR>> no longer=3D20<BR>> =
> honors the=20
> ritual of child =3D3D<BR>sacrifice <BR>>=20
> might=3D3D20<BR>&nbsp;well =3D<BR>> have=20
> set=3D20<BR>> them off. indeed, from other=20
> semitic=3D20<BR>> =20
> =
> =
> 3D3D
> <BR>wanderers.&amp;nbsp;Perhaps=3D3D20<BR>&nbsp;=
> Antigone's=20
> =3D<BR>>
> &lt;EM&gt;uperlogon=3D20<BR>> =
>
> &lt;/EM&gt;becomes, in time, the voice of=20
> Socratic=3D20<BR>> =20
> =3D3D<BR>reason=3D3D20<BR>&nbsp;much as Judiasm =
> incorporates a=20
> two <BR>> god =3D<BR>> theory =
> into=3D20<BR>> =20
> the=3D20<BR>> =3D<BR>>=20
> =
> =3D3D<BR>Talmud....&lt;/
> DIV&gt;<BR>&nbsp;&lt;=
> DIV&gt;&amp;nbsp;&lt;/=20
> <BR>> DIV&gt;<=3D<BR>>=20
>
> BR
> >&nbsp;&lt;DIV&gt;Bill=3D20<BR>> =
> =3D<BR>>=20
> =
> Harris.&lt;/
> DIV&gt;<BR>&nbsp;&lt;DIV&gt;&am=
> p;nbsp;&lt;/=20
> <BR>> DIV&gt;<BR>&nbsp;&=3D<BR>>=20
> =
> lt;BLOCKQUOTE=3D3D20<BR>&nbsp;style=3D3D3D"PADDING-
> RIGHT:=3D20<=
> BR>> =20
> 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =3D3D<BR>BORDER-
> LEFT: =
> =3D<BR>>=20
> #000000 2px=3D20<BR>> solid; MARGIN-RIGHT:=20
> 0px"&gt;<BR>&nbsp;&nbsp;&nbsp;&lt;DIV =
> =3D<BR>>=20
> style=3D3D3D"FONT:=3D20<BR>> 10pt =
> arial"&gt;-----=20
> Original Message -----=3D20<BR>> =20
> =
> &lt;/
> DIV&gt;<BR>&nbsp;&nbsp;&nbsp;&lt;DIV=20
> style=3D3D3D"FONT: 10pt=3D20<BR>> =20
> =
> arial"&gt;&lt;B&gt;From:&lt;/
> B&gt;=3D20<BR>> =
> =20
> =
> &
> ;lt;A=3D3D20<BR>&nbsp;&nbsp;&nbsp;title=3D3D3Dmailt=
> o:<A=3D20<BR>> =20
> title=3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> title=3Dmailto:[log in to unmask]@AOL.COM%3C/A=20
> =
> href=3D'mailto:[log in to unmask]">[log in to unmask]</A'>mailto:Chewym=
> [log in to unmask]">[log in to unmask]</A</A>>=20
> =3D<BR>> =
> =3D3D<BR>href=3D3D3D"<A=3D20<BR>> =20
> title=3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A=20
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %3C/ =
>
> =
> href=3D'mailto:[log in to unmask]">mailto:[log in to unmask]</'>mailto:=
> [log in to unmask]">mailto:[log in to unmask]</</A>=20
> <BR>> A>"=3D3D20<=3D<BR>>=20
> =
> BR
> >
> ;&nbsp;&nbsp;&nbsp;target=3D3D3D_blank=3D20<BR>> =
> ; =20
> rel=3D3D3Dnofollow =3D3D<BR>ymailto=3D3D3D"<A =3D<BR>>=20
> title=3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A=20
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %3C/ =
>
> =
> href=3D'mailto:[log in to unmask]">mailto:[log in to unmask]</'>mailto:=
> [log in to unmask]">mailto:[log in to unmask]</</A>=20
> <BR>> A>"&gt;ma=3D<BR>>=20
> =
> tt&lt;/
> A&gt;=3D3D20<BR>&nbsp;&nbsp;&nbsp;&l=
> t;/=20
> <BR>> =
> DIV&gt;<BR>&nbsp;&nbsp;&nbsp;=3D<BR>>=20
> &lt;DIV=3D20<BR>> style=3D3D3D"FONT: 10pt=20
> =
> arial"&gt;&lt;B&gt;To:&lt;/
> B&gt;=3D20<BR>> &n=
> bsp; =20
> =
> &
> ;lt;A=3D3D20<BR>&nbsp;&nbsp;&nbsp;title=3D3D3Dmailt=
> o:<A=3D20<BR>> =20
> =
> title=3D3Dmailto:FILM-
> [log in to unmask]<BR>> &=
> nbsp;=20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]
> PHILOSOPHY@JISCMA=
> IL.A=20
> =
> href=3D'mailto:[log in to unmask]">[log in to unmask]
> =
> '>mailto:[log in to unmask]">FILM-
> [log in to unmask]</A=
>> =20
> <BR>> =3D<BR>>=20
> =
> C.UK</
> A>=3D3D20<BR>&nbsp;&nbsp;&nbsp;href=3D3D3D"=
> <A=3D20<BR>> =20
> =
> title=3D3Dmailto:FILM-
> [log in to unmask]<BR>> &=
> nbsp;=20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:FILM-
> PHILOSOPHY=
> @JIS=20
> =
> href=3D'mailto:[log in to unmask]">mailto:FILM-PHILOSOPHY@JIS=
> '>mailto:[log in to unmask]">mailto:FILM-
> PHILOSOPHY@JIS</A=
>> =3D<BR>>=20
> CMAIL.AC.UK</A>"=3D20<BR>> =20
> target=3D3D3D_blank=3D20<BR>> =3D<BR>> =3D =
> <BR>> 3D=20
> <BR>> < <BR>>=20
> =
> BR
> >
> ;rel=3D3D3Dnofollow=3D3D20<BR>&nbsp;&nbsp;&nbsp;=3D=
> 3D<BR>ymailto=3D3D3D"<A=20
> =3D<BR>><BR>> =20
> =
> title=3D3Dmailto:FILM-
> [log in to unmask]<BR>> &=
> nbsp;=20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:FILM-
> PHILOSOPHY=
> @JIS=20
> =
> href=3D'mailto:[log in to unmask]">mailto:FILM-PHILOSOPHY@JIS=
> '>mailto:[log in to unmask]">mailto:FILM-
> PHILOSOPHY@JIS</A=
>> =3D<BR>>=20
> =
> CMAIL.AC.UK</A>"&gt;FILM-
> PHILOSOPHY@JISCMAI=3D3D<BR>L.AC.=
> UK&lt;/=20
> <BR>> A&gt;=3D3D20<=3D<BR>>=20
> =
> BR>&nbsp;&nbsp;&nbsp;&lt;/
> DIV&gt;<BR>&nb=
> sp;&nbsp;&nbsp;&lt;DIV=3D20<BR>> =20
> style=3D3D3D"FONT: 10pt =
> arial"&gt;&lt;B&gt;Sent:&lt;/B&gt;=20
> Monday, <BR>> May =3D<BR>> 19, =
> 2008=3D20<BR>> =20
> =
> =3D3D<BR>6:43=3D3D20<BR>PM&lt;/
> DIV&gt;<BR>&=
> nbsp;&nbsp;&nbsp;&lt;DIV=20
> =3D<BR>> style=3D3D3D"FONT:=3D20<BR>> 10pt=20
> arial"&gt;&lt;B&gt;Subject:&lt;/B&gt; Re:=20
> Serial-killers=3D20<BR>> =20
> =
> =3D3D<BR>
> (and=3D3D20<BR>&nbsp;&nbsp;&nbsp;Hitchco=
> ck films,=20
> including=3D20<BR>> =3D<BR>>=20
> PSYCHO)/Narratology...?&lt;/ <BR>>=20
> =
> DIV
> &
> ;gt;<BR>&nbsp;&nbsp;&nbsp;&lt;DIV&gt;&am=
> p;lt;B=3D<BR>>=20
> =
> R&gt;&lt;/
> DIV&gt;&lt;FONT=3D20<BR>> =
>
> id=3D3D3Drole_document face=3D3D3DArial=20
> color=3D3D3D#000000=3D20<BR>> =20
> =
> =
> 3D3D
> <BR>size=3D3D3D2&gt;<BR>&nbsp;&nbsp;&nbs=
> p;&lt;DIV&gt;'Blest=20
> be <BR>> thou =3D<BR>> when =
> thou=3D20<BR>> art in=20
> combat with the gods'=3D20<BR>> =3D<BR>>=20
> -
> =3D3D20<BR>&nbsp;&nbsp;&nbsp;Mahabharata&lt;/ =
> <BR>>=20
> DIV&gt;<BR>&nbsp;&nbsp;&nbsp;=3D<BR>>=20
> &lt;DIV&gt;&amp;nbsp;&lt;/ <BR>>=20
> =
> DIV
> &
> ;gt;<BR>&nbsp;&nbsp;&nbsp;&lt;DIV&gt;Rol=
> and=20
> =3D<BR>><BR>> Barthes says something about =
> religious=20
> taboo's not <BR>> =
> =3D3D<BR>serving=3D20<BR>> =20
> the=3D3D20<BR>&nbsp;&nbsp;&nbsp;utilitarian
> function =
> we=20
> sometimes =3D<BR>> ascribe to=3D20<BR>>
> them, =
> rather they=20
> are =3D3D<BR>ways =
> for=3D3D20<BR>&nbsp;&nbsp;&nbsp;a=20
> =3D<BR>> tribe to=3D20<BR>> distance itself =
> from 'the=20
> tribe next door', as it were. <BR>>=20
> =3D3D<BR>If=3D20<BR>> =20
> the=3D3D20<BR>&nbsp;&nbsp;&nbsp;tribes of UR, =
> Assyria?=20
> whatever, <BR>> were =3D<BR>> =
> rampant=3D20<BR>> =20
> engager in human =3D3D<BR>sacrifice =3D<BR>>=20
> Abe=3D3D20<BR>&nbsp;&nbsp;&nbsp;could=20
> have=3D20<BR>> chosen non-sacrifice as a
> simple =
> identity=20
> issue, and not=3D20<BR>> =20
>
> =
> 3D3D
> <BR>some=3D3D20<BR>&nbsp;&nbsp;&nbsp;kind =
> of=20
> 'niceness' unique <BR>> to =3D<BR>> the=20
> Jewish=3D20<BR>> tribe or their=20
> god.=3D20<BR>> =3D<BR>>=20
> =
> &lt;/
> DIV&gt;<BR>&nbsp;&nbsp;&nbsp;&lt;DIV&a=
> mp;gt;&amp;nbsp;&lt;/=20
> <BR>> DIV&gt;<BR>&n=3D<BR>>=20
> bsp;&nbsp;&nbsp;&lt;DIV&gt;Matt.&lt;/ <BR>>=20
> =
> DIV
> &
> ;gt;<BR>&nbsp;&nbsp;&nbsp;&lt;DIV=3D<BR>>=
> =20
> =
> &gt;&amp;nbsp;&lt;/DIV&gt;&lt;/
> FONT&gt;&lt;/B=
> LOCKQUOTE&gt;&lt;/=20
> <BR>> DIV&gt;&lt=3D<BR>>=20
> =
> ;/DIV&gt;&lt;/DIV&gt;&lt;/
> DIV&gt;&lt;BR&gt;*=3D=
> 20<BR>> =20
> * =3D3D<BR><BR>&nbsp;Film-Philosophy Email
> Discussion =
> Salon.=20
> After =3D<BR>> hitting=3D20<BR>> 'reply' =
> please=20
> =3D3D<BR>always=3D3D20<BR>&nbsp;delete the text of
> the =
> =3D<BR>>=20
> message you=3D20<BR>> are replying to. To
> leave, =
> send the=20
> =3D3D<BR><BR>&nbsp;message: <BR>>=20
> leave=3D20<BR>> film-philosophy to: <A=20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>. =3D<BR>> Or=3D20<BR>> =20
>
> visit
> :=3D3D20<BR>&nbsp;<A=3D20<BR>> =20
> =
> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-
> philosophy.html=3D20<BR>&g=
> t; =20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://=
> www=20
> =
> href=3D'http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> '=
>> http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://
>> www</A> =
>
> <BR>> .=3D<BR>>=20
> =
> jiscmail.ac.uk/lists/film-philosophy.html</
> A>=3D20<BR>> &nb=
> sp; =20
> For help email:=3D3D20<BR>&nbsp;<A =3D<BR>>=20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>, =3D<BR>> not the=3D20<BR>> =
> salon. *=20
> Film-Philosophy=20
> =
> journal
> :=3D3D20<BR>&nbsp;<A=3D20<BR>> =20
> =
> title=3D3Dhttp://www.film-philosophy.com/
> =3D20<BR>> =
> =3D<BR>>=20
> href=3D3D"<A =
> title=3Dhttp://www.film-philosophy.com%22%3ehttp//www.film=20
> =
> href=3D'http://www.film-philosophy.com">http://www.film'>http://www.film
> -=
> philosophy.com">http://www.film</A>-=20
> <BR>> philosophy.com</A=3D<BR>>> =
> =3D20<BR>> =20
> Contact: =3D3D<BR><A =
> title=3D3Dmailto:[log in to unmask]
> <BR>> =3D<BR>><BR>> =3D<BR>> =
> href=3D3D"<A=20
> title=3Dmailto:editorialboard@film=20
> href=3D"mailto:editorialboard@film">mailto:editorialboard@film</A>- =
> <BR>>=20
> philosophy.com">editorialboard@film-ph=3D<BR>>=20
> ilosophy.com</A>=3D20<BR>> =3D<BR>>=20
> =
> **=3D3D20<BR>&lt;/BLOCKQUOTE&gt;&lt;/
> DIV&gt;&lt=
> ;/BODY&gt;&lt;/=20
> <BR>> HTML&gt;<BR>*=3D<BR>>=20
> <BR>*<BR>Film-Philosophy=3D20<BR>> =
> Email=20
> Discussion Salon.<BR>After hitting 'reply' please always =
> =3D<BR>>=20
> delete the=3D20<BR>> text of the message you
> are =
> replying=20
> to.<BR>To leave, send the =3D<BR>>=20
> message:=3D20<BR>> leave film-philosophy to: =
> <A =20
> <BR>> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>.<BR>O=3D<BR>>
> r=3D20<BR>> =
> visit:=20
> <A =3D<BR>>=20
> =
> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-
> philosophy.html=3D20<BR>&g=
> t; =20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://=
> www=20
> =
> href=3D'http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> '=
>> http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://
>> www</A> =
>
> <BR>> .=3D<BR>>=20
> =
> jiscmail.ac.uk/lists/film-philosophy.html</
> A><BR>For=3D20<BR>=
> > =20
> help email: <A=20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>, =3D<BR>> not the=3D20<BR>> =20
> salon.<BR>*<BR>Film-Philosophy journal:=20
> <A=3D20<BR>> =20
> =
> title=3D3Dhttp://www.film-philosophy.com/
> =3D20<BR>> =
> =3D<BR>>=20
> href=3D3D"<A =
> title=3Dhttp://www.film-philosophy.com%22%3ehttp//www.film=20
> =
> href=3D'http://www.film-philosophy.com">http://www.film'>http://www.film
> -=
> philosophy.com">http://www.film</A>-=20
> <BR>> philosophy.com</A=3D<BR>>>=20
> <BR>Contact:=3D20<BR>> <A=20
> =
> title=3D3Dmailto:editorialboard@film-
> philosophy.com=3D20<BR>> &nb=
> sp; =20
> =3D<BR>> href=3D3D"<A title=3Dmailto:editorialboard@film=20
> href=3D"mailto:editorialboard@film">mailto:editorialboard@film</A>- =
> <BR>>=20
> philosophy.com">editorialboard@film-ph=3D<BR>>=20
> =
> ilosophy.com</
> A><BR>**<BR><BR><BR><BR>=
> ;<BR>------=20
> <BR>> =3D3D_NextPart_000_001D_01C=3D<BR>>=20
> =
> 8C22A.14F080A0--<BR><BR>------------------------------
> <BR&=
> gt;<BR>Date:=3D20<BR>> =20
> &nbsp;&nbsp;&nbsp;Fri, 30 May 2008 12:55:59=20
> +0100<BR>From:=3D20<BR>> =20
> &nbsp;&nbsp;&nbsp;"lucy.fraser"=20
> &lt;<A=3D20<BR>> =20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>>  =
> ;=20
> =3D<BR>> href <BR>> =3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@BTINTERNET.COM
> =
> %3C/A=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</A'=
>> mailto:lucy
>> [log in to unmask]">[log in to unmask]</A</=
> A>>=3D<BR>>=20
> &gt;<BR>Subject:=3D20<BR>> Re: =
> FILM-PHILOSOPHY=20
> Digest - 30 May 2008 - Special
> issue=3D20<BR>> =20
> (#2008-193)<BR><BR>Dear List-users<BR>Please
> delete =
> the=20
> content <BR>> of =3D<BR>> =
> the=3D20<BR>> message=20
> that you are replying to as e-mails <BR>are becoming so =
> <BR>>=20
> long =3D<BR>> that=3D20<BR>> they become =
> almost=20
> unreadable. &nbsp;Remember Jack <BR>Nicholson
> <BR>> =
> in=20
> =3D<BR>> The=3D20<BR>> Shining, Jack
> Nicholson =
> in The=20
> Shining, Jack Nicholson in=3D20<BR>> =20
> <BR>....<BR>Thanks<BR>Lucy=20
> <BR><BR>*<BR>*<BR>Film-Philosophy
> =3D<BR>>=20
> salon<BR>After=3D20<BR>> hitting 'reply' =
> please=20
> always delete the text of the message you <BR>> are=20
> =3D<BR>><BR>> replying to.<BR>To
> leave, =
> send the=20
> message: leave film-philosophy =3D<BR>> to:=20
> <A=3D20<BR>> =20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>.<BR>O=3D<BR>>
> r=3D20<BR>> =
> visit:=20
> <A =3D<BR>>=20
> =
> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-
> philosophy.html=3D20<BR>&g=
> t; =20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://=
> www=20
> =
> href=3D'http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> '=
>> http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://
>> www</A> =
>
> <BR>> .=3D<BR>>=20
> =
> jiscmail.ac.uk/lists/film-philosophy.html</
> A><BR>For=3D20<BR>=
> > =20
> help email: <A=20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>, =3D<BR>> not the=3D20<BR>> =20
> salon.<BR>*<BR>Film-Philosophy journal:=20
> <A=3D20<BR>> =20
> =
> title=3D3Dhttp://www.film-philosophy.com/
> =3D20<BR>> =
> =3D<BR>>=20
> href=3D3D"<A =
> title=3Dhttp://www.film-philosophy.com%22%3ehttp//www.film=20
> =
> href=3D'http://www.film-philosophy.com">http://www.film'>http://www.film
> -=
> philosophy.com">http://www.film</A>-=20
> <BR>> philosophy.com</A=3D<BR>>>=20
> <BR>Contact:=3D20<BR>> <A=20
> =
> title=3D3Dmailto:editorialboard@film-
> philosophy.com=3D20<BR>> &nb=
> sp; =20
> =3D<BR>> href=3D3D"<A title=3Dmailto:editorialboard@film=20
> href=3D"mailto:editorialboard@film">mailto:editorialboard@film</A>- =
> <BR>>=20
> philosophy.com">editorialboard@film-ph=3D<BR>>=20
> =
> ilosophy.com</
> A><BR>**<BR><BR>-------------------=
> -----------=20
> <BR>> <BR><BR>Date:=3D<BR>> =
> =3D20<BR>> =20
> &nbsp;&nbsp;&nbsp;Fri, 30 May 2008 14:06:33=20
> +0200<BR>From:=3D20<BR>> =20
> &nbsp;&nbsp;&nbsp;Lia Hestina &lt;<A
> =3D<BR>>=20
> title=3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A =
> title=3Dmailto:[log in to unmask]@RODOPI.NL%3C/=20
> =
> href=3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto:l.hesti=
> [log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>&gt;<BR>Subjec=3D<BR>>=20
> t:=3D20<BR>> Re: NBA: Nightmare Japan. =
> Contemporary=20
> Japanese Horror Cinema <BR>> =
> (Jay=3D20<BR>> =20
> McRoy)***Movement as Meaning. In Experimental Film=20
> (Daniel=3D20<BR>> =
> Barnett)<BR><BR>This is a=20
> multi-part message in MIME=3D20<BR>>
> =3D<BR>>=20
> =
> format.<BR><BR>------_=3D3D_NextPart_001_01C8C24D.
> 99E1616C<=
> ;BR>Content-=20
> <BR>> Type:=3D<BR>> =3D20<BR>> =20
> text/plain;<BR><SPAN=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>charset=3D3D"iso-8859-1"<BR>Content-
> Transfer-E=
> ncoding:=3D20<BR>> =20
> quoted-printable<BR><BR>Dear Robert=20
> Hunt,<BR>=3D3D20<BR>Please send =3D<BR>>=20
> your=3D20<BR>> complete address and the name
> of =
> the journal=20
> you are <BR>> =3D3D<BR>writing =3D<BR>> for to=20
> <A=3D20<BR>> =20
> title=3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@rodopi.nl%3C/A%3E=3D3D20%3CBR
> %3EA=
> =20
> =
> href=3D'mailto:[log in to unmask]">[log in to unmask]</A>=3D3D20<BR>A'>mailto:inf=
> [log in to unmask]">[log in to unmask]</A>=3D3D20<BR>A</A>=20
> copy <BR>> of =3D<BR>> the =
> book=3D20<BR>> will be=20
> sent to you as soon as <BR>>=20
> possible.<BR>=3D3D20<BR>Regards,<BR>Lia=20
> =3D<BR>><BR>> =20
> Hestina<BR><BR>*<BR>*<BR>Film-Philosophy=20
> salon<BR>After hitting =3D<BR>> =
> 'reply'=3D20<BR>> =20
> please always delete the text of the message you are replying =
> =3D<BR>>=20
> to.<BR>To=3D20<BR>> leave, send the =
> message: leave=20
> film-philosophy to: <A=3D20<BR>> =20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>.<BR>O=3D<BR>>
> r=3D20<BR>> =
> visit:=20
> <A =3D<BR>>=20
> =
> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-
> philosophy.html=3D20<BR>&g=
> t; =20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://=
> www=20
> =
> href=3D'http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> '=
>> http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://
>> www</A> =
>
> <BR>> .=3D<BR>>=20
> =
> jiscmail.ac.uk/lists/film-philosophy.html</
> A><BR>For=3D20<BR>=
> > =20
> help email: <A=20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>, =3D<BR>> not the=3D20<BR>> =20
> salon.<BR>*<BR>Film-Philosophy journal:=20
> <A=3D20<BR>> =20
> =
> title=3D3Dhttp://www.film-philosophy.com/
> =3D20<BR>> =
> =3D<BR>>=20
> href=3D3D"<A =
> title=3Dhttp://www.film-philosophy.com%22%3ehttp//www.film=20
> =
> href=3D'http://www.film-philosophy.com">http://www.film'>http://www.film
> -=
> philosophy.com">http://www.film</A>-=20
> <BR>> philosophy.com</A=3D<BR>>>=20
> <BR>Contact:=3D20<BR>> <A=20
> =
> title=3D3Dmailto:editorialboard@film-
> philosophy.com=3D20<BR>> &nb=
> sp; =20
> =3D<BR>> href=3D3D"<A title=3Dmailto:editorialboard@film=20
> href=3D"mailto:editorialboard@film">mailto:editorialboard@film</A>- =
> <BR>>=20
> philosophy.com">editorialboard@film-ph=3D<BR>>=20
> =
> ilosophy.com</
> A><BR>**<BR><BR><BR><BR>=
> ;<BR>------=20
> <BR>> _=3D3D_NextPart_001_01C8C24=3D<BR>>=20
> D.99E1616C<BR>Content-Type:=3D20<BR>> =20
> text/html;<BR><SPAN=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>charset=3D3D"iso-8859-1"<BR>Content-
> Transfer-E=
> ncoding:=3D20<BR>> =20
> quoted-printable<BR><BR>&lt;html=20
> xmlns:o=3D3D3D"<A=3D20<BR>> =20
> =
> title=3D3Durn:schemas-microsoft-
> com:office:office=3D20<BR>>  =
> ; =20
> =3D<BR>>=20
> =
> href=3D3D"urn:schemas-microsoft-com:office:office">urn:schemas-microso=
> ft-co=3D<BR>>=20
> m:office:office</A>"=3D20<BR>> =20
> =3D3D<BR>xmlns:w=3D3D3D"<A title=3D3Durn:schemas-
> microsoft- =
> <BR>>=20
> com:office:word =3D<BR>><BR>> =3D<BR>>=20
> =
> href=3D3D"urn:schemas-microsoft-com:office:word">urn:schemas-microsoft=
> -com:=3D<BR>>=20
> office:word</A>"=3D20<BR>> =20
> =3D3D<BR>xmlns=3D3D3D"<A=20
> =
> title=3D3Dhttp://www.w3.org/TR/REC-
> html40=3D20<BR>> =
> =3D<BR>>=20
> href=3D3D"<A=20
> =
> title=3Dhttp://www.w3.org/TR/REC-html40%22%3Ehttp://www.w3.org/TR/REC-htm=
> l40=20
> =
> href=3D'http://www.w3.org/TR/REC-html40">http://www.w3.org/TR/REC-html40'=
>> http://www.w3.org/TR/REC-html40">http://www.w3.org/TR/REC-
>> html40</A> =
>
> <BR>> <=3D<BR>>=20
> =
> /
> A
> >
> ;"&gt;<BR><BR>&lt;head&gt;<BR>&lt;=
> META=3D20<BR>> =20
> HTTP-EQUIV=3D3D3D"Content-Type"=20
> CONTENT=3D3D3D"text/html;=3D20<BR>> =20
> =
> =
> 3D3D
> <BR>charset=3D3D3Diso-8859-1"&gt;<BR><BR><B=
> R>&lt;meta=20
> =3D<BR>> name=3D3D3DProgId=3D20<BR>> =20
> content=3D3D3DWord.Document&gt;<BR>&lt;meta=20
> name=3D3D3DGenerator=3D20<BR>> =
> content=3D3D3D"Microsoft Word=20
> 9"&gt;<BR>&lt;meta <BR>>=20
> name=3D3D3DOriginator=3D20<BR>> =
> content=3D3D3D"Microsoft Word=20
> 9"&gt;<BR>&lt;link rel=3D3D3DFile-List =3D<BR>>=20
> href=3D3D3D"<A=3D20<BR>> =20
> =
> title=3D3Dcid:filelist.xml@01C8C25E.
> 5D625960=3D20<BR>> &nbs=
> p;=20
> =3D<BR>>=20
> =
> href=3D3D"cid:filelist.xml@01C8C25E.5D625960">cid:filelist.xml@01C8C25=
> E.5D6=3D<BR>>=20
> =
> 25960</A>"&gt;<BR>&lt;!--
> [if=3D20<BR>> =
> =20
> gte mso=3D20<BR>> =3D<BR>> 9
> <BR>> ]&gt =
> <BR>>=20
> =
> ;&
> ;lt;xml&gt;<BR>&lt;o:OfficeDocumentSettings&gt;<=
> ;BR>&nbsp;&lt;o:DoNo=3D<BR>>=20
> =
> tRelyOnCSS/&gt;<BR>&lt;/
> o:OfficeDocumentSettings&gt;<=
> ;BR>&lt;/=20
> <BR>> xml&gt;&lt;!=3D<BR>>=20
> [endif]--&gt;&lt;!--[if=3D20<BR>> gte=20
> mso=3D20<BR>> =3D<BR>>=20
> =
> 9
> ]&
> ;gt;&lt;xml&gt;<BR>&lt;w:WordDocument&gt;<=
> BR>&nbsp;&lt;w:Zoom&gt;=20
> <BR>> 0&lt;/=3D<BR>>=20
> =
> w:Zoom
> &gt;<BR>&nbsp;&lt;w:DocumentKind&gt;DocumentE=
> mail&lt;/=20
> <BR>> w:DocumentKin=3D<BR>>=20
> =
> d&gt;<BR>&nbsp;&lt;w:HyphenationZone&gt;
> 21&lt;/=
> =20
> <BR>> w:HyphenationZone&gt;<BR>&=3D<BR>>=20
> nbsp;&lt;w:EnvelopeVis/ <BR>>=20
> =
> &
> ;gt
> ;<BR>&nbsp;&lt;w:DrawingGridHorizontalSpacing&g=3D=
> <BR>>=20
> t;6=3D20<BR>> =3D<BR>> pt&lt;/
> <BR>>=20
> =
> w:DrawingGridHorizontalSpacing
> &gt;<BR>&nbsp;&lt;w:Drawi=
> ngGridVerti=3D<BR>>=20
> calSpacing&gt;8,15=3D20<BR>> =3D<BR>>=20
> pt&lt;/w:DrawingGridVerticalSpacing&gt;<BR>&lt;/ =
> <BR>>=20
> w:WordDocument&gt;<BR>&lt=3D<BR>>=20
> =
> ;/xml&gt;&lt;![endif]--
> &gt;<BR>&lt;style&gt;<=
> ;BR>&lt;!--<BR>/*=3D20<BR>> =20
> Style Definitions */<BR>p.MsoNormal, li.MsoNormal,
> =3D<BR>>=20
> div.MsoNormal<BR><SPAN=3D20<BR>> =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =
> pre"></SPAN>{mso-style-
> parent:"";<BR><SPAN=3D20<BR>>=
> =20
> class=3D3DApple-tab-span style=3D3D"WHITE-SPACE: =3D<BR>>=20
> =
> pre"></SPAN>margin:
> 0cm;<BR><SPAN=3D20<BR>> &nbs=
> p; =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>margin-bottom:. <BR>>=20
> 0001pt;<BR><SPAN=3D20<BR>> =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>mso-pagination:widow-
> orphan;<BR><SPAN=3D20<=
> BR>> =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =
> pre"></SPAN>font-size:
> 12.0pt;<BR><SPAN=3D20<BR>>&nbs=
> p; =20
> class=3D3DApple-tab-span style=3D3D"WHITE-SPACE: =3D<BR>>=20
> pre"></SPAN>font-family:"Times =
> New=3D20<BR>> =20
> Roman";<BR><SPAN =
> class=3D3DApple-tab-span=3D20<BR>> =20
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>mso-fareast-font-family:"Times <BR>>
> New =
>
> =3D<BR>><BR>> Roman";}<BR>a:link,=20
> span.MsoHyperlink<BR><SPAN =3D<BR>>=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>{color:blue;<BR><SPAN =3D<BR>>=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>text-
> decoration:underline;<BR><SPAN=3D20<BR=
>> > =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>text-
> underline:single;}<BR>a:visited,=3D20<BR>=
> > =20
> span.MsoHyperlinkFollowed<BR><SPAN=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>{color:blue;<BR><SPAN =3D<BR>>=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>text-
> decoration:underline;<BR><SPAN=3D20<BR=
>> > =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>text-
> underline:single;}<BR>p.MsoAutoSig,=3D20<=
> BR>> =20
> li.MsoAutoSig, div.MsoAutoSig<BR><SPAN=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>{margin:0cm;<BR><SPAN =3D<BR>>=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>margin-bottom:. <BR>>=20
> 0001pt;<BR><SPAN=3D20<BR>> =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>mso-pagination:widow-
> orphan;<BR><SPAN=3D20<=
> BR>> =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =
> pre"></SPAN>font-size:
> 12.0pt;<BR><SPAN=3D20<BR>>&nbs=
> p; =20
> class=3D3DApple-tab-span style=3D3D"WHITE-SPACE: =3D<BR>>=20
> pre"></SPAN>font-family:"Times =
> New=3D20<BR>> =20
> Roman";<BR><SPAN =
> class=3D3DApple-tab-span=3D20<BR>> =20
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>mso-fareast-font-family:"Times <BR>>
> New =
>
> =3D<BR>><BR>> =
> Roman";}<BR>pre<BR><SPAN=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>{margin:0cm;<BR><SPAN =3D<BR>>=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>margin-bottom:. <BR>>=20
> 0001pt;<BR><SPAN=3D20<BR>> =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>mso-pagination:widow-
> orphan;<BR><SPAN=3D20<=
> BR>> =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =
> pre"></SPAN>font-size:
> 10.0pt;<BR><SPAN=3D20<BR>>&nbs=
> p; =20
> class=3D3DApple-tab-span style=3D3D"WHITE-SPACE: =3D<BR>>=20
> =
> pre"></SPAN>font-
> family:"Courier=3D20<BR>> =
>
> New";<BR><SPAN =
> class=3D3DApple-tab-span=3D20<BR>> =20
> style=3D3D"WHITE-SPACE: pre"></SPAN>mso-fareast-font- =
> <BR>>=20
> family:"Courier=3D20<BR>> =20
> New";}<BR>tt<BR><SPAN=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>{mso-ascii-font- <BR>>=20
> family:"Courier=3D20<BR>>
> New";<BR><SPAN =
>
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> pre"></SPAN>mso-fareast-font- <BR>>=20
> family:"Courier=3D20<BR>>
> New";<BR><SPAN =
>
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =
> pre"></SPAN>mso-hansi-font-
> family:"Courier=3D20<BR>> &nb=
> sp; =20
> New";<BR><SPAN =
> class=3D3DApple-tab-span=3D20<BR>> =20
> style=3D3D"WHITE-SPACE:=20
> =
> pre"></SPAN>mso-bidi-font-
> family:"Courier=3D20<BR>> &nbs=
> p; =20
> New";}<BR>span.EmailStijl19<BR><SPAN=20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>{mso-style-type:personal-
> reply;<BR><SPAN=3D=
> 20<BR>> =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>mso-ansi-font-size:
> 10.0pt;<BR><SPAN=3D20<BR=
>> > =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>mso-ascii-font-
> family:Arial;<BR><SPAN=3D20<=
> BR>> =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>mso-hansi-font-
> family:Arial;<BR><SPAN=3D20<=
> BR>> =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>mso-bidi-font-
> family:Arial;<BR><SPAN=3D20<B=
> R>> =20
> class=3D3DApple-tab-span style=3D3D"WHITE-SPACE: =3D<BR>>=20
> =
> pre"></
> SPAN>color:navy;}<BR>@page=3D20<BR>> =
> =20
> Section1<BR><SPAN =
> class=3D3DApple-tab-span=3D20<BR>> =20
> style=3D3D"WHITE-SPACE: pre"></SPAN>{size:595.2pt =
> <BR>>=20
> 841.8pt;<BR><SPAN=3D20<BR>> =
> class=3D3DApple-tab-span=20
> style=3D3D"WHITE-SPACE: =3D<BR>> pre"></SPAN>margin:
> 2.0cm=20
> 52.9pt=3D20<BR>> 2.0cm
> 46.75pt;<BR><SPAN =
>
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>mso-header-margin:
> 147.4pt;<BR><SPAN=3D20<BR=
>> > =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>mso-footer-margin:
> 147.4pt;<BR><SPAN=3D20<BR=
>> > =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>mso-paper-source:
> 0;}<BR>div.Section1<BR>=
> <SPAN=3D20<BR>> =20
> class=3D3DApple-tab-span=3D20<BR>> =
> style=3D3D"WHITE-SPACE:=20
> =3D<BR>>=20
> =
> pre"></SPAN>{page:Section1;}<BR>--
> &gt;<BR>&l=
> t;/style&gt;<BR>&lt;/=20
> <BR>> head&gt;=3D<BR>>=20
> <BR><BR>&lt;body=3D20<BR>> =
> lang=3D3D3DNL=20
> link=3D3D3Dblue vlink=3D3D3Dblue=3D20<BR>> =20
> =
> style=3D3D3D'tab-interval:
> 35.4pt'&gt;<BR><BR>&lt;div=3D=
> 20<BR>> =20
> class=3D3D3DSection1&gt;<BR><BR>&lt;p =
> <BR>>=20
> class=3D3D3DMsoNormal&gt;&lt;font =3D<BR>>=20
> size=3D3D3D2=3D20<BR>> color=3D3D3Dnavy=20
> face=3D3D3DArial&gt;&lt;span=3D20<BR>> =
> =3D<BR>>=20
> =
> =3D3D<BR>style=3D3D3D'font-size:<BR>10.0pt;mso-bidi-font-
> size=
> :=20
> <BR>> 12.0pt;font-fam=3D<BR>>=20
> ily:Arial;color:navy'&gt;Dear=3D20<BR>> =20
> =
> =3D3D<BR>Robert<BR>Hunt,&lt;/span&gt;&lt;/
> font&am=
> p;gt;&lt;font =20
> <BR>> size=3D3D3D2 =3D<BR>> =
> color=3D3D3Dnavy=3D20<BR>> =20
> face=3D3D3DArial&gt;&lt;span=3D20<BR>> =
> =3D<BR>>=20
> =
> =3D3D<BR>style=3D3D3D'font-size:<BR>10.0pt;mso-bidi-font-
> size=
> :=20
> <BR>> 12.0pt;font-fam=3D<BR>> ily:Arial;color:navy;mso-color- =
> <BR>>=20
> =
> a
> =
> 3D3D
> <BR>lt:<BR>windowtext'&gt;&lt;o:p&gt;&=3D=
> <BR>>=20
> =
> lt;/o:p&gt;&lt;/span&gt;&lt;/font&gt;&lt;/
> p&g=
> t;<BR><BR>&lt;p=3D20<BR>> =20
> class=3D3D3DMsoNormal&gt;&lt;font size=3D3D3D2 =
> color=3D3D3Dnavy =3D<BR>>=20
> face=3D3D3DArial&gt;&lt;span=3D20<BR>> =
> =3D<BR>>=20
> =
> =3D3D<BR>style=3D3D3D'font-size:<BR>10.0pt;mso-bidi-font-
> size=
> :=20
> <BR>> 12.0pt;font-fam=3D<BR>>=20
> =
> ily:Arial;color:navy'&gt;&lt;!
> [if=3D20<BR>> =
>
> =3D<BR>>=20
> =
> =3D3D<BR>!supportEmptyParas]&gt;&amp;nbsp;&lt;!
> [endif]&=
> amp;gt;&lt;/=20
> <BR>> span&gt;&lt;=3D<BR>>=20
> =
> /
> font
> &gt;&lt;font<BR>size=3D3D3D2=3D20<BR>> &=
> nbsp;=20
> color=3D3D3Dnavy =
> face=3D3D3DArial&gt;&lt;span=3D20<BR>> =20
> =3D<BR>> =
> =3D3D<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-font-
> <BR>>=20
> size:<BR>12.0pt;font-fam=3D<BR>>=20
> =
> ily:Arial;color:navy;mso-color-
> alt:windowtext'&gt;&lt;o:p&gt;=
> &lt;/=20
> <BR>> o:p&gt;=3D<BR>>=20
> =
> =3D3D<BR>&lt;/span&gt;&lt;/font&gt;&lt;/
> p&g=
> t;<BR><BR>&lt;p=3D20<BR>> =20
> class=3D3D3DMsoNormal&gt;&lt;font size=3D3D3D2 =
> color=3D3D3Dnavy =3D<BR>>=20
> face=3D3D3DArial&gt;&lt;span=3D20<BR>> =
> =3D<BR>>=20
> =
> =3D3D<BR>lang=3D3D3DEN-GB<BR>style=3D3D3D'font-size:
> 10.0pt;ms=
> o-bidi-font-=20
> <BR>> size:1=3D<BR>>=20
> =
> 2.0pt;font-family:Arial;col=3D3D<BR>or:navy;<BR>mso-ansi-
> lang=
> uage:EN-=20
> <BR>>
> GB'&gt=3D<BR>> ;Please=3D20<BR>> =
> send your=20
> complete address and the name =3D3D<BR>of =
> the<BR>journal =20
> <BR>> you =3D<BR>> are=3D20<BR>> writing =
> for to=20
> &lt;/span&gt;&lt;/font&gt;&lt;font=20
> size=3D3D3D2=3D20<BR>> =20
> =
> =
> 3D3D
> <BR>face=3D3D3DArial&gt;&lt;span<BR>lang=3D3D3DE=
> N-GB=3D20<BR>> =20
> =3D<BR>>=20
> =
> =3D3D<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:
> 12.0pt;fo=
> nt-=20
> <BR>> family:=3D<BR>>=20
> =
> Arial;<BR>mso-ansi-language:EN-
> GB'&gt;&lt;a=3D20<BR>>&nb=
> sp; =20
> =3D3D<BR>href=3D3D3D"<A=20
> title=3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]:[log in to unmask]
> %22&g=
> t;%3CA=3D20=20
> =
> href=3D'mailto:[log in to unmask]">mailto:[log in to unmask]</
> A>"&gt;<A=3D20'=
>> mailto:[log in to unmask]">mailto:[log in to unmask]</
>> A>"&gt;<A=3D=
> 20</A><BR>> =20
> title=3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A =
> title=3Dmailto:[log in to unmask]@rodopi.nl%3C/A%3E&lt;/=20
> =
> href=3D'mailto:[log in to unmask]">[log in to unmask]</A>&lt;/'>mailto:info@r=
> odopi.nl">[log in to unmask]</A>&lt;/</A>=20
> <BR>> a&gt;&lt;font<BR>co=3D<BR>>=20
> lor=3D3D3Dnavy&gt;&lt;span=3D20<BR>> =20
> style=3D3D3D'color:navy'&gt;=20
> =
> &lt;/span&gt;&lt;/
> font&gt;&lt;font=3D20<BR>> =
> =20
> =3D<BR>>=20
> =
> =
> 3D3D
> <BR>color=3D3D3Dnavy&gt;&lt;span<BR>style=3D3D3D=
> 'color:navy;mso-color-=20
> <BR>> alt:=3D<BR>>=20
> =
> windowtext'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/
> span&a=
> mp;gt;&lt;/font&gt;&lt;/=20
> <BR>> =3D3D<=3D<BR>>=20
> =
> BR>span&gt;&lt;/font&gt;&lt;/
> p&gt;<BR><BR=
> >&lt;p=3D20<BR>> =20
> class=3D3D3DMsoNormal&gt;&lt;font size=3D3D3D2 =
> color=3D3D3Dnavy =3D<BR>>=20
> face=3D3D3DArial&gt;&lt;span=3D20<BR>> =
> =3D<BR>>=20
> =
> =3D3D<BR>lang=3D3D3DEN-GB<BR>style=3D3D3D'font-size:
> 10.0pt;ms=
> o-bidi-font-=20
> <BR>> size:1=3D<BR>>=20
> =
> 2.0pt;font-family:Arial;col=3D3D<BR>or:navy;<BR>mso-ansi-
> lang=
> uage:EN-=20
> <BR>> GB'&gt=3D<BR>> ;A=3D20<BR>>
> copy =
> of the book=20
> will be sent to you as soon=3D20<BR>> =20
> =
> =3D3D<BR>as<BR>possible.&lt;/span&gt;&lt;/
> font&am=
> p;gt;&lt;font =20
> <BR>> size=3D3D3D2 =3D<BR>> =
> color=3D3D3Dnavy=3D20<BR>> =20
> face=3D3D3DArial&gt;&lt;span=3D20<BR>> =
> =3D<BR>>=20
> =
> =3D3D<BR>lang=3D3D3DEN-GB<BR>style=3D3D3D'font-size:
> 10.0pt;ms=
> o-bidi-font-=20
> <BR>> size:1=3D<BR>>=20
> 2.0pt;font-family:Arial;col=3D3D<BR>or:navy;<BR>mso-
> color- =
> <BR>>=20
> alt:windowtext;ms=3D<BR>>=20
> =
> o-ansi-language:EN-GB'&gt;&lt;o:p&gt;&lt;/
> o:p&gt;&=
> ;lt;/span&gt;&lt;/=20
> <BR>> fon=3D3D=3D<BR>>=20
> =
> <BR>t&gt;&lt;/
> p&gt;<BR><BR>&lt;p=3D20<B=
> R>> =20
> class=3D3D3DMsoNormal&gt;&lt;font size=3D3D3D2 =
> color=3D3D3Dnavy =3D<BR>>=20
> face=3D3D3DArial&gt;&lt;span=3D20<BR>> =
> =3D<BR>>=20
> =
> =3D3D<BR>lang=3D3D3DEN-GB<BR>style=3D3D3D'font-size:
> 10.0pt;ms=
> o-bidi-font-=20
> <BR>> size:1=3D<BR>>=20
> =
> 2.0pt;font-family:Arial;col=3D3D<BR>or:navy;<BR>mso-ansi-
> lang=
> uage:EN-=20
> <BR>> GB'&gt=3D<BR>> =
> ;&lt;![if=3D20<BR>> =20
> =3D<BR>>=20
> =
> =3D3D<BR>!supportEmptyParas]&gt;&amp;nbsp;&lt;!
> [endif]&=
> amp;gt;&lt;/=20
> <BR>> span&gt;&lt;=3D<BR>>=20
> =
> /
> font
> &gt;&lt;font<BR>size=3D3D3D2=3D20<BR>> &=
> nbsp;=20
> color=3D3D3Dnavy face=3D3D3DArial&gt;&lt;span=20
> lang=3D3D3DEN-GB=3D20<BR>> =3D<BR>>=20
> =
> =3D3D<BR>style=3D3D3D'font-size:10.0pt;<BR>mso-bidi-font-
> size=
> :=20
> <BR>> 12.0pt;font-fam=3D<BR>>=20
> =
> ily:Arial;color:navy;mso-color-
> alt:wind=3D3D<BR>owtext;<BR>ms=
> o-ansi-=20
> <BR>> languag=3D<BR>>=20
> =
> e:EN-GB'&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/
> span&=
> gt;&lt;/font&gt;&lt;/=20
> <BR>> p&gt;<B=3D<BR>>=20
> R><BR>&lt;p=3D20<BR>> =20
> class=3D3D3DMsoNormal&gt;&lt;font size=3D3D3D2 =
> color=3D3D3Dnavy =3D<BR>>=20
> face=3D3D3DArial&gt;&lt;span=3D20<BR>> =
> =3D<BR>>=20
> =
> =3D3D<BR>lang=3D3D3DFR<BR>style=3D3D3D'font-size:
> 10.0pt;mso-b=
> idi-font-size:=20
> <BR>> 12.0=3D<BR>>=20
> pt;font-family:Arial;col=3D3D<BR>or:navy;<BR>mso-ansi- =
> <BR>>=20
> language:FR'&gt;Regar=3D<BR>>=20
> =
> ds,&lt;/span&gt;&lt;/
> font&gt;&lt;font=3D20<BR>>&nb=
> sp; =20
> size=3D3D3D2 color=3D3D3Dnavy =3D<BR>>=20
> =
> =
> 3D3D
> <BR>face=3D3D3DArial&gt;&lt;span<BR>lang=3D3D3DF=
> R=3D20<BR>> =20
> =3D<BR>>=20
> =
> =3D3D<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:
> 12.0pt;fo=
> nt-=20
> <BR>> family:=3D<BR>>=20
> Arial;<BR>color:navy;mso-color-alt:windowtext;mso-ansi-
> <BR>> =
>
> language:FR'&gt;&l=3D<BR>>=20
> =
> t;o:p&gt;&lt;/o:p&gt;&lt;/
> sp=3D3D<BR>an&gt;&=
> ;lt;/font&gt;&lt;/=20
> <BR>> p&gt;<BR><BR>&=3D<BR>>=20
> lt;p=3D20<BR>> =20
> class=3D3D3DMsoNormal&gt;&lt;span <BR>>=20
> class=3D3D3DEmailStijl19&gt;&lt;font =3D<BR>>=20
> size=3D3D3D2=3D20<BR>> =
> =3D3D<BR>color=3D3D3Dnavy=20
> =
> face
> =3D3D3DArial&gt;&lt;span<BR>lang=3D3D3DFR=3D20<BR>>&=
> nbsp; =20
> =3D<BR>>=20
> =
> =3D3D<BR>style=3D3D3D'font-size:10.0pt;mso-bidi-font-size:
> 12.0pt;fo=
> nt-=20
> <BR>> family:=3D<BR>>=20
> =
> Arial;<BR>mso-ansi-
> language:FR'&gt;Lia=3D20<BR>> =
> =20
> =3D<BR>>=20
> =
> Hestina&lt;o:p&gt;&lt;/o:p&gt;&lt;/
> span&gt;&l=
> t;/font&gt;&lt;/=20
> <BR>> span&gt;&lt;=3D<BR>>=20
> =
> /p&gt;<BR><BR>&lt;/
> div&gt;<BR><BR>&am=
> p;lt;/body&gt;<BR><BR>&lt;/=20
> <BR>> html&gt;<BR>*=3D<BR>>=20
> <BR>*<BR>Film-Philosophy=3D20<BR>> =
> Email=20
> Discussion Salon.<BR>After hitting 'reply' please always =
> =3D<BR>>=20
> delete the=3D20<BR>> text of the message you
> are =
> replying=20
> to.<BR>To leave, send the =3D<BR>>=20
> message:=3D20<BR>> leave film-philosophy to: =
> <A =20
> <BR>> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>.<BR>O=3D<BR>>
> r=3D20<BR>> =
> visit:=20
> <A =3D<BR>>=20
> =
> title=3D3Dhttp://www.jiscmail.ac.uk/lists/film-
> philosophy.html=3D20<BR>&g=
> t; =20
> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%22%3Ehttp://=
> www=20
> =
> href=3D'http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> '=
>> http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://
>> www</A> =
>
> <BR>> .=3D<BR>>=20
> =
> jiscmail.ac.uk/lists/film-philosophy.html</
> A><BR>For=3D20<BR>=
> > =20
> help email: <A=20
> =
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> href=3D3D"<A=20
> =
> title=3Dmailto:[log in to unmask]@jiscmail.ac.uk
> %3C/=20
> =
> href
> =3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto=
> :[log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>, =3D<BR>> not the=3D20<BR>> =20
> salon.<BR>*<BR>Film-Philosophy journal:=20
> <A=3D20<BR>> =20
> =
> title=3D3Dhttp://www.film-philosophy.com/
> =3D20<BR>> =
> =3D<BR>>=20
> href=3D3D"<A =
> title=3Dhttp://www.film-philosophy.com%22%3ehttp//www.film=20
> =
> href=3D'http://www.film-philosophy.com">http://www.film'>http://www.film
> -=
> philosophy.com">http://www.film</A>-=20
> <BR>> philosophy.com</A=3D<BR>>>=20
> <BR>Contact:=3D20<BR>> <A=20
> =
> title=3D3Dmailto:editorialboard@film-
> philosophy.com=3D20<BR>> &nb=
> sp; =20
> =3D<BR>> href=3D3D"<A title=3Dmailto:editorialboard@film=20
> href=3D"mailto:editorialboard@film">mailto:editorialboard@film</A>- =
> <BR>>=20
> philosophy.com">editorialboard@film-ph=3D<BR>>=20
> =
> ilosophy.com</
> A><BR>**<BR><BR><BR><BR>=
> ;<BR>------=20
> <BR>> _=3D3D_NextPart_001_01C8C24=3D<BR>>=20
> =
> D.99E1616C--<BR><BR>------------------------------
> <BR>&=
> lt;BR>Date:=3D20<BR>> =20
> &nbsp;&nbsp;&nbsp;Fri, 30 May 2008 15:41:39=20
> +0100<BR>From:=3D20<BR>> =20
> &nbsp;&nbsp;&nbsp;Richard Stamp &lt;<A
> =3D<BR>>=20
>
> title
> =3D3Dmailto:[log in to unmask]<BR>> =
> =3D<BR>>=20
> href=3D3D"<A =
> title=3Dmailto:[log in to unmask]@BATHSPA.AC.UK%3C/=20
> =
> href=3D'mailto:[log in to unmask]">[log in to unmask]</'>mailto:r.s=
> [log in to unmask]">[log in to unmask]</</A>=20
> <BR>> A>&gt;<BR>Su=3D<BR>>=20
> bject:=3D20<BR>> Reminder: Animation Unlimited =
> 2008,=20
> Bournemouth, 18-20 =3D<BR>> July<BR><BR>I've=20
> just=3D20<BR>> received a timely reminder that =
> the Arts=20
> Institute at =3D<BR>> =3D3D<BR>Bournemouth=20
> will=3D20<BR>> be hosting the 20th Anniversary =
> Society for=20
> Animation <BR>> =3D3D<BR>Studies=20
> =3D<BR>><BR>> International Conference on =
> 18-20=20
> July.<BR><BR>The full programme =3D<BR>>=20
> for=3D20<BR>> 'ANIMATION UNLIMITED' is
> available =
> here:=20
> =3D3D<BR><A=3D20<BR>> =3D<BR>>=20
> =
> title=3D3Dhttp://www.aibep.co.uk/au2008/animation-unlimited-2008-programm=
> e-=3D<BR>>=20
> fri.htm=3D20<BR>> =3D<BR>> href=3D3D"<A=20
> =
> title=3Dhttp://www.aibep.co.uk/au2008/animation-unlimited-2008-programme
> =
>
> =
> href=3D"http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme
> "=
>> http://www.aibep.co.uk/au2008/animation-unlimited-2008-programme</
>> A>-=3D=
> <BR>>=20
> =
> fri.htm">http://www.aibep.co.uk/au2008/animation-unlimited-2008-progra=
> mme=3D<BR>>=20
> =
> -fri.htm</
> A><BR><BR>'ANIMATION=3D20<BR>> =
> =20
> UNLIMITED' features pre-eminent scholars and practitioners
> =3D<BR>> =
>
> =3D3D<BR>from some of=3D20<BR>> the
> world's =
> leading=20
> institutes of animation education, <BR>>
> =3D3D<BR>along =
> =3D<BR>>=20
> with=3D20<BR>> leading industry figures from =
> Aardman,=20
> Disney, Pixar, Cartoon =3D<BR>>=20
> =3D3D<BR>Network,=3D20<BR>> Nickelodeon, =
> BBC,=20
> etc.=3D3D20<BR><BR>Today is your last opportunity =
> <BR>> to=20
> =3D<BR>> get a=3D20<BR>> reduced 'early
> bird' =
> rate of=20
> =3D3D<BR>=3D3DA3150 - although there are =3D<BR>> also a=20
> limited=3D20<BR>> number of reserved student=20
> =3D3D<BR>places at =3D3DA350. Full details =3D<BR>>=20
> here:=3D20<BR>> =3D<BR>>=20
> =
> =3D3D<BR>http://www.aibep.co.uk/au2008/animation-unlimited-2008-reg=
> istratio=3D<BR>>=20
> =
> n.htm<BR><BR>
> (Alternatively,=3D20<BR>> =
> contact=20
> the organisers at:
> animationunlimited08=3D20<BR>> =
>
>
> =3D3D<BR>&lt;mailto:[log in to unmask]&gt; =
> =3D<BR>>=20
>
> @aib.ac.uk)<BR><BR>That's=3D20<BR>> =
> all=20
> folks!<BR><BR>Richard<BR><BR>Dr Richard=20
> Stamp<BR>Senior <BR>> Lecturer =3D<BR>>=20
> in=3D20<BR>> Cultural =
> Studies=3D3D20<BR>School of=20
> Historical and Cultural =3D<BR>>=20
> Studies=3D3D20<BR>Bath=3D20<BR>> Spa=20
> University=3D3D20<BR>Newton St Loe=3D3D20<BR>Bath. BA2 =
> =3D<BR>>=20
> =
> 9BN=3D3D20<BR>=3D3D20<BR>
> 01225=3D20<BR>> =
> =20
> 876226<BR><BR>*<BR>*<BR>Film-Philosophy=20
> salon<BR>After hitting =3D<BR>> =
> 'reply'=3D20<BR>> =20
> please always delete the text of the message you are replying =
> =3D<BR>>=20
> to.<BR>To=3D20<BR>> leave, send the =
> message: leave=20
> film-philosophy to:=3D20<BR>> <A=20
> title=3Dmailto:[log in to unmask]
> =
> href
> =3D"mailto:[log in to unmask]<BR>Or">[log in to unmask]&l=
> t;BR>Or</A>=20
> visit:=3D20<BR>> <A=20
> =
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html%3CBR%3EFor=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-
> philosophy.html<BR>For">http=
> ://www.jiscmail.ac.uk/lists/film-philosophy.html<BR>For</A>=20
> help =3D<BR>> email:=3D20<BR>> <A=20
> title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>, =
> not the=20
> salon.<BR>*<BR>Film-Philosophy =3D<BR>>=20
> journal:=3D20<BR>> <A=20
> =
> href=3D"http://www.film-philosophy.com<BR>Contact:=3D20">http://www.film
> -=
> philosophy.com<BR>Contact:=3D20</A><BR>> =20
> =3D<BR>> <A title=3Dmailto:editorialboard@film=20
> href=3D"mailto:editorialboard@film">editorialboard@film</A>-
> <BR>>=20
> =
> philosophy
> .com<BR>**<BR><BR>-------------------------=3D=
> <BR>>=20
> -----<BR><BR>End=3D20<BR>> of =
> FILM-PHILOSOPHY=20
> Digest - 30 May 2008=3D20<BR>> =3D<BR>>
> (#2008 =
> <BR>>=20
> =
> -194
> )<BR>*******************************************************<=
> ;BR=3D<BR>>>=20
> </BLOCKQUOTE></DIV><BR>*=3D20<BR>> * =
> Film-Philosophy=20
> Email Discussion Salon. After hitting 'reply' <BR>> please =
> =3D<BR>>=20
> always=3D20<BR>> delete the text of the message you are =
> replying to. To=20
> leave, send <BR>> the =3D<BR>><BR>> message: =
> leave=20
> film-philosophy to: <A title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>. =
> Or =20
> <BR>> visit:=3D20<BR>> <A=20
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> .=
> jiscmail.ac.uk/lists/film-philosophy.html</A>=20
> For help <BR>> email:=3D20<BR>> <A=20
> title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>, =
> not the=20
> salon. * Film-Philosophy journal:=3D20<BR>> <A=20
> title=3Dhttp://www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com">http://www.film-
> philosophy.com</A=
>> =20
> Contact: =3D<BR>> <A =
> title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:editorialboard@film-
> philosophy.com">editorialboard@film-ph=
> ilosophy.com</A>=20
> **=3D20<BR>>=20
> </BLOCKQUOTE></DIV></BODY></HTML><BR>> =
> *<BR>>=20
> *<BR>> Film-Philosophy Email Discussion Salon.<BR>> After =
> hitting=20
> 'reply' please always delete the text of the message <BR>> =
> you are=20
> replying to.<BR>> To leave, send the message: leave film-
> philosophy =
> to: <A=20
> title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</A> =
> <BR>>=20
> .<BR>> Or visit: <A=20
> title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html=20
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> .=
> jiscmail.ac.uk/lists/film-philosophy.html</A><BR>>=20
> For help email: <A title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>, =
> not the=20
> salon.<BR>> *<BR>> Film-Philosophy journal: <A=20
> title=3Dhttp://www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com">http://www.film-
> philosophy.com</A=
>> <BR>>=20
> Contact: <A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:editorialboard@film-
> philosophy.com">editorialboard@film-ph=
> ilosophy.com</A><BR>>=20
> **<BR>><BR>><BR>><BR>><BR>>=20
> ------=3D_NextPart_000_003A_01C8C282.6188EE40--<BR>><BR>>=20
> ------------------------------<BR>><BR>> End of FILM-
> PHILOSOPHY =
> Digest -=20
> 30 May 2008 - Special issue <BR>> (#2008-196)<BR>>=20
> =
> ***********************************************************************<
> B=
> R><BR>*<BR>*<BR>Film-Philosophy=20
> salon<BR>After hitting 'reply' please always delete the text of the =
> message=20
> you are replying to.<BR>To leave, send the message: leave =
> film-philosophy to:=20
> <A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>.<BR>O=
> r=20
> visit: <A title=3Dhttp://www.jiscmail.ac.uk/lists/film-philosophy.html
> =
>
> =
> href=3D"http://www.jiscmail.ac.uk/lists/film-philosophy.html">http://www
> .=
> jiscmail.ac.uk/lists/film-philosophy.html</A><BR>For=20
> help email: <A title=3Dmailto:[log in to unmask]
> href=3D"mailto:[log in to unmask]">[log in to unmask]</
> A>, =
> not the=20
> salon.<BR>*<BR>Film-Philosophy journal: <A=20
> title=3Dhttp://www.film-philosophy.com/=20
> =
> href=3D"http://www.film-philosophy.com">http://www.film-
> philosophy.com</A=
>> <BR>Contact:=20
> <A title=3Dmailto:[log in to unmask]
> =
> href=3D"mailto:editorialboard@film-
> philosophy.com">editorialboard@film-ph=
> ilosophy.com</A><BR>**<BR></BLOCKQUOTE></DIV></BODY></HTML>
> *
> *
> Film-Philosophy Email Discussion Salon.
> After hitting 'reply' please always delete the text of the message
> you are replying to.
> To leave, send the message: leave film-philosophy to: [log in to unmask]
> .
> Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> For help email: [log in to unmask], not the salon.
> *
> Film-Philosophy journal: http://www.film-philosophy.com
> Contact: [log in to unmask]
> **
>
>
>
>
> ------=_NextPart_000_006F_01C8C387.BCFA7130--
>
> ------------------------------
>
> End of FILM-PHILOSOPHY Digest - 31 May 2008 to 1 Jun 2008 - Special
> issue (#2008-199)
> *************************************************************************************
*
*
Film-Philosophy salon
After hitting 'reply' please always delete the text of the message you are replying to.
To leave, send the message: leave film-philosophy to: [log in to unmask]
Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
For help email: [log in to unmask], not the salon.
*
Film-Philosophy journal: http://www.film-philosophy.com
Contact: [log in to unmask]
**
|
