Hi Carma,
Dori wrote:
<snip> Note: This is not to say that these are the only artifacts, but they
seem to be the ones in which you are assigned/encouraged to design in order
to prove yourself as a member of the group. <endsnip>
I took it that Dori's interest was 'evidence' to prove yourself to qualify
as a member of a particular group - such as the professional group of
'design researchers'
Perhaps Dori will clarify.
Best,
Terry
-----Original Message-----
From: PhD-Design - This list is for discussion of PhD studies and related
research in Design [mailto:[log in to unmask]] On Behalf Of Carma R.
Gorman
Sent: Friday, 1 February 2008 5:03 AM
To: [log in to unmask]
Subject: Re: What is the "artifact" of evidence in Design Research?
Terry, you wrote, in response to Dori Tunstall's query about design
researchers' preferred "artifact of evidence," that:
*
> ...in industrial design, it is typically the representation of the
> designed object (a 'blueprint'?) that is asssessed rather than the
> cup or car as finally manufactured.
> For most of the fields I can think of, it is the representation that
> is assessed (or the ability to make part of that represenation) not
> the final manufactured version of the designed outcome.
*
Do you mean to say that design researchers assess things that way? Because
it seems to me that most automotive critics write about cars they have test
driven, that electronics/computing reviewers write only about hardware and
software they have put through the paces themselves, and that Consumer
Reports publishes reviews only of actual products available on shelves. I am
not sure who you have in mind when you suggest that people "typically"
assess the representation rather than the object. Care to clarify?
thanks,
Carma
Carma R. Gorman, Ph.D.
Associate Professor, History of Art and Design School of Art and Design
Allyn Building 113, mail code 4301 Southern Illinois University Carbondale
1100 S. Normal Ave.
Carbondale, IL 62901
United States of America
voicemail: 618-453-8634
fax: 618-453-7710
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