Hrvoje wrote:
"Be careful not to mix the job of a (cognitive) theory with that of an
interpretation (possibly cognitively led with the question - 'How do I
recognise, say, Antonioni's film as 'Antonioni')."
____
Apologies in advance for the brevity of this post, but...
Do we need to introduce a phenomenological perspective into this debate? It
seems that the 'embodied' spectator described in phenomenological accounts
of film spectatorship might provide us with a link between the cognitive and
the interpretive.
Lisa
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