Daniel Herbert wrote:
> This should not suggest that nation-states have no role in
cinematic production - just look at the way the MPAA / MPA work with
the US government to augment Hollywood's position of global cultural
and economic power. Nevertheless, Hollywood as such is indeed a
transnational cultural industry, with financing from (for instance)
German tax shelters, production in (among other places) Romania,
Canada, and Australia, and a dominant market share in many, many
"national" media markets.
How is that different from an "international cultural industry"? (or
"multinational cultural industry"?)
J
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