Not sure of where you draw the limits for documentary (or portraiture)
but: Gregory Markopolous' Galaxie, in Brakhage's super-8 portraits of
Robert Creeley / Michael McClure, part of his songs, Ken Jacobs / Bob
Fleishner's Blond Cobra I believe is taken by Jacobs to be a portrat of
Jack Smith, and his Two Wrenching Departures could be considered as a
dual portrait of Smith and Bob Fleishner.
j
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