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PHD-DESIGN  April 2007

PHD-DESIGN April 2007

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From:

Risa Mandell <[log in to unmask]>

Reply-To:

[log in to unmask]

Date:

Sat, 14 Apr 2007 09:06:12 EDT

Content-Type:

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text/plain (786 lines)



In a message dated 4/13/2007 7:00:28 P.M. Eastern Daylight Time,
[log in to unmask] writes:

There  are 9 messages totalling 721 lines in this issue.

Topics of the  day:

1. Bologna statistics needed (3)
2. US and UK  engineering degree statistics
3. second workshop on Understanding  the Role of Creativity in Collaborative
New Product  Development
4. Design Research Chairs and Design Emeritus  Fellowship
5. New photos/videos
6. MP Rajan and Teena  Clerke: Design and psychoanalysis
7. Information in  Designing

----------------------------------------------------------------------

Date:   Fri, 13 Apr 2007 06:11:34 +0200
From:    Ken Friedman  <[log in to unmask]>
Subject: Re: Bologna statistics  needed

Dear Oguzhan and All,

If I understood the earlier  request, it has to do with the all
master's and doctoral programs in the  entire Bologna region.

The CUMULUS survey covers only schools in one  organization.

Does the original question deal with all master's and  doctoral
students in nations that participate Bologna, or does it only  deal
with master's and doctoral students in design schools?

The  European Higher Education area comprises 45 nations and many
thousands of  universities, but so far, I have not been able to find a
source for  aggregated statistics. I am able to make a few rough
comparisons by  cobbling different sources together, there are roughly
41,000 doctorates  of all kinds awarded every year in the US. (It used
to be more, but the  Bush regime has made it more difficult and less
attractive for foreign  students to do their doctoral work in the US.)
In the UK, there are  roughly 15,000 doctorates of different kinds
awarded every year. There are  roughly 6,000 doctorates awarded every
year in the five Nordic nations.  Roughly 11,000 doctoral students
graduate every year in France, 4,000 in  Italy, 24,000 in Germany.

I can't find anything on master's  degrees.

If anyone has a good aggregated source, I'll welcome it. But  I'd
welcome a clarification on the original question. Does this question
concern only art and design schools, such as schools in the Cumulus
network, or does it apply to all universities and university colleges
in the 45 Bologna process  nations?

Yours,

Ken


>Dear Ken
>
>The  best answered is surveyed by CUMULUS in 2005 considering 75 European,  3
>Asian, 3 north American, 2 oceanic art and design  schools.
>
>You can find  master, PhD and undergraduate  numbers under this survey.
>
>
>International Association of  Universities, Colleges of Art, Design and Media
>(CUMULUS) Membership  Survey  2005
>http://www.cumulusassociation.org/index.php?option=com_docman&task=doc_view&
>gid=3&Itemid=28






>   > How many doctoral students are there in total in the nations  that
>>  participate in the Bologna  process?
>>
>>  How many master's students there  are?
>>
>>  How many colleges, university colleges, and  universities are there
>>  altogether in the Bologna process  region?
>>
>>  Does anyone on the list have these  figures?
>>
>>  Once I have those figures, I can  calculate a few key issues that play
>>  a role in my  response.
>>
>>  Yours,
>>
>>   Ken
>>
>>  --
>>
>>  Oguzhan  Ozcan wrote:
>>
>>  ... I am quite disappointed that  nobody answered this questions
>>  expect you in Europe, USA and  somewhere else. Now that I am thinking
>>  if only Turkish  University worries these issues.. Although  EQUA=
>>   European Association for Quality Assurance for Higher  Education
>>  advice these citation indexed article in second  and third cycle of
>>  education before master and PhD degree  until 2010.
>>
>>  I know, in USA, two design research  program requires acceptance
>>  letters for 1 conference quality  paper before  qualification exam of
>>  PhD,  2   citation indexed articles  before submission PhD   thesis,
>>  and 1  citation indexed article before master  degree. But what about
>>  Europe, who requires this  criterias
>>
>>>   There are no reliable  external quality indicators for the majority of
>>>    journals and conferences. Also the time factor is important - it takes
 a
>>>   long time for some journals to print a  paper.
>>
>>  But in our case we satisfied if the the  article got acceptance and in
>>  q- list of  publication.
>>
>>  I really need to see what other  university around world  thinks
>>
>>  Oguzhan  Ozcan
>>  Director of PhD in Art and Design
>>   Yildiz Technical University in Istanbul


--

Prof. Ken  Friedman
Institute for Communication, Culture, and Language
Norwegian  School of Management
Oslo

Center for Design Research
Denmark's  Design School
Copenhagen

+47 46.41.06.76    Tlf NSM
+47  33.40.10.95    Tlf Privat

email:  [log in to unmask]

------------------------------

Date:   Fri, 13 Apr 2007 07:37:32 +0300
From:    oguzhan ozcan  <[log in to unmask]>
Subject: Re: Bologna statistics  needed

Dear Ken
>Does this question
> concern only art and  design schools, such as schools in the Cumulus
> network, or does it  apply to all universities and university colleges
> in the 45 Bologna  process nations?
Of course, all universities... I send the data to give an  idea the figure of
master and PhD graduation. There is  no specific  data in design in general.
If someone can provide this, it could be  nice.

But my main questions was
Concerning Bologna Process
> -  How many publication do European Universities (and other region of
course)
expect in master and PhD level before submission of  thesis

> - and finally what is the quality level of the publication?  (do you expect
> the article published in the journal indexed by   Art and Humanities
Citation
> Index , Science  Citation   Index, Social Science Citation  and how many
such
> article for  both degree?)
>

Thanks  for  clarification

Oguzhan


>>
>> The best  answered is surveyed by CUMULUS in 2005 considering 75 European,
3
>>  Asian, 3 north American, 2 oceanic art and design schools.
>>
>> You can find  master, PhD and undergraduate numbers under  this survey.
>>
>>
>> International Association  of Universities, Colleges of Art, Design and
Media
>> (CUMULUS)  Membership Survey 2005
>>
http://www.cumulusassociation.org/index.php?option=com_docman&task=doc_view&
>>  gid=3&Itemid=28
>
>
>
>
>
>
>>> How many doctoral students are there in total in the nations  that
>>>  participate in the Bologna process?
>>>
>>>  How many master's students there are?
>>>
>>>  How many colleges, university colleges, and  universities are there
>>>  altogether in the Bologna process  region?
>>>
>>>  Does anyone on the list have  these figures?
>>>
>>>  Once I have those  figures, I can calculate a few key issues that play
>>>  a  role in my response.
>>>
>>>   Yours,
>>>
>>>  Ken
>>>
>>>  --
>>>
>>>  Oguzhan Ozcan  wrote:
>>>
>>>  ... I am quite disappointed that  nobody answered this questions
>>>  expect you in Europe, USA  and somewhere else. Now that I am thinking
>>>  if only  Turkish University worries these issues.. Although   EQUA=
>>>  European Association for Quality Assurance for  Higher Education
>>>  advice these citation indexed article  in second and third cycle of
>>>  education before master and  PhD degree until 2010.
>>>
>>>  I know, in USA,  two design research program requires acceptance
>>>  letters  for 1 conference quality paper before  qualification exam  of
>>>  PhD,  2  citation indexed articles   before submission PhD  thesis,
>>>  and 1  citation  indexed article before master degree. But what about
>>>   Europe, who requires this criterias
>>>
>>>>   There are no reliable external quality  indicators for the majority of
>>>>   journals and  conferences. Also the time factor is important - it
takes  a
>>>>   long time for some journals to print a  paper.
>>>
>>>  But in our case we satisfied if  the the article got acceptance and in
>>>  q- list of  publication.
>>>
>>>  I really need to see what  other university around world  thinks
>>>
>>>  Oguzhan Ozcan
>>>  Director of PhD in  Art and Design
>>>  Yildiz Technical University in  Istanbul
>

------------------------------

Date:   Fri, 13 Apr 2007 13:38:24 +0800
From:    Terence Love  <[log in to unmask]>
Subject: Re: Bologna statistics needed

Hi  Ken,
Do you have the sources? I'd like to find out how many engineering  design
PhDs each year in the UK and US
Terry

-----Original  Message-----
From: PhD-Design - This list is for discussion of PhD studies  and related
research in Design [mailto:[log in to unmask]] On Behalf  Of Ken
Friedman
Sent: Friday, 13 April 2007 12:12 PM
To:  [log in to unmask]
Subject: Re: Bologna statistics  needed

Dear Oguzhan and All,

If I understood the earlier  request, it has to do with the all master's and
doctoral programs in the  entire Bologna region.

The CUMULUS survey covers only schools in one  organization.

Does the original question deal with all master's and  doctoral students in
nations that participate Bologna, or does it only deal  with master's and
doctoral students in design schools?

The European  Higher Education area comprises 45 nations and many thousands
of  universities, but so far, I have not been able to find a source  for
aggregated statistics. I am able to make a few rough comparisons by  cobbling
different sources together, there are roughly 41,000 doctorates of  all kinds
awarded every year in the US. (It used to be more, but the Bush  regime has
made it more difficult and less attractive for foreign students  to do their
doctoral work in the US.) In the UK, there are roughly 15,000  doctorates of
different kinds awarded every year. There are roughly 6,000  doctorates
awarded every year in the five Nordic nations. Roughly 11,000  doctoral
students graduate every year in France, 4,000 in Italy, 24,000 in  Germany.

I can't find anything on master's degrees.

If anyone  has a good aggregated source, I'll welcome it. But I'd welcome  a
clarification on the original question. Does this question concern only  art
and design schools, such as schools in the Cumulus network, or does it  apply
to all universities and university colleges in the 45 Bologna  process
nations?

Yours,

Ken


>Dear  Ken
>
>The best answered is surveyed by CUMULUS in 2005  considering 75
>European, 3 Asian, 3 north American, 2 oceanic art and  design schools.
>
>You can find  master, PhD and  undergraduate numbers under this survey.
>
>
>International  Association of Universities, Colleges of Art, Design and
>Media
>(CUMULUS) Membership Survey  2005
>http://www.cumulusassociation.org/index.php?option=com_docman&task=doc_
>view&
>gid=3&Itemid=28






>   > How many doctoral students are there in total in the nations  that
>>  participate in the Bologna  process?
>>
>>  How many master's students there  are?
>>
>>  How many colleges, university colleges, and  universities are there
>> altogether in the Bologna process  region?
>>
>>  Does anyone on the list have these  figures?
>>
>>  Once I have those figures, I can  calculate a few key issues that
>> play  a role in my  response.
>>
>>  Yours,
>>
>>   Ken
>>
>>  --
>>
>>  Oguzhan  Ozcan wrote:
>>
>>  ... I am quite disappointed that  nobody answered this questions
>> expect you in Europe, USA  and somewhere else. Now that I am thinking
>> if only Turkish  University worries these issues.. Although  EQUA=
>>  European Association for Quality Assurance for Higher Education
>> advice these citation indexed article in second and third cycle  of
>> education before master and PhD degree until  2010.
>>
>>  I know, in USA, two design research  program requires acceptance
>> letters for 1 conference  quality paper before  qualification exam of
>> PhD,   2  citation indexed articles  before submission PhD   thesis,
>> and 1  citation indexed article before master  degree. But what about
>> Europe, who requires this  criterias
>>
>>>   There are no reliable  external quality indicators for the majority of
>>>    journals and conferences. Also the time factor is important - it  takes
a
>>>   long time for some journals to print a  paper.
>>
>>  But in our case we satisfied if the the  article got acceptance and
>> in
>>  q- list of  publication.
>>
>>  I really need to see what other  university around world  thinks
>>
>>  Oguzhan  Ozcan
>>  Director of PhD in Art and Design
>>   Yildiz Technical University in Istanbul


--

Prof. Ken  Friedman
Institute for Communication, Culture, and Language Norwegian  School of
Management Oslo

Center for Design Research
Denmark's  Design School
Copenhagen

+47 46.41.06.76    Tlf NSM
+47  33.40.10.95    Tlf Privat

email:  [log in to unmask]

------------------------------

Date:   Fri, 13 Apr 2007 08:18:01 +0200
From:    Ken Friedman  <[log in to unmask]>
Subject: US and UK engineering degree  statistics

Dear Terry,

My earlier note used rough figures for  all doctorates of all kinds. I
did not aggregate them by hand from  specific subject fields, so I
can't give you breakdowns. This was quick  and dirty job for a list
response, so I did not document the sources.  Doing this properly is
about a week's worth of work -- I have had a  librarian at work for
several days simply trying to find aggregate sources  for European
doctorates, as well as queries to the national ministry of  education.
No one seems to know.

Since I did not need specific  fields, I did not use these two source
for science and engineering  doctorates, but you might find what you
need.

For the  US:

http://www.nsf.gov/statistics/doctorates/

For the  UK:

http://www.epsrc.ac.uk/default.htm

Yours,

Ken

--

Terry  Love wrote:

Do you have the sources? I'd like to find out how many  engineering design
PhDs each year in the UK and  US

------------------------------

Date:    Fri, 13 Apr  2007 12:33:38 +0100
From:    Pammi Sinha  <[log in to unmask]>
Subject: second workshop on  Understanding the Role of Creativity in
Collaborative New Product  Development

dear all
please find below details for the second  workshop in Understanding the Role
of
Creativity in Collaborative New  Product Development. this is an AHRC funded
series of three workshops  examining creativity in collaborative new  product
development.


2nd AHRC Academic Workshop:
'Team  working and collaboration in new product development'
Clifford Whitworth  Building, University of Salford, Manchester
10:00 - 4:00
3rd May  2007
(Free attendance; however, places are limited. Please register  early)

The second in a series of three workshops explores the role of  team working &
collaboration within new product development. Diverse  contributions from
practitioners & academics will look at leadership,  team dynamics, cultural
perspectives between international partners, &  strategic design partnerships

Speakers include:

Chris  Holt
Chris has been involved in design management for a number of companies
including
British Airways. He currently heads up Harrison-Holt Enterprises,  & has
worked
in an international field for clients such as Vodafone,  Amadeus & Unilever.
He
lectures at LCC, Brunel, Bath Spa & the  Surrey Institute of Art & Design.

Professor David Raffo
After  working for over twenty five years in design consultancy in the UK,
Europe,  USA, Korea & China, David left Raffo Design Associates in 2003  to
pursue individual goals, working in partnership with manufacturers in  the UK
&
in the Far East, David to create a range of witty yet  practical products for
a
modern life. David advises the Design Council on  design strategy, & is a
Visiting Professor at the University of  Leeds

Professor Tudor Rickards
Professor Rickards, Manchester  Business School, has published widely on
innovation & creativity. He  works closely with various international
organisations in the development  of innovative skills & has won international
awards for his educational  work in these specialist areas. Professor Rickards
is founder &  director of The European Association for Creativity &
Innovation,
&  co-edits the journal Creativity & Innovation Management.

Dr Philip  Sams
Philip is 'White Space' Manager at Unilever Research, & has  conducted
extensive research into clothes care & fashion/science  interactions to inform
future consumer products

Dr Sudi  Sharifi
Sudi is a Senior Lecturer in Organisation Management at Salford  Business
School,
with research interests in Organisation Theory &  Analysis, & New Forms of
Organising, & has published widely on new  product design & development in the
context of concurrent engineering  & enterprise.

Robert Townsend
A former consultant & partner  at Coopers & Lybrand, & Price Waterhouse,
Robert
specialises in the  development of new business models, & is currently
managing
director of  the intarsia consulting network (icn). Robert is also a regional
board  member of British Design Innovation, & closely involved in  the
development of the Open Innovation Challenge, promoting a  collaborative
approach to developing new products between diverse  partners.


For further details or to reserve a place, contact Pammi  at
[log in to unmask]

developmentls for the second  workshop in Understanding the Role of
Creativity in
Collaborative New  Product Development. this is an AHRC funded series of three
workshops  examining creativity in collaborative new product development.


2nd  AHRC Academic Workshop:
'Team working and collaboration in new product  development'
Clifford Whitworth Building, University of Salford,  Manchester
10:00 - 4:00
3rd May 2007
(Free attendance; however,  places are limited. Please register early)

The second in a series of  three workshops explores the role of team working &
collaboration  within new product development. Diverse contributions from
practitioners  & academics will look at leadership, team dynamics,  cultural
perspectives between international partners, & strategic  design partnerships

Speakers include:

Chris Holt
Chris has  been involved in design management for a number of companies
including
British Airways. He currently heads up Harrison-Holt Enterprises,  & has
worked
in an international field for clients such as Vodafone,  Amadeus & Unilever.
He
lectures at LCC, Brunel, Bath Spa & the  Surrey Institute of Art & Design.

Professor David Raffo
After  working for over twenty five years in design consultancy in the UK,
Europe,  USA, Korea & China, David left Raffo Design Associates in 2003  to
pursue individual goals, working in partnership with manufacturers in  the UK
&
in the Far East, David to create a range of witty yet  practical products for
a
modern life. David advises the Design Council on  design strategy, & is a
Visiting Professor at the University of  Leeds

Professor Tudor Rickards
Professor Rickards, Manchester  Business School, has published widely on
innovation & creativity. He  works closely with various international
organisations in the development  of innovative skills & has won international
awards for his educational  work in these specialist areas. Professor Rickards
is founder &  director of The European Association for Creativity &
Innovation,
&  co-edits the journal Creativity & Innovation Management.

Dr Philip  Sams
Philip is 'White Space' Manager at Unilever Research, & has  conducted
extensive research into clothes care & fashion/science  interactions to inform
future consumer products

Dr Sudi  Sharifi
Sudi is a Senior Lecturer in Organisation Management at Salford  Business
School,
with research interests in Organisation Theory &  Analysis, & New Forms of
Organising, & has published widely on new  product design & development in the
context of concurrent engineering  & enterprise.

Robert Townsend
A former consultant & partner  at Coopers & Lybrand, & Price Waterhouse,
Robert
specialises in the  development of new business models, & is currently
managing
director of  the intarsia consulting network (icn). Robert is also a regional
board  member of British Design Innovation, & closely involved in  the
development of the Open Innovation Challenge, promoting a  collaborative
approach to developing new products between diverse  partners.


For further details or to reserve a place, contact Pammi  at
[log in to unmask]

------------------------------

Date:   Fri, 13 Apr 2007 17:09:09 +0530
From:    S K Khanna  <[log in to unmask]>
Subject: Design Research Chairs and Design Emeritus  Fellowship

Greetings
I am sending some information regarding Design  Research Chairs at NID,
India and Design Emeritus Fellowship. These may be  of interest to some
of the members who may like to nominate/apply.
Pl  do pass on the information to any other interested  forum/group.

Sudarshan Khanna
Activity Chairperson, Research &  Publications
National Institute of Design (NID)
Ahmedabad-380007,  India
--------------------------------------------------------------------------
National  Institute of Design, India  invites applications or nominations
for  the
Design Research Chairs and Charles Eames Design Emeritus Fellowship  from
experienced and professionally qualified designers, educators,  innovators,
and allied professionals from India/ Overseas  (working/retired).

A.  The Research Chairs looking for incumbents  are:

1. Autodesk Design Research Chair for Design Education  &
Innovation.(Ahmedabad)
2. John Bissell Chair for Textile and  Apparel Design & Technology Fusion.
(Ahmedabad)
3. Ravi J Matthai  Design Research Chair  for Design Innovation  &
Management.(Ahmedabad/Gandhinagar)
4. O P Jindal Chair for  Stainless Steel Product Innovation  &
Development.(Ahmedabad/Gandhinagar)

Design Research Chairs act  as catalysts for  collaborative research
opportunities at NID  supported by specific sponsoring
industry/institution. The work   carried out by the Chairs usually focuses
on the specific design  development needs of the industry in particular,
and society at  large.

B. Charles Eames Design Emeritus Fellowship for Developmental  Design

This is a prestigious International Fellowship for recognizing  and
supporting outstanding original work related to Design Research in  the
respective areas of design for development and quality of life.  A
fellowship grant ranging from a half a million to a million Indian  rupees
would be provided for furthering outstanding work being carried out  by the
eminent professional for a period of 18 to 24  months.

Eligibility (A, B):

Persons with at least 15 years of  relevant experience having made a
significant and tangible contribution and  in the age group of 50-65 years
in the relevant sector in relation to  Design Research, Product Development
& Innovation.

More details  available at NID website  <www.nid.edu>

------------------------------

Date:   Fri, 13 Apr 2007 11:59:11 -0700
From:     =?UTF-8?Q?S=C3=A9rgio_Sudsilowsky?= <[log in to unmask]>
Subject:  New photos/videos

Check this  out:

http://www.ringo.com/i.html?i=3D163211797x680840&homeEmail=3DPHD-DESIGN%40j=
iscmail.ac.uk&firstName=3DPHD-DESIGN&lastName=3D&origin=3Dinvite





















Block  invitations from  S=C3=A9rgio:
http://www.ringo.com/friends/invite/block.html?memberId=3D163211797&email=
=3DPHD-DESIGN%40jiscmail.ac.uk&origin=3Dinvite

Block  all  invitations:
http://www.ringo.com/friends/invite/block.html?email=3DPHD-DESIGN%40jiscmai=
l.ac.uk&origin=3Dinvite

------------------------------

Date:   Fri, 13 Apr 2007 22:47:07 +0300
From:    Popowsky  <[log in to unmask]>
Subject: MP Rajan and Teena Clerke: Design  and psychoanalysis

Dear Ken,MP Rajan and Teena Clerke,

a.. To Ken Friedman: Thank you for your article and references of Rittel and
Rittel which I have " already" received-  I misunderstood your  proposition:
I thought you were proposing to send the articles. Sorry
b.. To MP Rajan and Teena Clerke:
MP Rajan wrote:"Thank you for  your comment. If you have any digital file of
Jacques Lacan's ideas that you  have mentioned below I would be very happy to
obtain them."

I have  tried to send an attached copy of  Lacan's chapter on the gaze as it
is  developed in ,The Four Fundamental Principles of Psychoanalysis, But it
has  been refused because it is in jepg image.

However; following your  interest in -I quote:

"For me design opportunity is not visible to  anyone but the designer since
it is a product of
a "Perception" and an  "Imagination" which is internal to
the designer and therefore not visible  to any other partner
until it is expressed in some external model or  expression,verbal, visual or
dimensional."

and relating to what is "not  visible" and what you have referred to as
"internal to the designer", I would  like to suggest the following sentences:

1/"psychoanalysis regards  consciousness as irremediably limited and
institutes it as a principle, not  only of idealization but of meconnaissance*"[p:82]
- an interesting sentence  because it allows us to refers to knowledge not
only in terms of clear  conscious information but, also in terms of
non/un-conscious information which  leads to what Lacan refers to as "un-conscious" and to
the question of the  impact of the un-conscious on designers and on their work
of design,in the  field of design.
*in French= 1. no knowledge, 2. bad  knowledge


2/"recenter[ing] the subject as speaking in the very  lacunae..."[p:83],an
other interesting sentence which, translated to the field  of design, indicates
that designers-subjects can speak/work/design  with/in/following their
unconscious.

3/"the gaze is the underside of  the consciousness".[p:83] It is "the
relation of the subject.."[p91]", "in the  matter of the visible..."[p93] with "that
which grasps [the subject]"...and  "makes the landscape other than a
landscape"[p:96] more interesting sentences  which show that a designer can "make a
landscape other than a landscape" when  s/he is "grasped" by "the underside of
the consciousness"

It is in this  context that Lacan refers to the object which "grasps" the
subject-designer as  "object a".

In the field of design, I find "object a" an interesting  concept.
It helps understand why some designers "make a landscape other  than a
landscape".
a.. Teena- thank you very much for your  greetings.

My regards, and thank you for the opportunity you gave me  to link the field
of design and the act of designing to lacanian  psychoanalysis.

Michal Popowsky


Michal Popowsky, Ph.D.,
Department of History and Theory
Betsalel school of Arts and  Design,Jerusalem
Teachers College of Technologies,Tel  Aviv
Israel
Email:  [log in to unmask]

------------------------------

Date:   Fri, 13 Apr 2007 16:31:15 -0400
From:    Klaus  Krippendorff <[log in to unmask]>
Subject: Re: Information  in Designing

it might be useful to use the word wicked and tame in  rittel's sense --
until someone proposes a better definition.

saying  that the problem posed by wicked problem is to tame them assumes that
tame  problems are the ideal case.  rittel defined wickednes by  its
untameability, calling for different methods

klaus

------------------------------

End of PHD-DESIGN Digest - 12  Apr 2007 to 13 Apr 2007  (#2007-82)
****************************************************************





risa m.  mandell
[log in to unmask]




************************************** See what's free at http://www.aol.com.

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