Dear all,
I've just been teaching a class looking at Winnicott's psychoanalytic
work, especially the transitional object and play, and wondered if
anyone knew of any use of his work in relation to film? I'm surprised
by the relative absence of discussion of his work in literary criticism
considering he offers such an interesting 'pragmatic' alternative to
the usual image of psychoanalysis as concerned largely with 'decoding'
sexual symbols (forgive the cliche).
Ben
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