Pick any of Tarkovsky's films - in partic. Mirror, Stalker, Nostalghia and The Sacrifice.
Jansco's films also provide great examples.
Jason
-----Original message-----
From: Melis Behlil [log in to unmask]
Date: Wed, 02 Aug 2006 03:45:21 -0500
To: [log in to unmask]
Subject: Re: staying in time
Bela Tarr's films, especially the beginning of Satantango.
On 8/2/06, Adam Gregory <[log in to unmask]> wrote:
>
> a thread was recently started on 'jumps in time' which evoked a question
> from me: instances in film where there are no cuts or editing, as in the
> scene is uninterrupted and appears to be captured in its 'true duration',
> i find these to be remarkable if done well for many reasons. it seems to
> be a way of rendering cinematic time elastic. i know of a few instances,
> and the ones that stick out are the ones that were most jolting:
> Happiness had some moments that yawned, so did Vulgar, and temporality was
> one of the subjects of Decasia. i was wondering if any of you had some
> more examples, aside from the list of 9 films mentioned earlier in
> the 'jumps in time' thread. it doesn't have to be films comprised of one
> shot, but just perhaps some moments where the visuals slowed or froze to
> an almost awkward degree. thanks in advance.
>
> take care
> adam
>
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