Well, right off the bat, we should take a look see at cinematic precedents
of Deleuzian expression in order to contextualize a history wherewith to
work off of. So I would say, look no further than Luis Bunuel for
examples of lines of flight and filmic explorations of various planes of
consistency and also what you could call rhizomatic film narratives. This
has been written about to some extent in 'Luis Bunuel: New Readings' but
not to the extent that could offer a contextual jumping board for to forge
new expressions of Deleuzian film work. I've had a tougher time finding
theoretical applications from Deleuze's 'Cinema' books but I'm only a
young man, so you could say I've got my whole life ahead of me, yurd me?
Off the top of the dome, I'd say some past films that may have something
to offer to the search for Deleuzian applications in cinema are:
Discreet Charm of the Bourgeoisie, The Exterminating Angel, Milky Way, and
other Bunuelonis, Masculin-Feminin, Ugestu, Mulholland Drive, Macunaima,
the films of Suzuki, Medium Cool, and La Jetee.
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