APOLOGIES FOR CROSS POSTING
____________________
CALL FOR PAPERS (extended deadline for proposals: 31 January 2006)
British television drama and US imports: Aesthetics, Institutions,
Histories.
Friday 24 March 2006.
A one-day symposium organised by the Centre for Television Drama Studies
at the University of Reading, under the auspices of the AHRC-funded
project British TV Drama and Acquired US Programmes 1970-2000.
Keynote speakers:
Prof. Robin Nelson (Manchester Metropolitan University)
Dr. Paul Rixon (Roehampton University)
While the study of British television drama and US television drama
respectively continues to thrive, little work exists on the
interconnections between British and US television. American television
programmes have been extremely popular in Britain, yet they are frequently
omitted from critical discourse on British television. On the basis that a
nations television landscape never consists merely of indigenous
production, this symposium aims to explore how British television drama is
affected by the import of television drama from the USA.
In particular (though not exclusively) we welcome papers that address the
following questions:
What shapes the selection processes involved in the acquisition of
US TV drama? What are the institutional and practical factors involved in
this acquisition (e.g. regulation, package deals, scheduling and cost)?
How are US imports used by, and how do they work as part of,
British broadcasting (especially in terms of scheduling, promotion,
channel identity and public service)? What are the aesthetic consequences
of these broadcast processes?
How do the meanings of television texts change because of their
transatlantic journey?
How has the import of US television drama influenced aesthetic
forms, genres, representations (e.g. gender, class, race), and production
practices of British domestic television drama?
How have US imports affected the viewing experience of British
television audiences?
What may be the national specificity of television drama from
Britain and the US, and what may be shared? How does television drama
locate this specificity?
How do the different histories, institutions and evaluative
schemas in the US and Britain inflect the term quality differently and
contribute to the quality debate?
Conversely, how are British programmes exported to the US? How are
they used, scheduled, received, and what is their influence?
The day is expected to run from 10am 5pm. Papers should be no more than
20 minutes in length (including any audio-visual extracts). Please send
abstracts of 250 words by Tuesday 31 January 2006 (please note the
extended deadline) to Simone Knox via email ([log in to unmask]) or
post: Simone Knox, University of Reading, Department of Film, Theatre &
Television, Bulmershe Court, Woodlands Avenue, Reading, Berkshire, RG6 1HY.
For further details and a booking form, visit the symposium website at
www.rdg.ac.uk/fd/research/BritishTVdramaandUSimports.htm or email
[log in to unmask]
Dr Simone Knox
University of Reading
Department of Film, Theatre & Television,
Bulmershe Court, Woodlands Avenue
Reading, RG6 1HY
0118 378 5894
*
*
Film-Philosophy Email Discussion Salon.
After hitting 'reply' please always delete the text of the message you are replying to.
To leave, send the message: leave film-philosophy to: [log in to unmask]
For help email: [log in to unmask], not the salon.
**
|