This is especially odd given that there is a mixture of footage of
Jean-Pierre Leaud in 1968 and now.
Assayas' Irma Vep intercuts Feulliade's Les Vampires and a Hong Kong
Maggie Chung movie into it and in the party scene has guests watching a
Chris Marker SLON collective film as an example of the militant cinema
of the characters' youth.
j
adriana cerne wrote:
> Bertolucci The Dreamers (2003) dreaming of cinema & Paris '68. Opening
> sequence is intercut with archive material. In another scene, newsreel
> footage can be seen playing on a television in a shop display.
>
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