>Can anyone suggest examples of writing on the concept of film and
>unpleasure (what makes films unenjoyable, and why a filmmaker might
>deliberately produce such a film)? Alternatively, any suggestions
>of theories of visual pleasure aside from those related to feminist
>film theory would be really helpful.
>
When sending a message please check that the subject line reflects
the message content, and is not just one left over from a previous
thread.
If you are replying to a digest message (or someone else's reply to
one), please take a second to create a suitable subject line -- or
copy the relevant subject line from within the digest, then hit
'Reply' and replace the "FILM-PHILOSOPHY Digest..." subject line.
Not only does this make it easy for other members to follow the
current discussion(s), but it also means that checking a previous
subject thread at the website archive is made easier. If you don't
indicate the subject of your message some members may not even open
your post! (And of course, as always, please be careful not to leave
a whole digest underneath your reply.)
.
*
*
Film-Philosophy Email Discussion Salon.
After hitting 'reply' please always delete the text of the message you are replying to.
To leave, send the message: leave film-philosophy to: [log in to unmask]
For help email: [log in to unmask], not the salon.
**
|