Thanks for the references. Paul Melia refered to the word Quattrocento
which I couldn't come up with while asking my question. I wish to find
some examples from fiction films where they 'reconstruct' or maybe
'deconstruct' the idea of space as a narrational motivation.
At the moment, I am trying to adapt a story from Ottoman miniatures for
a short fiction film where I also want to use their visual methods of
storytelling, without any usage of perspective rules.
Thanks for the ideas. I hope that we can come up with some more.
Regards,
--
Ali Vatansever
[log in to unmask]
*
*
Film-Philosophy Email Discussion Salon.
After hitting 'reply' please always delete the text of the message you are replying to.
To leave, send the message: leave film-philosophy to: [log in to unmask]
For help email: [log in to unmask], not the salon.
**
|