I would like to review the Carroll if that's still available.

Tom
Thomas E. Wartenberg
Department of Philosophy
Film Studies Program
Mount Holyoke College
South Hadley, MA 01075
Phone: (413) 538-2273
FAX:  (413) 538-2579
e-mail:  <[log in to unmask]>
web:  http://www.mtholyoke.edu/~twartenb/

On Mon, 12 Apr 2004, Automatic digest processor wrote:

> There is one message totalling 186 lines in this issue.
>
> Topics of the day:
>
>   1. Film-Philosophy CFP 2004
>
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> *
> Film-Philosophy Email Discussion Salon.
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> ----------------------------------------------------------------------
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> Date:    Sun, 11 Apr 2004 23:48:36 +0100
> From:    Film-Philosophy Editor <[log in to unmask]>
> Subject: Film-Philosophy CFP 2004
>
> .
>
>
>
>   |     |      F I L M - P H I L O S O P H Y    |   |       |  |
> |    |     | | | | |             |    |         | | | | |             |      |
> |         | |       Journal : Salon : Portal     |    |||       |      |
>         |              ISSN 1466-4615            |           |  |
> |    ||      PO Box 26161, London SW8 4WD    | | |      |
>   |    |     http://www.film-philosophy.com        |  |    | |
>
>
>
>
>
>         CALL FOR REVIEW-ARTICLES 2004
>
> _Film-Philosophy_ seeks reviewers for the following books:
>
>
> Allen and Turvey, eds, _Wittgenstein, Theory and the Arts_ (2001)
>
> Bersani and Dutoit, _Forms of Being: Cinema, Aesthetics, Subjectivity_ (2004)
>
> Robert Blanchet, _Blockbuster: Asthetik, Okonomie und Geschicte des Postklassischen Hollywoodkinos_ (2003)
>
> Sylvie Blum-Reid, _East-West Encounters: Franco-Asian Cinema and Literature_ (2003)
>
> Ronald Bogue, _Deleuze on Cinema_ (2003)
>
> Stan Brakhage, _Telling Time_ (2003)
>
> Scott Bukatman, _Matters of Gravity: Special Effects and Supermen in the 20th Century_ (2003)
>
> Noel Carroll, _Engaging the Moving Image_ (2004)
>
> Sean Cubitt, _The Cinema Effect_ (2004)
>
> Joseph Cunneen, _Robert Bresson: A Spiritual Style in Film_ (2003)
>
> John Cunningham, _Hungarian Cinema_ (2004)
>
> Dai Jinhua, _Cinema and Desire_ (2002)
>
> Guy Debord, _Complete Cinematic Works: Scripts, Stills, Documents_ (2003)
>
> Daly and Dowd, _Leos Carax_ (2003)
>
> Wheeler Winston Dixon, _Visions of the Apocalypse: Spectacles of Destruction in American Cinema_ (2003)
>
> K. J. Donnelly, ed., _Film Music: Critical Approaches_ (2001)
>
> Nathanial Dorsky, _Devotional Cinema_ (2003)
>
> Aleksandar Dundjerovic, _The Cinema of Robert Lepage_ (2003)
>
> Elena and Diaz Lopez, eds, _The Cinema of Latin America_ (2003)
>
> Elsaesser and Buckland, _Studying Contemporary American Film: A Guide to Movie Analysis_ (2002)
>
> Wendy Everett, _Terence Davies_ (2004)
>
> _Film and Philosophy_, vol. 7, 2003. [General Interest]
>
> _Film and Philosophy_, vol. 8, 2004. [Ethical and Existential Themes in Cinema]
>
> Caryl Flinn, _The New German Cinema: Music, History, and the Matter of Style_ (2004)
>
> Colin Gardner, _Joseph Losey_ (2004)
>
> Paul Grainge, ed., _Memory and Popular Film_ (2003)
>
> Suzanne Heme de Lacotte, _Deleuze, philosophie et cinema_ (2001)
>
> Hojbjerg and Schepelern, eds, _Film Style and Story: A Tribute to Torben Grodal_ (2003)
>
> Dina Iordanova, _Cinema of the Other Europe: The Industry and Artistry of East Central European Film_ (2003)
>
> William Irwin, ed., _The Matrix and Philosophy_ (2002)
>
> William Irwin, ed., _Seinfeld and Philosophy_ (2000)
>
> Irwin, Conard, and Skoble, eds, _The Simpsons and Philosophy_ (2001)
>
> Jermyn and Redmond, eds, _The Cinema of Kathryn Bigelow_ (2003)
>
> Julia Knight, _New German Cinema: Images of a Generation_ (2004)
>
> Peter Kravanja, _Proust a l'ecran_ (2003)
>
> Andrew Light, _Reel Arguments: Film, Philosophy and Social Criticism_ (2003)
>
> Colin MacCabe, _Godard at 70_ (2004)
>
> Ivone Margulies, ed., _Rites of Realism: Essays on Corporeal Cinema_ (2002)
>
> Millar and Doherty, _Jane and Louise Wilson_ (2000)
>
> _New Review of Film and Television Studies_, vol. 1 no. 1, November 2003.
>
> Martha P. Nochimson, _Screen Couple Chemistry: The Power of 2_ (2002)
>
> Geoffrey Nowell-Smith, _Luchino Visconti_ (2003)
>
> Michael O'Pray, _Avant-Garde Film: Forms, Themes and Passions_ (2003)
>
> Orr and Ostrowska, eds, _The Cinema of Andrej Wajda_ (2003)
>
> Gareth Palmer, _Discipline and Liberty: Television and Governance_ (2003)
>
> Hannah Patterson, ed., _The Cinema of Terence Malick_ (2003)
>
> Patricia Pisters, _The Matrix of Visual Culture: Working with Deleuze in Film Theory_ (2004)
>
> Per Persson, _Understanding Cinema: A Psychological Theory of Moving Imagery_ (2003)
>
> Popple and Kember, _Early Cinema: From Factory Gate to Dream Factory_ (2004)
>
> _Post Script_, vol. 21 no. 3, Summer 2002. [Realist Horror Cinema]
>
> Joost Raessens, _Filosophie and film: Vivre la difference: Deleuze en de cinematografische moderniteit_ (2001)
>
> Shaw and Weibel, eds, _Future Cinema: The Cinematic Imaginary after Film_ (2003)
>
> Shiel and Fitzmaurice, eds, _Screening the City_ (2003)
>
> Sider, Freeman, and Sider, eds, _Soundscape: The School of Sound Lectures 1998-2001_ (2003)
>
> Irving Singer, _Reality Transformed_ (1998)
>
> Irving Singer, _Three Philosophical Filmmakers: Hitchcock, Welles, Renoir_ (2004)
>
> Grahame Smith, _Dickens and the Dream of Cinema_ (2003)
>
> Emma Wilson, _Cinema's Missing Children_ (2003)
>
> Wilhelm Wurzer, _Filmisches Denken: Zwischen Heidegger und Adorno_ (2000)
>
>
> If you would like to review one of these works then please respond as soon as possible to:
>
>         [log in to unmask]
>
> DO NOT HIT 'REPLY', OR SEND TO THE SALON ADDRESS.
> By all means indicate alternative book choices in order of preference.
> A brief statement of interest and experience will aid in the selection process.
> Don't forget your prefered postal address.
>
> Deadline for Replies: 30 April 2004
> Deadline for Texts (2-5,000 words): 30 August 2004
>
> Please read our Guide for Authors at:
> http://www.film-philosophy.com/journal/guideforauthors
>
>
>         CALL FOR PAPERS
>
> Submissions are also invited for papers on any topic concerning the philosophy of moving images, e.g. analytical film philosophy, film aesthetics, cognitivism, Deleuzian film philosophy, phenomenology, etc.
>
> Papers should be 2-5,000 words in length, original, and not under submission elsewhere or previously published.
>
> Send articles, abstracts, and ideas to: [log in to unmask]
> Do not hit 'reply', or send to the salon address.
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> Please read our Guide for Authors at:
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>
>
> |    |     | | | | ||    |     | | | | |
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> End of FILM-PHILOSOPHY Digest - 8 Apr 2004 to 12 Apr 2004 (#2004-95)
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