Hi,

Some other resources which might be of use:

Ben Agger, The Discourse of Domination : From the Frankfurt School to
Postmodernism, Northwestern University Studies in Phenomenology and
Existential Philosophy. (Evanston, Ill.: Northwestern University Press,
1992).

Ian. Aitken, ³Distraction and Redemption: Karacauer, Surrealism and
Phenomenology,² Screen 39, no. 2 (1998): 124-140.

Richard Allen, Projecting Illusion : Film Spectatorship and the Impression
of Reality, Cambridge Studies in Film. (Cambridge ; New York: Cambridge
University Press, 1995).

Dudley Andrew, ³The Neglected Tradition of Phenomenology in Film Theory,² in
Movies and Methods, ed. Bill Nichols (Berkeley: The University of California
Press, 1985).

Jeffrey A. Bell, ³Phenomenology, Poststructuralism, and the Cinema of Time,²
Film Philosophy 2. <http://www.hanover.edu/philos/film/vol_02/bell.htm>.

Tammy L. Bennington and Geri Gay, ³Mediated Perceptions: Contributions of
Phenomenological Film Theory to Understanding the Interactive Video
Experience,² Journal of Computer Mediated Communication 5, no. 4 (2000).
<http://www.ascusc.org/jcmc/vol5/issue4/bennington_gay.html>
.
Allan Casebier, ³A Phenomenology of Japanese Cinema: A Husserlian
Intervention in the Theory of Cinematic Representation,² Quarterly Review of
Film and Video 12, no. 3 (1990): 9-19.

Allan Casebier, Film and Phenomenology : Toward a Realist Theory of
Cinematic Representation, Cambridge Studies in Film. (Cambridge ; New York:
Cambridge University Press, 1991).

C. B Christensen, ³Sense, Subject and Horizon,² Philosophy and
Phenomenological Research 53, no. 4 (1993): 749-779.

E. A. Grosz, Volatile Bodies : Toward a Corporeal Feminism, Theories of
Representation and Difference. (Bloomington: Indiana University Press,
1994).

Tom Gunning, ³An Aesthetics of Astonishment: Early Film and the
(in)Credulous Spectator,² in Viewing Positions : Ways of Seeing Film, ed.
Linda Williams (New Brunswick, N.J: Rutgers University Press, 1995), viii,
290.

Edmund Husserl, Cartesian Meditations : An Introduction to Phenomenology
(The Hague: M. Nijhoff, 1960).

Edmund Husserl, The Idea of Phenomenology (The Hague: M. Nijhoff, 1964).

Edmund Husserl, Phenomenology and the Crisis of Philosophy (London: Harper
and Row, 1965).

Edmund Husserl, The Idea of Phenomenology, ed. Edmund Husserl, Edmund
Husserl Collected Works ; V. 8. (Dordrecht ; Boston: Kluwer Academic, 1999).

Don Ihde and Richard M. Zaner, Dialogues in Phenomenology, Selected Studies
in Phenomenology and Existential Philosophy ; 5. (The Hague: Martinus
Nijhoff, 1975).

Don Ihde, Listening and Voice : A Phenomenolgy of Sound (Athens, Ohio: Ohio
University Press, 1976).

Don Ihde and Richard M. Zaner, Interdisciplinary Phenomenology, Selected
Studies in Phenomenology and Existential Philosophy ; 6. (The Hague: M.
Nijhoff, 1977).

Don Ihde, Consequences of Phenomenology (Albany, N.Y: State University of
New York Press, 1986).

Don Ihde, Postphenomenology : Essays in the Postmodern Context, Northwestern
University Studies in Phenomenology and Existential Philosophy. (Evanston,
Ill: Northwestern University Press, 1993).

Steve Lipkin, ³Technology as Ontology: A Phenomenological Approach to Video
Image Resolution,² Quarterly Review of Film and Video 12, no. 3 (1990):
93-98.

Dermot Moran and Timothy Mooney, eds., The Phenomenology Reader (London:
Routledge, 2002).

Jenny L. Nelson, ³The Dislocation of Time: A Phenomenology of Television
Reruns,² Quarterly Review of Film and Video 12, no. 3 (1990): 79-92.

Paddy Scannell, ³For a Phenomenology of Radio and Television,² Journal of
Communication 45, no. 3 (1995): 4-19.

Wolfgang Schirmacher, ³Media as Lifeworld,² in Lifeworld and Technology, ed.
Timothy Casey and Lester Embree (Washington: The Center for Advanced
Research in Phenomenology and University Press of America, 1989), 133-143.

Eli Siegel, Self and the World: An Explanation of Aesthetic Realism (New
York: Definition Press, 1991).

Hugh J. Silverman and Don Ihde, Hermeneutics & Deconstruction, Selected
Studies in Phenomenology and Existential Philosophy ; 10. (Albany: State
University of New York Press, 1985).

Vivian Sobchack, "The Scene of the Screen: Envisioning Cinematic and
Electronic 'Presence',"
<http://www.cc.rochester.edu/College/FS/Publications/SobchackScene.html>

Vivian Sobchack, ³The Active Eye: A Phenomenology of Cinematic Vision,²
Quarterly Review of Film and Video 12, no. 3 (1990): 21-36.

Vivian Sobchack, The Address of the Eye: A Phenomenology of the Film
Experience (Princeton: Princeton University Press, 1992).

Vivian Sobchack, ³Phenomenology and the Film Experience,² in Viewing
Positions: Ways of Seeing Film, ed. Linda Williams (New Brunswick, N.J.:
Rutgers University Press, 1995).

Vivian Sobchack, ³The Scene of the Screen: Envisioning Cinematic and
Electronic 'Presence',² in Electronic Media and Technoculture, ed. John
Thornton Caldwell (Piscataway, NJ: Rutgers, 2000), 137-155.

Harald A. Stadler, ³Film as Experience: Phenomenological Concepts of Cinema
and Television Studies,² Quarterly Review of Film and Video 12, no. 3
(1990): 37-50.

KW Sweeney, ³The Persistence of Vision: The Re-Emergence of Phenomenological
Theories of Film,² Film and Philosophy 1, no. 1 (1994): 29-38.

Frank P. Tomasulo, ³Phenomenology: Philosophy and Media Theory ‹ an
Introduction,² Quarterly Review of Film and Video 12, no. 3 (1990): 1-8.

Frank P. Tomasulo, ³Selected Bibliography: Phenomenology and Film,²
Quarterly Review of Film and Video 12, no. 3 (1990): 99 -102.

Malin Wahlberg, ³Figures of Time: On the Phenomenology of Cinema and
Temporality² (PhD, Stockholm University, 2003).

Robert E. Wood, ³Toward an Ontology of Film a Phenomenological Approach,²
Film Philosophy 5, no. 24 (2001).
<http://www.film-philosophy.com/vol5-2001/n24wood>.

All the best,

P.
--------------------------------------------
Peter Hughes Honours Coordinator Media Studies Program, La Trobe University,
Victoria, 3086, Australia.
ph: +61 3 9479 3065 (w),  fax: +61 3 9479 3638 (w)
http://www.latrobe.edu.au/media

Screening the past. An international, refereed electronic journal of visual
media and history:
http://www.latrobe.edu.au/screeningthepast

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