.:,
.', :. .
.. , ..' : ..
.. '. .. ,. ..: ..
.. .: .'.. ,. . ... F I L M - P H I L O S O P H Y
. ' ...,... . . .:. . .
. .. . : ... .'.. ..,.. ISSN 1466-4615
. ., . . :... . . '.. Journal : Salon : Portal
. .'. , : ..... . PO Box 26161, London SW8 4WD
. .:..'...,. . http://www.film-philosophy.com
.. :.,.. '....
....:,. '. 2003.06.14 Film-Philosophy News
.' :. .
.,'
Animated 'Worlds' 10-11 July, Farnham, UK: Conference Update
Animated 'Worlds'
July 10th-11th, 2003
Farnham Castle, England
Conference Update
What do we mean by the term 'animation' when we are discussing film?
Is it a technique? – A style? – A way of seeing or experiencing 'a
world' that has little relation to our own lived experience of 'the'
world, or to other cinematic experiences, for that matter? What
effect have digital technologies had on our understanding and
perception of animation film? What are the methods, terminologies and
languages we use to describe what we view on screen? The keynote
lectures and papers submitted to the Animated 'Worlds' conference are
concerned with these and other questions and with how we can better
define specific queries around animation that are essential before we
can begin to provide answers to them.
Animated 'Worlds' provides a platform for approaches that address the
recent 'turn' in film studies towards 'piecemeal' approaches that
concentrate on individual films. Current debates in film studies
around cognitive theory, emotion and phenomenology underpin a number
of the papers. Animation studies also needs a language that can be
specifically used in critical and theoretical writings on animation
film. Critics and scholars are developing and defining Etienne
Souriau's pre-requisite of a 'well-made language', essential to any
scientific discipline. In the course of the 2-day conference, we hope
to encourage speculation on the 'problem' of animation in critical
studies and initiate discussions about what a filmological language
of animation scholarship could be.
The conference offers academics and graduate students from different
disciplines, filmmakers and curators opportunities to engage in new
and exciting debates around the animated form. The intimate venue
will foster networking and exchange with internationally acclaimed
cinema scholars, educators and filmmakers, and may initiate
innovative interdisciplinary collaborations. Evening film screenings
and pre-dinner receptions enhance the academic programme. We plan to
publish a selection of papers in the forthcoming ARC journal
Interstices. Interdisciplinary Journal for the Animated Form (1st
issue Winter 2003/4).
Daily Schedule:
Will be available July 2nd on the ARC
Website: http://www.surrart.ac.uk/arc/news/index.html
Conference Moderator:
Manuel Alvarado, Professor of the Moving Image, Farnham, Surrey
Keynote Speakers:
Prof. Vivian Sobchack
'Final Fantasies or The (Dis-) illusion of Life'
Prof. Wolfgang Beilenhoff
'The Riddle of the Graphics: Faces & Feelings in 2D Animation'
Hon. Fellow Kristin Thompson
'The Computer Meets Tolkiens 'Feigned History': Special Effects in
The Lord of the Rings'
PD Dr.Richard Weihe
'The Strings of the Marionette'
Session Chairs:
Prof. Wolfgang Beilenhoff, Head of the Institute for Media Studies,
Rühr-University of Bochum, Germany Dr. Andrew Darley, Surrey
Institute of Art & Design, University College, UK Prof. Vivian
Sobchack, Associate Dean, Theatre, Film and Television Studies UCLA,
USA Hon. Fellow Kristin Thompson, University of Wisconsin-Madison,
USA PD Dr.Richard Weihe, University Witten/Herdecke, Faculty for the
Studium Fundamentale, Germany and Switzerland
Confirmed Papers:
Heather Crow (University of California at Berkeley, USA) 'Hysteric
Gesture and Puppet Doubles'
Associate Prof. Thomas Lamarre (McGill University, Canada) 'From
Cinematic Movement to 'Animeic' Worlds'
Miriam Harris (Unitec School of Design, New Zealand) 'Literary Len:
'Trade Tattoo' and Len Lye's Link with the Literary Avant-garde'
Rachel Kearney (University of East London, UK) 'The Joyous Reception:
Digital Animation and the Romantic Imagination'
Prof. Mark Langer (Carleton University, Canada) 'The Rotoscope: The
Double and the Uncanny'
Dr. Livia Monnet (University of Montreal) 'Invasion of the Movie
Snatchers: Mimesis and Melancholia in Final Fantasy: The Spirits
Within'
Carole–Ann Poole and Alex Jukes (Edgehill University College, UK)
'Uniqueness, Detail and Perception in Computer Generated Films'
Pedro Sarrazina (Surrey Institute of Art & Design, University
College, UK) 'The Influence of New Technology on the Generation of
Space as a Narrative Tool within Animation Practice'
Dr. Karin When (University of Leipzig, Germany) 'An Unrecognised
Treasure Chest: The Internet as an Animation Archive'
Dr. Aylish Wood (University of Aberdeen, UK) 'Metamorphosis and Dynamic Space'
Paul Ward –(Brunel University, UK)
'Animated Interactions: 'Animation aesthetics and the 'interactive'
Documentary'
Prof. Paul Wells (University of Teesside, UK) 'Ambiguity, Stream of
Consciousness and the Objective Correlative: Defining Narrative
Spaces in Brit-lit Animation'
Associate Prof. Suzanne Williams-Rautiola (Trinity University, USA)
'Animated Fathers: Representations of Masculinity in 'The Simpsons'
and 'King of the Hill'
Location:
The conference will be held at the Farnham Castle International
Conference and Briefing Centre, 50 minutes by train from Central
London (Waterloo). As we aim for lively exchange and discussion
throughout the conference and are planning evening events,
participants are encouraged to take advantage of the limited special
offer of rooms available at the Castle.
Details on accomodation and the Castle and its history are available
on the Farnham Castle website:
www.farnhamcastle.com
Enquiries and Advance Bookings
There are a limited number of delegate places (60). There are options
for 1 or 2-day resident and non-resident delegates. All bookings must
be made in advance by Friday, July 4th, 2003 at the latest. Please
contact Kerry Drumm, the ARC Administrator, 01252 892923 email:
[log in to unmask]
Booking forms are also available in PDF format on the ARC website:
http://www.surrart.ac.uk/arc/news/i[Marker]ndex.html
Payments can be made by credit card or check in Pounds Sterling.
Deadline for registration and payment is July 4th, 2003. Receipts for
registration fees will be included in the personalised conference
packs distributed at the conference registration desk.
Conference Organisation
The Animation Research Centre (www.surrart.ac.uk/arc) Surrey
Institute of Art & Design, University College Falkner Road Farnham,
Surrey
GU9 7DS
England
Tel: +44 (0)1252 892 923
Suzanne Buchan, ARC Director ([log in to unmask]) Kerry Drumm, ARC
Administrator ([log in to unmask]) Jim Walker, ARC Archive Manager
([log in to unmask])
Should you have any queries please contact Kerry Drumm, the ARC
Conference Administrator
Collaborating and Supporting Institutions The International Society
for Animation Studies (SAS) The Animation Department at the Royal
College of Art, London AHRB Centre for Film & Television Studies: The
British Artists' Film & Video Study Collection, London Institute,
Central St. Martins Farnham Maltings LUX
The Arts Council of England's Animate! Scheme British Airways
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From: Robert Lort <[log in to unmask]> To: deleuze-guattari
<[log in to unmask]> Subject: Azimute Update
Reply-To: [log in to unmask]
X-Originating-Ip: [203.17.162.31]
Hello,
A brief announcement to let you know that Azimute has just published
two new online texts.
"Constituting Bodies: Constituting Life: from subjectivity to affect
and the "becoming-woman" of the cinematic," by Barbara M. Kennedy
"Living Dangerously: Kierkegaardian Faith and Deleuzean Becoming," by
Jason Flato
http://www.azimute.org
Azimute is an online publisher dedicated to publishing theoretical
texts concerned with Deleuze and Guattari and related aspects of
their work.
Regards
--
Robert Lort
http://www.azimute.org
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Envelope-to: [log in to unmask]
From: "Senses of Cinema" <[log in to unmask]> To:
"Film-Philosophy" <[log in to unmask]> Subject: Call for
Contributions
Date: Sun, 25 May 2003 17:32:51 +1000
X-Priority: 3
Senses of Cinema is seeking contributions on the following topics:
· Auteurs: Elia Suleiman, Jerzy Skolimowski, Pedro Costa, Manuel de
Oliveira, Arturo Ripstein, Jess Franco.
· Recent Chinese 'underground' cinema.
· Louis Feuillade and European cinema 1910-20.
· Australian experimental filmmaking in the 1960s-70s.
· .and today. Does an Australian 'avant-garde' still exist? Where
can it be located?
· Contemporary documentary. How are forms changing in the light of
digital video and reality TV?
· 'Global' Hollywood action cinema. The 'American' films of John
Woo, Luc Besson, Paul Verhoeven, Jackie Chan. Other US action
auteurs: the Wachowski brothers, John McTiernan, Walter Hill.
· The New Telephilia. How does the 'cult' popularity of shows like
Buffy The Vampire Slayer, The Sopranos, Six Feet Under relate to
traditional cinephilia? Also, TV drama's most significant past shows
and eras (e.g. Britain in the '70s and '80s).
· Pop music and cinema. How are current forms of popular music (e.g.
hip-hop, trance) interacting with and reshaping both mainstream and
'underground' cinema? Also: the pop star as actor (in Hollywood,
Bollywood, Asian film industries).
· Cinema and the gallery. Reflections on cinema within the art-space
of the gallery.
· 'Lost' films - either never completed, or wholly or partially
destroyed.
· Animation and animé - new theoretical perspectives.
· Film theory polemic. Overviews of current trends in film theory
felt to be especially productive or damaging.
· New Australian cinema: Horseplay, L'idole.
· Film festival reports: Buenos Aires, Istanbul, Cannes (see our
festivals page for longer list).
· Book reviews: if you are interested, please send a proposal or get
in touch with us for a full list of books available for review.
· Essay-reviews are also sought on all new/recent films of particula
r note.
Upcoming Special Issue on Perversion guest edited by Patricia MacCormack
This issue aims to address different interpretations of the theme of
perversion in film. Essays are sought that deal with 'perverse' films
- from porn to horror, non-canonical cinema to incomprehensible
visual feasts. Films which pervert traditional paradigms of gender,
race, sexuality and disability are also encouraged. Highly sought are
essays that pervert traditional film theory. These may be essays that
deal with continental philosophy read into film, or that go beyond
gaze theory, psychoanalytic film theory, or theory that takes
heterosexual viewing matrices as standard. The more imaginative the
interpretation of the term 'perverse' the better!
Expressions of interest should be sent to the editors.
If you want to propose an article on one of these topics, or anything
else film-related, the editors would be pleased to hear from you.
Contact them at [log in to unmask] and [log in to unmask]
Deadline for contribution to the next issue, Issue 27 July-August, is
July 1. However, please let us know if you are interested in
contributing on any of the above to a future issue and we will advise
the relevant deadline.
Finally, if you're interested in contributing to Great Directors - a
critical database, email Michelle Carey -
[log in to unmask] Or you can also submit your Top Ten
films of all time to Cerise Howard - [log in to unmask]
Regards,
Jake Wilson & Fiona A. Villella
Co-editors
Senses of Cinema
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EasyCinema applies the low-cost no frills model to cinema.
https://www.easycinema.com/general/AboutUS.aspx
They have opened a cinema in Milton Keynes where you can watch movies
from 20p. Book here:
http://www.easycinema.com
Hollywood is not giving EasyCinema the top releases though according
to the Beeb. http://news.bbc.co.uk/2/hi/uk_news/3051075.stm
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From: James Kreul <[log in to unmask]> Subject: Michael Snow
interview @ thekit.org MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"; format=flowed
For those interested, there is an interview with Michael Snow
recorded during his visit to the Wisconsin Film Festival in March
available at thekit.org
http://www.thekit.org/audio.htm
James Kreul
UW-Madison
[log in to unmask]
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From: Seth Giddings <[log in to unmask]> Subject: Power Up:
computer games, ideology and play MIME-Version: 1.0
Content-Type: text/plain
Content-Transfer-Encoding: 7bit
http://www.power-up.org.uk
The symposium 'Power-Up: computer games, ideology and play' will be
at the Watershed Media Centre, Bristol on Monday July 14th and
Tuesday July 15th.
The Play Research Group within the School of Cultural Studies at UWE
in Bristol invites you to explore the implications and possibilities
for studying games and play as part of a changing world and its power
structures. The symposium is organised to maximise discussion and
debate - there is a limited number of panels and workshops with
plenty of time for less formal exchange of ideas.
The symposium will be of interest to those concerned with the
significance of play in popular culture and media in general as well
as those with a particular interest in computer games.
Please see the website for more information, registration forms and programme.
http://www.power-up.org.uk
The Play Research Group
School of Cultural Studies
University of the West of England
Bristol
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From: Emily Lawrence <[log in to unmask]> Subject: War and the Media
MIME-Version: 1.0
Content-Type: text/plain
I am delighted to announce the publication of War and the Media by
Daya Thussu and Des Freedman. For more information about this book
please visit:
http://www.sagepub.co.uk/
Emily Lawrence
Books Marketing Manager
SAGE Publications Ltd.
6 Bonhill Street, London, EC2A 4PU, UK
Tel: +44 (0) 207 330 1297
Fax: +44 (0) 207 374 8741
www.sagepub.co.uk
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From: grahame weinbren <[log in to unmask]> Subject: Millennium
Film Journal 25th anniversary MIME-Version: 1.0
Content-Type: multipart/alternative;
boundary="============_-1158223512==_ma============"
The Millennium Film Journal is celebrating its 25th year of publication.
We have a special anniversary offer. Almost the entire set, 26 books
(No. 1 is out of print and unavailable), for $195. Please purchase
through Amazon zshops at the following URLs:
Non-US orders:
http://s1.amazon.com/exec/varzea/ts/exchange-glance/Y01Y4182740Y1411024
US orders:
http://s1.amazon.com/exec/varzea/ts/exchange-glance/Y02Y0467931Y4528285
Two tables of contents (by filmmaker and by author) are on-line at:
http://mfj-online.org
As always, we welcome contributions of texts, manifestoes, plans,
reviews, etc. for future issues.
Grahame Weinbren
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From: Vittorio Frigerio <[log in to unmask]>
Call for Papers:
Terror in Science-Fiction and the Fantastic
Terror is that extreme fear, that profound fright capable of freezing
the blood in one's veins. Terror is also that collective fear that is
brought to bear on a people to overcome its resistance. Finally, by
metonymy, terror is the thing or the being who inspire fear. Terror
has a long history when it comes to science-fiction and the
fantastic. It operates in the relation between the reader and the
sci-fi object, in the feelings inspired by the invading Martians of
H.G. Wells, for example, or in the representation of dystopian,
totalitarian regimes like in Orwell's 1984. It also dwells at the
heart of science-fiction and horror literature, those genres that
lead both hero and reader in a trip to the border zone between the
known and the unknowable, where their deepest fears lie in wait.
Ironically, while playing with our secret obsessions, science-fiction
and horror literature often become... the nightmare of academic
literary criticism. Positioned at the very edge of literariness - as
it is sometimes said - dressed in the gaudy colours of mass
production, these genres pose a tormenting dilemma to the critic:
what if this object isn't literature? what if reading science-fiction
and fantastic literature could irredeemably corrupt the reader,
leading him away from the straight and narrow path of canonical works
of art?
The next issue of Belphégor will focus on terror as theme and
strategy in science-fiction and the fantastic, on the status of these
genres, and on the relationship between the two. Contributions can
deal with the study of terror within sci-fi and related literatures,
they can comment on the fear of sci-fi amongst some readers,
researchers or critics, or can focus on ways and means to escape from
this scary logic in academic criticism. Finally, they can deal with
the classification / declassification / reclassification of the
literary genres in which terror plays a role, within the literary
domain and within contemporary media culture.
Some possible themes:
The devil in literature
Fantastic literature and the archetypes of horror How much horror is
too much horror in children's literature Frightening readings in
science-fiction or the fantastic The fear of the other in science
fiction of the fantastic The literary strategies of horror
Science-fiction and academic criticism
The representation of totalitarian societies within the various
national versions of science-fiction
Science-fiction, the fantastic and the literary institutions: who is
afraid of whom?
Vampires in literature
Travels to the lands of terror in the fantastic novel Horror and
terror in comics
Horror and terror in the movies
etc.
Deadline: December 31, 2003
http://www.dal.ca/etc/belphegor
Dr. Vittorio Frigerio
Professeur adjoint
French Department
Dalhousie University
6209 University Avenue
Halifax, Nova Scotia
Canada B3H 4P9
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BEYOND the Theory of Practice
Deadline: 2003-05-23
Description: BEYOND THE THEORY OF PRACTICE This conference aims
to address the importance of theoretical practice today and evaluate
its influence on film teaching and the film audience. It is intended
to bring together an international community of filmmakers, film
theorists and educators in order to consider ...
Contact: [log in to unmask]
Announcement ID: 133640
http://www2.h-net.msu.edu/announce/show.cgi?ID=
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From: Kate Douglas <[log in to unmask]> Subject: CFP: Hollywood
to Bollywood
MIME-Version: 1.0
Content-Type: text/plain
Content-Transfer-Encoding: 8bit
Hollywood to Bollywood: Reviewing the Culture of Musicals
An M/C Reviews feature
http://reviews.media-culture.org.au
Edited by Emma Nelms and Kate Douglas
M/C Reviews would like to invite contributions for a reviews feature
on the theatrical, cinematic and televisual significance of musicals.
We will publish a collection of short critiques or thought-pieces
(each submission should be 1000 words or less) on the subject of
musicals (whether film, theatre or television), as well as reviews of
particular musicals.
Possible topics include (but should not be limited to):
The re-emergence of the musical (from Moulin Rouge and Chicago to and
Dancer in the Dark) Musical favourites—"hits" and "misses"; post WWII
"feel good" musicals
Musicals and the Oscars
Hollywood, Bollywood and European musicals; musicals and nationalism;
post-colonial and postmodern musicals
The international popularity of Bollywood and its cultural impact on
cinema (from Monsoon Wedding to The Guru)
Bollywood billboards and disco beats
The influence of Western musicals on Bollywood musicals and vice versa
"Stars" of the musical
Film adaptations of stage musicals
Musical episodes of T.V. series (Xena, Ally McBeal, Buffy, The Simpsons)
Queer(ing) musicals
Dance/choreography
Costumes/makeup
Songs, sounds, voice-dubbing, lip-synching The commodification of the
musical; ancillary texts—soundtracks, DVDs, re-releases; fandom
The deadline for submissions is 14th July 2003. Articles should be no
longer than 1000 words (submissions exceeding this length will not be
considered) and should use MLA referencing style. Please submit your
articles for
consideration directly online at
http://reviews.media-culture.org.au (please note—you must register as
a user and include a contact e-mail address; anonymous reviews will
not be published) or send completed submissions and any enquiries via
e-mail to Emma Nelms [log in to unmask] and Kate Douglas
[log in to unmask]
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From: Caroline Beven <[log in to unmask]> Subject: screen
studies conference info
Screen Studies Conference
4-6 July 2003
Glasgow University
This will be the 13th Screen Studies Conference, which as usual will
host a wealth of papers from international delegates on a diverse
range of screen studies topics.
In addition, there is a particular strand within this year's
conference on the subject of film and television design.
A PROGRAMME giving details of all speakers and panels (ssc03
timetable) is attached to this e-mail.
A REGISTRATION FORM (regist 2003) is also attached to this email,
with details of conference fees and accommodation, which is in
ensuite single rooms in a university hall of residence. If you would
prefer to organise your own accommodation, the university website
http://www.cvso.co.uk/accommodation.cfm has details.
The conference will run from around 3pm on Friday 4 July to 3.30pm on
Sunday 6 July, and will be held at Glasgow University's Gilmorehill
Centre. Maps of the University campus and general area are available
at http://www.cvso.co.uk/index.cfm
If you wish to attend the conference, please print off the form,
complete and return it with relevant remittance to the address below
as soon as possible.
Full details of the programme, along with paper abstracts and a copy
of the registration form will soon also be available on our website
http://www.screen.arts.gla.ac.uk
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From: _manu Luksch <[log in to unmask]>
Subject: Media in ISRAEL and PALESTINE
Hi there
I have been so fortunate to get to speak to Ronni Shendar
[Alternative Information Centre, Jerusalem], Galit Eilat [Director
Digital Art Lab, Holon], Nisreem Abu-Zayyad [Palestine-Israel
Journal], and Momo Yoel [indymedia, Tel Aviv] about media in ISRAEL
and PALESTINE - even if things might have changed since this winter,
they are very interesting positions so I thought I make them
available at
http://www.ambienttv.net/3/spyschool/1/israelinterviews/index.html
Reactions& comments welcome ;-)
manu
- - -
- - -
__________________________________________ ___________________Manu Luksch____
[log in to unmask]
T: +44 7951539144_________________________
__________http://www.ambientTV.NET_______
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RoundAbout: Mobility, Narratives and Journeys in Twentieth
Century Australia
Deadline: 2003-07-01
Description: RoundAbout: Mobility, Narratives and Journeys in
Twentieth Century Australia. RoundAbout, is a one-day
inter-disciplinary conference to be held at The University of Sydney
on Friday the 12th of September 2003. The conference seeks to
investigate the changing representations, understandings and expe ...
Contact: [log in to unmask]
Announcement ID: 133637
http://www2.h-net.msu.edu/announce/show.cgi?ID=133637
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From: vicky lowe <[log in to unmask]> Subject: Film discussion
group at liverpool FACT centre. MIME-Version: 1.0
Content-Type: text/plain; format=flowed
*apologies for cross posting*
If you are in/near Liverpool you may be interested in an informal
film discussion group at the FACT centre this month. Its totally free
and you can get a complimentary glass or wine….We will be chatting
about films in the Picturehouse @ FACT programme . The films this
month are Russian Arc, Lilya-4-ever, and Secretary - but don't worry
if you havent seen all/any of them - discussion tends to be quite
heated about a range of different films !!! We meet on the last
Tuesday of every month and the next meeting is on 27th May in the
FACT bar.
For more information and to book your place, please contact Tickets
and Information on 0151 707 4450.
-
FACT, the Foundation for Art & Creative Technology 88 Wood Street
Liverpool, L1 4DQ
t: + 44 (0)151 707 4450
f: + 44 (0)151 707 4445
[log in to unmask]
Coming Soon...
DEANIMATED, a major new exhibition by MARTIN ARNOLD
Don’t Miss...
Celebrations for Breaking Routine, Kristin Lucas with Flamingo 50,
Venus & Exit 3 - New York-based Lucas's collaboration with three
Liverpool girl-led bands, in Gallery 1 until 22 June.
If I am not here, I'm over there, Zilla Leutenegger - The Swiss
artist's first solo exhibition in Britain, in Gallery 2 until 22 June
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From: Mark Jancovich <[log in to unmask]> Subject: Scope: New Edition
Scope's new articles, book and film review and conference reports can
be accessed via the link to the Institute of Film Studies below. Also
included is a special issue on Asian Cinema.
CONTENTS
ARTICLES
"Did You Ever Eat Tasty Wheat?": Baudrillard and The Matrix, By William Merrin
How queer is L'Air de Paris? -- Marcel Carn and queer authorship, By
Alexander Dhoest
The Terror Tale: Urban Legends and the Slasher Film, By Mikel J. Koven
Why Call them "Cult Movies"? American Independent Filmmaking and the
Counterculture in the 1960s, By Mark Shiel Articles Archive
BOOK REVIEWS
African Cinemas: Decolonizing the Gaze, By Olivier Barlet, A Review
by Martin Stollery
An Argentine Passion: Mara Luisa Bemberg and her Films, Edited by
John King, Sheila Whitaker and Rosa Bosch, A Review by Bernard McGuirk
Anatomy of Film, Third Edition, By Bernard F. Dick, A Review by Bob Rehak
Anime from Akira to Princess Mononoke: Experiencing Contemporary
Japanese Animation, By Susan J. Napier, A Review by Jay McRoy
The Bare Facts Video Guide, By Craig Hosoda, A Review by Rebecca D. Feasey
Blockbuster TV: Must-See Sitcoms in the Network Era, By Janet
Staiger, A Review by Brett Mills
Britain and the American Cinema, By Tom Ryall, A Review by Sarah Street
Celluloid Indians, By Jacqueline Kilpatrick, A Review by Ragan Rhyne
Close Up: Iranian Cinema Past, Present and Future, By Hamid Dabashi,
A Review by Lina Khatib
The Cognitive Semiotics of Film, By Warren Buckland, A Review by Tico Romao
The Documentary Film Movement: An Anthology, Edited by Ian Aitken, A
Review by John W. Campbell
Fan Cultures, By Matt Hills, A Review by Lincoln Geraghty
Film Music: Critical Approaches, Edited by K. J. Donnelly, A Review
by Annette Davison
Hearing Film: Tracking Identifications in Contemporary Hollywood Film
Music, By Anahid Kassabian, A Review by David Sanjek
Hollywood Spectatorship: Changing Perceptions of Cinema Audiences,
Edited by Melvyn Stokes and Richard Maltby, A Review by Stephen Harper
How to Read a Film: The World of Movies, Media, and Multimedia:
Language, History, Theory. (Third Edition, Completely Revised and
Expanded), By James Monaco. A Review by Stacy Gillis
Impossible Bodies: Femininity and Masculinity at the Movies, By Chris
Holmlund, A Review by Rebecca Janicker
Korean Broadcasting Institute Report 2001, By Korean Broadcasting
Institute, A Review by Jeongmee Kim
Keyframes: Popular Cinema and Cultural Studies, Edited by Matthew
Tinkcom and Amy Villarejo, A Review by David Inglis
The Movies as History: Visions of the Twentieth Century, Edited by
David W. Ellwood, A Review by Lincoln Geraghty
New Documentary: A Critical Introduction, By Stella Bruzzi, A Review
by Heather Nunn
New Patterns in Global Television: Peripheral Vision, Edited by John
Sinclair, Elizabeth Jacka and Stuart Cunningham, A Review by Ragan
Rhyne
The Oxford Companion to Australian Film, Edited by Brian McFarlane,
Geoff Mayer and Ina Bertrand, A Review by Julia Hammett-Jamart
Picturing Culture: Explorations of Film and Anthropology, By Jay
Ruby, A Review by David Murray
Political Film: The Dialectics of Third Cinema, By Mike Wayne, A
Review by Martin Stollery
Post-War Cinema and Modernity: A Film Reader, Edited by John Orr and
Olga Taxidou, A Review by Richard Armstrong
Reading Hollywood: Spaces and Meanings in American Film, By Deborah
Thomas, A Review by Sarah Heaton
Retrovisions: Reinventing the Past in Film and Fiction, Edited by
Deborah Cartmell, I.Q. Hunter, and Imelda Whelehan, A Review by
Lincoln Geraghty
Scriptwriting for the Screen, By Charlie Moritz, and A Poetics for
Screenwriters, By Lance Lee, A Review by Cynthia Baron
A Skin For Dancing In: Possession, Witchcraft and Voodoo in Film, By
Tanya Krzywinska, A Review by Brigid Cherry
Spectacular Narratives: Hollywood in the Age of the Blockbuster, By
Geoff King, A Review by Marlon Kuzmick
Technology and the Logic of American Racism: A Cultural History of
the Body as Evidence, By Sarah E. Chinn, A Review by Richard H. King
Television: An International History, Edited by Anthony Smith and
Associate Editor, Richard Paterson, A Review by Michael Curtin
Understanding Disney, By Janet Wasko, A Review by Paul Grainge
Writing for Radio, By Vincent McInerney, A Review by Martin Shingler
FILM REVIEWS
After the Rain, A Review by Shulamit Almog
Animal Farm, A Review by Chris Wiley
Bend It Like Beckham, A Review by Debnita Chakravarti
Gebrtig, A Review by Eva Kuttenberg
The Lawless Heart, A Review by Lisa Rull
Monsters, Inc., and Ice Age, A Review Essay by Rebecca Farley
Resident Evil, A Review by Bob Rehak
Storytelling, A Review by William DeGenaro
Sweet Sweetback's Baad Assss Song, A Review by Dennis Chester
The Company Man, A Review by Valerie Holliday
The Importance of Being Earnest, A Review by Irene Morra
Threads, A Review by Paul Binnion
The 49th Sydney Film Festival, 7-21 June 2002, A Review Essay by
Maria San Filippo
Videodrome, A Review by Polona Petek
Windtalkers, A Review by Elizabeth Abele
SPECIAL EDITION: ASIAN CINEMA
Introduction, by Julian Stringer, Guest Editor
New Kids on the Street: The Pan-Asian Youth Film, An Article by David Desser
A Zhong, A Review by Ming-Yeh T. Rawnsley and Gary D. Rawnsley
Across a Gold Prairie, A Review by Sachiko Shikoda
Ah Kam, A Review by Andrew Willis
Buddha Blessed America, A Review by Ming-Yeh T. Rawnsley and Gary D. Rawnsley
Dandelion, A Review by Sanghee Lee, Translated by Jeongmee Kim
East Palace, West Palace, A Review by Jeongmee Kim
Floating Life, A Review by Hsiao-Pin Chang
Green Fish, A Review by Jeeyoung Shin
Home and the World, A Review by Subrata K. Mitra
The Indian Tomb, A Review by Richard J. Aldrich
Murmur of Youth, A Review by Ming-Yeh T. Rawnsley and Gary D. Rawnsley
Nation and Kingship in the Films of His Majesty Norodom Sihanouk,
King of Cambodia: My Village at Sunset and The Heir of a Vanquished
Secessionist, A Review Essay by Caroline Hughes
A Page of Madness, A Review by Rayna Denison
Princess Mononoke, A Review by Sachiko Shikoda
The Rite of Love and Death, A Review by Julian Stringer
Salaryman or Iron Man?: Tetsuo: The Iron Man and Tetsuo II: Body
Hammer, A Review Essay by Tsung-yi Michelle Huang
Fidelity and Betrayal: Adapting Novel into Film in a
Political-Commercial Context - The Strangers in Beijing, A Review by
Hei Ma
Three Seasons, A Review by Roopa Chauhan
Tropical Fish, A Review by Ming-Yeh T. Rawnsley and Gary D. Rawnsley
Xiu-Xiu the Sent Down Girl, A Review by Xiaoling Zhang
CONFERENCE REPORTS
Film in American Studies 2002, The British Association for American
Studies Annual Conference, University of Oxford, 5-8 April 2002, A
Report by Jude Davies
From Literature to Film and Back, The NEMLA's Thirty-Third Annual
Convention, April 11-14, 2002, Toronto, Canada, A Report by Michelle
E. Moore
The Long Revolution?, Media in Transition 2: Globalization and
Convergence, May 10-12, 2002, Massachusetts Institute of Technology,
Cambridge MA, A Report by Anita Biressi
- --
Prof. Mark Jancovich
Director, the Institute of Film Studies
School of American and Canadian Studies
University of Nottingham
Nottingham, NG7 2RD
United Kingdom
Tel: 0115 951 4250
Fax: 0115 951 4270
email: [log in to unmask]
URL: http://www.nottingham.ac.uk/film
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Issue 26 of
SENSES OF CINEMA
is online at
http://www.sensesofcinema.com
Spotlights include:
Australian film - Alexandra's Project, Ned Kelly Tribute to Stan Brakhage
Sexual politics in the Chinese Martial Arts film Cinema and the
Holocaust - The Pianist, None Shall Escape Michael Haneke spotlight
Rob Nilsson, Jerry Rudes, Kent Jones Interviews Underground cinema
Il Mio Viaggo in Italia and Italian cinema John Ford's Bucking Broadway
Credit sequences
Blockbusters in Hong Kong
Plus:
GREAT DIRECTORS - Ozu, Burnett, Demy, Rosi, Arzner, Lester, Wenders,
Korine and others
TOP TENS / BOOK REVIEWS / FESTIVAL REPORTS / CTEQ ANNOTATIONS
Senses of Cinema http://www.sensesofcinema.com
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a new traveling film series premiering at the American Museum of the
Moving Image in New York this May. The title is "Czech Horror and
Fantasy on Film," and the website can be found at:
http://www.czechcenter.com/CzechHorror&FantasyFilms.htm
There is also a Press Release available at:
http://www.czechcenter.com/CzechFilmsPress.htm
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From: vicky lowe <[log in to unmask]> Subject: Fwd: CFC/CFF
Archive Conference MIME-Version: 1.0
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id h4EBrZS04717
Resounding Images
Wednesday 16 July 2003 at The Arts Picture House, Cambridge
The Cambridge Film Consortium, in association with Screen East, will
be hosting a one day conference on using film archives in community
and education projects as part of the 23rd Cambridge Film Festival.
The day will include presentations and screenings on accessing
national and regional archives with input from The National Film and
Television Archive, bfi, Imperial War Museum, East Anglian Film
Archive, British Pathé, British Universities Film and Video Council
and the Welsh Film Archive.
Topics will include animation, intergenerational reminiscence
projects, how to use archives in History, Science, Animation and
Music projects in schools, and how academic research and oral history
interviews led to a series of Women at War screenings in cinemas.
Special events will include
Music and Silent Films: A Composer's Perspective with acclaimed
silent film pianist Neil Brand,
Let's Wait and See the Pictures an East Anglian Film Archive event
celebrating the early days of cinema from music hall to the coming of
sound
An evening screening of Alexander Dovzhenko's Arsenal, with live
piano accompaniment from Neil Brand and an introduction from
Professor Ian Christie.
Delegates will also be invited to a MovIES Education Forum on
Thursday 17 July 10am - 12 noon to debate the role of archives in
education projects, issues of funding and provision of
teacher-training as well as exploring practical ways of using film
archives.
For further information and booking contact [log in to unmask]
or telephone 01223 500082
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From: Sally Munt <[log in to unmask]> Subject: MeCCSA annual conference
MIME-Version: 1.0
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**********ADVANCE NOTIFICATION ONLY!!************
MeCCSA Annual Conference
December 19th ? 21st 2003
University of Sussex, Brighton
Deadline for papers - September 1st - email address for submissions
to be published soon. Panel or individual submissions are welcome.
Confirmed speakers:
Prof Elizabeth Grosz
Professor, Women's and Gender Studies. Rutgers University, New
Brunswick, New Jersey, USA
Dr. Jostein Gripsrud.,
Professor of Media Studies, Department of Media Studies, University
of Bergen, Norway
Title of paper: "(Re)fermenting the field"
Ian Diamond
Chief Executive, Economic and Social Research Council, UK
More keynote speakers to follow.....!
Sally R Munt
Head of Department
Media and Cultural Studies
248 Essex House
University of Sussex
Falmer
Brighton
East Sussex
BN1 9RQ
To leave messages use Media 01273 872574 Telephone 01273 678834
Fax 01273 678644
Sally R Munt
Head of Department
Media and Cultural Studies
248 Essex House
University of Sussex
Falmer
Brighton
East Sussex
BN1 9RQ
To leave messages use Media 01273 872574 Telephone 01273 678834
Fax 01273 678644
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From: Eileen Kennedy <[log in to unmask]> Subject: Leisure
and Visual Culture
Details of the parallel programme for Leisure and Visual Culture,
this year's annual conference of the Leisure Studies Association (8 -
10 th July, Roehampton University of Surrey) can now be found at:
http://www.leisure-studies-association.info/LSAWEB/2003/ParallelProgramme.html
Please note that the deadline for discounted registration rates for
the conference is 15th May.
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Envelope-to: [log in to unmask]
From: "Senses of Cinema" <[log in to unmask]> To:
"Film-Philosophy" <[log in to unmask]> Subject: The Question
Spielberg: A Symposium Date: Sat, 14 Jun 2003 14:05:50 +1000
X-Priority: 3
The Question Spielberg: A Symposium
While few directors hold more sway over contemporary cinema than
Steven Spielberg, few have been viewed in more polarised terms. Is he
an authentic poet of childhood, or a sentimental manipulator who
infantilises his audience? A modern equivalent to the great
'classical' Hollywood directors, or the baleful personification of US
cultural imperialism? Whatever the answers to these questions,
Spielberg's recent films - beginning with his landmark
'collaboration' with the late Stanley Kubrick on A.I. Artificial
Intelligence (2001), and proceeding through Minority Report (2002)
and Catch Me If You Can (2002) - arguably represent a new, highly
personal stage in his career.
With this in mind, Senses of Cinema invites brief reflections which
may focus on individual Spielberg films, particular aspects of his
overall body of work, or his direct and indirect influence on cinema
generally. Contributors are encouraged to explore their personal
feelings about Spielberg, at the same time aiming to move beyond
knee-jerk reactions to a more nuanced understanding of his
significance as artist and cultural phenomenon.
Contributions may be single paragraphs, and should not exceed 800
words. Deadline for submissions is July 6.
Jake Wilson & Fiona A. Villella
Editors, Senses of Cinema
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From: Jem Noble <[log in to unmask]>
Subject: Blackout: call for proposals
Apologies for any cross-postings.
Blackout is a film, arts and digital media event that takes place as
part of the Orange Ashton Court Festival in Bristol (19 & 20 July).
We are now canvassing for content proposals from the artistic
communities od the South West (mainly but not exclusively) and would
like to hear from any groups or individuals creating work using
cross-media forms or innovative/experimental single media (film,
music, video-art, acoustic ecology, dance, live art, puppetry etc).
Stage/screen based performance/presentation slots are up to 45 minutes.
the deadline for submissions is Friday, May 2.
Please include a biography/billing of no more than 50 words and full tech spec.
demo material should be sent to:
Blackout
24 Sandown Road
Brislington
Bristol BS4 3PN
many thanks
Jem Noble
Blackout Coordinator
Notes
Orange Ashton Court Festival is a not-for-profit community festival
taking place at Bristol's Ashton Court estate. FFI
<http://www.ashtoncourtfestival.com>
The festival sees a footfall of around 120,000 people across the weekend.
Blackout is a not-for-profit arts collective connected by Bristol's
Cube Microplex and dedicated to presenting experimental artwork in
public contexts. It is sponsored by Roadshow Conference Productions
and by New Partners investment from Arts and Business.
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http://metaphilm.com
You asked for it, and we've delivered. More phresh content, more
interactivity, more philm phun, more more more (ok, we'll use proper
spelling now).
New logos. Fresh look and feel. Better search capabilities. An RSS
feed. An event calendar. And that guilty pleasure of the moment, the
ubiquitous (ph)ilm weblog.
It's all here, and it's all still free, and it's all only at
Metaphilm, the Internet's best, only, most intelligent, funny, and
absurd film interpretation site. Thousands of other sites review
films. Only Metaphilm interprets them for you.
What's the difference? A review helps you decide whether you want to
see a certain film. An interpretation, when it's all said and done,
helps you decide whether you want to see it again. To see what you
missed. Or see what you thought you saw in a new light, a new way, a
new twist, a newfangled thingamabob.
We continue to accept and solicit the interpretations of film fans
from all walks of life. We continue to humbly point you to the best
of the web's film interpretations that are not original to
Metaphilm's authors. We are, in short, your one-stop resource for
film interpretation. Think of us as the IMID -- the Internet Movie
Interpretation Database. Think of us as the Phudge Report -- the best
of what we know and what others know about the world of a film's
"true" meaning. Think of us as Ain't It Cool Views -- interpretations
so hermeneutical, so outrageous, so desperately earnest that you
really can't tell if the author is kidding you or not. Well honestly,
think of us anyway you like, just think of us.
Here's what's not to miss this month on Metaphilm:
* The whole site is new. Remember?
* About A Boy. Why Hugh Grant is the last hero of the dot-com era. *
The Axis of Goth. A Pheature from Todd Seavey on a quartet of dark
directors. * The new Metaphlog has links to the end of movies as we
know them, the reasons we watch sports movies, and lots more.
There's so much more to say, but chances are good you've already
deleted this e-mail. If that's what you'd like to do, but find that
you can't, we've made it easier and less personally offensive for you
to tell us to bug off -- now you can subscribe and unsubscribe from
our update announcements with the simple click of a button on the
homepage itself. No more embarrassing apologies whose interpersonal
communication style reveals your deep discomfort with the ontological
uncertainty of a webpage you can't pigeonhole. No more
fence-straddling -- simply click the button and you're in or out --
your choice.
If you're in, feel free to send us stuff. Your own interpretations.
Fodder for the Phlog. Your pheedback and requests (We can do forums
-- ok, Phorums -- if there's any demand for them).
Cheers
Read
publisher
Peter
editor & webmaster
http://metaphilm.com
a project of Cleave - The Counter Agency
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From: Sonar Radar <[log in to unmask]> Subject: THIS IS NOT A...
This Is Not A :Collective is proud to announce our
FILM REVUE _
WAR SUCKS
Mondays _ 9PM
16 - 30 June 2003
Star Shoes
7963 Hollywood Boulevard
Hollywood, CA
$3 Donation
THIS IS NOT A :Collective was founded in 2001 in order to conceive
new parameters for developing, criticizing and enjoying culture in
the occidental diaspora. Our use of this opportunity, or purpose is
threefold: to provide information and create discourse on all the
salient issues in our contemporary cultural debate - from
sustainability to globalization, from status quo to avant garde; to
create and facilitate contemporary media, whether old or new; and to
cement our era in history as a period of renaissance and renewal.
MORE INFO TO COME... for immediate inquiries:
grace aplomb
[log in to unmask]
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From: "William H. Rosar" <[log in to unmask]> Subject: Call for Paper:
2001 A SPACE ODYSSEY
We are interested in publishing a paper that researches and documents
the history of the scoring of Kubrick's 2001: A SPACE ODYSSEY.
Please contact me privately.
William H. Rosar
Editor
The Journal of Film Music
[log in to unmask]
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From: John Sundholm <[log in to unmask]>
Avant 2003
The Visual Weiss and the History of Experimental Film
An international conference and retrospective in Karlstad, Sweden,
August 29-30 2003
In collaboration with The International Peter Weiss Society, Film i
Värmland, Filmform and The Goethe Institute, Karlstad University is
hosting the first international conference focused on Peter Weiss the
filmmaker and the visual contexts of his production.
The conference precedes by a program on the history of experimental
film, presented by Pip Chodorov, filmmaker and distributor from
Re:Voir, Paris.
Visual Weiss includes a retrospective of Peter Weiss’ films and a
series of talks aimed at examining the visual culture of Weiss. Among
the speakers are well-known scholars: Magnus Bergh, Julia C. Hell,
Christine Ivanovic, Anton Philipp Knittel, Lutz Koepnick, Max
Reithmann.
Inquiries, registration and advance ticket bookings can be made until
August 15th, 2003 at [log in to unmask], phone +46 54700 18 13. The event
is free of charge.
FRIDAY 29.8
Arenan, Västra Torggatan 26
9.30
Pip Chodorov
(Filmmaker and distributor, Re:Voir, Paris) MANUFACTURING BETTER
HUMAN BEINGS THROUGH LIGHT
10.00-11.30
Radicalization of an Art Form
Hans Richter: Rhythmus (1921, 3 min)
Oskar Fischinger: Allegretto (1936, 3 min) Len Lye: Trade Tattoo (1936, 7 min)
Robert Breer: Recreation (1957, 2 min)
Peter Kubelka: Schwechater (1958, 2 min) Len Lye: Free Radicals
(1958, 1979, 5 min) Stan Brakhage: Mothlight (1963, 4 min)
Paul Sharits: Touching (1968, 12 min)
James Whitney: Lapis (1963-66, 9 min)
12.00
Surrealism and Expanded cinema
Bunuel & Dali: Un chien andalou (1928, 17 min) Bruce Baillie: Castro
Street (1966, 9 min) Brakhage: Dog Star Man part IV (1964, 6 min
15.00
RETROSPECTIVE
Opened by Gunilla Palmstierna-Weiss: A Historical Background
Studien I-V (1952-56)
45 min, 16 mm
16.45
Ingenting ovanligt/Vad skall vi göra nu då? (1957-58) 40 min, 35 mm
18.00
Hägringen (1959)
70 min, 35 mm
Working with Peter Weiss (Staffan Lamm)
SATURDAY 30.8
Värmlands Museum
9.30 11.00
The Visual Culture of Peter Weiss
Moderators: Arnd Beise (International Peter Weiss Society) John
Sundholm (Karlstad University)
THE FILMS
Lutz Koepnick (Washington University, St. Louis): A Cinema of
Silence: Peter Weiss and the Legacy of Surrealism Anton Philipp
Knittel (Heilbronn):
Psychoanalysis and Weiss’ Experimental Films
11.30 13.00
THE VISUAL
Magnus Bergh (Stockholm):
The Surrealistic Visual in Peter Weiss
Christine Ivanovic (Friedrich Alexander Universität,
Eerlangen-Nürnberg): The Aesthetics of the Collage
14.30 16.00
THE IMAGES
Max Reithmann (Paris):
The Resistance of Paintings
Julia C. Hell (Michigan University, Ann Arbor): After-images of the
Shoah: Peter Weiss and Gerhard Richter
16.30
VIDEOSCREENINGS
Ansikten i skugga (1954)
12 min
Enligt lag (1957)
19 min
Strange Walks In And Through And Out
Dir: Staffan Lamm, (1986)
55 min
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