Fwd From: Nettime list
From: Ana Viseu <[log in to unmask]>
Subject: <nettime> The Matrix Reloaded
Having just gone to see the movie made cult, 'the matrix reloaded', on the
day of its opening (here in Canada) I feel I should write something about
it. Not because I loved it, but because I was very impressed by the
story-telling devices and aesthetics the directors-- Larry and Andy
Wachowski--chose to use.
The story itself is, like any good sequel, crappy. (I apologize in advance
to StarWar fans). It is also much more faithful to the sci-fi genre than
the previous one. We see plenty of spaceships, monsters endangering the
human species, and self-replicating aliens. While the first 'The Matrix'
seemed more like a pun (or reflection) on a large conspiracy theory and the
'nature' of reality, this one is overtly about a far away galaxy in a very
distant future.
Surprisingly, and rather annoyingly, although perhaps in some ways very
appropriate to our times, it seems like the future is full of religious
undertones. There is the Oracle, the Prophesy, a counsel that looks serene
and has faith, a lot of talk about purpose, meaning and destiny, and Neo,
himself, wears a long, black friar frock.
The movie is riddled with talk of 'control' and 'choice' two hot topics in
technoscientific discourse. It is interesting to see these de-constructed
in the movie, can there be choice if the options are not infinite? Is there
choice when biology compels us to react to some situations in a very
particular way?
But, what is most amazing about 'The Matrix Reloaded' is its rhythm, the
non-stop *speed* employed throughout the movie. The new matrix is a film
that feels like a videogame. It has the aesthetics of a game, but more than
that, it tells the story as if it were just that, a videogame. It does not
try to imitate reality but to create a different reality where even the
most ludicrous plot twists are... appropriate. It is multi-folded and
dynamic, often incomprehensible, but nonetheless compelling. It makes the
spectator feel part of the game itself, as if it was you who was kicking
and punching, or driving the high-speed car.
'The Matrix Reloaded' is one of the best examples I've seen of the
application of a 'new medium' narrative style to a 'traditional' medium. In
that sense it is the perfect counter-example to Marshall McLuhan's 'the
content of a new medium is an old medium'.
best. ana
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