Good recent examples would have to include:
AMELIE (Jeunet)
BLADE RUNNER (Scott)
FEMME FATALE (De Palma)
THE KILLING FIELDS (Joffe)
PROOF (Moorhouse)
SMOKE (Wayne Wang)
UNDER FIRE (Spottiswoode)
There's a good parody in HIGH ANXIETY (Brooks)
Sergio
************
Sergio Angelini
Library and Database Manager
British Universities Film & Video Council
77 Wells Street
London
W1T 3QJ
Tel: 020 7393 1506
Fax: 020 7393 1555
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----- Original Message -----
From: "Yiman Wang" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Tuesday, April 08, 2003 3:59 PM
Subject: Re: Photography and Cinema
> Memento.
>
> On Tue, 8 Apr 2003, susana lourenco marques wrote:
>
> > Hello,
> >
> > I am doing a research about the crossing of photography and cinema, in
terms
> > of how the cinema uses the concepts of photography and how it represents
and
> > uses images as part of the construction of narratives. I'm already
studying
> > Chris Marker, Antonioni, Michael Powell, Dziga Vertov, but I'm looking
for
> > recent works on this matter. Perhaps you can help me. Thank You
> >
> > S
> >
>
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