Another film that plays with differences/links between photography and
cinema is harmony korine's "julien donkey-boy."
By the way, does anyone know of a good critical study of that film? I
just saw it (for the first time) over the weekend and am still trying to
process it.
Nate
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Nathan Andersen
Assistant Professor of Philosophy
Collegium of Letters
Eckerd College
4200 54th Ave. S. Phone: (727) 864-7551
St. Petersburg, FL 33712 Fax: (727) 864-8354
U.S.A. E-mail: [log in to unmask]
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