CULTURE, THEORY AND CRITIQUE
Call for papers (2 - open issue and special issue on 'Noise')
and contents of 44.1.
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For full details on _Culture, Theory and Critique_, submission
information, instructions to authors, a free online sample copy and
contents listings from volume 43 on, please visit the journal's website
at:
http://www.tandf.co.uk/journals/routledge/14735784.htm
_Culture, Theory and Critique_ is an interdisciplinary journal for the
transformation and development of critical theories in the humanities
and social sciences. It aims to critique and reconstruct theories by
interfacing them with one another and by relocating them in new sites
and conjunctures. _Culture, Theory and Critique's_ approach to
theoretical refinement and innovation is one of interaction and
hybridisation via recontextualisation and transculturation. The
reconceptualisation of critical theories is achieved by:
* assessing how well theories emerging from particular spatial,
cultural, geographical and historical contexts travel and translate into
new conjunctures.
* confronting theories with their limitations or aporias through
immanent critique.
* applying theories to cultural, literary, social and political
phenomena in order to test them against their respective fields of
concern and to generate critical feedback.
* interfacing theories from different intellectual, disciplinary and
institutional settings.
_Culture, Theory and Critique_ publishes one special issue and one open
issue per volume.
JUST PUBLISHED. VOLUME 44.1 April 2003.
Special Issue: Images and text.
Editor's Introduction
Jon Simons
What Does Pierce's Sign Theory Have to Say to Art History?
James Elkins
Adventures in Subsemiotics: Towards a New 'Object' and Writing of Visual
Culture.
Sunil Manghani
Reading and Writing the Passions in Duchenne de Boulogne's Mécanisme de
la Physionomie Humaine
Virginia Liberatore
Symbol, Idol and Murti: Hindu God-Iamges and the Politics of Mediation
Gregory Price Grieve
From Description to Depiction: Free Indirect Discourse and Online
Garphical Chat
Ken Hillis
The Cinematic Mode of Production: Towards a Political Economy of the
Postmodern
Jonathan Beller
CALL FOR PAPERS - OPEN ISSUES
Inquiries for open issues should be directed to: [log in to unmask]
Submissions for open issues should be sent to _Culture, Theory and
Critique, Department of Hispanic and Latin American Studies, University
of Nottingham, Nottingham NG7 2RD, UK. Submissions for the open issues
may be sent at any time.
Submissions are subject to peer review.
CALL FOR PAPERS: SPECIAL ISSUE, MAY 2005 'NOISE'.
Today, noise is breaking away from the status of undesirable phenomenon
bestowed upon it by traditional communications theory. No longer merely
an undesirable element to be eradicated so as to retain the purity of
the original signal, noise is infecting expression from all realms,
spawning genres and movements, complexifying rather than destroying
semantics. Indeed, noise has become an integral part of our late modern
condition, and not only because of the amount of noise produced by late
industrial and digital societies. It is perhaps only natural that we
attempt to insulate ourselves from this latter noise, but to treat all
noise in this way, to attempt to eradicate *all* forms of noise is
fundamentally to disavow the ground on which our every expression is
transmitted. This issue of _Culture, Theory and Critique_ will aim to
listen to (or look at) noise in all of its guises both literal and
metaphorical, to restore noise to its rightful place and to examine the
ways in which noise can refigure existing theories, theories which also
at times collude in this politics of noise reduction.
Amongst the key issues to be addressed in this volume will be:
* Manifestations of noise in culture (noise music, post-digital music,
static, hiss, snow and other complex frequencies).
* The 'silent' noise behind various communicational acts (what is at
stake when mistaking this noise for silence?)
* The construction of meaning (why is it that meaning is challenged by
noise and what does meaning arise from?)
* The politics of noise (does noise indeed signal a new political
economy as Attali claimed? is noise revolt?)
* Noise and hybridity (does hybridity challenge a noiseless economy?)
* Should noise and noisiness be maintained (or perhaps maintained solely
as an outside) or is a politics of noise reduction justified?
* Does noise constitute a possible alterity?
Inquiries and submissions should be directed to: Dr Greg Hainge, School
of Humanities, University of Adelaide, SA 5005, Australia.
[log in to unmask]
and to: Dr Paul Hegarty, Department of French, University College Cork,
Cork, Ireland. [log in to unmask]
Deadline for submissions: 1 June 2004.
--
Dr Greg Hainge, Lecturer in French, Head of French Discipline,
Centre for European Studies, University of Adelaide SA 5005.
tel: (Int. + 61) (08) 8303 5659, fax: 8303 5241
http://www.geocities.com/ghainge/
******
_Culture Theory and Critique_ Editorial Board.
******
Experimental Arts Foundation, Adelaide, Board Member.
******
Australian Society for French Studies Publications Editor
******
Australia and NZ Representative of the Société d’Études Céliniennes
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