.:,
.', :. .
.. , ..' : ..
.. '. .. ,. ..: ..
.. .: .'.. ,. . ... F I L M - P H I L O S O P H Y
. ' ...,... . . .:. . .
. .. . : ... .'.. ..,.. ISSN 1466-4615
. ., . . :... . . '.. Journal : Salon : Portal
. .'. , : ..... . PO Box 26161, London SW8 4WD
. .:..'...,. . http://www.film-philosophy.com
.. :.,.. '....
....:,. '. 2003.01.09 Film-Philosophy News
.' :. .
.,'
From: Darren Newbury <[log in to unmask]>
Subject: IVSA 2003 Conference
IMAGES OF SOCIAL LIFE
Exploring the New Foundations of Visual Studies
International Visual Sociology Association Conference, at the University of
Southampton, UK July 8th -10th 2003
An international, cross-disciplinary conference, Images of Social
Life invites contributions to a matrix of visual strategies in film,
video, still photography and multi media used to formulate, conduct
and disseminate social research. Contributions dealing visually
with all aspects of social life - intimate scenes of personal life,
subjectivity formation, domestic organisation, urban life, work,
community, biography, place, migration and global processes -
particularly those linking different degrees of magnification,
scope and scale are strongly encouraged. Themes that cross-cut the
usual tensions between the micro and the macro, individual lives and
bigger social processes, the global and the local, the general and
the particular, the theoretical and the empirical, and connect
small landscapes with bigger processes are particularly welcome.
Creating a matrix across disciplines, research fields,
methodologies, and forms of social analysis, we will see what
different visual strategies can achieve by moving in different
directions and operating at different levels.
On past experience we expected this conference to attract scholars
from the US and all over Europe from a broad range of disciplinary
bases including Cultural and Media Studies, Geography, History,
English, Architecture and Urban Planning, Politics, Psychology, Art
and Design, Anthropology, Sociology and Social Policy. It is intended
for those who work with images - whether making their own or using
those of other people, in film, video, still photography and
multi-media - in understanding social life. It is also for those
who would like to develop their visual literacy as researchers and
teachers and learn basic skills in the photography and video
workshops.
Abstracts by February 15th 2003 to Caroline Knowles, [log in to unmask]
Or by post to, Department of Sociology & Social Policy, University of
Southampton, Highfield, Southampton SO17 1BJ UK.
Registration: IVSA members 80UKP (125USD); Non-IVSA members 120UKP
($190 USD);Student
IVSA members UKP26 ($40 USD); Non-IVSA student members UKP48 ($75
USD). Non-IVSA members fees include a one year membership of IVSA
and two free issues of Visual
Studies, edited by IVSA and published by Taylor & Francis. Fees payable in
British UKPs to Department of Sociology and Social Policy, University of
Southampton.
. .. . : ... .'.. ..,.. . .. . : ... .'.. ..,.. . .. . : ... .'.. ..,..
From: Kouross Esmaeli <[log in to unmask]> Subject: Palestine Film Fest
MIME-Version: 1.0
Content-Type: text/plain; format flowed
Dreams of a Nation
A Palestinian Film Festival
January 24 - 27th, 2003
The Department of Middle East & Asian Languages and Cultures at
Columbia University has announced the schedule for "Dreams of a
Nation: A Palestinian Film Festival", a three-day event showcasing
cinema by Palestinian filmmakers. The program includes over 34 films,
several guest filmmakers, a panel discussion, an opening night
celebration, and other special events. The festival will screen works
by Elia Suleiman (Divine Intervention), Michele Khleifi (Wedding in
Galilee), May Masri (Hanan Ashrawi: A Woman of Her Time) and Muhammed
Bakri (Jenin, Jenin), along with a number of other established and
emerging talents. The festival, which is open to the public, will be
held at Columbia University from Friday, January 24th to Monday,
January 27th.
for full schedule information and directions please check:
http://www.dreamsofanation.org
Participants include:
Hany Abu-Assad, filmmaker, Netherlands; Lila Abu-Lughod, Columbia
University; Alia Arasoughly, filmmaker and critic, Palestine; Hamid
Dabashi, Columbia University; Coco Fusco, Artist, NYC (invited);
Stathis Gougouris, NYC; Annemarie Jacir, filmmaker and curator, NYC;
Michel Khleifi, filmmaker, Belgium; Joseph Massad, Columbia
University; Rosalind Morris, Columbia University; Richard Peña, Film
Society of Lincoln Center; Edward Said, Columbia University; Leila
Sansour, filmmaker, UK; Simon Shaheen, musician, NYC; Elia Sulieman,
filmmaker, France; James Schamus, film producer, NYC
All films are in original language with English subtitles
Tickets
$3 students & seniors/$5 public
$15 festival pass for students & seniors/$25 general festival pass
For advance ticket sales, contact:
[log in to unmask]
For more information
Email: [log in to unmask]
www.dreamsofanation.org
. .. . : ... .'.. ..,.. . .. . : ... .'.. ..,.. . .. . : ... .'.. ..,..
From: Jacob Sager Weinstein <[log in to unmask]>
Subject: Talk on High noon
To: [log in to unmask]
The Authors of a Movie - HASWorkshop 6 p.m. for 6:15 p.m. - 9:00 p.m.
Friday 31st Jan 2003
Carl Foreman's screenplay for High Noon is one of the greatest - and
most deceptively simple - ever written. American TV writer Jacob
Sager Weinstein will discuss how Foreman started with a
straightforward story of good and evil, and transformed it into
something richer and more disturbing. Using video examples from the
movie, he'll demonstrate how the film's brilliant direction, editing,
cinematography, acting and scoring all carried on the work that
Foreman begun. Jacob Sager Weinstein recently completed his third
season as a writer for the Emmy-winning show Dennis Miller Live on
HBO. Places are limited - advance booking only. To book, send your
cheque, payable to HAS, to Robert Solomon, Hampstead Authors Society,
6 Heath Hurst Road, NW3 2RX. Reservations received before 30thth
December: £5 for Hampstead Authors Society (HAS) members; £8 for
guests. After 30th December: £8 for HAS members; £11 for guests. Pls
include your email (or a stamped SAE) in the booking so that Bob can
send you the venue details. If you are not a HAS member, you are
welcome to join us a the guest rate; pls include a covering note and
a stamped SAE.
. .. . : ... .'.. ..,.. . .. . : ... .'.. ..,.. . .. . : ... .'.. ..,..
From: Christina McPhee <[log in to unmask]> Subject: -Empyre-
for January: Mechanisms of Exposure
- - -Empyre- for January 2003: Mechanisms of Exposure: Cyberpresence
and the Poetics of Spatialized Film
- - -Empyre- welcomes in the new year with two European performance
and sound artists, Maria Tjader-Knight of Finland and David Knight of
the UK to discuss their work, "Mechanisms of Exposure".
Based in Brussels and Helsinki, Maria Tjader-Knight and David Knight
create film like spatializations in cd rom and installation. The
sheer enormity of the disparity between the scale of content
expressible by code versus the scale of content experientially and
cognitively recognized through human contextual and analog processing
makes us long for perfect code, that is to say, a complete unified
field ideology and syntax. Beneath the nostalgia for coherence and
developmental controls one feels the cold winds of the totalitarian
past, when in the mid twentieth century another obsession with the
topdown comprehensive code of development - comprehensive planning
and development - a unified field- as the mode through which
architectonics, place, and human presence locate and are determined
led to much violence. Humans and their sense of the local and
particular themselves became the åsublime¼ relative to machine space
and machine consciousness. At the brink of war again in a new
century, empyre invites two artists whose work engages an intimate
scale of phenomenology and the personal in a new poetics of
spatialization beyond both digital and analog in a performative
post-mix.
Mechanisms of Exposure showed at Galerie Espace Blanche, Brussels, in
2002 and toured as part of the New York International Independent
Film Festival in New York, Las Vegas and Los Angeles in 2002; it was
featured in the FILE 2002 Electronic Language Symposium and
Exhibition. Online, please see
<http://www.tjader-knightinc.com/work/exposure/>
Maria Tjader-Knight (FI), printmaker/performance artist, received the
Master of Arts in spring 2000 from the University of Art and Design
of Helsinki, Finland and is currently developing a Doctoral Thesis
under the title FEMININE BODY AS A WRITER: Perfor(m)ing Visual Arts;
an interdisciplinary study to challenge the stability of the visual
bodies in the focal points of digital media, arising from the
feminist cultural critique elaborating from the post-structuralist
deferral theory. David Knight (UK), experienced light and sound
engineer, is currently developing soundscapes, aural destinations and
computer software, hardware and networks to fulfill the challenges of
digital creation.
TJADER-KNIGHT inc. was established 2000 to give a solid basis for
collaboration between these two artists .
2002 TJADER-KNIGHT inc. established BoringArt.com and open the
gateway for BoringTexts.com.
for a brief CV http://www.tjader-knightinc.com/cv.htm
- - --
Christina McPhee
<http://www.christinamcphee.net>
<http://www.naxsmash.net>
. .. . : ... .'.. ..,.. . .. . : ... .'.. ..,.. . .. . : ... .'.. ..,..
From: "Rick Curnutte, Jr." <[log in to unmask]> To:
<[log in to unmask]>
Subject: The Film Journal Issue 4
Date: Tue, 31 Dec 2002 15:49:54 -0500
X-Priority: 3 (Normal)
Importance: Normal
X-Note: This E-mail was scanned by Declude JunkMail (www.declude.com) for spam.
Everyone,
We're proud to announce the online publication of Issue 4 of The Film
Journal. Please visit
<http://www.thefilmjournal.com/>www.thefilmjournal.com to read our
latest endeavor, and, as always, please contact me directly with any
questions/comments/suggestions/criticisms. Our fifth Call for
Contributions will go out in the next week or so.
Sincerely,
Rick Curnutte
Editor, <http://www.thefilmjournal.com/>The Film Journal 250 Pruden Drive
Pickerington, OH 43147
614.834.8867
<http://www.thefilmjournal.com/>www.thefilmjournal.com
<mailto:[log in to unmask]>[log in to unmask]
. .. . : ... .'.. ..,.. . .. . : ... .'.. ..,.. . .. . : ... .'.. ..,..
From: Rencontres internationales Paris/Berlin <[log in to unmask]>
X-Accept-Language: fr,zh-TW,zh,zh-CN
To: [log in to unmask]
=======================================
rencontres internationales Paris/Berlin #6 art-action 2003
=======================================
cinéma_vidéo_multimedia
=======================================
18th to 28th February 2003
=======================================
Les Rencontres Internationales Paris/Berlin is a transdisciplinary
event which maps contemporary developments in cinema, video and
multimedia in the form of installation work, performance, audio
creation, CD-ROM and net art.
The Rencontres’ main objective is to create an open ground on which
different languages and audiences are brought together. An
international line-up of work from young alongside established
artists and filmmakers aims to encourage communication between
different artistic and cultural disciplines.
Since it’s creation in 1997, the Rencontres has received financial
assistance from the following bodies; the Ministry of Culture and
Communication, the Conseil Régional d’Ile-de-France, Paris city
council, the Franco German television channel ARTE, the Goethe
Institute, the OFAJ, the Dutch Embassy, the Canadian Embassy, the
Belgian Ministry of Culture, the Japanese Foundation, the Ecole
Nationale Supérieure des Beaux-arts de Paris, Citröen, from the RATP,
with support from the German Embassy in France and Unesco. Alongside
these funding bodies which are for the most part involved again in
this year’s festival, are many other embassies which are keen to
participate. roARaTorio, a cultural organisation set up in accordance
with the 1901 law, is responsible for the organisation and running of
this non-commercial festival. The Rencontres is put together by a
team of artists, filmmakers, teachers and researchers who are all
keen to participate in a cross disciplined experience which focuses
on contemporary creation.
The Festival Program
250 film and video productions, from France, Germany, and over 70
other countries, including short, medium and full length films,
documentaries, experimental cinema and video installation work, and
finally animation films will be either projected or screened on
monitors. Alongside the work of internationally acclaimed artists and
filmmakers will be film débuts and pieces by artists who are just
starting out. Over fifty of the films that have been selected are by
art and cinema students, and over 90% of all screenings will be
premières in Paris.
special guests : Danièle Huillet and Jean-Marie Straub, and Gelbe
Music Berlin. showcases, performances, acts, projections and
performances. installations, installations in situ, audio, video and
multimedia installations a multimedia library :
- a mulimedia program of events, works available on line, CD-roms,
and net art. - an audio library available for consultation on
request. - a video library also available for consultation on
request, including all films that have featured in the festival
debates and discussions
Information available to the public
Web site : www.art-action.org
Email : [log in to unmask]
Tel : +33 1 40 26 66 34
The Festival dates in Paris:
18th to 28th February 2003
Venue
Cinéma l'Arlequin - 76, rue de Rennes - 75006 Paris.
There is free admission to all films shown in association with ARTE
as for all performances. From the 19th to the 25th of February, a
large number of the films and videos that have been selected will be
shown at the Arlequin. There will be 250 productions, from Paris and
Berlin, France, Germany, and 70 other countries. Short, medium and
full length films, including feature films, documentaries,
experimental cinema and video installation work in 35mm, 16mm, super
8 and video form will be shown. This year’s festival will include,
amongst others, Jean-Marie Straub et Danièle Huillet (France), Jon
Jost (USA), Chantal Akerman (Belgique), Maria Klonaris et Katerina
Thomadaki (Greece, France), Jonas Mekas (USA), Antonio Muntadas
(Spain), Jozef Robakowski (Poland), Charlemagne Palestine (USA),
Peter Rose (USA), Harun Farocki (Germany), Istvan Kantor (Hungria),
Andreas Müller Pohle (Germany), Oreet Ashery (UK), Gariné Torossian
(Armenia, Canada), Hisham Bizri (Lebanon), Oksana Chepelik (Ukraine),
Nicolas Floc'h (France), Seoungho Cho (Correa), The Wooster Group
(USA), Jaan Toomik (Estonia), Takahiko Iimura (Japan), Yang Fudong
(China), Stuart Pound (UK), Vivian Ostrovsky (USA), Mike Hoolboom
(Canada), Renate Oblak et Michael Pinter (Austria, Holland), Jérôme
Schlomoff (France). Many filmmakers will be in Paris to present their
work. Lots of the showings allow a deeper insight into contemporary
video creation and independent films from across the world: from
China (both from the continent and from Hong Kong), from Kazakhstan,
Estonia, Uzbekistan, Correa and Thailand, but also from the USA,
Russia and Japan. Thirty or so artistic collectives and distributors
from Europe, North America and Asia (from such cities as Paris,
Berlin, New-York, Buenos Aires, Toronto and Hong Kong) will be
participating in this year's festival.
ENSBA Ecole Nationale Supérieure des Beaux-Arts de Paris - National
High school for art - 14 rue Bonaparte, 75006 Paris
Programmed showings
- Projections
- Performances
>La Gaîté Lyrique - 3, rue Papin 75003
- Show cases, performances (outside the building) - Installations (on
the building facade)
>Immanence, espace d'art contemporain - 21 avenue du Maine - 75015 Paris
- Installation
- Videos on monitors
>Window - 41 rue du Faubourg Saint Martin - 75010 Paris
- Multimedia Library: video library, sound library, cd-roms, net art
- Installations
- Videos on monitors
>Other venues
- Installations
- Videos on monitors
None of the exhibition venues will require an entrance fee.
. .. . : ... .'.. ..,.. . .. . : ... .'.. ..,.. . .. . : ... .'.. ..,..
From: "Robert T. Self" <[log in to unmask]>
MIDWEST CONFERENCE ON LITERATURE, LANGUAGE AND MEDIA Northern
Illinois University
March 28-29, 2003
Keynote Speaker:
Lucien Stryk, poet and translator,
translator of
Zen: Poems, Prayers, Sermons, Anecdotes, Interviews
and
Zen Poems of China & Japan: The Crane's Bill,
author of
And Still Birds Sing: New & Collected Poems
and
The Awakened Self: Encounters With Zen
Technology Speaker:
Meg Hourihan (http://megnut.com), software developer and consultant,
co-author of
We Blog: Publishing Online with Weblogs,
and co-founder of Pyra Labs, Inc., creators of Blogger.com
Film Speaker:
Judith Mayne (Ohio State University)
author of
Framed: Lesbians, Feminists, and Media Culture, Cinema and Spectatorship
Directed by Dorothy Arzner
Topic: "Marlene Dietrich's Good Luck Charms."
We welcome one page abstracts for 10-page papers (each presentation
should be approximately 15-20 minutes). Please submit by FEBRUARY1,
2003.
Abstracts on any topic in media, language & literary studies are
welcome, including:
British & American Literature (any period) Cognitive Studies
Communication Theory
Composition
Composition & Computers
Creative Writing
Critical Studies
Cyberstudies & New Media
Ethnic & Cultural Studies
Evolution & Literary Theory
Film Studies
Gender Studies
Genre Writing
Journalism Studies
Linguistics
Media Studies
Popular Culture
Rhetoric
Science and Literature
Stylistics & Discourse Analysis
Technical Rhetoric
In addition, MCLLM 2003 welcomes abstracts submitted as potential
panels. If you and your colleagues share an interest in a topic,
please submit it as a panel. Please note that these submissions will
be treated
as a single unit, and all abstracts must be submitted together and
clearly marked for panel consideration.
Abstracts Deadline: Postmarked or e-mailed by FEBRUARY 1,2003
Guidelines for abstracts:
1 page (including a title but no author)
a cover letter that includes:
(1) paper title,
(2) your name and address,
(3) your phone number,
(4) e-mail address, and
(5) school affiliation
Please indicate also if we have your permission to post your abstract
on the Website for the conference.
Also, please indicate if you are interested in participating in an
online version of the conference, including posting of papers for
asynchronous (posting board/email) discussion, realtime chat/MOO
sessions, and digital proceedings of the conference.
Mail / E-mail abstracts to:
MCLLM Directors
c/o Department of English
Northern Illinois University
DeKalb, IL 60115
[log in to unmask]
. .. . : ... .'.. ..,.. . .. . : ... .'.. ..,.. . .. . : ... .'.. ..,..
From: Holland Siobhan <[log in to unmask]> Subject: CFP:
Animated 'Worlds' Call for Papers: Extended deadline January 13th 2003
Animated 'Worlds' Call for Papers: Extended deadline January 13th 2003
Animated 'Worlds' Call for papers: Extended deadline January 13, 2003
Due to late posting of the Conference announcement on a major
Announcements site in the USA, the panel has agreed extend the call
for Papers deadline to January 13th, 2003 to allow North American
scholars adequate time to prepare their abstracts. Those who have
submitted by the previous deadline will be contacted and informed of
the new submission deadline.
Suzanne Buchan, Senior Fellow
Head of the Animation Research Centre
Faculty of Arts & Media
Surrey Institute of Art & Design, University College Falkner Road,
Farnham, Surrey
GB-GU9 7DS
www.surrart.ac.uk/arc
Tel:+44 (0)1252 892 806
Fax +44 (0)1252 892 787
Cell:+41 (0)79 459 2091
. .. . : ... .'.. ..,.. . .. . : ... .'.. ..,.. . .. . : ... .'.. ..,..
From: John Plunkett <[log in to unmask]> Subject: CFP UPDATE:
MULTIMEDIA HISTORIES: From the Magic Lantern to the Internet
(Exeter/July '03)
MULTIMEDIA HISTORIES: From the Magic Lantern to the Internet
An international conference organised by the AHRB Centre for British
Film and Television Studies, and the Bill Douglas Centre, Exeter
University. This conference is the culmination of an AHRB project
investigating the continuities between nineteenth-century optical
recreations and subsequent screen technologies. It will take place at
the University of Exeter on 21-23 July 2003.
Confirmed keynotes--Professor Ian Christie (Birkbeck), Professor
Richard Grusin (Wayne State University), Dr Roberta Pearson
(University of Wales, Cardiff).
CALL FOR PAPERS
One of the most dominant critical concerns of recent years has been
the attempt to understand the impact of a multimedia culture. The
scope and limits of a multimedia culture have become associated with
issues of virtual reality; interactivity; media convergence and
hybridity; body/technology couplings, etc. These familiar narratives,
however, have a much more extended history than is often realised.
Multimedia Histories will examine the long genealogy of multimedia
usage and discourse. From the 19th C onwards, the proliferation of
screen technologies and optical recreations has been an important
element of popular culture. Moreover, the exhibition and consumption
of these entertainments was often defined by their interrelationship.
The mid nineteenth-century drawing room, for example, typically
included stereoscopes and praxinoscopes alongside the magic lantern.
The conference is keen to pursue a comparative approach by focusing
on specific historical moments of convergence and hybridity. In so
doing, it aims to locate the aesthetics of the new media in relation
to an intermedial tradition of public and domestic forms of screen
entertainment. The principal question it hopes to address is this -
to what extent do recent multimedia technologies extend established
features of cinema, television, and the panoply 19th C and 20th C
optical recreations?
Papers are particularly invited on the following key areas:
- Moments of media convergence and hybridity - Immersion,
interactivity and the embodied spectator - Spaces of consumption and
the organisation of audiences, virtual and/or actual. - Modes of
production and exhibition
- Screen technologies and the tropes conceptualising their usage -
Boundaries and linkages between domestic and public screen
entertainment
It is planned to produce an edited collection of papers from the
conference. Please send abstracts of c.300 words to
[log in to unmask], or by hardcopy to: Multimedia Conference,
School of English, Exeter University, EXETER, EX4 4QH. Deadline for
Abstracts: 25 January 2003. Conference Organisers: Dr James Lyons and
Dr John Plunkett.
----------------------
John Plunkett
University of Exeter
. .. . : ... .'.. ..,.. . .. . : ... .'.. ..,.. . .. . : ... .'.. ..,..
Issue 23 of SENSES OF CINEMA
Part 2 of the Special Women's Focus
is online at http://www.sensesofcinema.com
Spotlights include:
Australian women filmmakers - Interviews Australian romantic comedy
Claire Denis Interview and Vendredi Soir Women film critics - Sylvie
Pierre, Manohla Dargis - Interviews The Female Actor - An
international symposium Germaine Dulac, Doris Wishman, Dame Darcy
Gleaners and I, 'sisterhood' films, Women's Prison
Plus:
GREAT DIRECTORS - Maya Deren, Leslie Thornton, María Novaro,
Catherine Breillat and others
TOP 5s of Women-directed films / BOOK REVIEWS / FESTIVAL REPORTS /
CTEQ ANNOTATIONS / and much more!
Senses of Cinema http://www.sensesofcinema.com
General Editor - Fiona A Villella [log in to unmask]
Great Directors Editor - Michelle Carey [log in to unmask]
Web Designer/TTs - Chris Howard [log in to unmask]
Great Directors Web Designer/Links - Albert Fung [log in to unmask]
. .. . : ... .'.. ..,.. . .. . : ... .'.. ..,.. . .. . : ... .'.. ..,..
Envelope-to: [log in to unmask]
From: "Senses of Cinema" <[log in to unmask]> To:
"Film-Philosophy" <[log in to unmask]> Subject: GREAT
DIRECTORS Call for Contributions Date: Thu, 2 Jan 2003 13:21:53 +1100
X-Priority: 3
Dear esteemed contributors,
As Great Directors heads into its second year, we would like to
invite you to contribute the "definitive critical analysis" of the
greatest directors of the past 100 or so years, no matter how well
known or obscure, prolific or not-so-productive. The following
directors have not been assigned and would love some critical,
passionate insight into them (or you can of course offer to do
someone else who has not been covered as yet).
Tomás Gutiérrez Alea
Michael Almereyda
Robert Altman
Lindsay Anderson
Olivier Assayas
Tony Ayres
Craig Baldwin
Mario Bava
Marco Bellocchio
Bruce Beresford
Walerian Borowzcyk
Arthur and Corinne Cantrill
Marcel Carne
Youssef Chahine
Charles Chauvel
Vera Chytilova
Pierre Clementi
Jean Cocteau
Coen Brothers
Jem Cohen
Bruce Conner
Costa Gavras
Dardenne Brothers
Eduardo de Gregorio
Jacques Demy
Manoel de Oliveira
Vittoria de Sica
Arnaud Desplechin
Marguerite Duras
Atom Egoyan
Jean Eustache
Milos Forman
Jess Franco
Georges Franju
John Frankenheimer
Stephen Frears
Lucio Fulci
Philippe Garrel
Peter Gidal
Amos Gitai
Robert Guédiguian
Yilmaz Guney
Michael Haneke
Monte Hellman
Hong Sang-soo
Ann Hui
Otar Iosseliani
Ken Jacobs
Jan Kadar
Takeshi Kitano
Kiyoshi Kurosawa
Stanley Kwan
Clara Law
Mitchell Leisen
Ken Loach
Joseph Losey
Richard Lowenstein
Ernst Lubitsch
Guy Maddin
Dusan Makavejev
Louis Malle
Jonas Mekas
Georges Méliès
Jiri Menzel
Takashi Miike
Lukas Moodyson
Luc Moullet
Matthias Müller
Kira Muratova
Gaspar Noé
Phillip Noyce
Dennis O'Rourke
Idrissa Ouedraogo
Nagisa Oshima
Max Ophüls
François Ozon
Jafar Panahi
Ivan Passer
Arthur Penn
Nelson Pereira dos Santos
Elio Petri
Nicolas Philibert
Maurice Pialat
Gillo Pontecorvo
Sally Potter
Bob Rafelson
Yvonne Rainer
Carol Reed
Alain Resnais
Arturo Ripstein
Alain Robbe-Grillet
Glauber Rocha
Jean Rouch
Râúl Ruiz
Ousmane Sembene
Ivan Sen
Larissa Shepitko
Robert Siodmak
Victor Sjostrom
Jerzy Skolimowski
Michael Snow
Steven Soderbergh
Fernando Solanas
Whit Stillman
Jean-Marie Straub & Danièle Huillet
Bèla Tarr
Taviani Brothers
Hiroshi Teshigahara
Anh Hung Tran
Tsai Ming-liang
Peter Tscherkassky
Shinya Tsukumoto
Roger Vadim
Robert Weine
Peter Weir
Krzysztof Zanussi
Fred Zinnemann
Tian Zhuangzhuang
Please contact Michelle Carey (Editor, Great Directors) at
[log in to unmask] if you would be interested in submitting
something and please go to
http://www.sensesofcinema.com/contents/directors/index.html for more
information on Great Directors.
Best wishes for 2003!
. .. . : ... .'.. ..,.. . .. . : ... .'.. ..,.. . .. . : ... .'.. ..,..
Salon Netiquette:
When hitting 'reply' please always delete the text of the message you
are replying to -- namely, do not leave old posts underneath your
reply (but by all means quote lines you particularly want to refer
to).
Please do not use html or styled formatting when sending messages --
some members will not be able to read your post, and non-formatted
texts take up less bandwidth and thus download quicker.
Styled formatting can be replaced by a simple ascii text style guide:
to emphasise words *quote with asterisks*; film and book titles
should be marked with underscores -- Deleuze's _Cinema_, Sokurov's
_Mother and Son_; mark titles of articles and all quotations with
'single quotation marks'; and instead of tabs or indents simply
separate paragraphs with a one line gap.
When sending a message please check that the subject line reflects
the message content, and is not just one left over from a previous
thread or digest message.
If you have problems unsubscribing, or sending messages generally,
then do not ask for help via the salon, but simply email the owner
at: [log in to unmask]
or
[log in to unmask]
Salon Commands:
To change to digest, send the message: set film-philosophy digest to:
[log in to unmask]
To leave, send the message: leave film-philosophy to: [log in to unmask]
. .. . : ... .'.. ..,..
. ., . . :... . . '..
. .'. , : ..... .
. .:..'...,. .
.. :.,.. '....
....:,. '.
.' :. .
.,'
|
