Ross Macleay wrote:
> In such a film we would think, as Deleuze puts
> it, in film, but not necessarily in narrative concepts. What kinds of
> concepts might occur to us? Perhaps such film thought, in being conceived
> and communicated in moving images rather than linguistically might not
> strike one as philosophy, although I think such films should also have sound
> and therefore speech at their philosophical disposal. Such films,if they
> exist, may generally have been consigned to the genre *experimental*, as if
> these artists (or philosophers?) are working on cinematic expressions that
> may later be useful for the narrative artists and the industry.
>
> Can anyone cite an instance of such a film?
The films of Nathaniel Dorsky.
>
>
> Ross
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