_______ F i l m - P h i l o s o p h y
_______ ISSN 1466-4615
_______ Journal | Salon | Portal
_______ PO Box 26161, London SW8 4WD
_______ http://www.film-philosophy.com
_______ News, 25 June 2002
From: "Senses of Cinema" <[log in to unmask]>
To: "Film-Philosophy" <[log in to unmask]>
Subject: CTEQ Annotations - Call for Contributions
Date: Sun, 2 Jun 2002 13:07:50 +1000
X-Priority: 3
INTRO
The Melbourne Cinémathèque plays a vital role in local film culture by
screening important films from the vastness of film history that otherwise
would not be theatrically screened before an audience.
In order to provide a critical context for these screenings, "annotations"
on films have traditionally been published in one form or another. Since
April 2000, "CTEQ Annotations on Film" have been published electronically in
Senses of Cinema and in hard copy for those without Internet access. The
purpose of these annotations is to facilitate further appreciation of a film
by revealing details of its history, providing a "reading" of its aesthetic
and so on.
INVITE
Senses of Cinema and CTEQ Annotations on Film invite writers to contribute
notes on the films listed below.
Articles should follow the guidelines set out by Senses of Cinema and should
be 800-1000 words in length.
We ask that you reply to this invitation with an expression of interest in a
film that you would like to write on as soon as possible. Email Adrian
Danks at [log in to unmask] We will then match up writers with
specific films (as there may be several people interested in one film).
Annotations on the following films will be published in the next issue of
Senses of Cinema. The deadline for written material is July 1st.
In Heaven There Is No Beer (Les Blank, 1984)
The White Balloon (Jafar Panahi, 1995)
The Woman In The Window (Fritz Lang, 1944)
Detour (Edgar G. Ulmer, 1945)
Goodbye Mr. Germ (Edgar G. Ulmer, 1940, short)
Phantom Lady (Robert Siodmak, 1944)
Voruntersuchung/Preliminary Investigation (Robert Siodmak, 1931)
Die Spinnen (Fritz Lang, 1919-20)
Navigation Marchande (Georges Franju, 1954, short)
La Premiere Nuit (Georges Franju, 1958)
La Naissance Du Jour (Jacques Demy, 1980)
La Baie Des Anges (Jacques Demy, 1963)
Applause (Rouben Mamoulian, 1929)
Morocco (Josef von Sternberg, 1930)
Flaming Creatures (Jack Smith, 1963)
The Gold Ghost (1934) - short starring Buster Keaton
Jail Bait (1936) - short starring Buster Keaton
The General (1926)
The Gold Rush (Charlie Chaplin) 1925
Regards,
Fiona
For SENSES OF CINEMA and CTEQ ANNOTATIONS ON FILM
Senses of Cinema http://www.sensesofcinema.com
Fiona A Villella - editor [log in to unmask]
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Volume I, Issue 2 of The Journal of Moving Image Studies is now available on
the new Center website at http://www.uca.edu/org/ccsmi/jounal2/index.htm
The issue is devoted to theoretical problems posed by Experimental and
Avant-garde film.
Your comments and assessments are welcome as always.
Joseph Anderson, Director
Center for Cognitive Studies of the Moving Image
[log in to unmask]
_______________________________________________
CCSMI mailing list
[log in to unmask]
http://l2.uca.edu/mailman/listinfo/ccsmi
From: Robert Lort <[log in to unmask]>
Subject: The Sheltering Sky
Hello,
A brief announcement to let you all know that Azimute has just published
online a new article by Adrian Gargett titled, "The Sheltering Sky".
http://home.pacific.net.au/~robertl/azimute.html
This text is an excellent analysis of the Bernardo Bertolucci film, "The
Sheltering Sky." which fuses together Deleuze's books on cinema and elements
from the Francis Bacon book.
Azimute is an online publisher dedicated to publishing theoretical texts
concerned with Deleuze and Guattari and related aspects of their work.
Regards
Robert Lort
_____________________________________________
_____________________________________________
From: Dina Iordanova <[log in to unmask]>
The 2002 Visible Evidence Conference will be the tenth in a series of major
interdisciplinary conferences on the representation of (social) reality in
documentary film and video.
It will be held in Marseille in December 2002 (16 to 19) and is looking
very promising. Participants will come from all over the world and speakers
include the most eminent specialists.
>From now on, you can find some comprehensive information about the
conference on the website : http://www.up.univ-mrs.fr/visevi - you will
soon be allowed to use the simpler url : http://www.visibleevidence.net
.Please notice that by gradual updating every useful detail will
(hopefully) be fed into the site in due time.
Among the main general issues to be debated :
- History, Memory and Science
- Identities and Cultures
- Crossing Frontiers
- Image, Reality and Truth
- New Forms, New Implements.
Detailed panels contents appear on the website along with the names and
addresses of the panel chairs.
* If you wish to do a paper, you will have to make sure that it
fits into one specific panel. Then please contact directly the panel chair
by e-mail for further arrangement.
* There will be also an an open section for specific, original
papers on particular topics.
We are looking forward to meet you in Marseille and we trust you will help
us to make the conference a complete success.
For the committee,
Jean-Luc Lioult,
UniversitÈ de Provence.
_____________________________________________
_____________________________________________
From: Rowan Wilson <[log in to unmask]>
Subject: 20% OFF NEW PHILOSOPHY TITLES from Continuum!!
> ALL AT 20% OFF UNTIL JUNE 30TH!!
>
> Simply quote reference no: RPP1 when ordering.
>
>
> THE NON-PHILOSOPHY OF GILLES DELEUZE
> Gregg Lambert
>
> "A smart, fast, witty book which survey's Deleuze's philosophy with an
> intellectual agility, a sparkling intelligence, and an effortless command
> of film, post-Cartesian philosophy, psychoanalysis and literature in
> several languages. Students of film, visual culture, theory and anyone who
> wants to know a little more about continental philosophy will find this
> book invaluable. This is a book that breathes, that braces, that empowers,
> that makes you "see" sudden and startling new associations and then want
> to play along with Deleuze's concepts so as to apply them to new films,
> books, or theoretical issues." - Jean Michel Rabate, University of
> Pennsylvania.
>
> "This is the first book in English to provide a sustained account of the
> relationship between art and philosophy in Deleuze's work - it is full of
> thoughtful, at times brilliant reflections on the current state of theory
> and its relation to the world." - Dorothea Olkowski, University of
> Colorado.
>
> The Non-Philosophy of Gilles Deleuze takes up Deleuze's most powerful
> argument on the task of contemporary philosophy in the West. Deleuze
> argues that it is only through a creative engagement with the forms of
> non-philosophy - notably modern art, literature and cinema - that
> philosophy can hope to restore the broken links of perception, language
> and emotion. In a sequence of dazzling essays, Gregg Lambert analyses
> Deleuze's investigations into the modern arts. Particular attention is
> paid to Deleuze's exploration of Liebniz in relation to modern painting
> and of Borges to an understanding of the relationship between philosophy,
> literature and language.
> By illustrating Deleuze's own approach to the arts, and to modern
> literature in particular, the book demonstrates the critical significance
> of Deleuze's call for a future philosophy defined as an 'art of inventing
> concepts'.
>
> HB 0 8264 5955 2 / 60.00 > 48.00 / PB 0 8264 5956 0 / 16.99 > 13.50 /
> 240 pp / June 2002
>
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>
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> POSTAGE & PACKING: In the UK, for orders up to 20.00 in value, add 2.95;
> for orders between 20.00 and 50.00, add 5.75; for orders over 50.00,
> add 7.50. Elsewhere, add 15% of order value for surface mail (minimum
> charge 5.00). For airmail charges, please call Continuum Customer
> Services, Tel. +44 (0)1202 665432.
>
> Pay with cheque or credit card.
>
> Email the address below or [log in to unmask]
>
>
> Rowan Wilson
> Marketing Executive
> Continuum International Publishing Group Ltd
> The Tower Building
> 11 York Road
> London SE1 7NX
> Phone: 020 7922 0909
> Fax: 020 7922 0881
> E-mail: [log in to unmask]
> www.continuumbooks.com
>
> The Continuum Social /Cultural /Media Studies catalogue 2002 is now
> available. Please contact above or email [log in to unmask] for
> your copy.
>
> The Continuum Philosophy and Social Theory catalogue 2002 is now
> available. Please contact above or email [log in to unmask] for
> your copy.
>
> The Continuum International Relations catalogue 2002 is now available.
> Please contact above or email [log in to unmask] for your copy.
_____________________________________________
_____________________________________________
From: Mark Jancovich <[log in to unmask]>
Subject: Scope's New Articles
Articles
Films for Swingin' Lovers: Frank Sinatra, Performance and Sexual
Objectification in The Tender Trap and Pal Joey, By Karen McNally
Mrs Bates, I Presume?... Or Decomposing Identification in Leit=E3o de
Barros' In=EAs de Castro, By Bruce Williams
Rethinking the Intersection of Cinema, Genre, and Youth, By James Hay
Witches, Shamans, Pandoras - Representation of Women in the Polish
Postcommunist Cinema, By Ewa Mazierska
Dr Mark Jancovich
Reader and Director of the Institute of Film Studies
School of American and Canadian Studies
University of Nottingham
Nottingham
United Kingdom
Phone: 0115 951 4250
Fax: 0115 951 4270
Email: [log in to unmask]
Institute URL: http://www.nottingham.ac.uk/film
_____________________________________________
_____________________________________________
LAUNCH OF INTERNET MEDIA SERVICE FOR THE ARTS AND HUMANITIES
AlphaGalileo, the established Internet news service for science, now
covers research in the arts and humanities. The service provides
journalists from around the world with 24 hours-a-day access to:
…press releases
…calendar of events,
…new book announcements
…images and PDFs of papers from journals
…email alerts
…online database of experts
…address book of researchers and press officers
…library of background information
Further details can be found at http://www.alphagalileo.org
The extension of the AlphaGalileo service was made possible by
funding from the Arts and Humanities Research Board, British Academy
and the European Science Foundation.
_____________________________________________
_____________________________________________
From: Dylan McGinty <[log in to unmask]>
Subject: Film Review
FYI:
A review of the documentary 'Mille Gilles (A Thousand Gilles)' has been
published online recently at:
http://www.janushead.org/4-2/milgil.cfm
Dylan M. McGinty
Acquisitions and Marketing
First Run / Icarus Films, Inc.
32 Court Street, 21st Floor
Brooklyn NY 11201
Tel........................(718) 488 8900 / (800) 876 1710
Fax.......................(718) 488 8642
[log in to unmask]
Web....................http://www.frif.com
_____________________________________________
_____________________________________________
From: Lucy Curzon <[log in to unmask]>
Subject: <No subject given>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
PLEASE ANNOUNCE, PLEASE FORWARD
Call for papers:
The online journal _Invisible Culture_
(http//www.rochester.edu/in_visible_culture/ivchome.html) is seeking
papers of 2500 to 6000 words in length for an upcoming issue on visual
culture and national identity.
The purpose of this issue is to investigate how visual culture can be
analyzed as an expression of national identity, including how questions of
national identity are negotiated through different forms of visual
culture. Visual cuture, in this context, is understood not as a mirror
that reflects national identity, but rather as a complex venue for its
interpretation -- a site through which populations come into
consciousness as members of a particular community.
Topics for papers might include critical analyses of national cinema and
popular culture; representations of class, race, and gender in public art
and architecture; the changing role of museums and curatorial practices in
the twenty-first century; or contemporary art and art criticism after
September, 11th 2001.
The deadline for submissions in August 1, 2002. Please contact Lucy
Curzon by e-mail ([log in to unmask]) for more information. Send
electronic versions of papers to [log in to unmask] Send hard
copies to _Invisible Culture_, 424 Morey Hall, University of Rochester,
Rochester NY, 14627
------------------
Past issues of _Invisible Culture_ include: "To Incorporate
Practice" (Issue 4), "Time and the Work" (Issue 3), "Interrogating
Subcultures" (Issue 2), and "The Worlding of Cultural Studies" (Issue 1).
_Invisible Culture_ also accepts book review submissions of 600 to 800
words.
_Invisible Culture_ has been in operation since 1998, in association with
the Visual and Cultural Studies Program at the University of
Rochester. The present Editors, Margot Bouman, Lucy Curzon, Tai Smith and
Catherine Zuromskis, have revised the journals original mission statement,
with the goal of reaching a broader range of disciplines.
The journal is dedicated to explorations of the material and political
dimensions of cultural practices: the means by which cultural objects and
communities are produced, the historical contexts in which they emerge,
and the regimes of knowledge or modes of social interaction to which they
contribute.
As the title suggests, _Invisible Culture_ problematizes the unquestioned
alliance between culture and visibility, specifically visual culture and
vision. Cultural practices and materials emerge not solely in the visible
world, but also in the social, temporal, and theoretical relations that
define the invisible. Our understanding of Cultural Studies, finally,
maintains that culture is fugitive and is constantly renegotiated.
_____________________________________________
_____________________________________________
From: katharine sarikakis <[log in to unmask]>
Subject: sneaky preview ((((new intersections))))
--------------090002000003090504000009
Content-Type: text/plain; charset=ISO-8859-15; format=flowed
Content-Transfer-Encoding: quoted-printable
CURRENT INTER/SECTIONS www.muhlenberg.edu/communication/iamcr/inter =20
Articles
Structuring an audience base: the process role of opinion leaders and=20
change agents to effect structure and change
Sweety Law
National identity as normality: representation and typing in Flemish=20
television fiction
Alexander Dhoest
De-constructing the Other: conflict and ethnicity in Transylvania
Stela C. Chincisan
Televising Maastricht: the construction of Europe in Britain and Italy
Rinnella Cere
The attitudes of consumers towards green advertising in Japan and Thailan=
d
Worawan Ongkrutraksa
Critical commentaries and reviews
The deeper structures of storytelling: women, media corporations and the =
task of Communications researchers
Carolyn M. Byerly
The bottom line: keeping the women out
Sumati Nagrath
Media and Cultural Studies on the Web: observations on three sites
Michael Higgins
Conference reviews
Association for Education in Journalism and Mass Communication (AEJMC)=20
Convention in Washington, D.C.
Danna L. Walker
Our Media, Not Theirs: a Meeting of Alternative Media Scholars And=20
Practitioners in Washington DC
Nick Couldry
Screen Studies Conference in Glasgow
Philip Drake
The Junior Scholars Network Section: the International Association of=20
Media and Communication Rearchers (IAMCR) conference in Budapest
Anca Romantan
Book reviews
Axford, Barrie and Richard Huggins. (2001). New Media and Politics.
Reviewed by Karin Wahl-Jorgensen
Vincent Mosco & Dan Schiller (Eds.) Continental order? Integrating North =
America for cybercapitalism.
Reviewed by Hernan Galperin
Price: US$30 annual - individual US$130 annual- institutional (lower=20
prices for low income countries)
for subscriptions please email: [log in to unmask] or [log in to unmask]
((((Preview of July 2002 issue))))
Special Edition: MARGINALIZATION AS VIOLENCE?
VOICES OUTSIDE THE MAINSTREAM
Guest editors: Ziauddin Sardar, Annabelle Sreberny, Daya K. Thussu
Articles
What's in a name? Globalisation and its discourses -
Tony Schirato and Jen Webb
Marginalizing Moros: Violence, Silence, and American Discourses on Islam =
-
Christopher A. Vaughan
Pearl Harbor in the US and Global Imaginary, 1941-2001: history, story,=20
genealogy
Nobuya Inagaki and John Downing
Legitimizing strategies: Humanitarian bombs and intervention discourse
Mich=E8le Schoenberger-Orgad
'Voicing the Nation': The Struggle Over Palestinian Broadcasting
Lena Jayyusi
Gateway or Gagging Device? The World Bank's 'global development portal' =
-
Glyn Everett
Media reflexivity and the struggle for recognition: Groups of despised=20
sexuality in Brazilian soap operas
Rousiley Celi Moreira Maia and Angela Cristina Salgueiro Marques
Hearing Voices: Mental Illness and Cultural Recognition -
Simon Cross
Race, Representation, and Power: The Experience of British Muslims -
Siobhan Holohan and Elizabeth Poole
Critical Commentaries
Afraid at the Edges: another look at margins - Frank Morgan
The (News) value of Violence - Anandam P. Kavoori
--=20
Dr. Katharine Sarikakis
Lecturer in Media Policy and International Communication
Communication Culture and Media Subject Group
Coventry University
Priory Street CV1 5FB
Coventry, UK
Tel:+44.24.76887483
Fax:+44.24.76887440
Email: [log in to unmask]
Editor
Inter/Sections: the journal of global communication and culture
www.muhlenberg.edu/communication/iamcr/inter
_____________________________________________
_____________________________________________
From: "William H. Rosar" <[log in to unmask]>
Subject: JOURNAL OF FILM MUSIC: Call for Papers
[Apologies for cross-posting]
CALL FOR PAPERS
THE JOURNAL OF FILM MUSIC provides an interdisciplinary forum for
scholars in music, film, and other disciplines who share a common
interest in this vital new area of scholarly inquiry. Though now
represented in mainstream journals in music, film, the media, and
mass communication, scholarly writing on film music is currently
dispersed across many publications throughout the world. By
providing a scholarly journal devoted to the subject, the
interdisciplinary work of film music studies can flourish.
Contributions encompassing all aspects of film music history,
analysis, theory, and criticism are welcome.
Contributor Information
Please forward five copies of original material to: William H.
Rosar, Editor. THE JOURNAL OF FILM MUSIC, The International Film
Music Society, 112 Harvard Avenue, #223, Claremont, CA 91711.
Editorial inquiries should be sent to the Editor at that address
or via email to: <[log in to unmask]> or <[log in to unmask]>.
JFM follows a policy of blind peer review. To facilitate
anonymous review, only the article title should appear on the
title page. Please submit a separate title page with authorsí
name and affiliation, mailing address, phone/fax number, email
address and any acknowledgments or credits. The author should
make every effort to see that the manuscript itself contains no
clues as to their identities.
Articles, including endnotes, must be double-spaced on one side
only of 8‡ x 11 heavy bond paper. Please leave a 1î margin on
all sides. A disk file in a commonly used word processing
program, preferably Microsoft Word, should also be submitted.
For matters of style, please follow the latest edition of The
Chicago Manual of Style.
Musical examples, photographs or figures should be submitted on
separate sheets of paper with notes in the text as to approximate
placement of each example. On disk, examples must be either .EPS
or .TIFF files with minimum 300 dpi. All examples must have
permissions secured by the author.
Manuscripts that are currently under consideration by another
journal, or that have been published previously, in whole or in
part, may not be submitted. Authors will be requested to sign a
transfer of copyright to the International Film Music Society so
that authors and publishers may be protected from misuse of
copyrighted material.
_____________________________________________
_____________________________________________
Jordan Crandall: Trigger Project
April 7 - June 9, 2002
May 8, 2002, 8 pm: Video, Voyeurismus und Cocktails:
îHeatseekingî, 2000, USA, 26 Min. Director: Jordan Crandall
îPeeping Tomî, 1960, USA, 101 Min. Director: Michael Powell
Starring Karlheinz B–hm and Moira Shearer / 15,00 Euro: includes 2
Cocktails
May 12 (Sunday)2002: International Museum Day
Free Admission, Exhibition tours at: 12 pm and 2 pm
Screening: 3 pm, îHeatseekingî, 2000, USA, 26 Min. Director: Jordan
Crandall
Edith Russ Site for Media Art
Katharinenstraþe 23
26121 Oldenburg
Germany
t. +49 (0)441 235 - 32 08
f. +49 (0)441 235 - 21 61
www.edith-russ-haus.de
[log in to unmask]
_____________________________________________
_____________________________________________
From: Kate Douglas <[log in to unmask]>
Subject: CFP: M/C Reviews "Screens" section
MIME-Version: 1.0
Content-Type: text/plain
Content-Transfer-Encoding: 8bit
http://www.media-culture.org.au/reviews
M/C Reviews is an on-line review journal
publishing short articles within 6 sub-
sections: “Screens”, “Words”,
Sounds”, “Events”, “Objects” and “Features”. We
would like to invite contributions for
our “Screens” section.
Contributions should review material that
appears “on screen” -- film, television,
computer media or related issues or genres.
Preference will be given to reviews of current
films/tv or recent media/issues.
Reviews should be 500-1000 words in length.
Submissions exceeding this length will not be
considered.
Reviews can be submitted directly on-line at
http://www.media-
culture.org.au/reviews/submit.php
or can be e-mailed to the editor of “Screens”
Kate Douglas [log in to unmask]
_____________________________________________
_____________________________________________
To post to the salon, email: [log in to unmask]
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