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Subject:

Exploiting Fear Conference

From:

[log in to unmask]

Reply-To:

Film-Philosophy Salon <[log in to unmask]>

Date:

Wed, 12 Jun 2002 17:07:19 +0000

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (208 lines)

From:
            "S.A.Wilkinson" <[log in to unmask]>
Subject: CFP: Exploiting Fear: The Art and Appeal of Horror on Film


Given below is a provisional timetable for this conference which is
set to take place at the Univesity of Hull, England from 11 - 13
October 2002.

There may be the opportunity for more panels and so late submissions
are still being accepted.

If you wish to register for the conference please got to our web page
where you will find links to the Call for Papers, up-to-date Programme
information and links to the Iniversity / local accommodation.

Many thanks for taking the time to read this and I look forward to
hearing from you in the near future

Best regards

Simon Wilkinson

----------------------
S.A.Wilkinson
[log in to unmask]





PROVISIONAL PROGRAMME


Friday 11

14:30-17:00 Registration

18:00-19:00:

Opening Lecture by Guest Speaker:
Mark Jancovich
"They mostly come at night ... mostly":
Time, Space and the
Congregation of Horror Fandom


19:00-23:00:

Conference Dinner

Saturday 12

9:00-10:30:

Panel: Horror Cycles

Paper 1:The Nightmare Continues -
The Persecuted Yuppie Cycle

Paper 2:Hammer, Cronenberg, and the
Notion of Cycles

Paper 3: Scrolls of Life: Universal's
Mummy Films

10.30-10.45: Refreshments

10:45-12:15:

Panel: Interpreting Auteurs

Paper 1: The Cinematic Art of Jacques
Tourneur

Paper 2: Another One For the Fire:
George A. Romero's American
Theology of the Flesh

Paper 3:The Evocation of Holocaust
Imagery in Hitchcock's Psycho

12:45-13:45: Buffet Lunch

13:45-15:15:

Panel: Italian Masters

Paper 1: Mario Bava's La Frustra E Il
Corpo (The Whip and the Body)

Paper 2: Visceral Desire: The Fear of
the Flesh

Paper 3: The Giallo; Italian Cinema Par
Excellance

15:15-15:30: Refreshments

15:30-16:30:

Panel: Horrific Ancestry and
Homage

Paper 1: The Friday the 13th Films and
the cultural function of a modern Grand
Guignol

Paper 2: Sleepy Hollow and the
Hammer Horror Tradition

Paper 3: Italian Horror and Edgar
Allen Poe

17:00 - 18:00
Keynote Speaker:

Richard Dyer

Killing for the Family:
the Italian horror film.


19:30: Screening:

Spider


21:30: Screening:


Midnight: Screening:

The Last House on the Left



Sunday 13

9:00-10:00:

Panel: British Traditions

Paper 1: Including the Excluded: The
Views of Genre Fans on the
Regulatory Censorship of Film
Violence in Britain

Paper 2: The Decaying Victor: Fifties
Britain and The Quatermass
Experiment

10:00-11:00:

Panel: Technology and Terror

Paper 1: Spectral Vampires: Modern
Technology and the Vampire Myth in
Cinema

Paper 2: Modern Cinema and the
evolution of the Cybergothic

11:00-11:15: Refreshments

11:15-12:45

Panel: Audience and Reception

Paper 1: A Particular Fondness: A
Model of the Female Horror Film
Audience

Paper 2: Consuming Horror's Special
Effects: Audience Effects and Doubled
Attention

Paper 3: Horror as Pleasure and as
Role Play

12:45-13:45: Buffet Lunch

13:45-15:15:

Panel: International Horrors

Paper 1: This Doesn't Look Like a
Spanish Film: La Residencia (1969)

Paper 2: Roman Polanski's 'La
Loctaire': Urban Alienation as Tale of
Terror

Paper 3: Desire Through the Looking
Glass Mike Takashi's Audition as a
Mirror of Japanese Patriarchal Images
of Women

15:15-15:30: Refreshments

15:30-16:30: Closing Lecture:

Neil Sinyard

       N.B.

       All information is provisional and subject to change.

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