In response to Patrick/ Clive's postings:why DO we make interactive artworks? (not that we need to justify it any
more than for example why do we choose to work in film) - but beyond the
internal interaction of responding to a work, whilst it appears to change as
we re-interpret it, to create works with which users can physically
engage... and whether the interaction is with other users, mediated or
facilitated by the work, or whether it is physical and communicative
interaction with the work itself, I would be interested to know from other
artists why they choose to work in that way...?
fin mcmorran
university of northumbria
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