>Oh, no need to apologise. I quite understand. One doesn't want to be seen
>(re-)reading anything but Deleuze these days. e.
I don't think so. (for me, i mean)
I haven't choose an easy or usual or "a la page" way for my work (i don't know.....for example David Fincher, Tarantino)
Do you know
John braham's "the locket"
Joseph lewis' "so dark the night"
Edgar g ulmer's "strange illusion" and "murder is my beat"
Lew Landers' "men in the dark"
Rudolph mate's "the dark past"
Arch oboler's "bewitched"
Irving reil's "crack up"
Arthur ripley's "the chase"
Steve Sekely's "the scar"
Richard wallace's "fallen sparrow" ?
Well, are only some of the most important (and underrated) "texts" about flashback
A sort of Key(s) for a movie like "Bad Timing" (roeg), that probably has in the title a sort of explanation of what i know and what i'm interested about flashback.
anyway, thanks for the Genette hint :-)
Michele
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