Not to be mundane, but what would be some of the archetypical works
of film criticism than employ insights from Post-Modern philosophy?
(I don't mean what works of PoMo philosophy use film as a foil, nor
which works of criticism deal solely with films considered PoMo.)
I'm thinking that this is likely the best way for me to grapple with
the current discussion.
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Nathan Wolfson
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