Stefano,
In the same vein, you might consider Woody Allen's "Stardust
Memories"(1980).
Also there is the more romanticized representation of the film spectator
in Giuseppe Tornatore's "Cinema Paradiso"(1988).
Indirectly, I think films like Wim Wender's "Tokyo-Ga"(1985) and Adam
Simon's "The Typewriter, the Rifle & the Movie Camera"(1996), are films
which represent the film spectator in autobiographical detail. Wenders
own experiences and memories of Yasujiro Ozu's films, like the
experiences and memories of Tim Robbins and Jim Jarmusch of Sam Fuller's
films, are the incitement that drive these spectators, much like Mia
Farrow in "Purple Rose Of Cairo", to step toward becoming a part of the
projected image.....
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