JMC wrote:
"The non-emphasis of medieval art on linear perspective."
And of course in traditional Chinese painting. One could also make an
interesting argument re: the calligraphic as image. The Chinese
character is a most fascinating example of both word and image
simultaneously.
Norman
--
Norman Jackson Ford - Photographer
University of Hong Kong
Research/TA , Dept. of Comparative Literature
& Hong Kong Arts Centre - Photography Faculty
Flat 19/B, Pan View Court
162 Third St.
Sai Ying Pun
Hong Kong
852/2914-2923
see www.photoexhibition.net/normanford - for Hong Kong/Asian
photography and my online exhibition
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