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February 2022

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Subject	Date	Size
CFP: Conference - Voices in and out of Place: Misplaced, Displaced, Replaced and Interlaced Voices	Mon, 28 Feb 2022 17:53:17 +0000	142 lines
Reminder: The Oxford Seminar in the Psychology of Music with Dr Jonna Vuoskoski	Mon, 28 Feb 2022 17:19:08 +0000	48 lines
Fwd: Invitation to: Musical Theatre and Jazz – Intersections in Directing, Training, Performing. A panel discussion with Josef E. Köpplinger, Marianne Larsen, and Lars Hansen	Mon, 28 Feb 2022 13:40:03 +0000	91 lines
Metal Music Studies 8.1 is out now	Mon, 28 Feb 2022 11:01:53 +0000	125 lines
Cfp "300 years of Bach’s Well-Tempered Clavier" (Torino 21-22 June 2022)	Sat, 26 Feb 2022 18:21:49 +0100	128 lines
Invitation: Care for your Electronic Instruments, MIRN Event on Friday 11 March	Sat, 26 Feb 2022 09:55:45 +0000	46 lines
"SONOROUS OBJECTS" a new CFP for a special issue in Music & Science	Fri, 25 Feb 2022 15:38:55 +0000	40 lines
"SONOROUS OBJECTS" a new CFP for a special issue in Music & Science	Fri, 25 Feb 2022 11:57:42 +0000	40 lines
University of Cambridge: Temporary Assistant Professor in Ethnomusicology, Popular Music and Sound Studies, 0.7FTE	Fri, 25 Feb 2022 11:31:18 +0000	81 lines
CALL FOR PAPERS Analysing Spanish Music and Music Inspired by Spain (1833-1939) ONLINE	Thu, 24 Feb 2022 20:00:53 +0000	187 lines
Contrappunto @ DHI Roma featuring Ruben Vernazza: "Opera italiana ed esilio risorgimentale nella Parigi degli anni Trenta dell'Ottocento" (3 March, 5 PM/CET)	Thu, 24 Feb 2022 18:08:43 +0100	54 lines
Part-time Library Assistant vacancy at Trinity Laban Conservatoire of Music and Dance	Thu, 24 Feb 2022 16:31:11 +0000	88 lines
Issues in Contemporary Jazz - CFP Deadline Extended	Thu, 24 Feb 2022 16:21:50 +0000	67 lines
CFP: Dis\|continuities. Opera and its Historiography between the Weimar Republic and Early Post-War West Germany (Bonn 2023)	Thu, 24 Feb 2022 11:54:02 +0000	109 lines
Journal of Popular Music Education 5.3 is out now	Thu, 24 Feb 2022 11:01:37 +0000	117 lines
Registration Now Open: Women Leaders within the Classical Music Industries, Friday 25 March	Thu, 24 Feb 2022 10:51:54 +0000	67 lines
Reminder - Call for chapters: Gadamer, Music, and Philosophical Hermeneutics	Thu, 24 Feb 2022 13:43:53 +1100	101 lines
Upcoming panels on Sound Recording and Pre-existing Music	Wed, 23 Feb 2022 16:28:13 +0000	61 lines
research seminar on music, migration, and the city	Wed, 23 Feb 2022 16:03:53 +0000	31 lines
New Journal DONIZETTI STUDIES	Wed, 23 Feb 2022 15:39:37 +0000	33 lines
Virtual book launch invitation	Wed, 23 Feb 2022 15:38:27 +0000	65 lines
Dr Marie Thompson Research Seminar ‘Tinnitus, Musical Listening and Musical Labour’ at City, University of London, 23.2.22	Wed, 23 Feb 2022 11:16:42 +0000	50 lines
Upcoming panels on Sound Recording and Pre-existing Music	Wed, 23 Feb 2022 11:07:10 +0000	60 lines
New Publication 'The Routledge Handbook to the Music of Alfred Schnittke'	Tue, 22 Feb 2022 11:10:32 -0000	54 lines
Reminder: MUSICAL AND THEATRICAL MIGRATIONS: PERFORMANCE PRACTICE IN 17TH AND 18TH-CENTURY EUROPE	Mon, 21 Feb 2022 22:12:31 +0000	126 lines
ORFEAS2021 - Queer Sci-Fi Video-Opera from Greece	Mon, 21 Feb 2022 22:06:17 +0000	60 lines
Detecting background music: invitation to an online experiment	Mon, 21 Feb 2022 20:20:52 +0100	62 lines
CfP Reminder: Music, Creativity, and Culture in England, 1642-88	Mon, 21 Feb 2022 15:07:24 +0000	91 lines
CFP: Music as a Profession: Status, Careers and Organizations (18th-20th centuries) - Lisbon, 30 June-1 July 2022	Mon, 21 Feb 2022 14:29:48 +0000	111 lines
CfP Musical Discourses after 1970	Mon, 21 Feb 2022 14:12:25 +0000	58 lines
University of Aberdeen Music Research Seminar Series: Dr Kathleen Turner	Mon, 21 Feb 2022 12:28:35 +0000	60 lines
Music PhD scholarship at Dublin City University	Mon, 21 Feb 2022 11:10:33 +0000	97 lines
Music, Nature and Environmental Action	Mon, 21 Feb 2022 10:32:25 +0000	34 lines
Call for Articles English, Français, Español - Deadline 6 mai 2022: Berceuses : Circulations historiques et culturelles, transmissions de l’intime	Mon, 21 Feb 2022 09:07:42 +0100	164 lines
Online Book Launch: Clara Schumann Studies	Sun, 20 Feb 2022 06:56:11 +0000	35 lines
3rd International ANDERS ELIASSON Symposium	Fri, 18 Feb 2022 10:38:52 +0000	74 lines
CfP: London Conference in Critical Thought	Thu, 17 Feb 2022 16:18:04 +0000	102 lines
University of Bern: two vacant positions	Thu, 17 Feb 2022 10:31:00 +0100	102 lines
International conference on provenance research in the field of string instruments – 4/5 April 2022	Thu, 17 Feb 2022 08:02:39 +0000	49 lines
CRECEPS talk: Valentyn Silvestrov	Wed, 16 Feb 2022 13:06:00 +0000	50 lines
[Online Lectures] Philippe Manoury and Hildegard Westerkamp – Lectures series Poetics and Politics of Twenty-First Century Music	Wed, 16 Feb 2022 10:32:32 +0000	45 lines
EDIMS Open Forum, Weds 23 March 2022	Wed, 16 Feb 2022 09:47:31 +0000	42 lines
CFP: Musical Interactions, 1400-1650	Tue, 15 Feb 2022 20:26:07 +0000	67 lines
The Stereo Bird Cocktail Party Challenge / "exploratory BirdCLEF 2022" is live	Tue, 15 Feb 2022 16:19:22 -0400	69 lines
CfP – Riffs – Popular music materialities	Tue, 15 Feb 2022 16:37:47 +0000	85 lines
Cambridge Music Colloquium 23 February: Anna Bull	Tue, 15 Feb 2022 16:19:41 +0000	80 lines
[Last Days] III International Conference on Wind Bands	Tue, 15 Feb 2022 09:55:36 +0000	55 lines
Call for Submissions - Marta Walter Prize	Mon, 14 Feb 2022 09:25:36 +0000	52 lines
Conference: Alfred Einstein’s "The Italian Madrigal" and its afterlife	Sun, 13 Feb 2022 17:27:33 +0000	68 lines
Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music	Sat, 12 Feb 2022 10:19:13 +0200	47 lines
Call for Papers: Society for Musicology in Ireland Plenary Conference 2022	Fri, 11 Feb 2022 12:25:10 +0000	75 lines
Music theory vacancy, Conservatorium van Amsterdam (The Netherlands)	Fri, 11 Feb 2022 11:40:10 +0000	36 lines
Perceptual experiment on post-tonal music	Fri, 11 Feb 2022 10:01:31 +0000	54 lines
Symposuium: Perpetual encounter: globalization, cosmopolitanism, and acculturation in music, April 7, Cluj-Napoca	Thu, 10 Feb 2022 21:25:24 +0200	110 lines
CfP: Society for Music Analysis Annual Conference (NewMAC), Newcastle University, 11–13 July 2022	Thu, 10 Feb 2022 18:57:17 +0000	89 lines
RIPM Jazz Periodicals: New Search Features – New Journals	Thu, 10 Feb 2022 14:42:13 +0000	56 lines
Music and Politics Reading Group with Prof. Daphne A. Brooks: Wednesday, 23 Feb	Thu, 10 Feb 2022 13:28:41 +0000	46 lines
ISMIR 2022: Call for Papers	Wed, 9 Feb 2022 09:57:56 +0100	225 lines
Asian German Studies in Music Working Group	Wed, 9 Feb 2022 08:50:32 +0000	52 lines
New Sound - Call for Papers	Tue, 8 Feb 2022 19:08:11 +0100	52 lines
University of Aberdeen Music Research Seminar Series: Dr Benedict Taylor 10/2	Tue, 8 Feb 2022 17:46:47 +0000	62 lines
February 2022 Newsletter \| Call for Tenure Track Position, Upcoming Events & more!	Tue, 8 Feb 2022 17:20:55 +0000	83 lines
RMA Roche Prize 2022	Tue, 8 Feb 2022 14:45:58 +0000	48 lines
Call for Papers (reminder): Naming, Understanding, and Playing with Metaphors in Music (April 29-30, 2022)	Tue, 8 Feb 2022 12:03:36 +0000	102 lines
Interrogating Sources & Evaluating Legacy: A Serge Prokofiev Symposium, 28 & 29 April, 2022 (remote)	Tue, 8 Feb 2022 10:07:08 +0000	82 lines
Royal Birmingham Conservatoire Public Research Seminars Spring 2022	Tue, 8 Feb 2022 08:47:40 +0000	49 lines
CFP: Digital Libraries for Musicology '22	Mon, 7 Feb 2022 21:10:53 +0000	138 lines
AI Music Creativity (AIMC) Community Announcements	Mon, 7 Feb 2022 19:35:15 +0000	85 lines
Re: Reminder: Call for Papers - seventh Rhythm Changes conference	Mon, 7 Feb 2022 16:13:59 +0000	215 lines
Call for papers: Music, Spirituality and Genre study day, Friday 20 May 2022, Middlesex University, London, UK	Mon, 7 Feb 2022 14:35:01 +0000	65 lines
On-Screen Performance and Pre-existing Music – online panel this Thursday	Mon, 7 Feb 2022 09:14:05 +0000	60 lines
Call for Papers: "Res Facta Nova. Studies in Contemporary Music"	Sun, 6 Feb 2022 22:04:14 +0100	74 lines
CONTEXT: Journal of Music Research – New Issue	Sun, 6 Feb 2022 06:50:51 +0000	72 lines
University of Manchester Research Fora Semester 2, 2021–22	Fri, 4 Feb 2022 18:10:18 +0000	81 lines
Mark Everist Online First Edition – New Books seminar, , University of Southampton, Wednesday 9th February 2022	Fri, 4 Feb 2022 16:55:33 +0000	102 lines
DCU Online Music Seminars Spring 2022	Fri, 4 Feb 2022 12:32:30 +0000	63 lines
Cambridge Music Faculty colloquium 9 Feb	Fri, 4 Feb 2022 12:14:53 +0000	70 lines
Call For Proposals: DRHA2022: Digital Research in the Humanities and Arts 2022, Kingston University: 4 - 7 September 2022	Fri, 4 Feb 2022 10:27:05 +0000	209 lines
“Different Points of View” (IMS Musicological Brainfood 6, no. 1)	Thu, 3 Feb 2022 21:05:54 +0100	38 lines
Summer School "Sexuality and Gender in Schubert’s Time"	Thu, 3 Feb 2022 15:35:06 +0000	49 lines
Prof Nicola Dibben Research Seminar ‘Music in augmented and mixed reality’ at City, University of London	Thu, 3 Feb 2022 11:37:42 +0000	54 lines
'Bach and the Corporeality of Emotions', Discussing Bach 4 (February 2022)	Wed, 2 Feb 2022 21:22:55 +0000	53 lines
Two Postdoctoral Fellow positions at McGill University: Analysis, Creation and Teaching of ORchestration (ACTOR)	Wed, 2 Feb 2022 18:44:04 +0000	97 lines
Call for articles - ViewFinder Issue 120: Arena	Wed, 2 Feb 2022 15:18:09 +0000	55 lines
CFP: Computer Creativity in music performance, improvisation, composition	Wed, 2 Feb 2022 14:18:31 +0000	72 lines
DEUMM Online	Tue, 1 Feb 2022 18:14:46 +0000	152 lines
NEW BOOK: La Musique religieuse en France au XIXe siècle	Tue, 1 Feb 2022 18:40:57 +0100	153 lines
CfP: INSAM Journal of Contemporary Music, Art and Technology No. 8 & 9	Tue, 1 Feb 2022 17:16:42 +0000	75 lines
PHILOSOPHIES OF SOUND AND THE AUDIBLE	Tue, 1 Feb 2022 12:49:18 +0000	174 lines
ECHO #3 - Feedback (Adam Pultz Melbye, ed.) now online	Tue, 1 Feb 2022 11:26:09 +0100	60 lines
NEW BOOK: Luigi Boccherini, Symphonies Concertantes	Tue, 1 Feb 2022 09:40:19 +0100	48 lines
PhD Studentships for October 2022	Tue, 1 Feb 2022 08:24:51 +0000	39 lines