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MECCSA-PGN  May 2016

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Subject:

Registration Now Open: CATH Postgraduate Conference - Production Studies: Film, Television and their Industrial Contexts

From:

CATH Postgraduates <[log in to unmask]>

Reply-To:

CATH Postgraduates <[log in to unmask]>

Date:

Wed, 25 May 2016 11:48:04 +0100

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (206 lines)

Apologies for cross-posting.



Registration is now open for the fifth annual CATH Postgraduate Conference,
‘Production Studies: Film, Television and their Industrial Contexts’. This
free one day conference will be held on 15 June 2016 at De Montfort
University.



You can register to attend the conference here
<https://www.eventbrite.co.uk/e/production-studies-cath-centre-postgrad-conference-de-montfort-university-tickets-25315607664?utm_campaign=new_event_email&utm_medium=email&utm_source=eb_email&utm_term=viewmyevent_button>
.



The confirmed keynote speaker is Bridget Conor, Senior Lecturer at King’s
College London and co-editor of *Production Studies, the Sequel!: Cultural
Studies of Global Media Industries* (2015).



The conference will conclude with a round table discussion with three
industry professionals: scriptwriter and producer Graham Duff, CG
generalist B Jones and writer/director Will Jewell.



Please find the schedule below:





*The Cinema and Television History (CATH) Research Centre presents:*



*Production Studies: Film, Television, and their Industrial Contexts*



*A postgraduate conference organised in association with BAFTSS*



*Wednesday 15 June 2016*



*Clephan Building, De Montfort University*



*Schedule*





09.00 - 09.30   Registration (Clephan Building: Third Floor Lobby)

09.30 - 10.30   Keynote: Invisible Labour/Invisible Workers in Media
Production Studies -

                        Dr. Bridget Conor (Kings College London) CL3.01

10.30 - 10.45   Break CL3.02

10.45 - 12.25   Parallel Panels (1)

*The Role of Women in Film and Television Production *CL3.01

*Production for Contemporary Audiences*

CL3.03

Frances Galt (De Montfort University) - *Patterns of Discrimination against
Women in the Film and Television Industries* Report (1975): A Historical
Context

Cassie Brummitt (De Montfort University) - Pottermore: The Production of a
Digital Adaptation

Ania Ostrowska (University of Southampton) – I’m Not Very Good At
Compromising…’ Creative Agency of Women Documentarians Working With British
TV Channels

Gloria Dagnino (Università della Svizzera italiana) - Friends with
(conflicting) Benefits? Industrial and Cultural Relations Between Italian
Film Producers and Product Placement Agents

Jennifer Voss (De Montfort University) - ‘The Hardest Working Girl in
Hollywood’: Clara Bow, Louise Brooks and the Welfare of the Performer

Jinuo Diao (University of St Andrews) - Under the Profit Push Trend: What
is Happening to Production in the Contemporary Chinese Film Industry

Munira Cheema (University of Sussex) - The Production of Gender-based
Content in Pakistani Television Industry

Anna Potter (University of Sunshine Coast) - Digitally Disrupting
Programming and Production Practices: Tales from the Children’s Television
Industry

12.25 - 13.10   Lunch CL3.02

13.10 - 14.50   Parallel Panels (2)

*National Contexts of Production*

CL3.01

*The Lives of Production Workers*

CL3.03

Marc Rose (University of Portsmouth) - Creative Identity in British Music
Video: Exploring Oil Factory and Sophie Muller

Laura Taylor (Leeds Beckett University) - Self-Shooting for Documentary and
Factual

Maya Nedyalkova (University of Southampton) - On a Mission to Win:
Contemporary Bulgarian Producer Dimitar Mitovski and His Comedy
Feature *Mission
London*

Karl Rawstrone (University of West of England/Bournemouth University)
- Methodological
Issues: Questions and Interventions in the Qualitative Interview

Andre Dechert (University of Augsburg) - Looking to America: A
Transnational History of Early West German Television in the 1950s

Laura Fryer (De Montfort University) - Screenwriting, Self-Adaptation and
Collaborative Authorship: Ruth Prawer Jhabvala’s *The Householder *and *Heat
and Dust*

Alejandra Castano Echeverri (University of Leicester) - Creative Labour and
Public Value: Contextual Specificity and Impact on Colombian Public
Broadcasting System

Geoff Brown (De Montfort University) - A Fly on the Wall in 1929: The
Production Diary of David Cunyghame at British International Pictures

14.50 - 15.05   Break CL3.02

15.05 - 16.45   Parallel Panels (3)

*Production Workers as Creative Workers*

CL3.01

*Genre and Generic Context of Production*

CL3.03

Tim Heath (Royal Holloway) - “Idiots Turned Engineers.” The Redistribution
of skill in British Television Dubbing

Daniel Klug (University of Basel) - ‘It’s Not What It looks Like’: The
Context of Scripted Reality Production

Tom Symmons (*Early Career Researcher*) - New Hollywood Cinematographers

Eva Pjajcikova (Masaryk University) - Czech Television Crime Series
Constructing their Identities

Rowan Aust (Royal Holloway) - The Lives of Television Editors

Kieran Foster (De Montfort University) – Dracula Unseen: Hammer’s Unmade
Films

Dr Douglas McNaughton (University of Brighton) - ‘Visible’ and ‘Invisible’
Performance: Framing Performance in 1970s Television Drama Production

Li Yuxiao (ShanDong University) - Inexperienced Content Producers Create
Popular Works

16.45 - 17.00   Break CL3.02

17.00 - 18.00   Roundtable with Industry Guests: Graham Duff, B. Jones and
Will Jewell CL3.01

18.00 - 18.30   Wine Reception CL3.02



19.00   Conference Dinner – The Boot Room, Leicester

-- 
*Cinema and Television History (CATH) Research Centre Postgraduates*

Room 3.06J
School of Media and Communication
Clephan Building
De Montfort University
The Gateway
Leicester
LE1 9BH

e: [log in to unmask]
w: http://cathpostgrad.wordpress.com/

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