Apologies for cross-posting.
Registration is now open for the fifth annual CATH Postgraduate Conference,
‘Production Studies: Film, Television and their Industrial Contexts’. This
free one day conference will be held on 15 June 2016 at De Montfort
University.
You can register to attend the conference here
<https://www.eventbrite.co.uk/e/production-studies-cath-centre-postgrad-conference-de-montfort-university-tickets-25315607664?utm_campaign=new_event_email&utm_medium=email&utm_source=eb_email&utm_term=viewmyevent_button>
.
The confirmed keynote speaker is Bridget Conor, Senior Lecturer at King’s
College London and co-editor of *Production Studies, the Sequel!: Cultural
Studies of Global Media Industries* (2015).
The conference will conclude with a round table discussion with three
industry professionals: scriptwriter and producer Graham Duff, CG
generalist B Jones and writer/director Will Jewell.
Please find the schedule below:
*The Cinema and Television History (CATH) Research Centre presents:*
*Production Studies: Film, Television, and their Industrial Contexts*
*A postgraduate conference organised in association with BAFTSS*
*Wednesday 15 June 2016*
*Clephan Building, De Montfort University*
*Schedule*
09.00 - 09.30 Registration (Clephan Building: Third Floor Lobby)
09.30 - 10.30 Keynote: Invisible Labour/Invisible Workers in Media
Production Studies -
Dr. Bridget Conor (Kings College London) CL3.01
10.30 - 10.45 Break CL3.02
10.45 - 12.25 Parallel Panels (1)
*The Role of Women in Film and Television Production *CL3.01
*Production for Contemporary Audiences*
CL3.03
Frances Galt (De Montfort University) - *Patterns of Discrimination against
Women in the Film and Television Industries* Report (1975): A Historical
Context
Cassie Brummitt (De Montfort University) - Pottermore: The Production of a
Digital Adaptation
Ania Ostrowska (University of Southampton) – I’m Not Very Good At
Compromising…’ Creative Agency of Women Documentarians Working With British
TV Channels
Gloria Dagnino (Università della Svizzera italiana) - Friends with
(conflicting) Benefits? Industrial and Cultural Relations Between Italian
Film Producers and Product Placement Agents
Jennifer Voss (De Montfort University) - ‘The Hardest Working Girl in
Hollywood’: Clara Bow, Louise Brooks and the Welfare of the Performer
Jinuo Diao (University of St Andrews) - Under the Profit Push Trend: What
is Happening to Production in the Contemporary Chinese Film Industry
Munira Cheema (University of Sussex) - The Production of Gender-based
Content in Pakistani Television Industry
Anna Potter (University of Sunshine Coast) - Digitally Disrupting
Programming and Production Practices: Tales from the Children’s Television
Industry
12.25 - 13.10 Lunch CL3.02
13.10 - 14.50 Parallel Panels (2)
*National Contexts of Production*
CL3.01
*The Lives of Production Workers*
CL3.03
Marc Rose (University of Portsmouth) - Creative Identity in British Music
Video: Exploring Oil Factory and Sophie Muller
Laura Taylor (Leeds Beckett University) - Self-Shooting for Documentary and
Factual
Maya Nedyalkova (University of Southampton) - On a Mission to Win:
Contemporary Bulgarian Producer Dimitar Mitovski and His Comedy
Feature *Mission
London*
Karl Rawstrone (University of West of England/Bournemouth University)
- Methodological
Issues: Questions and Interventions in the Qualitative Interview
Andre Dechert (University of Augsburg) - Looking to America: A
Transnational History of Early West German Television in the 1950s
Laura Fryer (De Montfort University) - Screenwriting, Self-Adaptation and
Collaborative Authorship: Ruth Prawer Jhabvala’s *The Householder *and *Heat
and Dust*
Alejandra Castano Echeverri (University of Leicester) - Creative Labour and
Public Value: Contextual Specificity and Impact on Colombian Public
Broadcasting System
Geoff Brown (De Montfort University) - A Fly on the Wall in 1929: The
Production Diary of David Cunyghame at British International Pictures
14.50 - 15.05 Break CL3.02
15.05 - 16.45 Parallel Panels (3)
*Production Workers as Creative Workers*
CL3.01
*Genre and Generic Context of Production*
CL3.03
Tim Heath (Royal Holloway) - “Idiots Turned Engineers.” The Redistribution
of skill in British Television Dubbing
Daniel Klug (University of Basel) - ‘It’s Not What It looks Like’: The
Context of Scripted Reality Production
Tom Symmons (*Early Career Researcher*) - New Hollywood Cinematographers
Eva Pjajcikova (Masaryk University) - Czech Television Crime Series
Constructing their Identities
Rowan Aust (Royal Holloway) - The Lives of Television Editors
Kieran Foster (De Montfort University) – Dracula Unseen: Hammer’s Unmade
Films
Dr Douglas McNaughton (University of Brighton) - ‘Visible’ and ‘Invisible’
Performance: Framing Performance in 1970s Television Drama Production
Li Yuxiao (ShanDong University) - Inexperienced Content Producers Create
Popular Works
16.45 - 17.00 Break CL3.02
17.00 - 18.00 Roundtable with Industry Guests: Graham Duff, B. Jones and
Will Jewell CL3.01
18.00 - 18.30 Wine Reception CL3.02
19.00 Conference Dinner – The Boot Room, Leicester
--
*Cinema and Television History (CATH) Research Centre Postgraduates*
Room 3.06J
School of Media and Communication
Clephan Building
De Montfort University
The Gateway
Leicester
LE1 9BH
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