|
|
|
Size
|
Deadline extended to 12 February: CfP - Music and Pleasure before the Law, University College Dublin (28-29 June 2023)
|
Matthew Thomson |
Tue, 31 Jan 2023 11:54:33 +0000 |
79 lines |
Deadline extended to February 17 - ACTOR Timbre & Orchestration Summer School (Thessaloniki, July 8-12, 2023)
|
Robert Hasegawa, Prof. |
Mon, 30 Jan 2023 18:43:13 +0000 |
116 lines |
Wed 8 Feb 4.30-6pm launch event ‘Interwar Symphonies and the Imagination’ by Emily MacGregor, online and in-person, KCL
|
Emily MacGregor |
Mon, 30 Jan 2023 13:26:16 +0000 |
90 lines |
Call for Papers: Cultural Intermediaries in the Nineteenth-Century Music Market, 23–24 June 2023, University of Bristol
|
Shaena Weitz |
Mon, 30 Jan 2023 11:58:48 +0000 |
89 lines |
EDIMS Open Forum Event, Monday 27th March 2023
|
Nooshin, Laudan |
Mon, 30 Jan 2023 10:17:51 +0000 |
47 lines |
SPA Annual Conference (Body Knowledges), 22-24 March 2023: Early-Bird Registration Closing Soon
|
Jeremy Coleman |
Sun, 29 Jan 2023 19:45:11 +0100 |
61 lines |
Positioning Prokofiev in the 21st Century and Beyond
|
Christina Guillaumier |
Sat, 28 Jan 2023 16:31:38 +0000 |
58 lines |
Registration Open: International Conference Women at the Piano 1848-1970, March 2023
|
Joe Davies |
Fri, 27 Jan 2023 18:31:52 +0000 |
28 lines |
CFP: Romanticism in Music: Poland in its European Context, Warsaw
|
Ewa Bogula |
Fri, 27 Jan 2023 14:54:53 +0100 |
82 lines |
MESS 3 - Youn Kim on "Piano Fingering: Expressing Bodily Efforts and the Performing Agency" Feb 6th (online)
|
Maria Witek |
Fri, 27 Jan 2023 13:11:44 +0000 |
80 lines |
Closing soon: CFP: Low End Theories 2023 online conference
|
Ivan Mouraviev |
Fri, 27 Jan 2023 12:46:30 +0000 |
91 lines |
CFP Reminder: Music and the Figurative Arts in the Baroque Era
|
Roberto Illiano |
Fri, 27 Jan 2023 11:57:25 +0100 |
50 lines |
CfP: "Folk-Music Practices and Polyphonic Nationalisms in Europe" Symposium
|
Felix Morgenstern |
Thu, 26 Jan 2023 14:58:55 +0100 |
142 lines |
CfP Historical Embodiment
|
Allenbach Daniel |
Thu, 26 Jan 2023 13:50:23 +0000 |
53 lines |
music-data seminar next week
|
Ben-Tal, Oded |
Thu, 26 Jan 2023 10:49:22 +0000 |
44 lines |
GMTH: 3rd International Music Theory Lecture, 9 February 2023
|
Wendelin Bitzan |
Wed, 25 Jan 2023 23:56:58 +0000 |
26 lines |
AI Music Creativity Conference
|
aimc |
Wed, 25 Jan 2023 21:40:49 +0000 |
74 lines |
Research events - Music, University of Southampton
|
Hettie Malcomson |
Wed, 25 Jan 2023 20:42:43 +0000 |
281 lines |
[OPPORTUNITY] Full Orchestra Recording Session and Composition Course
|
THOMAS, RUTH D.E. |
Tue, 24 Jan 2023 20:32:13 +0000 |
55 lines |
Online music research seminars Dublin City University spring 2023
|
John O'Flynn |
Mon, 23 Jan 2023 16:19:15 +0000 |
50 lines |
CfP (Deadline Extended): Innovation in Music Conference, "You're Not Supposed to Do That" Edinburgh Napier University, 30 June, 1 & 2 July
|
Dave Hook |
Mon, 23 Jan 2023 10:59:00 +0000 |
132 lines |
Music Video, Video Games, Digital Mediations – Virtual Colloquium this Thursday
|
Toby Huelin [RPG] |
Mon, 23 Jan 2023 08:50:28 +0000 |
51 lines |
Music Research Series at Goldsmiths, UoL
|
Regan Bowering |
Mon, 23 Jan 2023 08:16:13 +0000 |
59 lines |
CONTEXT: Journal of Music Research – CALL FOR PAPERS
|
Madeline Roycroft |
Mon, 23 Jan 2023 00:27:03 +0000 |
43 lines |
SAS Research Training Programme 2022 / 23 - Term 2
|
Sas Events |
Sun, 22 Jan 2023 21:40:02 +0000 |
78 lines |
JOB: Tovey Professorship in Music, University of Edinburgh
|
<No name available> |
Sun, 22 Jan 2023 20:52:00 +0000 |
40 lines |
Reminder about the Call For Papers: Practice Research in 21st Century Music
|
Simon Zagorski-Thomas |
Sat, 21 Jan 2023 09:39:39 +0000 |
97 lines |
Re: University of Manchester, Music Research Seminars 2023
|
Mine Dogantan-Dack |
Fri, 20 Jan 2023 18:48:50 +0000 |
86 lines |
Cambridge Music Colloquium Series
|
Jacob Olley |
Fri, 20 Jan 2023 17:42:46 +0000 |
117 lines |
NEW BOOK: Music and Resistance: From 1900 to the Present
|
Roberto Illiano |
Fri, 20 Jan 2023 17:22:07 +0100 |
122 lines |
Lithuanian Musicology Journal 23/2022 - ONLINE
|
Rima Povilioniene |
Fri, 20 Jan 2023 13:57:18 +0200 |
47 lines |
Reminder: Call for Proposals: Critical Perspectives on Petrosonics (Study Day)
|
Summers, Tim |
Fri, 20 Jan 2023 06:21:31 +0000 |
88 lines |
Prof. Emanuele Senici (La Sapienza): “Dancing Divas: La Sonnambula on Video in 1950s Italy”
|
Summers, Tim |
Fri, 20 Jan 2023 06:20:11 +0000 |
107 lines |
PhD funding opportunities in the School of Music, University of Leeds
|
Summers, Tim |
Fri, 20 Jan 2023 06:18:40 +0000 |
122 lines |
Royal Birmingham Conservatoire Public Research Seminars Spring 2023
|
Christopher Dingle |
Thu, 19 Jan 2023 17:28:42 +0000 |
50 lines |
Lithuanian Musicology Journal 23/2022 - ONLINE
|
Rima Povilioniene |
Thu, 19 Jan 2023 13:04:56 +0200 |
47 lines |
Call for articles - ViewFinder Issue 122: Digital Humanities
|
Gil Toffell |
Wed, 18 Jan 2023 14:53:15 +0000 |
57 lines |
PhD-fellowship at the Department of Musicology, University of Oslo
|
Zafer Özgen |
Wed, 18 Jan 2023 14:12:22 +0000 |
53 lines |
Call for Papers: Mediations of music and power in online music cultures
|
Veronika Muchitsch |
Wed, 18 Jan 2023 06:54:16 +0000 |
100 lines |
CFP (Deadline Extended): Nova Contemporary Music Meeting 3rd Edition: "Listening to today’s music" 3-5 May 2023, Lisbon
|
Filipa Magalhães |
Wed, 18 Jan 2023 00:30:06 +0000 |
75 lines |
Call for Participation: Listening experiment "Points of Discontinuity"
|
Thomas Wozonig |
Tue, 17 Jan 2023 16:00:11 +0000 |
61 lines |
Royal Irish Academy of Music, online lecture, 18 January 2023
|
Denise Neary |
Tue, 17 Jan 2023 11:42:58 +0000 |
55 lines |
Symposium CfP: Roger Smalley and György Ligeti: Virtuosity, Place and Process
|
Dr Adam Pinto |
Tue, 17 Jan 2023 01:57:53 +0000 |
94 lines |
13th Music in Nineteenth-Century Britain Conference 2023
|
Helen Barlow |
Mon, 16 Jan 2023 14:08:38 +0000 |
55 lines |
The Oxford Seminar in the Psychology of Music (OSPoM) - Hilary Term
|
Georgia Davies |
Mon, 16 Jan 2023 10:14:47 +0000 |
129 lines |
The Oxford Seminar in Music Theory and Analysis: Hilary Term 2023
|
Georgia Davies |
Mon, 16 Jan 2023 10:14:05 +0000 |
92 lines |
CFP (Deadline extended): Lost & Found: Traces of Early Music. An International Colloquium on Fragmentology (Cascais, Portugal – 19-22 July 2023)
|
João Pedro d'Alvarenga |
Mon, 16 Jan 2023 08:59:08 +0000 |
46 lines |
Call for Papers - Vintage Materialities in Music - 28-30 June 2023 (Belgium)
|
Kurt Bertels |
Sun, 15 Jan 2023 18:04:50 +0000 |
82 lines |
CFP *Deadline extended* Lost & Found: Traces of Early Music. An International Colloquium on Fragmentology (Cascais, Portugal – 19-22 July 2023)
|
João Pedro d'Alvarenga |
Sun, 15 Jan 2023 14:08:38 +0000 |
105 lines |
Call for Submissions – SEM Student News, 19.1, "Music and the Anthropocene"
|
Hannah Snavely |
Fri, 13 Jan 2023 19:14:10 +0000 |
97 lines |
CFP (Deadline Extended): Conference on "Instruments, Interfaces, Infrastructures," Harvard University, May 11-13, 2023
|
Landon Morrison |
Thu, 12 Jan 2023 18:20:24 +0000 |
69 lines |
JOB: Postdoc position on ‘Musical data science’ - Madrid, Spain
|
Álvaro Torrente (UCM) |
Thu, 12 Jan 2023 12:54:09 +0000 |
100 lines |
Inscription Request
|
Németh István Csaba |
Thu, 12 Jan 2023 08:01:46 +0000 |
39 lines |
SMA Zoom Colloquium: 'Not Another Paper on Harmonic Function!'
|
Oliver Chandler |
Wed, 11 Jan 2023 15:03:29 +0000 |
45 lines |
Music, Medicine & History Network - Weds Seminars
|
Hannah Scott |
Wed, 11 Jan 2023 11:02:00 +0000 |
73 lines |
ICAD 2023: Sonic-Tilt Competition
|
Tim Ziemer |
Wed, 11 Jan 2023 11:09:51 +0100 |
74 lines |
ResearchWorks - January 2023 - Guildhall School of Music & Drama [Hyperlinks included]
|
Research |
Tue, 10 Jan 2023 18:29:26 +0000 |
84 lines |
Middle East and Central Asia Music Forum 24 February 2023 at SOAS University of London
|
Nooshin, Laudan |
Tue, 10 Jan 2023 15:46:46 +0000 |
49 lines |
ResearchWorks - January 2023 - Guildhall School of Music & Drama [Hyperlinks included]
|
Research |
Tue, 10 Jan 2023 07:38:01 +0000 |
81 lines |
CfP Reminder: Society for Music Analysis Annual Conference (OxMAC23), Oxford University, 6-8 Jul 2023
|
WALDEN, DANIEL K.S. |
Mon, 9 Jan 2023 21:23:19 +0000 |
139 lines |
AHRC-funded symposium: "Vocal recordings and new beginnings"
|
Eva Moreda Rodriguez |
Mon, 9 Jan 2023 19:57:14 +0000 |
66 lines |
CfP on Musicology-All
|
Bassani Florian |
Mon, 9 Jan 2023 17:11:18 +0000 |
93 lines |
ResearchWorks, January 2023, The Guildhall School of Music & Drama
|
Research |
Mon, 9 Jan 2023 16:13:33 +0000 |
62 lines |
Call for Papers - Opera in Transnational Contexts
|
Barbara Gentili |
Mon, 9 Jan 2023 12:09:04 +0000 |
76 lines |
PhD position part of Doctoral Network funded by Horizon Europe (HORIZON) Marie Skłodowska-Curie Actions
|
perfe |
Mon, 9 Jan 2023 12:57:45 +0100 |
53 lines |
CfP Music’s institution and the (de)colonial NB: NEW DEADLINE 15 Feb 2023
|
Brandon Farnsworth |
Mon, 9 Jan 2023 10:35:43 +0000 |
114 lines |
Cover Versions and YouTube Memes – Virtual Colloquium this Thursday
|
Toby Huelin [RPG] |
Mon, 9 Jan 2023 08:46:18 +0000 |
48 lines |
Journal of Popular Music Education 6.3 is out now (Special Section: ‘Popular Music and the Environment’)
|
Judith Schofield |
Sun, 8 Jan 2023 15:00:00 +0000 |
101 lines |
CfP Music Theatre Working Group at IFTR Accra 2023
|
Tereza Havelkova |
Sat, 7 Jan 2023 21:13:46 +0000 |
84 lines |
Study Days Rencontres de musicologie médiévale, January 11-13
|
Gaël Saint-Cricq |
Fri, 6 Jan 2023 15:00:59 +0100 |
53 lines |
Call for papers GfM 2023 at Saarland University
|
Rainer Kleinertz |
Fri, 6 Jan 2023 12:45:54 +0100 |
83 lines |
Society for Music Analysis Graduate Student Conference
|
Oliver Chandler |
Thu, 5 Jan 2023 17:25:02 +0000 |
82 lines |
JOB: Editorial Assistant for Classical Music, Boydell & Brewer
|
Daniel Elphick |
Thu, 5 Jan 2023 16:27:20 +0000 |
56 lines |
CFP (reminder) for "Instruments, Interfaces, Infrastructures: An Interdisciplinary Conference on Musical Media," Harvard University, May 11-13, 2023
|
Landon Morrison |
Thu, 5 Jan 2023 16:14:06 +0000 |
71 lines |
CfP (Deadline extended): Biographic Studies on 19th-century Music
|
SPEMI (Sociedad para el estudio de la música isabelina) |
Thu, 5 Jan 2023 14:49:59 +0000 |
130 lines |
New in Music, Sound, and the Moving Image: the sound of footsteps an audiovisual essay, plus articles and book reviews
|
Bikkul, Natasha |
Thu, 5 Jan 2023 12:52:59 +0000 |
152 lines |
CFP: Glissando #43 Diversity. Curating
|
Monika Zyla |
Thu, 5 Jan 2023 05:45:09 +0000 |
135 lines |
CORRECTION: Berlioz, Flaubert et l'Orient
|
Locke, Ralph |
Wed, 4 Jan 2023 11:27:52 +0000 |
97 lines |
grant writing workshop
|
Ben-Tal, Oded |
Wed, 4 Jan 2023 11:08:22 +0000 |
85 lines |
IMS Outstanding Dissertation Award 2023
|
International Musicological Society (IMS) |
Tue, 3 Jan 2023 17:33:14 +0100 |
36 lines |
The Ink in the Grooves edited by Florence Dore
|
Rachel Shand |
Tue, 3 Jan 2023 15:59:13 +0000 |
82 lines |
CFP reminder: Lost & Found: Traces of Early Music. An International Colloquium on Fragmentology (Cascais, Portugal – 19-22 July 2023)
|
João Pedro d'Alvarenga |
Tue, 3 Jan 2023 12:56:06 +0000 |
103 lines |
CFP (reminder): Ukraine in Music History, Vienna, 19-20 May 2023
|
Rutger Helmers |
Tue, 3 Jan 2023 10:15:04 +0000 |
77 lines |
Reminder deadline 15 January CfP: "Music, Cultural Politics, and Identities: Transatlantic Encounters between European and Latin American Music and Musicians"
|
Vera Wolkowicz |
Mon, 2 Jan 2023 13:47:11 -0300 |
33 lines |