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February 2022


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CFP: Conference - Voices in and out of Place: Misplaced, Displaced, Replaced and Interlaced Voices

Richard Elliott

Mon, 28 Feb 2022 17:53:17 +0000

142 lines

Reminder: The Oxford Seminar in the Psychology of Music with Dr Jonna Vuoskoski

Georgia Davies

Mon, 28 Feb 2022 17:19:08 +0000

48 lines

Fwd: Invitation to: Musical Theatre and Jazz – Intersections in Directing, Training, Performing. A panel discussion with Josef E. Köpplinger, Marianne Larsen, and Lars Hansen

MT Jazz

Mon, 28 Feb 2022 13:40:03 +0000

91 lines

Metal Music Studies 8.1 is out now

Judith Schofield

Mon, 28 Feb 2022 11:01:53 +0000

125 lines

Cfp "300 years of Bach’s Well-Tempered Clavier" (Torino 21-22 June 2022)

Maria Borghesi

Sat, 26 Feb 2022 18:21:49 +0100

128 lines

Invitation: Care for your Electronic Instruments, MIRN Event on Friday 11 March

Lewis Jones

Sat, 26 Feb 2022 09:55:45 +0000

46 lines

"SONOROUS OBJECTS" a new CFP for a special issue in Music & Science

Riccardo Wanke

Fri, 25 Feb 2022 15:38:55 +0000

40 lines

"SONOROUS OBJECTS" a new CFP for a special issue in Music & Science

Riccardo Wanke

Fri, 25 Feb 2022 11:57:42 +0000

40 lines

University of Cambridge: Temporary Assistant Professor in Ethnomusicology, Popular Music and Sound Studies, 0.7FTE

Alex Drury

Fri, 25 Feb 2022 11:31:18 +0000

81 lines

CALL FOR PAPERS Analysing Spanish Music and Music Inspired by Spain (1833-1939) ONLINE

RAMON SOBRINO SANCHEZ

Thu, 24 Feb 2022 20:00:53 +0000

187 lines

Contrappunto @ DHI Roma featuring Ruben Vernazza: "Opera italiana ed esilio risorgimentale nella Parigi degli anni Trenta dell'Ottocento" (3 March, 5 PM/CET)

Carolin Krahn

Thu, 24 Feb 2022 18:08:43 +0100

54 lines

Part-time Library Assistant vacancy at Trinity Laban Conservatoire of Music and Dance

Claire Kidwell

Thu, 24 Feb 2022 16:31:11 +0000

88 lines

Issues in Contemporary Jazz - CFP Deadline Extended

Adam Rosado

Thu, 24 Feb 2022 16:21:50 +0000

67 lines

CFP: Dis|continuities. Opera and its Historiography between the Weimar Republic and Early Post-War West Germany (Bonn 2023)

Benedetta Zucconi

Thu, 24 Feb 2022 11:54:02 +0000

109 lines

Journal of Popular Music Education 5.3 is out now

Judith Schofield

Thu, 24 Feb 2022 11:01:37 +0000

117 lines

Registration Now Open: Women Leaders within the Classical Music Industries, Friday 25 March

Minors, Helen J

Thu, 24 Feb 2022 10:51:54 +0000

67 lines

Reminder - Call for chapters: Gadamer, Music, and Philosophical Hermeneutics

Samuel McAuliffe

Thu, 24 Feb 2022 13:43:53 +1100

101 lines

Upcoming panels on Sound Recording and Pre-existing Music

Toby Huelin [RPG]

Wed, 23 Feb 2022 16:28:13 +0000

61 lines

research seminar on music, migration, and the city

Morten Michelsen

Wed, 23 Feb 2022 16:03:53 +0000

31 lines

New Journal DONIZETTI STUDIES

Musicom.it S.r.l.

Wed, 23 Feb 2022 15:39:37 +0000

33 lines

Virtual book launch invitation

Kate Guthrie

Wed, 23 Feb 2022 15:38:27 +0000

65 lines

Dr Marie Thompson Research Seminar ‘Tinnitus, Musical Listening and Musical Labour’ at City, University of London, 23.2.22

Nooshin, Laudan

Wed, 23 Feb 2022 11:16:42 +0000

50 lines

Upcoming panels on Sound Recording and Pre-existing Music

Toby Huelin [RPG]

Wed, 23 Feb 2022 11:07:10 +0000

60 lines

New Publication 'The Routledge Handbook to the Music of Alfred Schnittke'

Gavin Dixon

Tue, 22 Feb 2022 11:10:32 -0000

54 lines

Reminder: MUSICAL AND THEATRICAL MIGRATIONS: PERFORMANCE PRACTICE IN 17TH AND 18TH-CENTURY EUROPE

Iskrena Yordanova

Mon, 21 Feb 2022 22:12:31 +0000

126 lines

ORFEAS2021 - Queer Sci-Fi Video-Opera from Greece

Foivos Dousos

Mon, 21 Feb 2022 22:06:17 +0000

60 lines

Detecting background music: invitation to an online experiment

perfe

Mon, 21 Feb 2022 20:20:52 +0100

62 lines

CfP Reminder: Music, Creativity, and Culture in England, 1642-88

Samuel Teague

Mon, 21 Feb 2022 15:07:24 +0000

91 lines

CFP: Music as a Profession: Status, Careers and Organizations (18th-20th centuries) - Lisbon, 30 June-1 July 2022

Cristina Fernandes

Mon, 21 Feb 2022 14:29:48 +0000

111 lines

CfP Musical Discourses after 1970

Allenbach Daniel

Mon, 21 Feb 2022 14:12:25 +0000

58 lines

University of Aberdeen Music Research Seminar Series: Dr Kathleen Turner

Jane Forner

Mon, 21 Feb 2022 12:28:35 +0000

60 lines

Music PhD scholarship at Dublin City University

John O'Flynn

Mon, 21 Feb 2022 11:10:33 +0000

97 lines

Music, Nature and Environmental Action

Dr Helen Thomas

Mon, 21 Feb 2022 10:32:25 +0000

34 lines

Call for Articles English, Français, Español - Deadline 6 mai 2022: Berceuses : Circulations historiques et culturelles, transmissions de l’intime

Elise Petit

Mon, 21 Feb 2022 09:07:42 +0100

164 lines

Online Book Launch: Clara Schumann Studies

Joe Davies

Sun, 20 Feb 2022 06:56:11 +0000

35 lines

3rd International ANDERS ELIASSON Symposium

Peter Kislinger

Fri, 18 Feb 2022 10:38:52 +0000

74 lines

CfP: London Conference in Critical Thought

Samuel Wilson

Thu, 17 Feb 2022 16:18:04 +0000

102 lines

University of Bern: two vacant positions

Lena van der Hoven

Thu, 17 Feb 2022 10:31:00 +0100

102 lines

International conference on provenance research in the field of string instruments – 4/5 April 2022

Allenbach Daniel

Thu, 17 Feb 2022 08:02:39 +0000

49 lines

CRECEPS talk: Valentyn Silvestrov

Christoph Flamm

Wed, 16 Feb 2022 13:06:00 +0000

50 lines

[Online Lectures] Philippe Manoury and Hildegard Westerkamp – Lectures series Poetics and Politics of Twenty-First Century Music

<>

Wed, 16 Feb 2022 10:32:32 +0000

45 lines

EDIMS Open Forum, Weds 23 March 2022

Nooshin, Laudan

Wed, 16 Feb 2022 09:47:31 +0000

42 lines

CFP: Musical Interactions, 1400-1650

Alessandra Ignesti

Tue, 15 Feb 2022 20:26:07 +0000

67 lines

The Stereo Bird Cocktail Party Challenge / "exploratory BirdCLEF 2022" is live

Herve Glotin

Tue, 15 Feb 2022 16:19:22 -0400

69 lines

CfP – Riffs – Popular music materialities

Sarah.Raine

Tue, 15 Feb 2022 16:37:47 +0000

85 lines

Cambridge Music Colloquium 23 February: Anna Bull

Nicholas Swett

Tue, 15 Feb 2022 16:19:41 +0000

80 lines

[Last Days] III International Conference on Wind Bands

David Ferreiro Carballo

Tue, 15 Feb 2022 09:55:36 +0000

55 lines

Call for Submissions - Marta Walter Prize

Helen Gebhart

Mon, 14 Feb 2022 09:25:36 +0000

52 lines

Conference: Alfred Einstein’s "The Italian Madrigal" and its afterlife

Sebastian Bolz

Sun, 13 Feb 2022 17:27:33 +0000

68 lines

Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music

Nikos Ordoulidis

Sat, 12 Feb 2022 10:19:13 +0200

47 lines

Call for Papers: Society for Musicology in Ireland Plenary Conference 2022

Gale, Emily

Fri, 11 Feb 2022 12:25:10 +0000

75 lines

Music theory vacancy, Conservatorium van Amsterdam (The Netherlands)

John Koslovsky

Fri, 11 Feb 2022 11:40:10 +0000

36 lines

Perceptual experiment on post-tonal music

Luca Danieli

Fri, 11 Feb 2022 10:01:31 +0000

54 lines

Symposuium: Perpetual encounter: globalization, cosmopolitanism, and acculturation in music, April 7, Cluj-Napoca

Bianca Temes

Thu, 10 Feb 2022 21:25:24 +0200

110 lines

CfP: Society for Music Analysis Annual Conference (NewMAC), Newcastle University, 11–13 July 2022

Christopher Tarrant

Thu, 10 Feb 2022 18:57:17 +0000

89 lines

RIPM Jazz Periodicals: New Search Features – New Journals

John Ehrenburg

Thu, 10 Feb 2022 14:42:13 +0000

56 lines

Music and Politics Reading Group with Prof. Daphne A. Brooks: Wednesday, 23 Feb

Eirini Diamantouli

Thu, 10 Feb 2022 13:28:41 +0000

46 lines

ISMIR 2022: Call for Papers

Rafael Caro Repetto

Wed, 9 Feb 2022 09:57:56 +0100

225 lines

Asian German Studies in Music Working Group

HSIEH, AMANDA

Wed, 9 Feb 2022 08:50:32 +0000

52 lines

New Sound - Call for Papers

New Sound

Tue, 8 Feb 2022 19:08:11 +0100

52 lines

University of Aberdeen Music Research Seminar Series: Dr Benedict Taylor 10/2

Jane Forner

Tue, 8 Feb 2022 17:46:47 +0000

62 lines

February 2022 Newsletter | Call for Tenure Track Position, Upcoming Events & more!

Metacreation Lab

Tue, 8 Feb 2022 17:20:55 +0000

83 lines

RMA Roche Prize 2022

Nooshin, Laudan

Tue, 8 Feb 2022 14:45:58 +0000

48 lines

Call for Papers (reminder): Naming, Understanding, and Playing with Metaphors in Music (April 29-30, 2022)

WALDEN, DANIEL

Tue, 8 Feb 2022 12:03:36 +0000

102 lines

Interrogating Sources & Evaluating Legacy: A Serge Prokofiev Symposium, 28 & 29 April, 2022 (remote)

Christina Guillaumier

Tue, 8 Feb 2022 10:07:08 +0000

82 lines

Royal Birmingham Conservatoire Public Research Seminars Spring 2022

Christopher Dingle

Tue, 8 Feb 2022 08:47:40 +0000

49 lines

CFP: Digital Libraries for Musicology '22

Dave Baker

Mon, 7 Feb 2022 21:10:53 +0000

138 lines

AI Music Creativity (AIMC) Community Announcements

aimc

Mon, 7 Feb 2022 19:35:15 +0000

85 lines

Re: Reminder: Call for Papers - seventh Rhythm Changes conference

George McKay (AMA - Staff)

Mon, 7 Feb 2022 16:13:59 +0000

215 lines

Call for papers: Music, Spirituality and Genre study day, Friday 20 May 2022, Middlesex University, London, UK

Brian Andrew Inglis

Mon, 7 Feb 2022 14:35:01 +0000

65 lines

On-Screen Performance and Pre-existing Music – online panel this Thursday

Toby Huelin [RPG]

Mon, 7 Feb 2022 09:14:05 +0000

60 lines

Call for Papers: "Res Facta Nova. Studies in Contemporary Music"

Ewa Schreiber

Sun, 6 Feb 2022 22:04:14 +0100

74 lines

CONTEXT: Journal of Music Research – New Issue

Madeline Roycroft

Sun, 6 Feb 2022 06:50:51 +0000

72 lines

University of Manchester Research Fora Semester 2, 2021–22

Sarah Moynihan

Fri, 4 Feb 2022 18:10:18 +0000

81 lines

Mark Everist Online First Edition – New Books seminar, , University of Southampton, Wednesday 9th February 2022

Hettie Malcomson

Fri, 4 Feb 2022 16:55:33 +0000

102 lines

DCU Online Music Seminars Spring 2022

John O'Flynn

Fri, 4 Feb 2022 12:32:30 +0000

63 lines

Cambridge Music Faculty colloquium 9 Feb

T. Sauvey

Fri, 4 Feb 2022 12:14:53 +0000

70 lines

Call For Proposals: DRHA2022: Digital Research in the Humanities and Arts 2022, Kingston University: 4 - 7 September 2022

Ben-Tal, Oded

Fri, 4 Feb 2022 10:27:05 +0000

209 lines

“Different Points of View” (IMS Musicological Brainfood 6, no. 1)

Lukas Christensen

Thu, 3 Feb 2022 21:05:54 +0100

38 lines

Summer School "Sexuality and Gender in Schubert’s Time"

Andrea Lindmayr-Brandl

Thu, 3 Feb 2022 15:35:06 +0000

49 lines

Prof Nicola Dibben Research Seminar ‘Music in augmented and mixed reality’ at City, University of London

Nooshin, Laudan

Thu, 3 Feb 2022 11:37:42 +0000

54 lines

'Bach and the Corporeality of Emotions', Discussing Bach 4 (February 2022)

Andrew Frampton

Wed, 2 Feb 2022 21:22:55 +0000

53 lines

Two Postdoctoral Fellow positions at McGill University: Analysis, Creation and Teaching of ORchestration (ACTOR)

Robert Hasegawa, Prof.

Wed, 2 Feb 2022 18:44:04 +0000

97 lines

Call for articles - ViewFinder Issue 120: Arena

Gil Toffell

Wed, 2 Feb 2022 15:18:09 +0000

55 lines

CFP: Computer Creativity in music performance, improvisation, composition

René Mogensen

Wed, 2 Feb 2022 14:18:31 +0000

72 lines

DEUMM Online

Blazekovic, Zdravko

Tue, 1 Feb 2022 18:14:46 +0000

152 lines

NEW BOOK: La Musique religieuse en France au XIXe siècle

Roberto Illiano

Tue, 1 Feb 2022 18:40:57 +0100

153 lines

CfP: INSAM Journal of Contemporary Music, Art and Technology No. 8 & 9

Rijad Kaniža

Tue, 1 Feb 2022 17:16:42 +0000

75 lines

PHILOSOPHIES OF SOUND AND THE AUDIBLE

Igor Reis Reyner

Tue, 1 Feb 2022 12:49:18 +0000

174 lines

ECHO #3 - Feedback (Adam Pultz Melbye, ed.) now online

Orpheus Instituut

Tue, 1 Feb 2022 11:26:09 +0100

60 lines

NEW BOOK: Luigi Boccherini, Symphonies Concertantes

Roberto Illiano

Tue, 1 Feb 2022 09:40:19 +0100

48 lines

PhD Studentships for October 2022

Ben-Tal, Oded

Tue, 1 Feb 2022 08:24:51 +0000

39 lines

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