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SMA Zoom Colloquium 03/02/2022: Rethinking Late Webern
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Oliver Chandler |
Mon, 31 Jan 2022 19:12:18 +0000 |
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Cfp "300 years of Bach’s Well-Tempered Clavier" (Torino 21-22 June 2022)
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Maria Borghesi |
Mon, 31 Jan 2022 16:47:05 +0100 |
126 lines |
Reminder - call for papers: Contemporary Perspectives on the Legacy of saxophonist Elise Hall (1853–1924)
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Kurt Bertels |
Mon, 31 Jan 2022 13:17:29 +0000 |
113 lines |
Global Hip Hop Studies 1.2 is out now!
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Judith Schofield |
Mon, 31 Jan 2022 10:21:08 +0000 |
174 lines |
Second Conference on Music & ET: Submission deadline Feb 11 approaching
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Lange, Elke B. |
Mon, 31 Jan 2022 10:15:01 +0000 |
39 lines |
PSN2022: Sixth International Performance Studies Network Conference, University of Surrey, UK, 30 June-3 July 2022 (reminder)
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Christopher Wiley |
Mon, 31 Jan 2022 09:49:40 +0000 |
54 lines |
Perspectives on Intermediality – online panel this Thursday
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Toby Huelin [RPG] |
Mon, 31 Jan 2022 09:40:10 +0000 |
62 lines |
CfP Conference "Music/Sound Through the Lens of Trauma" (7-8 July 2022, Utrecht University)
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Annelies Andries |
Fri, 28 Jan 2022 15:05:58 +0000 |
75 lines |
New publication
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David Burn |
Fri, 28 Jan 2022 14:28:08 +0000 |
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CfA - Music and Intangible Heritage summer course in Budapest
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Eva Gedeon |
Fri, 28 Jan 2022 12:55:08 +0000 |
53 lines |
Call for applications - Post-doctoral Researcher (full-time) and Pre-Doctoral Researcher (half-time)
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Emilie Corswarem |
Fri, 28 Jan 2022 09:55:18 +0000 |
110 lines |
Cambridge Music Department Colloquium, 2 February: Katie Rose Sanfilippo
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Nicholas Swett |
Fri, 28 Jan 2022 09:23:03 +0000 |
126 lines |
International Conference Hanns Eisler’s Music and Discourses from the Perspective of Gender
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Diego Alonso |
Thu, 27 Jan 2022 17:45:02 +0000 |
67 lines |
New volume in the Orpheus Institute Series | 'Sound Work. Composition as Critical Technical Practice'!
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Leuven University Press |
Thu, 27 Jan 2022 22:10:04 +1100 |
252 lines |
Issues in Contemporary Jazz - Call for Papers and Scores
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Adam Rosado |
Thu, 27 Jan 2022 05:17:16 +0000 |
80 lines |
CFP Deadline extended: NABMSA Biennial Conference, July 2022
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Jennifer Oates |
Wed, 26 Jan 2022 11:13:49 -0700 |
75 lines |
SMA Zoom Colloquium Series
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James Savage-Hanford |
Wed, 26 Jan 2022 12:02:10 +0000 |
45 lines |
Ongoing thoughts while reading and listening to music: Participants needed
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TARUFFI, LIILA |
Wed, 26 Jan 2022 11:20:28 +0000 |
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Reminder - EDIMS Open Forum Events Spring and Summer 2022
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Nooshin, Laudan |
Tue, 25 Jan 2022 17:38:02 +0000 |
52 lines |
Maynooth University Music Research Seminar Series, Semester 2, 2021-22
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Michael Lee |
Tue, 25 Jan 2022 15:44:40 +0000 |
101 lines |
CFP reminder: Musical Exoticism in the Long Nineteenth Century
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Roberto Illiano |
Tue, 25 Jan 2022 15:19:29 +0100 |
53 lines |
Armenian Music conference
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Nooshin, Laudan |
Tue, 25 Jan 2022 14:12:10 +0000 |
54 lines |
Audiovisual Cultures in the 19th Century – online event this Thursday
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Toby Huelin [RPG] |
Tue, 25 Jan 2022 09:15:32 +0000 |
57 lines |
Cambridge Music Department Colloquium 26 January - Dr. James Olsen
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Nicholas Swett |
Mon, 24 Jan 2022 11:24:15 +0000 |
119 lines |
CALL FOR PAPERS - SysMus22, Ghent/Virtual, 7-9 Sep 2022
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Stephanie Wilain |
Mon, 24 Jan 2022 08:37:36 +0000 |
37 lines |
Music-Data virtual seminar
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Ben-Tal, Oded |
Mon, 24 Jan 2022 08:28:35 +0000 |
34 lines |
Conference Interdisciplinarity of Music Theory Call for Papers
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Conference Interdisciplinarity of Music Theory, Belgrade 2022 |
Sun, 23 Jan 2022 12:40:21 +0000 |
293 lines |
Call for Contributions: RMA Research Chronicle Special Issue Music and COVID-19
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Larry Zazzo |
Fri, 21 Jan 2022 15:28:53 +0000 |
120 lines |
Download FREE issues of LUP journals in Science Fiction, Film, and Media Studies
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Bikkul, Natasha |
Fri, 21 Jan 2022 12:54:10 +0000 |
93 lines |
AFSACK Salon Series: Playing Human Connectedness (Jan 27)
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Nooshin, Laudan |
Fri, 21 Jan 2022 12:38:29 +0000 |
55 lines |
Program - 3rd & 4th February, Colloquium "Berceuses, histoire(s) et conscience", Grenoble, France
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Elise Petit |
Fri, 21 Jan 2022 12:53:54 +0100 |
56 lines |
Open positions in Musicology at Lund University, Sweden (Senior Lecturer and PhD-student)
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Sanne Krogh Groth |
Fri, 21 Jan 2022 10:28:44 +0000 |
45 lines |
CALL FOR PAPERS "Europe and Europeans on the Ottoman/Turkish Stage"
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Suna Suner |
Thu, 20 Jan 2022 11:40:39 +0000 |
223 lines |
New issue XIX/37 (October 2021) of Ad Parnassum Journal
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Roberto Illiano |
Thu, 20 Jan 2022 10:09:10 +0100 |
78 lines |
Music and Politics Reading Group with Prof. Nina Sun Eidsheim (UCLA): Tuesday January 25
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Alexandra Leonzini |
Wed, 19 Jan 2022 15:54:07 +0000 |
45 lines |
CRECEPS talk: Szymanowski the Seducer
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Christoph Flamm |
Wed, 19 Jan 2022 13:52:52 +0000 |
47 lines |
Call for Papers – Library Music in Audiovisual Media – Conference/Study Day
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MORTON Melissa |
Wed, 19 Jan 2022 12:39:34 +0000 |
129 lines |
Job opportunity in Musicology at Northumbria University
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David Smith |
Wed, 19 Jan 2022 12:39:15 +0000 |
30 lines |
Oxford Seminar in the Psychology of Music (OSPoM): Hilary Term
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Music events |
Wed, 19 Jan 2022 12:23:08 +0000 |
103 lines |
CFP - MUSICAL AND THEATRICAL MIGRATIONS: PERFORMANCE PRACTICE IN 17TH AND 18TH-CENTURY EUROPE
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Iskrena Yordanova |
Tue, 18 Jan 2022 19:38:35 +0000 |
114 lines |
IMS2022 Registration Now Open
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Lukas Christensen |
Tue, 18 Jan 2022 17:19:07 +0100 |
32 lines |
Funded PhD on crossmodal perception and music at Queen Mary
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Charalampos Saitis |
Tue, 18 Jan 2022 14:59:18 +0000 |
56 lines |
Newcastle University ICMuS Research Seminar Series: Starting Back Wednesday 2nd February: Professor Francesca T. Royster
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James Barker (PGR) |
Tue, 18 Jan 2022 13:15:37 +0000 |
67 lines |
Interrogating Sources & Evaluating Legacy: A Serge Prokofiev Symposium, 28 & 29 April, 2022 (remote)
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Christina Guillaumier |
Tue, 18 Jan 2022 09:22:42 +0000 |
82 lines |
Request: Prefaces for Study Scores
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peter dietz |
Tue, 18 Jan 2022 00:03:47 +0100 |
89 lines |
RHUL Department of Music Research Seminars
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Brown, Julie |
Mon, 17 Jan 2022 22:27:03 +0000 |
73 lines |
Oxford Graduate Research Colloquia
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Marinu Leccia |
Mon, 17 Jan 2022 18:26:23 +0000 |
103 lines |
CFP: New Perspectives in Fifteenth- and Sixteenth-Century Music Notations, Leuven, 4-7 May 2022
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Paul Kolb |
Mon, 17 Jan 2022 17:44:58 +0000 |
63 lines |
Happening tomorrow: The power(?) of music: exploring the relationship between music and autobiographical memories
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Alice Butler-Warke |
Mon, 17 Jan 2022 11:56:18 +0000 |
35 lines |
Deadline Approaching - Call for Book Chapters - Neo-Riemannian Analysis
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Chapkanov, Bozhidar |
Mon, 17 Jan 2022 11:41:08 +0000 |
75 lines |
Caring for sound collections survey: your help needed
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Tovell, Adam |
Mon, 17 Jan 2022 10:40:40 +0000 |
85 lines |
Interview with Gabriel Dharmoo, interdisciplinary artist and researcher - online event this Thursday
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Toby Huelin [RPG] |
Mon, 17 Jan 2022 08:32:01 +0000 |
66 lines |
Saint-Saëns Across Borders (3-5 Feb)- registration open
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Barbara Kelly |
Sun, 16 Jan 2022 23:09:49 +0000 |
49 lines |
CFP - First Call - 3rd Conference on AI Music Creativity (AIMC 2022)
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AI Music Creativity 2022 |
Sat, 15 Jan 2022 09:18:49 +0900 |
101 lines |
CfP: Music, Creativity, and Culture in England, 1642-1688
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Samuel Teague |
Fri, 14 Jan 2022 14:00:45 +0000 |
91 lines |
Up-date and correction: Symposium in Vienna's University for Music and Performing Arts: Exile, Modernism, and Hollywood: June 11-12, 2022
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Michael Haas |
Fri, 14 Jan 2022 14:48:33 +0100 |
137 lines |
Postgraduate Research at Royal Birmingham Conservatoire Open Day
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Carrie Churnside |
Fri, 14 Jan 2022 11:45:40 +0000 |
51 lines |
Tenor 22 in Marseille, deadline extension
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<> |
Thu, 13 Jan 2022 21:44:44 +0100 |
32 lines |
Journal of Music, Technology & Education 13.2-3 is out now!
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Judith Schofield |
Thu, 13 Jan 2022 15:52:13 +0000 |
122 lines |
CFP DEADLINE TOMORROW: Women and Gender in Art Music of the Eastern Bloc: Current Perspectives, Future Directions (RMA Online Study Day)
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Barbora Vacková |
Thu, 13 Jan 2022 14:55:09 +0000 |
102 lines |
Global Piano Roll Meeting – Prelude 5
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Allenbach Daniel |
Thu, 13 Jan 2022 14:37:00 +0000 |
37 lines |
Perfect Beat 21.1 (2021) table of contents
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Declan McCarthy |
Thu, 13 Jan 2022 14:06:02 +0000 |
207 lines |
Post-Doc Call for Applications: History of acoustics and music research in France after 1945
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Jonathan Cross |
Wed, 12 Jan 2022 18:36:59 +0000 |
54 lines |
97 Ensemble invitation, 12th March Concert
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Nooshin, Laudan |
Wed, 12 Jan 2022 16:58:25 +0000 |
47 lines |
Deadline Approaching: Edited Collection CFP – Contemporary Screen Music and Sound Production
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Elsa M Marshall |
Wed, 12 Jan 2022 15:49:17 +0000 |
109 lines |
EDIMS Open Forum Events Spring and Summer 2022, registration links
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Nooshin, Laudan |
Wed, 12 Jan 2022 10:17:25 +0000 |
57 lines |
Winter fundraising for Afghanistan's musicians
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Schofield, Katherine |
Wed, 12 Jan 2022 09:55:56 +0000 |
50 lines |
CfP: Women’s Agency in Schubert's Vienna
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Andrea Lindmayr-Brandl |
Wed, 12 Jan 2022 09:19:18 +0000 |
49 lines |
Last Cfp: Monographic issue "Public Sound" - Sobre Journal (Universidad de Granada)
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Marina Hervás |
Tue, 11 Jan 2022 20:02:39 +0100 |
68 lines |
CFP: Music & Visual Culture in England, c 1400-1750
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Bank, Katherine (2012) |
Tue, 11 Jan 2022 18:44:37 +0000 |
73 lines |
Correction!! Symposium in VIenna's University for Music and Perofmring Arts: Exile, Modernism, and Hollywood: June 11, 12 2022
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Michael Haas |
Tue, 11 Jan 2022 19:29:54 +0100 |
168 lines |
Reminder - PhD studentships in Artificial Intelligence and Music (AIM) at Queen Mary University of London
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Emmanouil Benetos |
Tue, 11 Jan 2022 16:23:43 +0000 |
74 lines |
Oxford Seminar in Music Theory and Analysis
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Jonathan Cross |
Tue, 11 Jan 2022 12:30:51 +0000 |
36 lines |
[CALL FOR PARTICPANTS] Research study on music listening whilst studying
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Cheah, Yi Ting |
Tue, 11 Jan 2022 12:11:44 +0000 |
43 lines |
Symposium in VIenna's University for Music and Perofmring Arts: Exile, Modernism, and Hollywood: June 11, 12 2022
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Michael Haas |
Tue, 11 Jan 2022 13:07:57 +0100 |
174 lines |
Reminder: Call For Projects, Borderlands: Classical Music and Society, Online Symposium April 2022
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Neil T. Smith |
Tue, 11 Jan 2022 11:42:55 +0000 |
65 lines |
Polish Music Since 1900 Research Network
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James Savage-Hanford |
Tue, 11 Jan 2022 11:06:11 +0000 |
79 lines |
Webinar | The power(?) of music: exploring the relationship between music and autobiographical memories
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Alice Butler-Warke |
Tue, 11 Jan 2022 10:23:11 +0000 |
35 lines |
Saint-Saëns Across Borders - conference RNCM
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Barbara Kelly |
Mon, 10 Jan 2022 18:09:01 +0000 |
113 lines |
Spatiality in the Audiovisual - ECR Networking Workshops - 5th March and 4th June 2022 - (AHRC Audiovisual Space)
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Andrew Knight-Hill |
Mon, 10 Jan 2022 16:36:26 +0000 |
126 lines |
Blackstar Theory: The Last Works of David Bowie
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Kardos, Leah R |
Mon, 10 Jan 2022 13:56:47 +0000 |
75 lines |
Study on the views of classical musicians around classical music
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Raluca Matei |
Mon, 10 Jan 2022 12:51:36 +0000 |
67 lines |
CfP: Musical Togetherness Symposium, University of Music and Performing Arts, Vienna, Austria
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Sara D'Amario |
Mon, 10 Jan 2022 10:47:31 +0000 |
80 lines |
Study Days Rencontres de musicologie médiévale, January 14 and 15
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Gael Saint-Cricq |
Mon, 10 Jan 2022 10:42:50 +0100 |
40 lines |
Library Music in Digital Media – online event this Thursday
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Toby Huelin [RPG] |
Mon, 10 Jan 2022 09:22:16 +0000 |
61 lines |
Reminder - CFP: Jazz Research Journal "WHAT IF" - 14th Jan
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Liam Maloney |
Mon, 10 Jan 2022 08:51:43 +0000 |
90 lines |
IAML Congress 2022, Prague – Call for papers and posters
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Ridgewell, Rupert |
Sun, 9 Jan 2022 22:44:04 +0000 |
87 lines |
REMINDER CFP: North American British Music Studies Association Biennial Conference 21-24 July 2022
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Jennifer Oates |
Fri, 7 Jan 2022 22:23:47 -0700 |
88 lines |
Fwd: Call for papers: International Conference "“El Concurso de Cante Jondo Granada (1922): Processes, Critiques, and Contexts, Yesterday and Today”
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Pedro Ordóñez |
Fri, 7 Jan 2022 21:02:18 +0100 |
64 lines |
All Souls Seminars in Medieval and Renaissance Music, Hilary Term 2022
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Matthew Thomson |
Fri, 7 Jan 2022 09:09:08 +0000 |
77 lines |
Björn Heile Online Mini-Hartley Residency, University of Southampton, Wednesday 12 January 2022
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Hettie Malcomson |
Thu, 6 Jan 2022 21:19:36 +0000 |
76 lines |
Call for Contributions - AR@K22: "Improvisation - Risks, Responses, Rewards"
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Claus Sohn Andersen |
Wed, 5 Jan 2022 12:30:04 +0000 |
136 lines |
Gender & Musicianship study days (Uniarts Helsinki, January 24-25, 2022) moved online
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Koivisto Nuppu |
Wed, 5 Jan 2022 08:32:04 +0000 |
52 lines |
CORRECTION - CFP DEADLINE EXTENDED: Women and Gender in Art Music of the Eastern Bloc: Current Perspectives, Future Directions (RMA Online Study Day)
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Barbora Vacková |
Tue, 4 Jan 2022 15:53:34 +0000 |
110 lines |
Out Now: Latest issue of Music, Sound, And The Moving Image journal
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Mehers, Laura [lmehers] |
Tue, 4 Jan 2022 15:22:54 +0000 |
126 lines |
CFP DEADLINE EXTENDED: Women and Gender in Art Music of the Eastern Bloc: Current Perspectives, Future Directions (RMA Online Study Day)
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Barbora Vacková |
Tue, 4 Jan 2022 15:14:14 +0000 |
102 lines |
[REMINDER] CFP: International Conference on Wind Bands (Spain)
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David Ferreiro Carballo |
Tue, 4 Jan 2022 10:45:55 +0000 |
73 lines |
Registration: Joint SMI and ICTM-IE Postgraduate Conference, 14–15 January 2022
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Hannah Millington |
Tue, 4 Jan 2022 09:44:24 +0000 |
58 lines |
Bologna, Meeting: Scarlatti's Sonatas on harpsichord and piano: performance praxis and tradition of studies
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Luisa B. |
Mon, 3 Jan 2022 15:23:48 +0000 |
56 lines |
BEW- Call for Contributions: “A list of contemporary compositions that include traditional instruments of Turkey”
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Dilara Turan |
Mon, 3 Jan 2022 14:39:13 +0300 |
51 lines |
Student Musicology Congress UGR
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Víctor Alonso Villa |
Sun, 2 Jan 2022 16:15:35 +0000 |
96 lines |
Reminder: Symposium "Interpreting Early Recordings: Critical and Contextual Perspectives", University of Glasgow, 6th January
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Eva Moreda Rodriguez |
Sun, 2 Jan 2022 14:31:41 +0000 |
34 lines |