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Subject | From | Date | Time |
and addressing AI generated misinformation and bias'. Panellists represent
politics, authors and publishing, media, libraries and Wikimedia. |
From: Mia <[log in to unmask]>
Subject: Wikimedia Hackathon, with scholarship places
Comments: To: [log in to unmask], [log in to unmask]
Sharing the message below on behalf of Silvia Gutiérrez (Wikimedia
Foundation)...
The Wikimedia Hackathon
<https://gbr01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.mediawiki.org%2Fwiki%2FWikimedia_Hackathon_2024&data=05%7C01%7C%7C433553779c62436b3bfa08dbf789e1ef%7C21a44cb7f9c34f009afabd1e8e88bcd9%7C0%7C0%7C638375943971322477%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000%7C%7C%7C&sdata=tdigJkpjN%2FsYXdvSZDblUwqYj0oMJHXibv8XlWRpgKs%3D&reserved=0>,
where developers meet to enhance the technological backbone of
Wikimedia projects,
is gearing up for an incredible event in Tallinn, Estonia
may introduce additional terms (privacy statement
<https://gbr01.safelinks.protection.outlook.com/?url=https%3A%2F%2Ffoundation.wikimedia.org%2Fwiki%2FLegal%3AWikimedia_Hackathon_2024_Privacy_Statement&data=05%7C01%7C%7C433553779c62436b3bfa08dbf789e1ef%7C21a44cb7f9c34f009afabd1e8e88bcd9%7C0%7C0%7C638375943971478787%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000%7C%7C%7C&sdata=3Z8%2FPYyoCrU8U35jqXvgzuFxquG24N%2B5FQYv81vN8Hg%3D&reserved=0>
)
or
through email at [log in to unmask]
Senior Program Officer, Libraries
Wikimedia Foundation
<https://gbr01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwikimediafoundation.org%2F&data=05%7C01%7C%7C433553779c62436b3bfa08dbf789e1ef%7C21a44cb7f9c34f009afabd1e8e88bcd9%7C0%7C0%7C638375943971635048%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000%7C%7C%7C&sdata=H8pcHZPwv8vWeRbaswiti0weaOC5vK64xthZVBXAiP4%3D&reserved=0> |
> St. Martin's Place London WC2H 0HE
> npg.org.uk <http://www.npg.org.uk/>
> Keep in Touch: Enews <https://my.npg.org.uk/account/shortreg.aspx> |
> Facebook <http://www.facebook.com/nationalportraitgallery> | Twitter |
> St. Martin's Place London WC2H 0HE
> npg.org.uk <http://www.npg.org.uk/>
> Keep in Touch: Enews <https://my.npg.org.uk/account/shortreg.aspx> |
> Facebook <http://www.facebook.com/nationalportraitgallery> | Twitter |
> St. Martin's Place London WC2H 0HE
> npg.org.uk <http://www.npg.org.uk/>
> Keep in Touch: Enews <https://my.npg.org.uk/account/shortreg.aspx> |
> Facebook <http://www.facebook.com/nationalportraitgallery> | Twitter |
[NPG]
Katherine Biggs
St. Martin's Place London WC2H 0HE
npg.org.uk<http://www.npg.org.uk/>
Keep in Touch: Enews<https://my.npg.org.uk/account/shortreg.aspx> | Facebook<http://www.facebook.com/nationalportraitgallery> | Twitter<http://twitter.com/npglondon> | Instagram<http://www.instagram.com/nationalportraitgallery> | LinkedIn<https://www.linkedin.com/company/national-portrait-gallery/mycompany/> |
> St. Martin's Place London WC2H 0HE
> npg.org.uk <http://www.npg.org.uk/>
> Keep in Touch: Enews <https://my.npg.org.uk/account/shortreg.aspx> | Facebook <http://www.facebook.com/nationalportraitgallery> | Twitter <http://twitter.com/npglondon> | Instagram <http://www.instagram.com/nationalportraitgallery> | LinkedIn <https://www.linkedin.com/company/national-portrait-gallery/mycompany/>
> |
> St. Martin's Place London WC2H 0HE
> npg.org.uk <http://www.npg.org.uk/>
> Keep in Touch: Enews <https://my.npg.org.uk/account/shortreg.aspx> |
> Facebook <http://www.facebook.com/nationalportraitgallery> | Twitter |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Creating web hotspots on a 2D image
[NPG] Katherine Biggs
Head of Digital
St. Martin's Place London WC2H 0HE
npg.org.uk<http://www.npg.org.uk/>
Keep in Touch: Enews<https://my.npg.org.uk/account/shortreg.aspx> | Facebook<http://www.facebook.com/nationalportraitgallery> | Twitter<http://twitter.com/npglondon> | Instagram<http://www.instagram.com/nationalportraitgallery> | LinkedIn<https://www.linkedin.com/company/national-portrait-gallery/mycompany/> |
Butterfly Conservation on collaborating with volunteers and expert users to improve the quality of a data collection tools
Wikimedia on working with organisations and volunteers from under-served backgrounds to close the content gaps on Wikipedia |
| Speakers from a wider range of organisations including Wikimedia, Portland Museum, Glasgow Women’s Library, Museum of London Archeology and Gawthorpe Textiles Collection,Nerve Centre, VocalEyes, Royal Horticultural Society, University of Exeter, and Butterfly Conservation |
Sender: Museums Computer Group <[log in to unmask]>
From: Eleanor Hilton <[log in to unmask]>
Subject: Announcing the launch of the National Portrait Gallery's Schools
I'm proud to announce the launch of the National Portrait Gallery's new Schools hub<http://www.npg.org.uk/schools-hub>, developed as part of the Gallery's transformation, following our reopening this summer.
[NPG] Eleanor Hilton
Digital Learning Manager- Picturing History
St. Martin's Place London WC2H 0HE
npg.org.uk<http://www.npg.org.uk/>
Keep in Touch: Enews<https://my.npg.org.uk/account/shortreg.aspx> | Facebook<http://www.facebook.com/nationalportraitgallery> | Twitter<http://twitter.com/npglondon> | Instagram<http://www.instagram.com/nationalportraitgallery> | LinkedIn<https://www.linkedin.com/company/national-portrait-gallery/mycompany/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Digitisation Manager role at the NPG
Content-Type: multipart/alternative;
[NPG] Katherine Biggs
Head of Digital
St. Martin's Place London WC2H 0HE
npg.org.uk<http://www.npg.org.uk/>
Keep in Touch: Enews<https://my.npg.org.uk/account/shortreg.aspx> | Facebook<http://www.facebook.com/nationalportraitgallery> | Twitter<http://twitter.com/npglondon> | Instagram<http://www.instagram.com/nationalportraitgallery> | LinkedIn<https://www.linkedin.com/company/national-portrait-gallery/mycompany/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Eleanor Hilton <[log in to unmask]>
Subject: National Portrait Gallery - Digital Learning Producer role
[NPG] Eleanor Hilton
Digital Learning Manager- Picturing History
St. Martin's Place London WC2H 0HE
npg.org.uk<http://www.npg.org.uk/>
Keep in Touch: Enews<https://my.npg.org.uk/account/shortreg.aspx> | Facebook<http://www.facebook.com/nationalportraitgallery> | Twitter<http://twitter.com/npglondon> | Instagram<http://www.instagram.com/nationalportraitgallery> | LinkedIn<https://www.linkedin.com/company/national-portrait-gallery/mycompany/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Two job vacancies at NPG
Content-Type: multipart/alternative;
We have 2 vacancies currently in the Digital team at NPG.
Digital Manager (closes this Thursday 9am): https://www.npg.org.uk/about/jobs/current-vacancies/vacancy-details?AdvertReference=APR20234045
AV technician: https://www.npg.org.uk/about/jobs/current-vacancies/vacancy-details?AdvertReference=APR20236645
[NPG] Katherine Biggs
Head of Digital
St. Martin's Place London WC2H 0HE
npg.org.uk<http://www.npg.org.uk/>
Keep in Touch: Enews<https://my.npg.org.uk/account/shortreg.aspx> | Facebook<http://www.facebook.com/nationalportraitgallery> | Twitter<http://twitter.com/npglondon> | Instagram<http://www.instagram.com/nationalportraitgallery> | LinkedIn<https://www.linkedin.com/company/national-portrait-gallery/mycompany/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Eleanor Hilton <[log in to unmask]>
Subject: Digital Learning Producer role at the National Portrait Gallery
Full details and how to apply can be found here:
Digital Learning Producer - Vacancy Details - National Portrait Gallery (npg.org.uk)<https://www.npg.org.uk/about/jobs/current-vacancies/vacancy-details?AdvertReference=MAR20237704>
[NPG] Eleanor Hilton
Digital Learning Manager- Picturing History
St. Martin's Place London WC2H 0HE
npg.org.uk<http://www.npg.org.uk/>
Keep in Touch: Enews<https://my.npg.org.uk/account/shortreg.aspx> | Facebook<http://www.facebook.com/nationalportraitgallery> | Twitter<http://twitter.com/npglondon> | Instagram<http://www.instagram.com/nationalportraitgallery> | LinkedIn<https://www.linkedin.com/company/national-portrait-gallery/mycompany/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: AV roles available at the NPG
Content-Type: multipart/alternative;
We’re recruiting for a whole new AV team in preparation for the reopening of the National Portrait Gallery<https://www.linkedin.com/company/52524>. If you fancy shaping what AV looks like at a really exciting time then apply for one of our 4 roles (3 x AV technicians and 1 x Senior AV technician). https://www.npg.org.uk/about/jobs/current-vacancies
[NPG] Katherine Biggs
Head of Digital
St. Martin's Place London WC2H 0HE
npg.org.uk<http://www.npg.org.uk/>
Keep in Touch: Enews<https://my.npg.org.uk/account/shortreg.aspx> | Facebook<http://www.facebook.com/nationalportraitgallery> | Twitter<http://twitter.com/npglondon> | Instagram<http://www.instagram.com/nationalportraitgallery> | LinkedIn<https://www.linkedin.com/company/national-portrait-gallery/mycompany/> |
St. Martin's Place London WC2H 0HE
npg.org.uk<http://www.npg.org.uk/>
Keep in Touch: Enews<https://my.npg.org.uk/account/shortreg.aspx> | Facebook<http://www.facebook.com/nationalportraitgallery> | Twitter<http://twitter.com/npglondon> | Instagram<http://www.instagram.com/nationalportraitgallery> | LinkedIn<https://www.linkedin.com/company/national-portrait-gallery/mycompany/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Tessitura freelancers?
[NPG] Katherine Biggs
Head of Digital
St. Martin's Place London WC2H 0HE
npg.org.uk<http://www.npg.org.uk/>
Keep in Touch: Enews<https://my.npg.org.uk/account/shortreg.aspx> | Facebook<http://www.facebook.com/nationalportraitgallery> | Twitter<http://twitter.com/npglondon> | Instagram<http://www.instagram.com/nationalportraitgallery> | LinkedIn<https://www.linkedin.com/company/national-portrait-gallery/mycompany/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: AV role at NPG
Content-Type: multipart/alternative;
In case you haven't seen, we've got a Senior AV Technician vacancy at the NPG. Exciting time to join as we're preparing for reopening in June, after 3 years of closure.
https://www.npg.org.uk/about/jobs/current-vacancies/vacancy-details?AdvertReference=JAN20233988
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Freelance producer opportunity
https://www.npg.org.uk/assets/files/pdf/jobs/freelance-producer-mobile-content.pdf
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
| There will also be the opportunity to explore and develop innovative and creative ways to engage with AAGM's collection data and digital assets, building on our successful work so far with Open Access images and Wikimedia projects. |
| There will also be the opportunity to explore and develop innovative and creative ways to engage with AAGM's collection data and digital assets, building on our successful work so far with Open Access images and Wikimedia projects. |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Digital Officer job vacancy
https://www.npg.org.uk/about/jobs/current-vacancies/vacancy-details?AdvertReference=JUL20226326
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Website tender opportunity
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Brief for Digital Engagement Consultant
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Senior Digital Manager vacancy
https://www.npg.org.uk/about/jobs/current-vacancies/vacancy-details?AdvertReference=JAN20226206
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: UX/UI design work
Hi all,
We've just finalised a brief for a UX/UI web designer person/company to work with redesigning a new landing page template for our website between now and end March. These are the top level pages such as 'home<https://www.npg.org.uk/>' or 'what's on<https://www.npg.org.uk/visit/>' which are normally the first page visitors see when accessing our website as you both know.
If there's anyone on this list who would be interested in receiving it then please email Emanuel De Freitas [log in to unmask]<mailto:[log in to unmask]>
Kath
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: CRM manager job vacancy
https://www.npg.org.uk/about/jobs/current-vacancies/vacancy-details?AdvertReference=DEC20216742 |
Many thanks for your email, there are a number of factors to take into consideration when considering sound within a gallery.
Under British Standards, there is the Principle of 2 senses, it's important that NPG considers how they would create this experience for people who are deaf, deafened or hard of hearing, in addition to controlling the volume and induction loops. In addition to this, there are people who may not have freedom from distractibility/sensory processing. Its key that under the Equality Act 2010 it is important that NPG considers how any activity they are creating, weighs in on how they are meeting peoples needs.
________________________________
From: Museums Computer Group <[log in to unmask]<mailto:[log in to unmask]>> on behalf of Katherine Biggs <[log in to unmask]<mailto:[log in to unmask]>>
Sent: Tuesday, 14 December 2021 2:29 AM
www.npg.org.uk<https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.npg.org.uk%2F&data=04%7C01%7Ccventress%40wakefield.gov.uk%7Cb55995d985694e9109e908d9bf0bee69%7Cd76faab796b740c79b253d2fbd4ac1f1%7C0%7C0%7C637750881142387174%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C2000&sdata=nLeIBk5vJpVajau91aSmXRFDAayElhwIpqiCwukZKD0%3D&reserved=0> |
Many thanks for your email, there are a number of factors to take into consideration when considering sound within a gallery.
Under British Standards, there is the Principle of 2 senses, it's important that NPG considers how they would create this experience for people who are deaf, deafened or hard of hearing, in addition to controlling the volume and induction loops. In addition to this, there are people who may not have freedom from distractibility/sensory processing. Its key that under the Equality Act 2010 it is important that NPG considers how any activity they are creating, weighs in on how they are meeting peoples needs.
________________________________
From: Museums Computer Group <[log in to unmask]<mailto:[log in to unmask]>> on behalf of Katherine Biggs <[log in to unmask]<mailto:[log in to unmask]>>
Sent: Tuesday, 14 December 2021 2:29 AM
www.npg.org.uk<https://eur01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.npg.org.uk%2F&data=04%7C01%7Cg.monk%40WELLCOME.ORG%7Ca7903b6ef91a4ff97d2308d9bef36c8b%7C3b7a675a1fc84983a100cc52b7647737%7C0%7C0%7C637750775987894148%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=kdwHD%2BOQ5sAkZA5BDYV%2FZdepGcptlvqFIgJp4RSAxng%3D&reserved=0> |
Under British Standards, there is the Principle of 2 senses, it's important
that NPG considers how they would create this experience for people who are
deaf, deafened or hard of hearing, in addition to controlling the volume
have freedom from distractibility/sensory processing. Its key that under
the Equality Act 2010 it is important that NPG considers how any activity
they are creating, weighs in on how they are meeting peoples needs.
> *From:* Museums Computer Group <[log in to unmask]> on behalf of
> Katherine Biggs <[log in to unmask]>
> *Sent:* Tuesday, 14 December 2021 2:29 AM
>
> www.npg.org.uk
> |
| www.npg.org.uk <http://www.npg.org.uk/> |
> National Portrait Gallery St Martin's Place London WC2H 0HE
> www.npg.org.uk
> |
| www.npg.org.uk <http://www.npg.org.uk/> |
________________________________
From: Museums Computer Group <[log in to unmask]> on behalf of Katherine Biggs <[log in to unmask]>
Sent: Tuesday, 14 December 2021 2:29 AM
www.npg.org.uk<http://www.npg.org.uk/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Delivering localised audio in galleries
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
Natural History Museum, V&A, British Museum, Oxford University Museum of
Natural History *and* Wikimedia*. |
| I’d also suggest you set up an institutional Flickr account, put the images up there on the Flickr Commons with an appropriate license and description, and put them up also on wikimedia commons so that folks can see them, and link them to the wikipedia page of the house. This isn’t cataloguing or preservation, but it is dissemination. |
| This research will be undertaken as part of the AHRC-funded 36-month “Congruence Engine” project which directly brings together researchers from the Science Museum Group, four universities and five other heritage organisations. It has nine other heritage organisations, large and small, as formal partners, along with Manchester Digital Laboratory (MadLab) and Wikimedia UK. |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: UX/UI designer recommendations
If you have any recommendations of people you've worked with before, or if you are interested in receiving the brief, please drop me an email at [log in to unmask]<mailto:[log in to unmask]>.
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
> > > > > > >
> > > > > > > > On Wed, 14 Jul 2021 at 08:42, Kath Biggs <[log in to unmask]> wrote:
> > > > > > > > > We're having similar questions at the NPG about whether a single basket will provide sufficient benefit for the cost and upheaval of linking together disparate systems, so would also love to hear more about what others have done.
> > > > > > > > > |
>>
>> On Wed, 14 Jul 2021 at 08:42, Kath Biggs <[log in to unmask]> wrote:
>>
>>> We're having similar questions at the NPG about whether a single basket
>>> will provide sufficient benefit for the cost and upheaval of linking |
> > > >
> > > > > On Wed, 14 Jul 2021 at 08:42, Kath Biggs <[log in to unmask]> wrote:
> > > > > > We're having similar questions at the NPG about whether a single basket will provide sufficient benefit for the cost and upheaval of linking together disparate systems, so would also love to hear more about what others have done.
> > > > > > |
>
> On Wed, 14 Jul 2021 at 08:42, Kath Biggs <[log in to unmask]> wrote:
>
>> We're having similar questions at the NPG about whether a single basket
>> will provide sufficient benefit for the cost and upheaval of linking |
>
> > On Wed, 14 Jul 2021 at 08:42, Kath Biggs <[log in to unmask]> wrote:
> > > We're having similar questions at the NPG about whether a single basket will provide sufficient benefit for the cost and upheaval of linking together disparate systems, so would also love to hear more about what others have done.
> > > |
On Wed, 14 Jul 2021 at 08:42, Kath Biggs <[log in to unmask]> wrote:
> We're having similar questions at the NPG about whether a single basket
> will provide sufficient benefit for the cost and upheaval of linking |
Sender: Museums Computer Group <[log in to unmask]>
From: Kath Biggs <[log in to unmask]>
Subject: Re: Unified basket: discuss
We're having similar questions at the NPG about whether a single basket will provide sufficient benefit for the cost and upheaval of linking together disparate systems, so would also love to hear more about what others have done. |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Digital Officer role at National Portrait Gallery
https://www.npg.org.uk/about/jobs/current-vacancies/vacancy-details?AdvertReference=JUL20218430
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
________________________________
From: Museums Computer Group <[log in to unmask]> on behalf of Katherine Biggs <[log in to unmask]>
Sent: 12 May 2021 09:07
We’ve got a great new role now being advertised at the NPG. All info can be found on our website, but I’ve included a brief overview here. If anyone wants to informally chat about it then please do email me.
https://www.npg.org.uk/about/jobs/current-vacancies/vacancy-details?AdvertReference=MAY20217001
www.npg.org.uk<http://www.npg.org.uk/> |
________________________________
From: Museums Computer Group <[log in to unmask]> on behalf of Katherine Biggs <[log in to unmask]>
Sent: 12 May 2021 09:07
We’ve got a great new role now being advertised at the NPG. All info can be found on our website, but I’ve included a brief overview here. If anyone wants to informally chat about it then please do email me.
https://www.npg.org.uk/about/jobs/current-vacancies/vacancy-details?AdvertReference=MAY20217001
www.npg.org.uk<http://www.npg.org.uk/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Digital Learning Manager vacancy
We've got a great new role now being advertised at the NPG. All info can be found on our website, but I've included a brief overview here. If anyone wants to informally chat about it then please do email me.
https://www.npg.org.uk/about/jobs/current-vacancies/vacancy-details?AdvertReference=MAY20217001
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Shopify API for linking products to collection works
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
> On 11/01/2021, at 10:26 PM, Katherine Biggs <[log in to unmask]> wrote:
>
> National Portrait Gallery St Martin's Place London WC2H 0HE
> www.npg.org.uk <http://www.npg.org.uk/>
> |
On Mon, 11 Jan 2021 at 09:37, Katherine Biggs <[log in to unmask]> wrote:
>
> www.npg.org.uk
> |
________________________________
From: Museums Computer Group <[log in to unmask]> on behalf of Katherine Biggs <[log in to unmask]>
Sent: 11 January 2021 09:26
www.npg.org.uk<http://www.npg.org.uk/> |
________________________________
From: Museums Computer Group <[log in to unmask]> on behalf of Katherine Biggs <[log in to unmask]>
Sent: 11 January 2021 09:26
www.npg.org.uk<http://www.npg.org.uk/> |
Sender: Museums Computer Group <[log in to unmask]>
From: Katherine Biggs <[log in to unmask]>
Subject: Website usability tools and companies
National Portrait Gallery St Martin's Place London WC2H 0HE
www.npg.org.uk<http://www.npg.org.uk/> |
From: Fiona Romeo <[log in to unmask]>
Subject: GLAM-wiki contractor opportunity at Wikimedia Foundation
MIME-Version: 1.0
The Wikimedia Foundation <https://wikimediafoundation.org/> is looking for
a part-time temporary contractor to work remotely for 20 hours a week from
allies, affiliates, and organizers interested in bringing high impact
collections to Wikimedia projects. The hourly rate is up to $55 (USD).
Take part in monthly office hours for the wider Wikimedia-GLAM community.
-
Analyze and document innovations and workflows, in order to inform and
inspire Wikimedia communities and staff.
-
Actively monitor communications to support the Wikimedia-GLAM community
to stay in touch, network, document, and exchange practices.
platforms for sharing collections, including active use of Wikidata and/or
Wikimedia Commons.
-
An existing network of collaborators and contacts in international open
knowledge, cultural heritage communities, or in the Wikimedia community.
Please send a cover letter and CV or LinkedIn profile to [log in to unmask]
by Friday 7 August. |
Navino Evans, Histropedia
Linking UNESCO heritage data with Wikidata so it can be visualised, connected with other data about the world, and provide direct access to all available Wikimedia content.
Martin Poulter, Wikimedia consultant
Using Wikidata to create and visualise pathways that join up collections within Oxford and beyond. |
* Navino Evans, Histropedia
Linking UNESCO heritage data with Wikidata so it can be visualised, connected with other data about the world, and provide direct access to all available Wikimedia content.
* Martin Poulter, Wikimedia consultant
Using Wikidata to create and visualise pathways that join up collections within Oxford and beyond. |
Knight Foundation grant recipient - Wikipedia Space (2015)
Wikimedia DC - Outreach and GLAM
Previously: professor of journalism and communications, American |
- Portable Antiquities Scheme (https://finds.org..uk/<https://finds.org.uk/>) - as I understand it this has struggled for institutional support and owed its existence to some seriously dedicated individuals!
- artist biographies (like at National Portrait Gallery e.g. https://www.npg.org.uk/collections/search/person/mp04566/jmw-turner?search=sas&sText=turner&OConly=true) - clearly aligned to the collections objects and presumably maintained by specialist curators?
- what about any institutions that have collected digitally submitted things like memories, poetry, recipes? Who maintains those records? It strikes me that many of the projects funded by NLHF during the First World War Centenary - see https://www.heritagefund.org.uk/hub/107879/project - were actually run by local groups and not institutions; one notable success is https://www.surreyinthegreatwar.org.uk/ which has been continued within the remit of Surrey Heritage, a council department that looks after the counties historical assets and information. |
- artist biographies (like at National Portrait Gallery e.g.
https://www.npg.org.uk/collections/search/person/mp04566/jmw-turner?search=sas&sText=turner&OConly=true)
- clearly aligned to the collections objects and presumably maintained by |
It would be worth reaching out to Wikimedia UK (https://wikimedia.org.uk/) if you haven't already done so, as they will be able to provide you with resources and guidance on running editathons. I can also recommend contacting Martin Poulter (http://infobomb.org/) who is incredibly helpful and knowledgeable when it comes to Wikimedia and GLAM.
Also Ewan McAndrew, our Wikimedia in Residence here at the University of Edinburgh, has created lots of resources about editing Wikipedia and running editathons that you might find useful.
How to edit Wikipedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_zpsapxek/1_jgbrxzn0
Tools to help you work with Wikimedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_836hl5fy/1_uutk3kuz
The links Lorna sent over are really helpful, and we've used them before too. Sara Thomas (Wikimedia UK) delivered training which was accessible to our range of volunteers and audiences. It was a great way to strengthen existing partnership links. We asked our Livingstone Online<https://www.livingstoneonline.org/> colleagues to take part and share their research. More on the Livingstone Online blog post here https://livingstoneonline.wordpress.com/2019/11/25/editathon-at-david-livingstone-birthplace-trust-for-black-history-month/ - our next one will hopefully be in March, for Women's History Month.
It would be worth reaching out to Wikimedia UK (https://wikimedia.org.uk/) if you haven't already done so, as they will be able to provide you with resources and guidance on running editathons. I can also recommend contacting Martin Poulter (http://infobomb.org/) who is incredibly helpful and knowledgeable when it comes to Wikimedia and GLAM.
Also Ewan McAndrew, our Wikimedia in Residence here at the University of Edinburgh, has created lots of resources about editing Wikipedia and running editathons that you might find useful.
How to edit Wikipedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_zpsapxek/1_jgbrxzn0
Tools to help you work with Wikimedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_836hl5fy/1_uutk3kuz |
It would be worth reaching out to Wikimedia UK (https://wikimedia.org.uk/) if you haven’t already done so, as they will be able to provide you with resources and guidance on running editathons. I can also recommend contacting Martin Poulter (http://infobomb.org/) who is incredibly helpful and knowledgeable when it comes to Wikimedia and GLAM.
Also Ewan McAndrew, our Wikimedia in Residence here at the University of Edinburgh, has created lots of resources about editing Wikipedia and running editathons that you might find useful.
How to edit Wikipedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_zpsapxek/1_jgbrxzn0
Tools to help you work with Wikimedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_836hl5fy/1_uutk3kuz
The links Lorna sent over are really helpful, and we’ve used them before too. Sara Thomas (Wikimedia UK) delivered training which was accessible to our range of volunteers and audiences. It was a great way to strengthen existing partnership links. We asked our Livingstone Online<https://www.livingstoneonline.org/> colleagues to take part and share their research. More on the Livingstone Online blog post here https://livingstoneonline.wordpress.com/2019/11/25/editathon-at-david-livingstone-birthplace-trust-for-black-history-month/ - our next one will hopefully be in March, for Women’s History Month.
It would be worth reaching out to Wikimedia UK (https://wikimedia.org.uk/) if you haven’t already done so, as they will be able to provide you with resources and guidance on running editathons. I can also recommend contacting Martin Poulter (http://infobomb.org/) who is incredibly helpful and knowledgeable when it comes to Wikimedia and GLAM.
Also Ewan McAndrew, our Wikimedia in Residence here at the University of Edinburgh, has created lots of resources about editing Wikipedia and running editathons that you might find useful.
How to edit Wikipedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_zpsapxek/1_jgbrxzn0
Tools to help you work with Wikimedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_836hl5fy/1_uutk3kuz |
The links Lorna sent over are really helpful, and we’ve used them before too. Sara Thomas (Wikimedia UK) delivered training which was accessible to our range of volunteers and audiences. It was a great way to strengthen existing partnership links. We asked our Livingstone Online<https://www.livingstoneonline.org/> colleagues to take part and share their research. More on the Livingstone Online blog post here https://livingstoneonline.wordpress.com/2019/11/25/editathon-at-david-livingstone-birthplace-trust-for-black-history-month/ - our next one will hopefully be in March, for Women’s History Month.
It would be worth reaching out to Wikimedia UK (https://wikimedia.org.uk/) if you haven’t already done so, as they will be able to provide you with resources and guidance on running editathons. I can also recommend contacting Martin Poulter (http://infobomb.org/) who is incredibly helpful and knowledgeable when it comes to Wikimedia and GLAM.
Also Ewan McAndrew, our Wikimedia in Residence here at the University of Edinburgh, has created lots of resources about editing Wikipedia and running editathons that you might find useful.
How to edit Wikipedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_zpsapxek/1_jgbrxzn0
Tools to help you work with Wikimedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_836hl5fy/1_uutk3kuz |
It would be worth reaching out to Wikimedia UK (https://wikimedia.org.uk/) if you haven’t already done so, as they will be able to provide you with resources and guidance on running editathons. I can also recommend contacting Martin Poulter (http://infobomb.org/) who is incredibly helpful and knowledgeable when it comes to Wikimedia and GLAM.
Also Ewan McAndrew, our Wikimedia in Residence here at the University of Edinburgh, has created lots of resources about editing Wikipedia and running editathons that you might find useful.
How to edit Wikipedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_zpsapxek/1_jgbrxzn0
Tools to help you work with Wikimedia https://media.ed.ac.uk/playlist/dedicated/51020161/1_836hl5fy/1_uutk3kuz |
| Until now, most research relevant to GLAM-Wiki community is focusing on single project and few researchers study the development of GLAM-Wiki community through research methods like the interviews or questionnaire survey on both GLAM side and Wikimedia side. As the essence of GLAM-Wiki community is the collaborative, non-profit(most) projects between two separate institutions, it would be meaningful to collect comments, attitudes and suggestions from both sides to depict the current development of the community. Therefore, I sincerely hope that you can participate in my online questionnaire survey if you have any experience in conducting GLAM-Wiki projects. |
| I’m the Scotland Programme Coordinator for Wikimedia UK - please feel free to drop me a line on my work address: [log in to unmask], let’s chat! |
As Simon has already suggested, the best course of action is to contact Wikimedia UK ([log in to unmask]<mailto:[log in to unmask]>), the UK’s national Wikimedia chapter, who have a commitment to work in partnership with the culture and education sectors. They will be able to advise you on what you can and can’t do and can also provide information on how to get involved in a wide range of Wikimedia initiatives including partnership projects, editathons and the Wikimedian in Residence programme.
You have probably seen the page of the Wikimedia with some tips, best practice, and examples of outreach:
https://meta.wikimedia.org/wiki/GLAM
Museum Collections on Wikipedia: Opening Up to Open Data Initiatives<https://mw19.mwconf.org/paper/museum-collections-on-wikipedia-opening-up-to-open-data-initiatives/>
Indeed, the easiest way to go about this is to partner with the local Wikimedia chapter to develop a strategy. |
You have probably seen the page of the Wikimedia with some tips, best
practice, and examples of outreach:
https://meta.wikimedia.org/wiki/GLAM
Indeed, the easiest way to go about this is to partner with the local
Wikimedia chapter to develop a strategy. |
| Your should get in contact with the UK Wikimedia foundation, they run a fellows programme where they can place Wikipedian's with museums or give you advice, and they run with others a GLAM outreach programme. |
Sender: Museums Computer Group <[log in to unmask]>
From: Matthew Lewis <[log in to unmask]>
Subject: Re: MCG Digest - 19 Mar 2018 to 20 Mar 2018 (#2018-57)
Content-Type: text/plain; charset="utf-8"
Message-ID: <[log in to unmask]>
Direct T 020 7321 6286 F 020 7306 0056 www.npg.org.uk
click here<http://www.npg.org.uk/whatson/news2/newsletter-sign-up.php> to register for the Gallery's e-newsletter |
>>>
>>> I would like to hear from people working at funder and stakeholder level, and from arts and heritage organisations who might now be considering the need to develop digital forms that fit within the Facebook environment. WikiMedia is an obvious example of a more benign mass environment, so are you considering that, too?
>>> |
> need to develop digital forms that fit within the Facebook environment.
> WikiMedia is an obvious example of a more benign mass environment, so are
> you considering that, too? |
>
> I would like to hear from people working at funder and stakeholder level, and from arts and heritage organisations who might now be considering the need to develop digital forms that fit within the Facebook environment. WikiMedia is an obvious example of a more benign mass environment, so are you considering that, too?
> |
| There's always an exception to this, and Wikimedia does return good audiences to GLAM sites, and I've seen good examples of FB links working well for some venues. |
There's always an exception to this, and Wikimedia does return good
audiences to GLAM sites, and I've seen good examples of FB links working |
>>>>
>>>> I would like to hear from people working at funder and stakeholder level, and from arts and heritage organisations who might now be considering the need to develop digital forms that fit within the Facebook environment. WikiMedia is an obvious example of a more benign mass environment, so are you considering that, too?
>>>> |
> > >
> > > I would like to hear from people working at funder and stakeholder level, and from arts and heritage organisations who might now be considering the need to develop digital forms that fit within the Facebook environment. WikiMedia is an obvious example of a more benign mass environment, so are you considering that, too?
> > > |
>> considering the need to develop digital forms that fit within the
>> Facebook environment. WikiMedia is an obvious example of a more
>> benign mass environment, so are you considering that, too? |
| I would like to hear from people working at funder and stakeholder level, and from arts and heritage organisations who might now be considering the need to develop digital forms that fit within the Facebook environment. WikiMedia is an obvious example of a more benign mass environment, so are you considering that, too? |
>
> I would like to hear from people working at funder and stakeholder level, and from arts and heritage organisations who might now be considering the need to develop digital forms that fit within the Facebook environment. WikiMedia is an obvious example of a more benign mass environment, so are you considering that, too?
> |
| I would like to hear from people working at funder and stakeholder level, and from arts and heritage organisations who might now be considering the need to develop digital forms that fit within the Facebook environment. WikiMedia is an obvious example of a more benign mass environment, so are you considering that, too? |
>
> I would like to hear from people working at funder and stakeholder level, and from arts and heritage organisations who might now be considering the need to develop digital forms that fit within the Facebook environment. WikiMedia is an obvious example of a more benign mass environment, so are you considering that, too?
> |
> need to develop digital forms that fit within the Facebook environment.
> WikiMedia is an obvious example of a more benign mass environment, so are
> you considering that, too? |
>
> I would like to hear from people working at funder and stakeholder level, and from arts and heritage organisations who might now be considering the need to develop digital forms that fit within the Facebook environment. WikiMedia is an obvious example of a more benign mass environment, so are you considering that, too?
> |
| I would like to hear from people working at funder and stakeholder level, and from arts and heritage organisations who might now be considering the need to develop digital forms that fit within the Facebook environment. WikiMedia is an obvious example of a more benign mass environment, so are you considering that, too? |
| Plus MICROSOFT // SCIENCE MUSEUM // WE ARE SOCIAL // CALVERT JOURNAL // URBAN NATION MUSEUM BERLIN // SECOND HOME // WIKIMEDIA // GRABBLE (YOUNG ENTREPRENEUR OF THE YEAR) // GOOGLE.ORG // THECULTURETRIP.COM // ALMEIDA // UNBOUND // THEPERSPECTIVE.COM // B.AMSTERDAM // NATIONAL GALLERY // THE BAKERY // LOST PALACE (HISTORIC ROYAL PALACES) // PRELOADED // ROYAL COLLEGE OF ART // EDINBURGH UNIVERSITY // SMARTIFY // SWISS RE // CAMBRIDGE UNIVERSITY ...and many more! |
| With leaders from WE ARE SOCIAL, URBAN NATION MUSEUM BERLIN, WIKIMEDIA, SECOND HOME, GOOGLE CULTURAL INSTITUTE, THECULTURETRIP.COM, THEPERSPECTIVE.COM, UNBOUND, B.AMSTERDAM, THE IMPOSSIBLE PROJECT / POLAROID ORIGINALS, NATIONAL GALLERY, FACTORY 42, LOST PALACE, VISUALISE, THE BAKERY, CAMBRIDGE UNIVERSITY, UNIVERSITY OF THE ARTS + many more... |
From: Mia R <[log in to unmask]>
Subject: Fwd: [GLAM] survey for GLAMs about batch uploads to Wikimedia
Commons
For those of you working with Wikimedia uploads...
> From: Sandra Fauconnier <[log in to unmask]>
> Date: 11 October 2017 at 08:50:13 BST
> To: [log in to unmask], [log in to unmask], [log in to unmask]
> Subject: [GLAM] survey for GLAMs about batch uploads to Wikimedia Commons
> Reply-To: "Wikimedia & GLAM collaboration \[Public\]" <[log in to unmask]>
>
> The Wikimedia Foundation has created a survey for people involved in GLAM (Galleries, Libraries, Archives, Museums) media upload projects to Wikimedia Commons. Please consider filling out the survey, if you are currently participating in a GLAM batch upload project, or have participated in one in the past! And we very much appreciate it if you forward this message to colleagues/partners.
>
>
> The survey results will be used to understand how the Wikimedia Foundation can improve its support for batch uploads to Commons - in the project Structured Data for Wikimedia Commons, and beyond. We are interested in learning more about the media collections that are donated, the tools people use to prepare and upload files, and the overall experience of donating media from GLAM organizations to Wikimedia Commons.
>
>
> We hope to receive responses from Wikimedia community members and staff at very diverse organizations - geographically, in terms of size and focus! Thank you :-)
>
> Sandra Fauconnier
> Community Liaison for Structured Data on Wikimedia Commons, Wikimedia Foundation
> [log in to unmask]
>
> GLAM mailing list
> [log in to unmask]
> https://lists.wikimedia.org/mailman/listinfo/glam |
> respective artwork page of the museum's website, or to the respective
> Wikimedia entry, which also makes clear where the artwork and its image
> come from. |
>>
>> Between that and Wikimedia they're probably the closest thing you'll get
>> to a single list, though clearly both platforms are only a subset of the
>> full corpus, and in Wikimedia I'm not sure you can query it by dimensions
>> either. Also in both platform for historic or political reasons they might |
| First, I would like to clarify that regarding the artworks available for "Download", as mentioned previously on USEUM we only include the artworks we have fully vetted in terms of IP. As Melissa mentioned, I also found it very frustrating that every once in a while, I would read a press release about 100K artworks made free, but after reading the small print I would realise there were all sorts of strings attached. Additionally, for all artworks on USEUM that belong to museums we are linking them either to the respective artwork page of the museum's website, or to the respective Wikimedia entry, which also makes clear where the artwork and its image come from. |
>
> Between that and Wikimedia they're probably the closest thing you'll get
> to a single list, though clearly both platforms are only a subset of the
> full corpus, and in Wikimedia I'm not sure you can query it by dimensions
> either. Also in both platform for historic or political reasons they might |
>
> Between that and Wikimedia they're probably the closest thing you'll get
> to a single list, though clearly both platforms are only a subset of the
> full corpus, and in Wikimedia I'm not sure you can query it by dimensions
> either. Also in both platform for historic or political reasons they might |
>
> Between that and Wikimedia they're probably the closest thing you'll get
> to a single list, though clearly both platforms are only a subset of the
> full corpus, and in Wikimedia I'm not sure you can query it by dimensions
> either. Also in both platform for historic or political reasons they might |
Between that and Wikimedia they're probably the closest thing you'll get to
a single list, though clearly both platforms are only a subset of the full
corpus, and in Wikimedia I'm not sure you can query it by dimensions
either. Also in both platform for historic or political reasons they might |
>>
>> If you find any that aren't on Wikimedia Commons, and which have an
>> open licence or are out-of-copyright, please consider uploading the, |
|
|
|
