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So tell me how you write, you writers - on the wild moorside? in the heart of the mean city? from deep within your tweedcovered chairs? I'd like to know... Here's a short e-questionnaire - behind the normal jokinesses which you'd expect are serious questions which I'd value your thoughts on, which may help others, and which, in due course, may contribute to the issues under review at the SVP colloquium. Answer front-channel, to the list, if you want to stimulate further discussion; backchannel to me if you're bashful but want to contribute to the zeitgeist. The questions are deliberately open to your interpretation, and Candidates May Choose To Answer all or none of the questions, or indeed answer other questions of their own making. Here goes: 1. Do you write daily?___ weekly?___ irregularly?___ Is the writing a fixed part of routine, or does it follow other pressures/dictates? Please specify: 2. These days do you write in the same place e.g. in the kitchen/bathroom etc; on the bus to work? Is the workplace in any sense a protected space? Please specify: 3. Drafting: notebooks, scraps of paper, word processor or what? 3a. How are drafts organised - in linear/sequential mode, or in a more complex structure? Please describe: 3b-e. Why? How long has it taken this practice to evolve? Are you consistent in this? How aware are you of other writers' strategies in this respect? 4. A route-to-work question: what, in general terms, is the relationship between draft and completion? 4a. Does your motivation/intent change during this process? If so can you say how? An example might help. 4b. What do you mean by "completion"? 5. Input: is there a way of generalising your raw materials? Are there, for instance, groups of books, musics, other artworks, or people in your life, which you plunder repeatedly? Name the most significant: 5a. What conditions input? Weather? Nation? the Sports pages? Rejection of all of these? 6. How open to mistakes are you? What steps do you take to encourage or discourage them? 7. Roadtesting your writing: on a few friends? at readings? read to the cat? leave in a drawer for 6 weeks? Not at all? 7a. Does this process transform the work? If so how? 8. Do you have lots of pieces of work on the go at the same time? Are they separate or all part of the same fabric? Or do you work methodically at one piece, then the next, then the next? Or in none of these ways? Please specify: 9. How do you plan/prepare for performance? To what extent is this incorporated in the drafting? Is performance a fixed point in your intent? 10. Are you obsessive about the practices you've described? Or could you stop and do something else? %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%