I would like to invite you to Author Gabrielle Decamous: Live Discussion on 22 July (San Francisco)/23 July (Fukuoka). RSVP Here or on Facebook.

The Leonardo Book Club is a series activating opportunities for our authors to connect with our readers.

Join Leonardo Book Club with author Gabrielle Decamous facilitated by Leonardo Managing Director Danielle Siembieda for a live discussion of her book Invisible Colors: The Arts of the Atomic Age on Facebook and Zoom as part of the Leonardo Book Series.

22 July 5:00 (17:00) PM - San Francisco
23 July 9:00 AM - Fukuoka

About Invisible Colors: The Arts of the Atomic Age

Invisible Colors addresses how art makes visible what had been invisible—the effects of radiation, the lives of atomic bomb survivors, and the politics of the atomic age.

The effects of radiation are invisible, but art can make it and its effects visible. Artwork created in response to the events of the nuclear era allow us to see them in a different way. In Invisible Colors, Gabrielle Decamous explores the atomic age from the perspective of the arts, investigating atomic-related art inspired by the work of Marie Curie, the bombings of Hiroshima and Nagasaki, the disaster at Fukushima, and other episodes in nuclear history.

Decamous looks at the “Radium Literature” based on the work and life of Marie Curie; “A-Bomb literature” by Hibakusha (bomb survivor) artists from Nagasaki and Hiroshima; responses to the bombings by Western artists and writers; art from the irradiated landscapes of the Cold War—nuclear test sites and uranium mines, mainly in the Pacific and some African nations; and nuclear accidents in Fukushima, Chernobyl, and Three Mile Island. She finds that the artistic voices of the East are often drowned out by those of the West. Hibakusha art and Japanese photographs of the bombing are little known in the West and were censored; poetry from the Marshall Islands and Moruroa is also largely unknown; Western theatrical and cinematic works focus on heroic scientists, military men, and the atomic mushroom cloud rather than the aftermath of the bombings.

Emphasizing art by artists who were present at these nuclear events—the “global Hibakusha”—rather than those reacting at a distance, Decamous puts Eastern and Western art in dialogue, analyzing the aesthetics and the ethics of nuclear representation.

About Gabrielle Decamous

Gabrielle Decamous is Associate Professor in the Faculty of Languages and Cultures at Kyushu University in Fukuoka, Japan. She has taught at Goldsmiths, University of London, and was the recipient of a Hilla Rebay International Fellowship, working with curators at museums in New York, Bilbao, and Venice and the recipient of a KAKENHI (Grants-in-aid for Scientific Research) in Japan.

For more information about the book: https://mitpress.mit.edu/books/invisible-colors
Book Club members receive 20% off the book, use code LEONARDO20

Feel free to reach out with any questions.

Danielle Siembieda
Managing Director

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