Apologies for Cross-posting

The Weidenfeld Chair in Comparative European Literature is a Visiting Professorship at the University of Oxford, and is an established part of the academic year at St Anne's College

The 2018-19 Weidenfeld Visiting Professorship will be held by Durs Grünbein. A poet of reunified Germany, Durs Grünbein was born in Dresden, lives with his family in eastern Berlin, and works in a room he rents in western Berlin. He has published numerous collections of poetry and essays in German, including most recently Zündkerzen (2017).

 Lectures will be given by Durs Grünbein on: '

Beyond Literature: or, on the intrusion of history into the narrative of one’s own life'

Tuesday 7th May 2019: The Violet Postage Stamp

Thursday 9th May 2019: Landscape in Chains 

Tuesday 21st May 2019: The Aerial Warfare of Images 

Thursday 23rd May 2019: For the Dying Calves

These lectures have a far-reaching title. In general terms they explore the way history impinges on ordinary lives and finds its way into the literary imagination.  At least since Hegel and Marx history writ large has been one of the fetishes of modern human sciences and arts. It seems, pace Marx, as if our historical being does not merely determine our lives as social entities, but also reaches into the most private corners of our consciousness and determines also the imaginative power and ludic drive of literature. Anyone born in the twentieth century – this century of wars and divisions – will have found themselves already historicised even as a child. For the emerging writer, the poet, there will inevitably come a certain moment when he becomes conscious of his position in the overall context of the history of his nation, his family and his language community. From that moment on his writing will seem above all to obey an overarching imperative: that of bearing witness to his times. But poetry insists on going its own ways, seeing the world with its own eyes. Out of this comes a constant tension, or, one might say, irresolvable dialectic. That is the core contention of these four lectures. They are designed according to the principle of collage.

The first lecture focuses on an object that becomes the starting point for the subsequent research: a postage stamp bearing the head of Adolf Hitler. 
The second lecture attempts to sketch a topography of Germany by way of its technological development, in particular the so-called ‘Reichsautobahn’ - one the most comprehensive construction projects of National Socialist Germany (and one indeed that outlasted it). It will explore how this is bound up with the language of the Third Reich and its violent history.
The third lecture concerns the aerial warfare that destroyed Europe’s towns and cities, and is set in dialogue with W.G. Sebald’s reflections on the same theme in his On the Natural History of Destruction.
The fourth lecture concludes by asking what is the literary task that arises out of this history for a contemporary writer.

These lectures consciously take account of, and reflect, the breaks and discontinuities of German history. True to the modus operandi of the author’s own poems, they employ a collage technique that demands the imaginative collaboration of reader and audience alike. 

The lectures take place at 5.30pm at St Anne’s College, Oxford All welcome, no need to book.



Karen Leeder, FRSA
Professor of Modern German Literature,
Fellow and Tutor in German
New College
Oxford
OX1 3BN
 

'Mediating Modern Poetry':
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See my translation of
Durs Grünbein ,'The Doctrine of Photography', in Poetry
https://www.poetryfoundation.org/poetrymagazine/poems/144808/the-doctrine-of-photography


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