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*With apologies for cross-posting*

[image: From Méliès to New Media_2.jpg]
<https://www.intellectbooks.com/from-melies-to-new-media>

Intellect is delighted to announce the publication of *From Méliès to New
Media: Spectral Projections
<https://www.intellectbooks.com/from-melies-to-new-media> *by Wendy Haslem.

*From Méliès to New Media* contributes to a dynamic stream of film history
that is just beginning to understand that new media forms are not only
indebted to but firmly embedded within the traditions and conventions of
early film culture. Adopting a media archaeology, this book will present a
comparative examination of cinema including early film experiments with
light and contemporary music videos, silent film and their digital
restorations, German Expressionist film and post-noir cinema, French Gothic
film and the contemporary digital remake, Alfred Hitchcock’s films
exhibited in the gallery, post medium films as abstracted light forms and
interactive digital screens revising experiments in precinema. Media
archaeology is an approach that uncovers the potential of intermedial
research as a fluid form of history. It envisages the potential of new
discoveries that foreground forgotten or marginalised contributions to
history. It is also an approach that has been championed by influential new
historicists like Thomas Elsaesser as providing the most vibrant and
productive new histories (2014).

*Table of Contents*
*List of Illustrations*
*Acknowledgements*

*Introduction: Beginnings and Ends: Historical Collusion *

Chapter 1: Cigarette Burns and Bullet Holes: Celluloid Cues in Digital
Cinema

Section I: Early Cinema: Colour and Spectrality

Chapter 2: Applied Colour: Chromatic Frankenstein's Monsters?

Chapter 3: The Serpentine Dance Films: 'Dream Visions That Change Ten
Thousand Times a Minute'

*Section II: Luminescence, Montage and Frame Ratios*

Chapter 4: Memory and Noir: Neon Contrasts

Chapter 5: Cutting: Shock and Endurance

Chapter 6: Screens, Scale Ratio: Vertical Celluloid in the Digital Age

*Section III: Cinema Beyond the Frame*

Chapter 7: Hallucinatory Framing and Kaleidoscopic Vision

Chapter 8: Ephemeral Screens: The Muybridgizer

*Bibliography *
*Index*

For more information please click here
<https://www.intellectbooks.com/from-melies-to-new-media>.
-- 
Katy Dalli | Marketing Executive

A: Intellect, The Mill, Parnall Rd, Fishponds, Bristol BS16 3JG, UK
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<https://www.intellectbooks.com/>

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