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Worldmaking as Techné: Participatory Art, Music, and Architecture Worldmaking as Techné: Participatory Art, Music, and Architecture outlines a practice that challenges the World and how it could be through a kind of future-making, and/or other world making, by creating alternate realties as artworks that are simultaneously ontological propositions. In simplified terms the concept of techné is concerned with the art and craft of making. In particular a kind of practice that embodies the enactment of theoretical approach that helps determine the significance of the work, how it was made, and why. By positioning worldmaking as a kind of techné, we seek to create a discourse of art making as an enframing of the world that results in the expression of ontological propositions through the creation of art-worlds. Contributors: Sofian Audry, Philip Beesley, Laura Beloff, Peter Blasser, James Coupe, Alberto de Campo, Heinz von Foerster, Felix Guattari, Mark-David Hosale, Kathrine Elizabeth L. Johansson, Sang Lee, Sana Murrani, Dan Overholt, Andrew Pickering, Esben Bala Skouboe, Chris Salter, Nicolas Schöffer, Edward Shanken, Graham Wakefield Riverside Architectural Press, Hardcover, 433pp, June 15, 2018 ISBN: 978-1-988366-09-8 Available at http://www.amazon.com, http://www.amazon.co.uk, and at http://www.abcartbookscanada.com For more information please visit: http://www.worldmakingastechne.net ######################################################################## To unsubscribe from the CAS list, click the following link: https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=CAS&A=1