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Doesn't all writing write through earlier texts, to varying degrees of conscious or procedural knowing, but somehow in the hope of freeing itself of its textual precedents, and is thus doomed to veer between conscious uncoupling, repurposing and deceitful appropriation: Shakespeare's an expert at plagiarism that is better than its sources. You could call it rewilding by analogy with rewilding movements. Drew On 14/06/2018 09:26, Jaime Robles wrote: > I believe the terms you want are appropriation or sampling. Sampling > is a borrowed term from recording. > > > > > >> On Jun 13, 2018, at 6:04 PM, Luke <[log in to unmask] >> <mailto:[log in to unmask]>> wrote: >> >> not acknowledging your source text/as you write/? >> >> So e.g. if I can write a poem using 'April is the cruelest month' and >> in some sense free myself of its original meaning? >> >> I have two months to read about it if it is a thing, as I hope. >> >> Luke >> >> ------------------------------------------------------------------------ >> >> To unsubscribe from the BRITISH-IRISH-POETS list, click the following >> link: >> https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=BRITISH-IRISH-POETS&A=1 >> >> > > > ------------------------------------------------------------------------ > > To unsubscribe from the BRITISH-IRISH-POETS list, click the following > link: > https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=BRITISH-IRISH-POETS&A=1 > > ######################################################################## To unsubscribe from the BRITISH-IRISH-POETS list, click the following link: https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=BRITISH-IRISH-POETS&A=1