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Muslim Cool

Race, Religion, and Hip Hop in the United States

Su'ad Abdul Khabeer

“Muslim Cool brilliantly spotlights how Black Muslim youth construct and perform identities that embody indigenous forms of Black cultural production. Equally important, the text shows how these constructions are used to reimagine, reshape, and resist hegemonic and often anti-Black conceptions of Muslim identity. With masterful ethnographic detail, Abdul Khabeer offers a subtle and rich analysis of the complex relationships between race, religion, and state power. This book is a desperately needed intervention within Anthropology, Africana Studies, and Islamic Studies.”—Marc Lamont Hill, author of Beats, Rhymes, and Classroom Life: Hip-Hop Pedagogy and the Politics of Identity


   This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, “Muslim Cool.” Muslim Cool is a way of being an American Muslim—displayed in ideas, dress, social activism in the ’hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities.   

   Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic U.S. Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between “Black” and “Muslim.” Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are “foreign” to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested—critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States.


Su’ad Abdul Khabeer is Assistant Professor of Anthropology and African American Studies at Purdue University (IN).


New York University Press

December 2016 288pp  9781479894505 PB 25.99 now only 20.79* when you quote CSL16COOL when you order

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