In my earlier post in this thread I had written:
"mm) as depicted by Giovanni di Paolo in an earlier fifteenth-century panel painting (1426; from the predella of a dismembered altarpiece once in the Rinuccini chapel in Siena's chiesa di San Domenico) in the Walters Art Museum, Baltimore:
http://tinyurl.com/ogh742b "
Er, the Malavolti chapel. Apologies for the slip (an unintended by-product of the reference to the Rinuccini chapel in Florence's Santa Croce a few lines earlier).
In compensation, herewith links to some medieval images of St. Lazarus of Bethany in his legendary constructions as 1) the protobishop of Cition / Larnaca in Cyprus and 2) a missionary to Marseille and its protobishop.
I. Lazarus as the sainted first bishop of Cition / Larnaka:
a) as depicted (at left, with Sts. Gregory of Nazianzus and John Chrysostom) in a poorly preserved later twelfth-century fresco (betw. ca. 1160 and ca. 1180) in the altar area of the church of the Holy Apostles at Pera Chorio (Nicosia prefecture), Republic
of Cyprus:
http://tinyurl.com/ohts852
b) as depicted (detail) in the late twelfth-century frescoes (1192; cleaned and restored, late 1960s and early 1970s) in the church of the Panagia tou Arakou at Lagoudera (Nicosia prefecture) in the Republic of Cyprus:
http://www.soniahalliday.com/images/CY95-1-07.jpg
II. Lazarus as an evangelist in Provence and the sainted first bishop of Marseille (part of the legend of St. Mary Magdalene):
a) as depicted, seemingly, in two panels of the earlier thirteenth-century St. Mary Magdalene window (w. 46; ca. 1205-1240) in the basilique cathédrale Notre-Dame in Chartres:
1) at left; the Bethany party's arrival at Marseille:
http://therosewindow.com/pilot/Chartres/w46-15.htm
2) mitred, preaching; this figure has also been identified as St. Maximinus, another member of the Bethany party and the protobishop of Aix-en-Provence:
http://therosewindow.com/pilot/Chartres/w46-16.htm
In panels 18 and 19 the differently robed bishop officiating at St. Mary Magdalene's funeral is certainly St. Maximinus:
http://therosewindow.com/pilot/Chartres/w46-18.htm
http://therosewindow.com/pilot/Chartres/w46-19.htm
I read panels 15-17 as a unit dealing with St. Mary Magdalene's arrival at Marseille and panels 17-18 above them as separate unit dealing with her much later funeral at Aix-en-Provence.
b) as depicted in two scenes in the left lancets of the later thirteenth-century St. Mary Magdalene windows (ca. 1275-1285) in the cathédrale Notre-Dame-de-l'Assomption in Clermont-Ferrand:
1) second from left; arriving at Marseille:
http://therosewindow.com/pilot/ClermontF/n1-C-3.htm
2) at left; entering Marseille with St. Martha of Bethany and St. Mary of Bethany / Mary Magdalene:
http://therosewindow.com/pilot/ClermontF/n1-C-4.htm
c) as depicted (in white, in the ship carrying him, St. Martha of Bethany, St. Mary of Bethany / Mary Magdalene, and others -- seemingly St. Cedonius and St. Maximus of Aix-- to Marseille) by Giotto di Bondone and assistants in the early fourteenth-century
Mary Magdalene fresco cycle (1307-1308?) in the cappella della Maddalena in the lower church of the basilica di San Francesco at Assisi:
http://tinyurl.com/nrb3c5x
d) as depicted (at right; at left, St. Martha of Bethany; at center, St. Mary of Bethany / Mary Magdalene) as depicted in a mid-fourteenth-century copy, from the workshop of Richard and Jeanne de Montbaston, of the _Legenda aurea_ in its French-language version
by Jean de Vignay (1348; Paris, BnF, ms. Français 241, fol. 163r):
http://tinyurl.com/26fj3w5
e) as depicted (grayscale images) in the panels of the late fifteenth-century altar of St. Lazare in the cathédrale Sainte-Marie-Majeure in Marseille:
http://cathedrale.marseille.free.fr/vieille/laza/laza.htm
f) as depicted (mitred; arriving at Marseille) in a later fifteenth-century copy of books 9-16 of Vincent of Beauvais' _Speculum historiale_ in its French-language version by Jean de Vignay (1463; Paris, BnF, ms. Français 50, fol. 341r):
http://tinyurl.com/267ayxo
g) as depicted (at center, mitred, betw. Sts. Martha of Bethany and Mary of Bethany / Mary Magdalene; on the wings: Sts. Genovefa of Paris and Lawrence of Rome) by the master of the Triptych of Louis XII in an early sixteenth-century enamelled triptych (ca.
1500-1520) in the Musée du Louvre, Paris:
http://cartelfr.louvre.fr/pub/fr/image/65337_BC080747.jpg
h) as depicted (upper register, second from left in the panel at far right; in the boat that will take the party to Marseille) in the early sixteenth-century St. Mary Magdalene window (ca. 1506) in the église Sainte-Madeleine in Troyes:
http://www.patrimoine-histoire.fr/Patrimoine/Troyes/Troyes-eSMadeleine_v24.htm
Best again,
John Dillon