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medieval-religion: Scholarly discussions of medieval religion and culture


Apologies for cross posting. I haven't seen this come through on these 
lists, so in case others have not seen it....

-------- Original Message --------
Subject: 	[Mittelalter] Petition: The Louvre is in Danger : Against the 
Plan to dismantle its Collections.
Date: 	Mon, 23 Feb 2015 08:04:36 +0100
From: 	Gerhard F. Lutz <[log in to unmask]>
To: 	[log in to unmask]



*The Louvre is in Danger : Against the Plan to dismantle its Collections.*

https://www.change.org/p/monsieur-le-president-de-la-republique-annuler-le-projet-des-r%C3%A9serves-du-louvre-%C3%A0-li%C3%A9vin

We appeal to the French President

Â

Mr. President, the Louvre museum, which was founded in 1793 for the 
safe-keeping and display of the nation's artistic heritage, is under one 
of the most serious threats of its history.

It has been decided to remove the works of art which are held in its 
reserve at the moment, in order to transfer them to Liévin, commune of 
Nord-Pas-de-Calais, two hundred kilometres from Paris, with inadequate 
rail connection, to be stored in a building, still in the planning 
stage, called "Conservation pole of the Louvre Museum".  Initially the 
reason for this removal was to safeguard some part of the art works in 
case of a potential centennial flooding of the river Seine.  Through 
the reason of this removal was to safeguard some of art works in case of 
a potential flooding of the river Seine it has now been extended to all 
the storages held in the palace.

The consequences of this decision, detrimental to the future of the 
Louvre, can be seen in the light of three threats.

Firstly, harm to the national Heritage : as has been shown in the past 
on a smaller scale, the transport en masse of hundreds of thousands of 
objects of various shapes and sizes, is likely to lead to serious damage 
or loss of any number of them.  This damage of major heritage works of 
art remains a serious on-going risk, given the repeated journeys to and 
fro between Paris and Liévin, necessary and inevitable in the course of 
up-dating shows in the galleries, essential conservation carried out 
routinely on the works, and, above all, in the handling required when 
preparing exhibitions organized all over the world in which the Louvre 
is called upon to participate. Given the budgetary restrictions imposed 
by the current financial climate, a down-grading of professional 
standards is to be feared.

Secondly, scientific damage : the reserves have been, are, and always 
will be, a source of fundamental research which every reputable museum, 
and first and foremost the Louvre, must foster, linked in with the 
priceless libraries and documentation accumulated over the years for 
every discipline represented in the eight constituted departments of the 
institution.  The researchers within the museum are constantly using 
these reserves, they are frequently and legitimately visited by foreign, 
as well as french, scientists who come from all over the world to Paris. 
This essential research will become problematic, and even impossible, if 
the reserves are transferred to Liévin. The works of art will be 
deprived of the intellectual and scientific infrastructure from which 
they benefit today, they will be confined in a smaller space.  The 
annexe premises and the staff needed to welcome researchers will be 
rapidly overrun by the influx of requests concentrated in a single place.

Lastly and not least, financial and ecological risks : the two hundred 
kilometres which separate Paris from Liévin will bring about a 
spectacular rise in the running costs of the Louvre, collateral damage 
of this added cost will show up in the potential degradation of the 
quality of the cultural offer.  To be taken into account also is the 
increase in the carbon footprint of our country, given the inevitable 
journeys to be made by road.

Let it not be said that in Voltaire's homeland, common sense has lost 
its footing!  Consequently, to avoid an artistic, cultural and 
financial aberration, as yet unequalled, we, the signees of this 
appeal, who are devoted  to the cultural flagship that is the Louvre, 
beloved and respected by the whole world, are appealing to you, Mr. 
President, to completely re-think the plan.  We desperately hope that a 
better in-house solution may be found, one in which common sense and 
good guardianship, for the pursuit of development of the Louvre which 
belongs to us all.  To this end, we urgently request that a diligent 
study be carried out of the various possible alternatives, within the 
heart of the palace and its surrounding facilities.

We invite everyone in the world who loves the Louvre and all it stands 
for, to join our plea, to sign our petition and spread it far and wide.

Sponsoring committee : Daniel ALCOUFFE ; Daphna BENTOR ; Geneviève 
BRESCÂ ; Dominique CHARPINÂ ; Michel CHAUVEAUÂ ; Danielle GABORITÂ ; 
Jean-René GABORIT ; Jean-Marc LUCE ; Frédéric MAGUET ; Krzysztof 
POMIAN ; Jacques REVEL ; Didier RYKNER ; Françoise VIATTE

http://www.latribunedelart.com/une-petition-mise-en-ligne-contre-le-demenagement-des-reserves-du-louvre
----------------------------------
Dr. Gerhard Lutz

Wiss. Mitarbeiter / Curator
Dom-Museum Hildesheim
Domhof 18-21
31134 Hildesheim
Germany
Tel.: â??- â??/*NEU : +49 (5121) 307-763*/
Mob.: +49 (177) 5107363

----------------------

III. FORUM KUNST DES MITTELALTERS
Hildesheim, 16.-19. September 2015
www.mittelalterkongress.de <http://www.mittelalterkongress.de>

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