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Thanks Garry, really useful set of guidelines – and how relevant to this thread!

 

Have a great Christmas.

 

Liz

 

From: Garry Maguire [mailto:[log in to unmask]]
Sent: 18 December 2013 12:54
To: Elizabeth Thomson
Cc: [log in to unmask]
Subject: Re: Criteria writing and meaning

 

A colleague and myself have been researching the assignment brief area for several years and working towards a set of design guidelines to help develop the communicative effectiveness of written assignment instructions. These are just getting the finishing touches before disseminating.

We have just joined this forum and were struck immediately by the number of themes and even phrases which echo our draft set of assignment brief design principles which have emerged from the research with students and staff and from a pilot consultancy.

You can find these and comment on at:


https://docs.google.com/document/d/1LKv2HUNvhhw6aAKCoQCN-mzNMwz2-vr3VAjYNtHY2js/edit?usp=sharing

Garry

 

 

On 16 December 2013 10:01, Elizabeth Thomson <[log in to unmask]> wrote:

Hi Mark

 

I am feeling somewhat self-conscious that we have kind of hijacked this thread, and I feel, whilst many interesting topics such as the purpose of Universities and the process of learning etc. have arisen, we are slightly off track (perhaps the topic for a new thread?).

 

Mandy initially raised the issue of poorly worded tasks – e.g. to ‘critically critique…’ which I don’t think anyone can claim is an effective (or elegant) description of what the student needs to do and this led on to a discussion about whether the wading through all these abstract definitions is actually in the students’ best interests. In your first response you point out ‘ At heart all the lecturers are hoping for is (sensible) carefulness in considering and attempting the task’ and I’d agree.

I don’t think anyone would deny that University-level  learning is complex, takes place over a period of time and involve a variety of events, communications & interventions, but while no one expects that to take place without some areas of confusion, if certain elements of communication are consistently causing frustration and confusion, and essentially delaying students in getting to grips with the task in hand, then that needs to be addressed. For example, I recently saw a student, a retired lawyer, who is now doing a course on photography because he has always wanted to know more about it – an avid reader, very articulate,  who failed his first essay because he had answered a question based on a mixture of his own interpretation and theories that he felt to be relevant and had constructed a discussion around that…but he failed because the lecturer had wanted that particular question answered in relation to a specific group of theories that had been covered in a lecture that this student had missed due to having to attend his brother’s funeral. Nowhere on the unit brief did it specify that that question had to be answered with reference to that particular theoretical framework.

 

To be honest, my main gripe with (some of) the Unit handbooks given to students is that they are long, difficult to find and navigate – eg  there are at least 2 pages of generic pedagogic waffle which is the same for all courses, and pretty much entirely meaningless to students (although probably very important for the institution, and quality and standards etc.), and  rather thin on the specific information about what the task is, when the deadline is and what the assessment criteria is. While the quality and standards stuff needs to be available for students should they choose to look at it, the vast majority start looking at it and then give up before they find the information they actually need, pretty much the antithesis of all the things that effectively written communication should be.

 

Grice’s maxims come to mind;

·  The maxim of quantity, where one tries to be as informative as one possibly can, and gives as much information as is needed, and no more.

·  The maxim of quality, where one tries to be truthful, and does not give information that is false or that is not supported by evidence.

·  The maxim of relation, where one tries to be relevant, and says things that are pertinent to the discussion.

·  The maxim of manner, when one tries to be as clear, as brief, and as orderly as one can in what one says, and where one avoids obscurity and ambiguity.

 

 

So, in answer to your direct question Mark, should academic staff write assessment briefs so they can be understood by people what haven’t attended all the lectures and seminars then my answer is yes, I think they should. Obviously, a student who has not attended many of the input sessions will be at a huge disadvantage compared to those who have (and will be wasting their fees and time at University, really) but I do think that the task itself should be specific enough that students can identify what they need to do and refer to in order to address the task adequately – and that academic support staff are able to recognise whether or not the ideas or work a student comes to them for advice on is, in fact, answering the brief.

 

Our students ARE paying customers, and they are paying for academic tuition and support services, so if support staff are unable to help them due to the lack of clarity of assessed tasks, then that is an issue in terms of student experience/satisfaction and retention. Whilst some may be cynical (and deluded) enough to think that doing a degree means getting a certificate that will enable them to get a well-paying job, raising their awareness that critical thinking, research skills and the ability to communicate clearly and convincingly are the degree-level skills that employers are willing to pay for generally motivates them to work to develop those skills.

 

And as paying adults they are in a position to say, ‘I am not interested in reading and deciphering long texts about University rules and regulations, I am here to study photography, and I want to spend my time here reading about that, and getting to grips with the complexities of semiotics and the technicalities of studio lighting, so can we cut to the chase and you tell me what I need to do for the assessment task, and what you’re looking for me to demonstrate in how I complete the task so as to pass/excel – in clear and concise language.’

 

I don’t believe the issue that started this thread is endorsing spoon-feeding or down-grading the complexity of knowledge in ever-changing communities of professional practice,  I think it is about clear and audience-conscious communication which needs to be in written form and available for students and all staff involved with academic support, and to this end I think it would be helpful if subject expert lecturers with no specialism in language worked with language experts in academic support to produce more readable handbooks and briefs – or to use guidelines such as the one George recommended Lean Systems http://www.lean.org/whatslean/ , or the fog-index or whatever, but I really believe there is room for improvement in this area.

 

Anyhow, apologies for the essay-length of this response… have a great Christmas everyone!

 

Liz

 

 

 

 

 

 

From: learning development in higher education network [mailto:[log in to unmask]] On Behalf Of Wilson, George
Sent: 13 December 2013 15:56


To: [log in to unmask]
Subject: Re: Criteria writing and meaning

 

Implicit explicit.

Time to suggest a wee look into Lean Systems http://www.lean.org/whatslean/ .

I know, that’s for industry and we’re education , but …………………

 

George Wilson FHEA

Learning Adviser - Centre for Learning and Study Support

Room B05 Merchiston Campus - Edinburgh Napier University

0131 455 3372    -    [log in to unmask]

 

 

 

 

 

From: learning development in higher education network [mailto:[log in to unmask]] On Behalf Of John Sutter
Sent: 13 December 2013 14:50
To: [log in to unmask]
Subject: Re: Criteria writing and meaning

 

Phew-  another interesting discussion! I think  Liz makes a good point about making the ‘implicit explicit’, and for me one very important aspect of this is the often hidden power/knowledge relations (that I think Mark partly is referring to), and which often find expression in briefs, criteria, handbooks and all the rest (as well as in the form of the ‘essay’ as a means of classifying and defining student identities). I almost feel that many universities are now in a state of something between panic and schizophrenia, having discovered  -often through their own theoretical perspectives – that they themselves  are part of the ‘problem’ of knowledge (defining what counts as knowledge and producing knowledge)…. and yet they must sell this knowledge as a ‘product’, as a real object.  The confused briefs, tick box criteria, and ‘competencies’ are all a symptom of the rather paradoxical position universities currently find themselves in.

 

I do wonder if universities in their current form are any longer coherent or even possible!

 

All best

 

John  

 

John Sutter

Learning Enhancement and Support Manager (Language and Learning Development) Canterbury,

University for the Creative Arts

New Dover Road

Canterbury

Kent

CT1 3AN

Mob: 07813 836559

Skype: jssutter

 

www.ucreative.ac.uk

 

From: learning development in higher education network [mailto:[log in to unmask]] On Behalf Of Elizabeth Thomson
Sent: 13 December 2013 11:45
To: [log in to unmask]
Subject: Re: Criteria writing and meaning

 

Mark

 

Whilst I agree that to some extent criteria need to be generic, so that they can apply to a variety of types of work (and this is, I think, particularly important in arts and humanities) I think the actual tasks need to be specific, due to the way that universities have changed over the last few decades, such as the effect of Widening participation – if we are accepting students with disabilities and from a variety of educational backgrounds (plus many international students)  then there needs to be support for students to build up the study skills, vocabulary and confidence to deal with the confusion and frustration which are part of deep learning, and going beyond their  comfort zone.  You question whether ‘ discomfort with indeterminacy is related to humiliations relating to economic class? At least that was the case twenty or thirty years ago; in the meantime it may have been overtaken by experiences of social exclusion along lines of linguistic and cultural difference.’ Which I take to mean that you recognise that less confident students struggle more with dealing with ambiguity and negotiated meaning.

 

Also, as you mention, many fee paying students have the sense that they are  paying customers and therefore expect things to be tailored to suit their preferences – which I agree is not necessarily helpful to learning, but still needs to be addressed/negotiated .

 

If assessment briefs are so vague as to be incomprehensible to other members of qualified staff, who are not able to attend all the lectures, seminars and tutorials that students do, then those staff are put in the uncomfortable position of not being able to do their job and support students. This is a practical problem, for example when a brief says something like ‘ write an analysis using one of the films screened during this unit’ but there is no information about which films have been screened, so if the student has missed the screenings, they will be unable to answer the question.

 

There is basically a difference between constructive confusion and making room for conversation, and poorly worded  assessment tasks which mean students don’t understand what is expected of them – which you, in your previous email refer to;

 

‘And then there might be (Oh heavens!) criteria that remain unspecified forever, but which are nevertheless learned over a course. I remember a discussion a few years ago with a young man who was well read, as well as interested in current affairs, but getting nowhere with English. In the lead up to the university English exams I suggested he "write more sensitively, like a girl." His grades went up. No one at school had ever told him, but the research showed boys did not "hear" the sensitivity criteria implicit in English, whereas girls did.’

 

Where you give an example of a student not understanding the abstract  and obviously for him, ambiguous, criteria of demonstrating empathy, by giving him an example -  ‘write like a girl!’ which he understood and his grades went up. At times it helps to make the implicit explicit, to move students on in their learning journey – which is not the same as gratifying them with easy, tick-box answers.

 

Anyhow, as with all teaching methodology, it depends on the students you are dealing with as to what is appropriate.

 

Liz

 

 

 

 

From: learning development in higher education network [mailto:[log in to unmask]] On Behalf Of Mark Stevenson
Sent: 13 December 2013 10:48
To: [log in to unmask]
Subject: Re: Criteria writing and meaning

 


Wow! The Writing Cafe looks like a really friendly way of introducing a new relationship to 'confusion'. If you are selling that coffee you're going to make a fortune for someone.

I wonder if discomfort with indeterminacy is related to humiliations relating to economic class? At least that was the case twenty or thirty years ago; in the meantime it may have been overtaken by experiences of social exclusion along lines of linguistic and cultural difference.

We need more of the Writing Cafe kind of experiment.

By the way, before I send anyone on a wild goose chase, in Imagining the University Barnett actually speaks of 'the imaginative university,' but spaciousness is they key metaphor and it is a prescription for the congested university we have today.

Mark


From: Helen Bowstead [[log in to unmask]]
Sent: Friday, December 13, 2013 7:45 PM
To: Mark Stevenson; [log in to unmask]
Subject: RE: Criteria writing and meaning

I love the notion of a ‘spacious’ university, I think creating space for thinking, conversation and even confusion is vital. We have just managed to secure our very own ‘third’ space here at Plymouth …

 

http://blogs.plymouth.ac.uk/thewritingcafe/

 

Helen

 

Please note that my working days for LD are Wednesday afternoon, Thursday and Friday.

 

Helen Bowstead

 

01752 585683

 

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Web pages www.plymouth.ac.uk/learn for further information, resources and study guides.

Drop-in-Zone (DiZ) Plymouth campus Library. 1200-1400 on Monday, Wednesday and Friday and 14.00 to 1600 Tuesday and Thursday during term time. No need to book

One to one tutorials Learning Gateway, 011 Roland Levinsky Building: 01752 587676 (for info on what to expect, click here)

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From: learning development in higher education network [mailto:[log in to unmask]] On Behalf Of Mark Stevenson
Sent: 12 December 2013 21:47
To: [log in to unmask]
Subject: Re: Criteria writing and meaning

 

Liz,

I think you make a very important point about 'ticking boxes'.

When it comes to HE a move must be made from ticking boxes to thinking things through. Much of the lack of specificity found in criteria is precisely (and deliberately) a result of strategies aimed at discouraging quick, tick-box approaches. Being hyper-specific narrows the space of thinking and conversation.

When a student enters university, whether they are aware of it or not, they are making a commitment to becoming someone knowledgeable, someone able to spend time with complex questions. Until recently that expectation has defined what universities are; we could all it "the professional (or intellectual) difference". If we don't have it anymore, do we still have universities?

At least four things threaten that expectation, not least by putting pressure on the space for conversation. The idea that education can be reduced to a service for fee, the instrumental use of education to serve business and industry (noted already by Nietzsche), low funding or poor distribution of funding, and mental distraction (work, social media). Thus Ron Barnett's call for a "spacious" university.

We could also perhaps include the evolution of professionalism into city swagger.... Anyway, the specific growth in jargon heavy (committee designed?) handbooks you mention is very much part of that service for fee culture and about an attempt at guaranteeing a product that can't in the end come with guarantees. Increasingly I wonder if what I and my colleagues are doing, despite our intentions, is training a whole generation to hustle and bluff. Nevertheless, facing Entwistle's deep, surface and strategic learners,* I still see a bias toward the the deep--it has to do with that idea of what universities are--and that bias is not going to favour the student who wants a tick-box path.

Confusion has a role to play in the deep path of learning, even when it comes to assessment and their criteria.

Mark

*

Greg Light, Susanna Calkins, Roy Cox, Learning and Teaching in Higher Education: The Reflective Professional, p. 52.

 


From: learning development in higher education network [[log in to unmask]] on behalf of Elizabeth Thomson [[log in to unmask]]
Sent: Thursday, December 12, 2013 8:59 PM
To: [log in to unmask]
Subject: Re: Criteria writing and meaning

Interesting discussion – a number of the briefs and handbooks I’ve come across over the past few years make me want to scream at how unreadable they are, and I agree that this has a negative impact on students because, due to the current school system in Britain, many students (at both FE & HE) are very used to being required to ‘tick boxes’ and therefore very concerned about what the assessment criteria are. Drawing students’ attention to how the assessment criteria are linked with the learning aims and the knowledge and skills covered in the course is key to them learning in a more ‘joined up’ way, but the jargon heavy unit handbooks are not in any way reader-friendly, and not many students I meet attempt to read them – and therefore remain confused about how assessment tasks link up to lecture, seminar and workshop content.

 

Many assessment criteria seems to include a proliferation of abstract nouns, such as information, contextualization, techniques, evidence etc. but very little to help students understand what they mean - what Len describes as symptoms,  but I would basically describe as examples - e.g. - in order to contextualize a piece of artwork you need to consider the time and place that it was made, and the ideas, theories, politics, technical considerations in that time and place that influenced the artist etc. Detailed examples can be given in lectures, seminars etc. but just breaking the terminology down can help.

 

The problem for academic support staff is the fact that usually they weren’t there in the relevant lecture, and if the student they are working with either missed it or was unable to understand it, then you have very little to work with – and yes, ok the student ‘should’ have been there and using strategies to understand and record the session, but, well,  people get sick, trains are delayed etc.

 

Since University is, amongst other things, supposed to support the student in a transition from school to the work place, the skills to ‘unpick’ a brief are important, and one that is useful in many industries, but at University, it needs to be staged, and it would seem that many academic staff are not aware of things like Gunning’s ‘fog index’ and write very ‘stream-of-consciousness’ briefs, that leave me wondering what it is, exactly, they want the students to produce.

 

I’m not suggesting ‘dumbing down’ course content, I just think that assessment tasks and criteria, which tend to create a lot of anxiety for students, should be written in straightforward language, that doesn’t assume a familiarity with pedagogical terminology; and that they are specific enough that support staff such as study advisers, dyslexia tutors, librarians etc. can understand what is expected. If it is expected that students to write reader-friendly texts for their assignments, the University should, surely,  lead by example.

 

However, it is a sensitive issue, and it is difficult for support staff to approach academic staff unless the University strategy endorses such meetings as an aspect of WP & good practice.

 

Has anyone out there been involved with working with subject lecturers on writing unit briefs? Because although I have, very informally, in a few cases, but that is really just down to my knowing the member of staff well enough that they were open to discuss it.  I can’t help thinking that the way forward would be to have University-wide guidelines on readability etc. that all staff were expected to follow – or do you think that would be too ‘standardised’?

 

Best wishes

 

 

Liz Thomson PGCE, MA

Learning Development Tutor

 

 

 

 

From: learning development in higher education network [mailto:[log in to unmask]] On Behalf Of Mark Stevenson
Sent: 12 December 2013 05:19
To: [log in to unmask]
Subject: Re: Criteria writing and meaning

 


"Nothing that requires interpretation can be understood at once."

This observation of Schleiermacher's, cited in Gadamer's Truth and Method, perhaps explains why he so valued the role of living feeling in achieving understanding. Schleiermacher also claimed that the common idea that understanding occurs as a matter of course was misleading: "misunderstanding occurs as a matter of course, and so understanding must be willed and sought at every point." Openness and freedom are as much essential to the communicative process as closure and definitiveness.

I wonder what Schleiermacher would have thought of Quintilian's "Aim not at being possible to understand, but at being impossible to misunderstand," cited on these pages just a week or so ago? Aim yes, absolutely, but prepare for disappointment?

Part of the breakdown we see in understanding is not just the fault of murky prose. As we move to text and online video for everyday modes of communication we create new contexts, but we also undermine the sense of "being there" or "being with" that comes from face-to-face and group lectures/discussion. I would not be surprised if our students feel it is only natural to hold the university away and at a distance. And I'll probably be howled down for blaming the customer, nevertheless some of my thoughts in response to this discussion thread were, "Where was s/he when the lecturer went through the criteria in class (both times)?", "Has s/he asked the lecturer to clarify?", "Were the criteria designed by the lecturer or a committee that wouldn't know a classroom from the sole of their shoe?"

And then there might be (Oh heavens!) criteria that remain unspecified forever, but which are nevertheless learned over a course. I remember a discussion a few years ago with a young man who was well read, as well as interested in current affairs, but getting nowhere with English. In the lead up to the university English exams I suggested he "write more sensitively, like a girl." His grades went up. No one at school had ever told him, but the research showed boys did not "hear" the sensitivity criteria implicit in English, whereas girls did.

Yes, some criteria are AWFULLY written. But to push Schleiermacher aside and pin things down, I wonder... what will that look like? What is wrong with asking a few more people just to use their noggins (with feeling!)? At heart all the lecturers are hoping for is (sensible) carefulness in considering and attempting the task.

Mark

Dr Mark Stevenson
Senior Lecturer, Asian Studies
College of Arts
Victoria University
Melbourne
Australia


From: learning development in higher education network [[log in to unmask]] on behalf of M. Gough [[log in to unmask]]
Sent: Thursday, December 12, 2013 10:19 AM
To: [log in to unmask]
Subject: Re: Criteria writing and meaning

Thanks for your responses Helen and Peter.
I also teach in the related English Language field and having taught ESOL in a previous life in AE and FE, perhaps this is why this resonates with me. I remember students in an ESOL class saying that although they had learnt English back home they could not decipher one word when listening to people chatter at the bus stop. We then set about working with tape recordings of real speech and going out of the class to the real world for real language. Students were not told it was 'their problem' or that they ' should not be here if they could not understand' . They were not expected to overnight be fluent language speakers but were supported to learn as learners are meant to. ... After all that's why they were students. Perhaps HE has a lot to learn from AE and FE after all.

So why are our students ( who are paying vast sums of money) expected to navigate their way through impenetrable phrases which even many of their teachers ( and I include myself in this) don't fully understand? I've recently seen the response given to students asking ' what do you mean by writing at level 6 ?' As ' operates in complex and unpredictable contexts, requiring selection and application from a range of largely standard techniques and information' (again SEEC descriptors). What students really seemed to want is an example of writing at level 6 and of course want to be able to compare year 1 (level 4) with year 2 (5) and year 3 (6). Students at year two are told they should 'discuss' and don't need to be critical till year 3 yet when receive feedback told they need to be more critical. Students ask ' what do you mean by critical? ' and of course get a range of responses and end up more confused than ever. Yet, some students do manage to navigate their way through and get A grades... How do these students do that? Do they have an inbuilt computer that just translates these indecipherable terms instantly? Where does that leave the students who don't manage to 'get it?'

I agree, Helen, we have to find creative solutions and as a lecturer with some control over marking criteria, i like your ideas of getting students to do work themselves on making the criteria more visible. In an LD role though we may not be party to what the module lecturers actually mean and indeed perhaps they may not know, so creative solutions definitely needed!

Onward and upwards!

Mandy

 


From: Helen Bowstead <[log in to unmask]>;
To: <[log in to unmask]>;
Subject: Re: Criteria writing and meaning
Sent: Wed, Dec 11, 2013 9:28:47 AM

 

As a Learning Developer and a lecturer, I sit somewhat uncomfortably between a rock and a hard place when it comes to writing marking criteria and assignment briefs. In my Learning Development role I am very aware of the impact a poorly written brief and impenetrable marking criteria (and feedback that basically replicates it) but in my lecturing role I often find it difficult to avoid falling into the same traps. A very detailed assignment brief often leads to even more confusion and/or students feeling that they MUST follow it to the letter, no matter what, and it is difficult to write marking criteria without falling back on the kind of language that will demonstrate the learning outcomes that are dictated by organisations like SEEC (Southern England Consortium for Credit Accumulation and Transfer) and the QAA. So for example, at level 5 the SEEC descriptor for analysis and evaluation goes like this:

 

Analyses a range of information comparing alternative methods and techniques. Selects appropriate techniques/criteria for evaluation and discriminates between the relative relevance and significance of data/evidence collected.

 

What is “a range of information”, what are appropriate techniques/criteria who decides what  is relevant or significant? As a Learning Developer, I know this is what students struggle with, but as a lecturer, how do I demonstrate to the institution/external examiners that I am writing assessments that are appropriate?

 

I recently brought an incomplete set of marking criteria in to class and asked the students to complete the grid according to what was written in the assignment brief and what they felt they should be being assessed on. They also decided on weightings for the various components. I hope that this will help open up a dialogue through the rest of the year that will go some way to making the invisible a little more visible, however, as a language teacher I am lucky – I have small classes (20) and a lot more freedom than many lecturers in terms of the ‘content’ I deliver – as long as we are doing in in English, for me it counts as language work …

 

Creative solutions are definitely needed.

 

Best wishes

 

Helen

 

 

From: learning development in higher education network [mailto:[log in to unmask]] On Behalf Of Peter John Lumsden
Sent: 11 December 2013 08:46
To: [log in to unmask]
Subject: Re: Criteria writing and meaning

 

Mandy – yes, very interested in this. In fact doing some work on this right now – as part of an attempt to put some principles and practice to our existing policies and procedures.

Assignment briefs do often seem too brief, and marking criteria often use generic grids which were designed in a  different era!

 

PL

 

Peter J. Lumsden

BSc, DPhil, Fellow HEA

 

Principal lecturer, Academic Development and Employability

University of Central Lancashire

01772 893270

 

Twitter:       https://twitter.com/PLumsden

Facebook:  https://www.facebook.com/peter.j.lumsden?ref=tn_tnmn

LinkedIn:    http://www.linkedin.com/profile/view?id=100728902&trk=hb_tab_pro_top

 

 

From: learning development in higher education network [mailto:[log in to unmask]] On Behalf Of M. Gough
Sent: 10 December 2013 22:14
To: [log in to unmask]
Subject: Criteria writing and meaning

 

Dear all

I'm becoming increasingly interested in perceptions of assignment criteria from the students' viewpoint. I seem to be spending increasingly amounts of time each year I work as an academic skills adviser (aka LD! ) helping students to unpack criteria thus leaving precious little time left for other important elements. I'm beginning to agree with lighthearted comments 'you need a degree to understand the criteria' and wonder what the motivation and rationale is behind making the criteria so complex? Is this something others experience?

A recent example is asking students to ' critically critique... ' and then there are the criteria points that seem to embed 3 points in one ( reminds me of those poorly thought out job interview questions!) and the sentences that leave you confused as to the subject, the object and so on.

There are mixed responses to students to raise the issue, from helpful further guidance to the other extreme of ' we are not here to spoon feed you'.

I'd be interested to hear of others' experiences of this and any signposts to further reading as I suspect this has come before! On a wider issue I find it fascinating how 'we' construct meaning depending on various factors and am looking for literature on this if anyone can point me in the right direction.

Thanks for reading.

Mandy

Academic Skills Centre Co ordinator
Kingston University

 


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