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Dear Beryl, That is great news, I wonder if I can send you this message to forward on to your students, this is an oppoertunity to curate a small selection of works from the collection at Southampton City Art Gallery. The opportunity is attached to a seminar I am programming at Southampton City Art Gallery with Alice Workman in November. I would be very grateful if you could forward this message on: Future Plan, 8th November, Southampton City Art Gallery, 12/30 - 16.30 The focus for the day will be to address the question; How can we use new curatorial strategies to ignite the inspirational potential of public collections of modern and contemporary art? This will be an opportunity to understand more about public collections. Speakers will look into the future for the public collections that they are working with. Future Plan is aimed to inspire a new generation of emerging curators and arts professionals to think about how they can work with the extraordinary resource that public collections offer. The symposium will be programmed by the Contemporary Art Society's Curatorial Fellow, Robert Dingle in collaboration with Southampton City Art Galleries Lead Exhibitions Officer, Alice Workman. Speakers include: Ann Bukantas - Curator of Fine Art, Walker Art Gallery Gavin Delahunty - Curator, MIMA FREE to members of the National Network, £5 to non-members To book on to this seminar please email: nationalprogrammes@contemporaryartsociety Starting Point As part of Future Plan the Contemporary Art Society is inviting proposals from postgraduate curating students from across the UK (graduating between 2008 - 2011) to select a small cluster of works from the collection at Southampton City Art Gallery. This is arguably the most outstanding collection outside of London and the museum have generously offered their support in installing two projects in 2011. As a way of responding we are asking that proposals take the collection of artist film at Southampton as an initial starting point. To apply for the opportunity, please submit a CV and short proposal (around 300 words) outlining your project to: [log in to unmask] For more information and to download a list of films from Southampton collection please visit: http://www.contemporaryartsociety.org/forthcoming-events/event/future-plan Application deadline 6th September, 2010. Best wishes, Rob Robert Dingle Centenary Fellow Contemporary Art Society 11-15 Emerald Street London WC1N 3QL T. +44 (0)20 7831 3220 F. +44 (0)20 7831 1214 E. [log in to unmask] http://www.contemporaryartsociety.org Contemporary Art Society is a company limited by guarantee Registered in England and Wales no 255486 Charity Registration no 208178 Centenary Programme, next event: Ponder Pause Process (a situation) a display by Yane Calovski at Tate Britain, 15 May - 3 September Symmetry of Intimacy a solo exhibition by Michael Dean at Laing Art Gallery, Newcastle, 15 May - 24 October Annual Award for Museums - commission to collect deadline for applications 7 June 2010 The Contemporary Art Society's National Network has been nominated by the MLA as their Subject Specialist Network for Contemporary Art. -----Original Message----- From: Curating digital art - www.crumbweb.org [mailto:[log in to unmask]]On Behalf Of Beryl Graham Sent: 07 July 2010 15:50 To: [log in to unmask] Subject: [NEW-MEDIA-CURATING] MA Curating - Beryl Graham new course leader Dear List, Some news which has been keeping us busy is that Beryl Graham has taken over course leadership of the MA Curating at Sunderland University, and will be teaching the module "Visions of Curating" and Sarah Cook will be teaching "Mechanics of Curating". All this means further integration of new media into the context of curating contemporary art, and hec, it's a good course, we'd recommend it! If your interested in the course, feel free to contact us informally to discuss it, and further details are below. Yours, Beryl ------- MA CURATING AT SUNDERLAND DESCRIPTION Being a successful curator in the 21st Century can involve organisation, management, display and production across a wide range of fields - from contemporary art exhibitions to musical events, from museum displays to practical workshops. Like artists, curators develop their own practice at individual and collaborative levels. MA Curating at the University of Sunderland is the only course in the UK to specialise in the concerns of curating across the fields of Art, Design, Media & Culture. This innovative and ground-breaking post-graduate programme (incorporating Post-Graduate Certificate, Post-Graduate Diploma and Masters levels) is also the only one of its type internationally to combine the curation of artefacts and objects from the worlds of Fine Art and Applied Art and Design alongside the initiation and organisation of projects, exhibitions and events by (and with) contemporary artists and cultural practitioners. This new programme will highlight the histories of how people have collected and displayed culture whilst investigating and testing the methods and skills needed to be a curator today. It is designed to accommodate many kinds of curator; from the arts administrator and events co-ordinator to the artist-curator and curator-artist; from the design exhibitor to the gallery education worker; from the new media curator to those individuals who work in alternative and ad hoc contexts of cultural organisation and event programming. AREAS OF EXPERTISE IN CONTEXT MA Curating complements other initiatives at the University of Sunderland such as the ongoing investigation into curating new media art (www.crumbweb.org - an international resource for curators). The University of Sunderland has become a leading centre in academic and professional research on exhibiting digital and new media contemporary art. MA Curating draws on the wide range of professional curating experience and expertise of staff from Glass to Fine Art, Design History to Performance. The programme puts the expanding culture of the North East of England in an international context. It offers the student a dynamic learning environment close to BALTIC Centre for Contemporary Art, The Sage and a host of other galleries, projects and freelance initiatives across the region. In addition, MA Curating offers the skills necessary to impact upon practice via its international networks. AIM OF THE PROGRAMME The Programme provides a breadth of knowledge and expertise necessary to critically navigate the multifaceted and expanding field of curating in the current climate. MA Curating focuses on the practice of its participants via individual and collaborative projects and offers a far reaching historical and theoretical programme through writing and debate. TEACHING STAFF The course offers expertise from curators and academics at the forefront of their discipline: · Prof. Beryl Graham, Programme Leader (curator of 'Serious Games', co-author of 'Rethinking Curating', co-editor of CRUMB). · Dr. Tim Brennan, Head of Department, Arts & Design (artist and curator). · Mike Collier, Lecturer (curator, artist and consultant). · Dr. Sarah Cook, post-doctoral research fellow, co-curator of 'Database Imaginary',co-author of 'Rethinking Curating',and co-editor of CRUMB). · Dr. Carol McKay, Senior Lecturer, Photography, Video and Digital Imaging (writer and academic). Additional contributing staff include: Prof. Sylva Petrova, (specialism: glass) Jack Dawson, Senior Lecturer (specialism: Design History and Theory) Neil Ewins, Lecturer (specialism: Design History and Theory) Prof. Peter Davies, (Art Consultant) Visiting Speakers have included: * Kathy Rae Huffman, formerly Curator at the Long Beach Museum of Art, California, director of Hull Time Based Arts, and Director of Visual Arts at Cornerhouse, Manchester. * Caitlin Jones, formerly of Guggenheim Museum, New York, and curator of Seeing Double, now director of Western Front, Vancouver. PROGRAMME STRUCTURE Description This programme involves a practice-based approach to learning whilst providing a thorough understanding of the theoretical and historical underpinnings of curating. MA Curating is structured through 5 modules (also incorporating postgraduate certificate and postgraduate diploma levels of attainment). The following is a brief description of the modules: Modules Genealogies of Curating(CURM01, Postgraduate Certificate) This module studies a range of histories connected to the development of contemporary curating. This initial seminar and lecture based module establishes a substantial basis for the practice of curating in all its forms and begins by introducing contemporary curating as a multi-faceted and historically deep-rooted concept. Mechanics of Curating(CURM02, Postgraduate Certificate) This module brings together the main procedures of exhibition organizing as objects of study. It looks at a range of practical aspects that form the professional basis of any curator whether they are working or intend to work in the public or private sectors. The module establishes this via a combination of workshops led by professionals working in the field, group visits to cultural organizations in the region and keynote presentations by core staff. Curating a Region(CURM03, Postgraduate Diploma) This module builds on the practical concerns of Contemporary Art & Design infrastructures in a region. It will examine the relationship of local/regional production to an international market and global culture. It takes as its main object of study the environment of the North-East and investigates the role artists have played in the growth of arts provision. Curating a Regionis delivered via a combination of field trips and lecture/seminars. Visions of Curating(CURM04, Postgraduate Diploma) This module interrogates models of curatorial practice both in and out of the museum. It looks, in particular, at the ways in which artists have adopted the ideas and practices of curating into their work, the role of the collection, and models of the distribution of art derived from media. The module provides a platform for further enquiry into new and emerging models of curatorial practice. It asks: What are the possible future models of curating contemporary art? The module is delivered via lecture/seminars including case studies. Curatorial Practice(CURM05, Masters level) In this final module, students work either individually or collaboratively on a project of their own, either in association with a regional cultural institution or independently in the region (or further a field if applicable). Projects do not necessarily have to be realized as completed cultural events/exhibitions but exist as 'display' [presentation of advanced research]. The written aspects of the module (Project Report) contextualise the practical aspect with any topic covered previously in the programme. Assessment Each module involves a submission of an essay, written case study (with visual material) or in the case of Curatorial Practice (CURM05) a Project Report. APPLICATION Through application form and interview or in the case of overseas candidates by written application, telephone interview and or written correspondence. (For more detailed information on applications please contact Tim Brennan (Programme Leader) or the School of Art, Design, Media & Culture office, University of Sunderland (contact details below) COURSE DURATION The duration of the course is: one year full-time, 2 years part-time. It is modular in structure offering Post-graduate Certificate, Diploma, and Masters levels. CONTACT If you are interested in being part of this new and dynamic research culture of curating at the University of Sunderland please contact: Beryl Graham MA Curating Programme Leader University of Sunderland [log in to unmask] or Tim Brennan [log in to unmask] Further details: url: http://www.sunderland.ac.uk/study/coursedetails/index.php?cid=611