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One term used is 'dolly reverse zoom' which covers both dolly-in/zoom-out and dolly-out/zoom-in. The former increases depth of field and is probably more common (probably also the Vertigo shot). ----- Original Message ----- From: Isa-Penelope Gourdin-Sangouard To: [log in to unmask] Sent: Tuesday, June 30, 2009 7:34 AM Subject: Re: Vertigo camera effect following on Andreas's email, I can contribute that in France we call it "trans-travelling" - a "travelling" is the technical term (French-speaking) they use on-set to describe what their English-speaking counterparts call "tracking shots" - a travelling typically refers to a tracking shot on a moving vehicle (dolly...) Best Isabelle ------------------------------------------------------------------------------ From: Andreas Treske <[log in to unmask]> To: [log in to unmask] Sent: Monday, 29 June, 2009 20:01:35 Subject: Re: Vertigo camera effect I don't know the English term, in German it was called "Fotografische Perspektive". This was the term Johannes Mueller was using in his classes at Munich Film Academy. Straight translated it would be "photographical perspective". Other films with the same effect are "ET", "Poltergeist", "Death of a Saleman" (Schloendorf), "Jaws". It seems like Spielberg loves the effect. While searching with Mueller examples I somehow did not find anything older than Hitchcock's. Andreas On Jun 29, 2009, at 9:11 PM, Henry M. Taylor wrote: > Is there a technical term for the visual effect achieved in Hitchcock's Vertigo where the camera simultaneously tracks forward and zooms back (or the reverse)? It has in the meantime become very common in films. I would also be intrigued to know whether Hitch and his DP Robert Burks were indeed the first to use this feature. > > Thanks for all comments and suggestions. > > Henry > > * > * > Film-Philosophy salon > After hitting 'reply' please always delete the text of the message you are replying to. > To leave, send the message: leave film-philosophy to: [log in to unmask] > Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html > For help email: [log in to unmask], not the salon. > * > Film-Philosophy online: http://www.film-philosophy.com > Contact: [log in to unmask] > ** Andreas Treske Assistant Professor Chair Department of Communication and Design Faculty of Art, Design and Architecture Bilkent University 06800 Bilkent -Ankara Turkey [log in to unmask] * * Film-Philosophy salon After hitting 'reply' please always delete the text of the message you are replying to. To leave, send the message: leave film-philosophy to: [log in to unmask] Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html For help email: [log in to unmask], not the salon. * Film-Philosophy online: http://www.film-philosophy.com Contact: [log in to unmask] ** * * Film-Philosophy Email Discussion Salon. After hitting 'reply' please always delete the text of the message you are replying to. To leave, send the message: leave film-philosophy to: [log in to unmask] Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html For help email: [log in to unmask], not the salon. * Film-Philosophy online: http://www.film-philosophy.com Contact: [log in to unmask] ** ------------------------------------------------------------------------------ No virus found in this incoming message. Checked by AVG - www.avg.com Version: 8.5.375 / Virus Database: 270.13.0/2209 - Release Date: 06/29/09 14:43:00 * * Film-Philosophy salon After hitting 'reply' please always delete the text of the message you are replying to. To leave, send the message: leave film-philosophy to: [log in to unmask] Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html For help email: [log in to unmask], not the salon. * Film-Philosophy online: http://www.film-philosophy.com Contact: [log in to unmask] **