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medieval-religion: Scholarly discussions of medieval religion and culture

----- Original Message ----- 
From: "Laura Jacobus" <[log in to unmask]>
To: "medieval-religion - Scholarly discussions of medieval religious 
culture" <[log in to unmask]>
Sent: 22 April 2009 16:05
Subject: Re: [SPAM]Re: [M-R] Recent forgeries part I.2 (and I.1)


> medieval-religion: Scholarly discussions of medieval religion and culture
>
> Just to add (out of concern for Christopher's eyesight) that the images 
> come up larger if you scroll down this site, confirming Robert's valuable 
> points.
>
> http://cgi.ebay.de/ANTIPHONAR-IMPERIALFOLIO-PERGAMENT-MINIATUR-1400-8_W0QQitemZ200266810815QQcmdZViewItemQQptZAntiquarische_B%C3%BCcher?hash=item200266810815&_trksid=p3911.c0.m14&_trkparms=66%3A2|65%3A1|39%3A1|240%3A1318
>
> I'm still intrigued by the comparison with the S.Stephen miniature (part 
> I.2) and the Baptist one (part I.1 
> http://www.reiss-sohn.de/auktion/bilder/923.jpg ), or does everyone just 
> accept that the Baptist is a forgery?  My sense is that most 
> correspondents don't think that the S.Stephen page is forged, but that the 
> text does show signs of alteration for reasons that are not necessarily 
> connected with forgery.  To my eye, the Baptist remains problematic: among 
> other things the figure style seems later than the initial, but I'm not a 
> MSS person and the image is too small to determine whether this is due to 
> a Renaissance updating of an earlier initial, or a modern interpolation. 
> I incline to agree with Erik that its a forgery, but it would be nice to 
> hear more informed views.  The discussion on the S. Stephen MS has been 
> fascinating (if at times not as courteous as one might wish) and I'd like 
> to know whether Erik has changed his views about one or both MSS.
>
> Laura
>
>
> ----- Original Message ----- 
> From: "Christopher Crockett" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: 22 April 2009 15:27
> Subject: [SPAM]Re: [M-R] Recent forgeries part I.2
>
>
> medieval-religion: Scholarly discussions of medieval religion and culture
>
> From: Robert Kraft <[log in to unmask]>
>
>> Sometimes I wonder if we are all looking at the same images.
>
> that's a reasonable explanation.
>
> though there is only one leaf here, with only two sides, a recto and a 
> verso.
>
> i'll try and insert links to the precise ones, as i go along.
>
>>While it may be true that nothing has been changed on the second side (the
> side with the unadorned blue large S in Solue)
>
> http://www.neumann-walter.de/NW/November2007/27.11.07/37.jpg
>
> detail:
>
> http://www.neumann-walter.de/NW/November2007/27.11.07/38.jpg
>
> given the location of the sewing holes, we might call that the "verso" of 
> the
> leaf, mightn't we not?
>
>> where bleed-through is indeed  evident,
>
> bleed-through is evident on both sides, is it not?
>
>>it is also clear that on the first side (with the decorated red S),
>
> http://www.neumann-walter.de/NW/November2007/27.11.07/33.jpg
>
> detail:
>
> http://www.neumann-walter.de/NW/November2007/27.11.07/35.jpg
>
> by default (if nothing else, accepting the premise re the other side), we
> could style that one as the "verso."
>
>>that entire line which now reads Sede(runt) has been modified,
>
> ?
>
> how is that "clear"?
>
>>and the underwriting is still decipherable (Et enim sede).
>
> sorry.
>
> you lost me entirely there.
>
> perhaps we are not looking at the same image.
>
> but i'll be jiggered if i can see an "Et enim sede" anywhere on this page
>
> http://www.neumann-walter.de/NW/November2007/27.11.07/33.jpg
>
> and i can see no "underwriting" below the main text of the chant, 
> anywhere,
> either.
>
> you Manuscript guys sure do have sharp eyes.
>
> clearly, i should stick to Monumental Sculpture.
>
> or go for Architecture.
>
> or, morebetter, City Planning.
>
> or change my glasses prescription.
>
> or, perhaps, All of the Above.
>
>>And it doesn't take much paleographical skill
>
> now your talking my language.
>
>>to observe that the newly written "d" in that line
>
> the "Se*d*e" line...
>
> http://www.neumann-walter.de/NW/November2007/27.11.07/33.jpg
>
>>is not appropriate to the original hand -- see the final line on that page
> (domine deus) or the Solue line on the next page ending with "de."
>
> or the "d" in "aduersu[m]" just below the "Sede".
>
> yes, even i can see that.
>
>>The ink of that "new style" "d" also created more obvious
> bleed-through on the other side of the page (in the Solue line).
>
> yes.
>
> http://www.neumann-walter.de/NW/November2007/27.11.07/37.jpg
>
> reading as a light "b" between "Sol" and "ue".
>
> good point.
>
> the "d" on the first line of the recto is a definite "insertion," most 
> likely
> by a different (and more archaic??) hand, but not *necessarily* a modern 
> one.
>
>>Also the left side curvature of the two "e" letters in the rewritten line
>
> "S...e...de..." here:
>
> http://www.neumann-walter.de/NW/November2007/27.11.07/33.jpg
>
>>is too smooth/regular when compared to the original "e" letters.
>
> i would say that those first "e"s are much more rounded and "fat" (to use 
> the
> technical jargon) than the "original" ones elsewhere on both sides.
>
>>When and why the changes were made is another matter,
>
> yes.
>
> quite.
>
>>but changes there were, at least on that decorated line.
>
> taking Erik's original point about the "shadow" letters in that line being
> "erasures" (and discarding my previous suggestion that they are 
> bleed-throughs
> from a facing page), we would simply have some mistaken text in that line
> which was replaced (whenever) by a correct (and much shorter) one.
>
> but, that Dog won't Hunt: *what* text could have been there?
>
> starting with the "original" ornamented (but not illuminated), 
> white-on-blue
> "E", a word (or syllable) or two, a phrase which ends in the "ru[n]t" in 
> the
> next line....
>
> doesn't make much sense.
>
> seems to me (unencumbered by any actual knowledge of the subject) that a 
> page
> like this would have been "built" up in stages.
>
> first pricked and ruled (not visible in these .jpgs), then
> the box for the initial initial and the musical lining traced out, then 
> the
> text and the music itself (which of those came first??)...
>
> i just don't see how a "mistake" like we see in that first line could have
> been made.
>
> nor do i see how the "e...de" could have been a modern insertion.
>
>
> the nice thing about a complex problem like this is that, more often than 
> not,
> there is only one way the pieces to the jig-saw puzzle can go together.
>
> all that has to be done is to find that one, good, solution which 
> satisfies
> all the necessary parameters.
>
> simple.
>
> c
>
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