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"Intercapillary Editions" plush degrees, said the cow, wrap the fees presents: Mouthings by Tina Bass A book of talk. 6" x 9", jacket-hardcover binding, cream interior paper, 60 pages. £8.96 plus £3.50 p&p. Or download it for FREE. Mummy: It means that something has a hole all the way through it, like a straw has. Can you think of anything else that is hollow? Owen: A bunny. Mummy: A bunny? Owen: Yes. A bunny that's been shot by a bullet and the bullet has gone all the way through and left a hole. Sources and developmental origins are left behind in Tina Bass’ fleet set of scenes cut from conversations with her twin sons covering just over a year. Speech which seemed to the poet worth archiving becomes art-action, a journal which opens at the threshold of state schooling and continues onwards. Coming across these tiny exchanges of power, acquisition, socialisation and play, I read them in unravelling ways: as pieces from a sequence of conversation novels which were somewhere splintering and unifying; as the unsystematic studies or emblems of a parent; as an investigative diagram of articulation. What is it that’s emplotted here? (editor Edmund Hardy) Statement from the author: On the 6th September 2006 I wrote down a short conversation that I’d had with my two young sons. I posted it onto a MySpace blog and two weeks later recorded another, and then another; until it was suggested that I gather them into a book. I had been aware for a quite some time that I was doing more than recording the words of my children. Obviously the records serve as memorabilia; the preservation of which will demonstrate to Leon and Owen that their mother was paying attention. Each entry can be viewed as an item in the memory box, placed alongside the first baby-grows and the envelopes filled with milk teeth. As a female writer, writing in a way that foregrounds motherhood, I believe that I have also been articulating something of the unsaid feminine. I have recently been guided to Mary Kelly’s Postpartum Document and have been fascinated by her passion for illustrating ‘the collaged life of women who choose to create and procreate’. That particular work has been critiqued by many but it is when Mary describes the Document as ‘the rationalisation of a difficult experience’ or compensation for giving birth and losing control, that I find myself smiling and releasing an exuberant ‘Hear, Hear’. 27th September 2006 (Owen has struggled to drop off to sleep since he has started school. Leon rarely takes longer than 1-5 minutes) Owen: 'Cwab' starts with 'cuh', 'koala' starts with 'cuh', 'starfish' starts with a 'duh' Mummy: Owen, it's time to close your eyes and go to sleep now. It's late. Owen: I can't sleep because I'm thinking. Leon: Owen. YOU. JUST. CLOSE. YOUR. EYES. Tina Bass currently lives, works and studies in the Midlands of England. With the support of Lawrence Upton and Martin Holroyd she has recently had two poetry chapbooks published: Mechanical Expressions (Writers Forum, 2007), and Fat Man Dancing, (Poetry Monthly Press, 2006). _________________________________________________________________ Make a mini you and download it into Windows Live Messenger http://clk.atdmt.com/UKM/go/111354029/direct/01/